{"id":5039,"date":"2026-03-27T08:30:35","date_gmt":"2026-03-27T08:30:35","guid":{"rendered":"https:\/\/theatre.local\/festival-spa-ieteikumi-radosam-pauzem\/"},"modified":"2026-03-27T08:30:35","modified_gmt":"2026-03-27T08:30:35","slug":"festival-spa-ieteikumi-radosam-pauzem","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/en\/festival-spa-ieteikumi-radosam-pauzem\/","title":{"rendered":"Festival SPA. The Art of Slowing Down Creatively"},"content":{"rendered":"<p><\/p>\n<p>Across the world, including in the performing arts and cultural sector, we are increasingly confronted in our daily lives with overload, burnout, and the need for more balanced working practices.<\/p>\n<p>To address this, three contemporary performing arts festivals \u2013 \u201c<a href=\"https:\/\/homonovus.lv\/lv\/\" rel=\"noopener\" target=\"_blank\">Homo Novus<\/a>\u201d (Latvia), \u201c<a href=\"https:\/\/www.santarcangelofestival.com\/en\/\" rel=\"noopener\" target=\"_blank\">Santarcangelo<\/a>\u201d (Italy) and \u201c<a href=\"https:\/\/www.bunker.si\/en\/mladi-levi-international-festival\/\" rel=\"noopener\" target=\"_blank\">Mladi Levi<\/a>\u201d (Slovenia) \u2013 have joined forces to collectively seek answers to this issue. Four internationally recognized experts Julia Asperska, Marta Keil, Bek Berger, and Silvia Bottiroli have compiled a list of recommended readings and examples that can serve as inspiration and support for building more sustainable organizational structures and festival practices.<\/p>\n<p>Within the European Union\u2019s Creative Europe programme project \u201cFestival SPA,\u201d these experts are conducting an in-depth analysis of performing arts festivals and developing recommendations on how to find a balance between creation and recovery, intensity and the conscious slowing down of pace in a creative environment. We aim to integrate these insights into future events and festival practices. Following this project, a more comprehensive publication will be made publicly available, but for now we are sharing the recommended reading list.<\/p>\n<p><strong>Projects \/ Artistic Institutions \/ Festivals<\/strong><\/p>\n<li><a href=\"https:\/\/www.tanzfabrik-berlin.de\/en\/pause-as-resistance-stimmen-reflektionen-fotos\" rel=\"noopener\" target=\"_blank\">Pause as Resistance<\/a>, Tanzfabrik Berlin<\/li>\n<li><a href=\"https:\/\/performinglifeakademianetwork.eu\/\" rel=\"noopener\" target=\"_blank\">Performing Life Akademia Network<\/a><\/li>\n<li><a href=\"https:\/\/www.plastiquedanseflore.com\/\" rel=\"noopener\" target=\"_blank\">Plastique Danse Flore<\/a> \u2013 Dance festival in the vegetable gardens of the Kings Palace in Versailles. They offer sanctuary for dance works to exist in a relaxed environment. Audience members often fall asleep in the sunshine.<\/li>\n<li><a href=\"https:\/\/www.artswellbeingcollective.com.au\/\" rel=\"noopener\" target=\"_blank\">Arts Wellbeing Collective<\/a><\/li>\n<li><a href=\"https:\/\/antifestival.com\/en\/marta-keil-en\" rel=\"noopener\" target=\"_blank\">Festival as a condition to think-with<\/a>, ANTI Festival \/ Marta Keil<\/li>\n<p>&nbsp;<br \/>\n<strong>Reading list<\/strong><\/p>\n<li><a href=\"https:\/\/www.academia.edu\/129793959\/What_Can_We_Learn_from_Tired_Institutional_Bodies\" rel=\"noopener\" target=\"_blank\">What Can We Learn from Tired Institutional Bodies? Some Speculative Exercises for Times of Exhaustion<\/a><\/li>\n<li> <a href=\"https:\/\/www.thisisliveart.co.uk\/projects\/reimagining-care-200-questions-about-care-by-rubiane-maia\/\" rel=\"noopener\" target=\"_blank\">Reimagining Care: 200 Questions About Care<\/a>, Rubiane Maia<\/li>\n<li><a href=\"https:\/\/english.instytut-teatralny.pl\/wp-content\/uploads\/2025\/05\/en-it-spreads.pdf\" rel=\"noopener\" target=\"_blank\">Whoever is Not Lost Does Not Yet Understand<\/a>, Vania Rodrigues.<\/li>\n<p>&nbsp;<br \/>\n<strong>Books<\/strong><\/p>\n<li><a href=\"https:\/\/www.goodreads.com\/book\/show\/25330202-artist-at-work\" rel=\"noopener\" target=\"_blank\">Artist at Work<\/a>, Bojana Kunst<\/li>\n<li><a href=\"https:\/\/www.dukeupress.edu\/queer-use\" rel=\"noopener\" target=\"_blank\">Queer Use<\/a>, Sarah Ahmed<\/li>\n<li><a href=\"https:\/\/www.powerinstitute.org.au\/sites\/default\/files\/2024-05\/The%20Care%20Collective\" rel=\"noopener\" target=\"_blank\">The Care Manifesto<\/a>, Andreas Chatzidakis et al.<\/li>\n<li><a href=\"https:\/\/thenapministry.wordpress.com\/\" rel=\"noopener\" target=\"_blank\">Rest Is Resistance<\/a>, Tricia Hersey<\/li>\n<li><a href=\"https:\/\/adriennemareebrown.net\/\" rel=\"noopener\" target=\"_blank\">Pleasure Activism<\/a>, adrienne maree brown<\/li>\n<li><a href=\"https:\/\/www.versobooks.com\/products\/2315-24-7\" rel=\"noopener\" target=\"_blank\">24\/7: Late Capitalism and the Ends of Sleep<\/a>, Jonathan Crary<\/li>\n<li><a href=\"https:\/\/www.goodreads.com\/book\/show\/42771901-how-to-do-nothing\" rel=\"noopener\" target=\"_blank\">How to Do Nothing<\/a>, Jenny Odell<\/li>\n<li><a href=\"https:\/\/www.goodreads.com\/book\/show\/61111262-saving-time\" rel=\"noopener\" target=\"_blank\">Saving Time<\/a>, Jenny Odell<\/li>\n<p>&nbsp; <\/p>\n<p>Bibliography:<br \/>\nAranda, Julieta, Wood, Brian Kuan, Vidokle, Anton, Are You Working Too Much? Post-Fordism, Precarity, and the Labor of Art, e-flux books, 2011<br \/>\nBerardi, Franco \u2018Bifo\u2019, The Soul at Work. From Alienation to Autonomy, Semiotext(e), 2009<br \/>\nDietachmair, Philipp, Pascal Gielen, and Nicolau, Georgia (eds.), Sensing Earth: Cultural Quests across a Heated Globe. Antennae &#8211; Arts in Society. Amsterdam: Valiz, 2023<br \/>\nHan, Byung-Chul, The Burnout Society, Stanford University Press 2015<br \/>\nHersey, Tricia, Rest is Resistance. A Manifesto, Little, Brown Spark 2022<br \/>\nKunst, Bojana, Artist at Work. Proximity of Art and Capitalism, Zero Books 2015<br \/>\nLorey, Isabell, State of Insecurity: Government of the Precarious, Verso Books 2015<br \/>\nRaes, Barbara, <a href=\"https:\/\/fo.am\/blog\/2014\/09\/25\/radiantly-burning\/\" rel=\"noopener\" target=\"_blank\">Radiantly burning out and stacking stones<\/a>, 2014,<\/p>\n<p><span style=\"font-weight: 400;\"> \u201cFestival SPA\u201d is supported by European Union&#8217;s programme &#8220;Creative Europe&#8221; and Ministry of Culture in Latvia.\u00a0<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-22944 alignnone\" src=\"http:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/SPA-color_transparetn-background-300x139.png\" alt=\"\" width=\"207\" height=\"96\" srcset=\"https:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/SPA-color_transparetn-background-300x139.png 300w, https:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/SPA-color_transparetn-background-700x325.png 700w, https:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/SPA-color_transparetn-background-460x213.png 460w, https:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/SPA-color_transparetn-background.png 744w\" sizes=\"auto, (max-width: 207px) 100vw, 207px\" \/>\u00a0 \u00a0 \u00a0 \u00a0 <img loading=\"lazy\" decoding=\"async\" class=\" wp-image-22945 alignnone\" src=\"http:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/LV-Lidzfinanse-Eiropas-Savieniba_PANTONE-300x63.jpg\" alt=\"\" width=\"243\" height=\"51\" srcset=\"https:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/LV-Lidzfinanse-Eiropas-Savieniba_PANTONE-300x63.jpg 300w, https:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/LV-Lidzfinanse-Eiropas-Savieniba_PANTONE-1024x215.jpg 1024w, https:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/LV-Lidzfinanse-Eiropas-Savieniba_PANTONE-768x161.jpg 768w, https:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/LV-Lidzfinanse-Eiropas-Savieniba_PANTONE-1536x322.jpg 1536w, https:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/LV-Lidzfinanse-Eiropas-Savieniba_PANTONE-2048x430.jpg 2048w, https:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/LV-Lidzfinanse-Eiropas-Savieniba_PANTONE-700x147.jpg 700w, https:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/LV-Lidzfinanse-Eiropas-Savieniba_PANTONE-460x97.jpg 460w\" sizes=\"auto, (max-width: 243px) 100vw, 243px\" \/>\u00a0 \u00a0 \u00a0<img loading=\"lazy\" decoding=\"async\" class=\" wp-image-22943 alignnone\" src=\"http:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/pilnkrasu_rgb1-300x290.png\" alt=\"\" width=\"138\" height=\"133\" srcset=\"https:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/pilnkrasu_rgb1-300x290.png 300w, https:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/pilnkrasu_rgb1-1024x990.png 1024w, https:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/pilnkrasu_rgb1-768x742.png 768w, https:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/pilnkrasu_rgb1-383x370.png 383w, https:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/pilnkrasu_rgb1-460x445.png 460w, https:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/pilnkrasu_rgb1.png 1400w\" sizes=\"auto, (max-width: 138px) 100vw, 138px\" \/><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Four internationally recognized experts Julia Asperska, Marta Keil, Bek Berger, and Silvia Bottiroli have compiled a list of recommended readings and examples that can serve as inspiration and support for building more sustainable organizational structures and festival practices.<\/p>\n","protected":false},"author":1,"featured_media":5040,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[90,91,88,84],"tags":[],"class_list":["post-5039","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival-spa","category-lasitava","category-ljti-dara","category-ljti-iesaka"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/en\/wp-json\/wp\/v2\/posts\/5039","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/en\/wp-json\/wp\/v2\/comments?post=5039"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/en\/wp-json\/wp\/v2\/posts\/5039\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/en\/wp-json\/wp\/v2\/media\/5040"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/en\/wp-json\/wp\/v2\/media?parent=5039"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/en\/wp-json\/wp\/v2\/categories?post=5039"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/en\/wp-json\/wp\/v2\/tags?post=5039"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}