{"id":5039,"date":"2026-03-27T08:30:35","date_gmt":"2026-03-27T08:30:35","guid":{"rendered":"https:\/\/theatre.local\/festival-spa-ieteikumi-radosam-pauzem\/"},"modified":"2026-03-27T08:30:35","modified_gmt":"2026-03-27T08:30:35","slug":"festival-spa-ieteikumi-radosam-pauzem","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/festival-spa-ieteikumi-radosam-pauzem\/","title":{"rendered":"Festival Spa. Ieteikumi rado\u0161\u0101m pauz\u0113m"},"content":{"rendered":"

<\/p>\n

Vis\u0101 pasaul\u0113, tostarp skatuves m\u0101kslas un kult\u016bras nozar\u0113, arvien vair\u0101k ikdien\u0101 saskaramies ar p\u0101rslodzi, izdeg\u0161anu un vajadz\u012bbu p\u0113c l\u012bdzsvarot\u0101k\u0101m darba praks\u0113m.<\/p>\n

\u0160aj\u0101 nol\u016bk\u0101 tr\u012bs laikmet\u012bg\u0101s skatuves m\u0101kslas festiv\u0101li \u2013 \u201cHomo Novus<\/a>\u201d (Latvija), \u201cSantarcangelo<\/a>\u201d (It\u0101lija) un \u201cMladi Levi<\/a>\u201d (Slov\u0113nija) \u2013 apvienoju\u0161ies, lai kop\u012bgi mekl\u0113tu atbildes uz \u0161o jaut\u0101jumu. Esam pieaicin\u0101ju\u0161i \u010detras starptautiski atz\u012btas ekspertes \u2013 J\u016bliju Aspersku, Martu Keilu, Beku Bergeri un Silviju Botiroli, kas izveidoju\u0161as ieteicam\u0101s las\u0101mvielas un piem\u0113ru sarakstu, kas var kalpot k\u0101 iedvesma un atbalsts ilgtsp\u0113j\u012bg\u0101kai organiz\u0101ciju nodro\u0161in\u0101\u0161anai un festiv\u0101lu veido\u0161anai.<\/p>\n

Eiropas Savien\u012bbas programmas \u201cRado\u0161\u0101 Eiropa\u201d projekt\u0101 \u201cFestival SPA\u201d ekspertes str\u0101d\u0101 pie padzi\u013cin\u0101tas te\u0101tra festiv\u0101lu anal\u012bzes un izstr\u0101d\u0101 ieteikumus tam, k\u0101 atrast l\u012bdzsvaru starp rad\u012b\u0161anu un atjauno\u0161anos, intensit\u0101ti un apzin\u0101tu tempa pal\u0113nin\u0101\u0161anu rado\u0161\u0101 vid\u0113, kurus cent\u012bsimies integr\u0113t turpm\u0101ko notikumu un festiv\u0101lu praks\u0113. P\u0113c \u0161\u012b cikla tiks izstr\u0101d\u0101ts pla\u0161\u0101ks materi\u0101ls, kas b\u016bs pieejams ar\u012b publiski, bet ar ieteicamo las\u0101mvielu dal\u0101mies jau tagad.<\/p>\n

Projekti \/ M\u0101kslas instit\u016bcijas \/ Festiv\u0101li<\/strong><\/p>\n

  • Pause as Resistance<\/a>, Tanzfabrik Berlin<\/li>\n
  • Performing Life Akademia Network<\/a><\/li>\n
  • Plastique Danse Flore<\/a> \u2013 dejas festiv\u0101ls pils d\u0101rze\u0146u d\u0101rzos, kas pied\u0101v\u0101 vidi, kur darbi var past\u0101v\u0113t mier\u012bg\u0101, nesteidz\u012bg\u0101 ritm\u0101. Skat\u012bt\u0101ji bie\u017ei iemieg saul\u0113 \u2013 t\u0101 ir da\u013ca no pieredzes.<\/li>\n
  • Arts Wellbeing Collective<\/a> \u2013 resursi gar\u012bgajai vesel\u012bbai un labb\u016bt\u012bbai skatuves m\u0101kslu nozar\u0113.<\/li>\n
  • Festival as a condition to think-with<\/a>, ANTI Festival \/ Marta Keil<\/li>\n

     
    \nRaksti \/ esejas<\/strong><\/p>\n

  • What Can We Learn from Tired Institutional Bodies?<\/a><\/li>\n
  • Reimagining Care: 200 Questions About Care<\/a>, Rubiane Maia<\/li>\n
  • Whoever is Not Lost Does Not Yet Understand<\/a>, Vania Rodrigues. Teksts tapis Polijas Te\u0101tra instit\u016bta zi\u0146ojuma ietvaros par producentu profesiju.<\/li>\n

     
    \nGr\u0101matas<\/strong><\/p>\n

  • Artist at Work<\/a>, Bojana Kunst<\/li>\n
  • Queer Use<\/a>, Sarah Ahmed<\/li>\n
  • The Care Manifesto<\/a>, Andreas Chatzidakis et al.<\/li>\n
  • Rest Is Resistance<\/a>, Tricia Hersey<\/li>\n
  • Pleasure Activism<\/a>, adrienne maree brown<\/li>\n
  • 24\/7: Late Capitalism and the Ends of Sleep<\/a>, Jonathan Crary<\/li>\n
  • How to Do Nothing<\/a>, Jenny Odell<\/li>\n
  • Saving Time<\/a>, Jenny Odell<\/li>\n

      <\/p>\n

    Izmantot\u0101 literat\u016bra:
    \nAranda, Julieta, Wood, Brian Kuan, Vidokle, Anton, Are You Working Too Much? Post-Fordism, Precarity, and the Labor of Art, e-flux books, 2011
    \nBerardi, Franco \u2018Bifo\u2019, The Soul at Work. From Alienation to Autonomy, Semiotext(e), 2009
    \nDietachmair, Philipp, Pascal Gielen, and Nicolau, Georgia (eds.), Sensing Earth: Cultural Quests across a Heated Globe. Antennae – Arts in Society. Amsterdam: Valiz, 2023
    \nHan, Byung-Chul, The Burnout Society, Stanford University Press 2015
    \nHersey, Tricia, Rest is Resistance. A Manifesto, Little, Brown Spark 2022
    \nKunst, Bojana, Artist at Work. Proximity of Art and Capitalism, Zero Books 2015
    \nLorey, Isabell, State of Insecurity: Government of the Precarious, Verso Books 2015
    \nRaes, Barbara,     Radiantly burning out and stacking stones<\/a>, 2014,<\/p>\n

    Projektu \u201cFestival SPA\u201d atbalsta ES programma \u201cRado\u0161\u0101 Eiropa\u201d ar Kult\u016bras ministrijas l\u012bdzfinans\u0113jumu.\u00a0<\/span><\/p>\n

    \"\"\u00a0 \u00a0 \u00a0 \u00a0 \"\"\u00a0 \u00a0 \u00a0\"\"<\/p>\n

    <\/p>","protected":false},"excerpt":{"rendered":"

    \u010cetras starptautiski atz\u012btas ekspertes \u2013 J\u016bliju Aspersku, Martu Keilu, Beku Bergeri un Silviju Botiroli \u2013 iesaka las\u0101mvielu un piem\u0113ru sarakstu, kas var kalpot k\u0101 iedvesma un atbalsts ilgtsp\u0113j\u012bg\u0101kai organiz\u0101ciju nodro\u0161in\u0101\u0161anai un festiv\u0101lu veido\u0161anai.<\/p>\n","protected":false},"author":1,"featured_media":5040,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[90,91,88,84],"tags":[],"class_list":["post-5039","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival-spa","category-lasitava","category-ljti-dara","category-ljti-iesaka"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5039","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5039"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5039\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5040"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5039"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5039"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5039"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}