{"id":5077,"date":"2025-11-10T07:58:23","date_gmt":"2025-11-10T07:58:23","guid":{"rendered":"https:\/\/theatre.local\/rosa-omarsdotira-meklejot-purvu-refleksija-par-rezidenci-kemeros\/"},"modified":"2025-11-10T07:58:23","modified_gmt":"2025-11-10T07:58:23","slug":"rosa-omarsdotira-meklejot-purvu-refleksija-par-rezidenci-kemeros","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/rosa-omarsdotira-meklejot-purvu-refleksija-par-rezidenci-kemeros\/","title":{"rendered":"Rosa Omarsdotira: Mekl\u0113jot purvu. Refleksija par rezidenci \u0136emeros"},"content":{"rendered":"

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M\u0101kslinieces Rosas Omarsdotiras refleksija par rezidenci, kas \u012bstenota sadarb\u012bb\u0101 ar m\u0101kslinieci Lindu Bo\u013c\u0161akovu Eiropas Savien\u012bbas programmas \u201cRado\u0161\u0101 Eiropa\u201d projekta \u201cThe Big Green\u201d ietvaros \u0136emeru Nacion\u0101laj\u0101 park\u0101. Tulkojusi Ieva Le\u0161inska.<\/strong><\/p>\n

Mekl\u0113jot purvu<\/strong><\/p>\n

Ja uzman\u012bgi ieskat\u0101s, katr\u0101 pils\u0113t\u0101 ir purvs. Pat \u0161eit, Reikjav\u012bk\u0101, kur betons sola stabilit\u0101ti, zeme atceras ko citu. Ielas ir pel\u0113kas, cietas, viet\u0101m ieplais\u0101ju\u0161as. K\u0101d\u0101 plaisi\u0146\u0101 iesak\u0146ojusies nez\u0101le, kas izlauzusies cauri virsmai. S\u016bnas lien lauk\u0101 bru\u0123akme\u0146u starp\u0101s, t\u0101s dara to l\u0113ni, k\u0101 tektoniskie sp\u0113ki, kas betona pl\u0101tnes stumj proj\u0101m citu no citas.<\/p>\n

Man tas atg\u0101dina purv\u0101ju.<\/p>\n

Purvs ir sava veida puspasaule, robe\u017eu noliegums. Tas ir porains un m\u012bksts. Ne \u016bdens, ne zeme, ne miris, ne dz\u012bvs. Purvs pretojas skaidr\u012bbai. Tas aicina m\u016bs nogrimt, atbr\u012bvoties no iedom\u0101m par cietzemi.<\/p>\n

No \u0123eolo\u0123ijas m\u0101cos, ka purvi ir sfagnu s\u016bnu uzkr\u0101jumi, \u016bdens pies\u0101tin\u0101tas plat\u012bbas, kur sk\u0101beklis ir retin\u0101ts un sadal\u012b\u0161an\u0101s notiek \u013coti l\u0113ni. Bet valoda man st\u0101sta man ko citu: bog, no senskandin\u0101vu bogi, kas noz\u012bm\u0113 \u201cliekt\u201d. Purvs ir mat\u0113rijas un laika liek\u0161an\u0101s.<\/p>\n

\u0136\u0113rpji un s\u016bnas purv\u0101 darbojas l\u0113ni, t\u0101s satur. T\u0101s satur \u016bdeni un atmi\u0146as. T\u0101s rada izdz\u012bvo\u0161anas sist\u0113mu, izmantojot pie\u0137er\u0161anos. \u0136\u0113rpis nav kas viens \u2013 tas ir daudzu kopojums: s\u0113ne, a\u013c\u0123e, cianobakt\u0113rijas, un tas viss simbioz\u0113. \u0136\u0113rpji var apstr\u012bd\u0113t to, k\u0101 m\u0113s v\u0113rt\u0113jam neatkar\u012bbu, jo \u0161ie pasaules sen\u0101kie izdz\u012bvot\u0101ji atrodas past\u0101v\u012bg\u0101 kopdz\u012bv\u0113. K\u0101 mums atg\u0101dina biologs Skots Gilberts, m\u0113s visi esam \u0137\u0113rpji [1]. Varb\u016bt m\u0113s esam ar\u012b purvi.<\/p>\n

Purvs ir apgriezta pasaule. D\u012bvaina pasaule. Spokaina. Pild\u012bta ar purva \u0137erme\u0146iem. K\u016bdras purv\u0101 saglab\u0101ju\u0161ies cilv\u0113ku l\u012b\u0137i. P\u0113c vair\u0101kiem gadsimtiem izvilkti no k\u016bdras, tie izskat\u0101s neparasti dz\u012bvi: plaksti\u0146i joproj\u0101m ar skropst\u0101m, uz vaigiem b\u0101rdas rug\u0101ji, bizes neskartas. Purvs ir iek\u013cuvis tajos, k\u0101 miesa, kas p\u0101rv\u0113rtusies apvalk\u0101, izdobta un saglab\u0101jusies. \u0160ie \u0137erme\u0146i \u0161\u0137iet \u010dukstam, ka dz\u012bv\u012bba m\u012bt nevis miesas ciet\u012bb\u0101, bet gan t\u0101s porain\u012bb\u0101.<\/p>\n

Parast\u0101 augsn\u0113 saglab\u0101jas skelets: kauli, zobi, cietais dz\u012bves kodols. Turpretim purvos likums ir apgriezts: kauli iz\u0161\u0137\u012bst, bet \u0101da un mati paliek. Iek\u0101pt purv\u0101 noz\u012bm\u0113 iek\u0101pt apgriezt\u0101 pasaul\u0113, viet\u0101, kas iebilst pret to, ko m\u0113s uzskat\u0101m par ilgsto\u0161u.<\/p>\n

Latvijas purvi mani intri\u0123\u0113. Bezgal\u012bgi sfagniem kl\u0101ti l\u012bdzenumi stiepjas l\u012bdz pat apv\u0101rsnim, zeme sl\u0101p\u0113 so\u013cus, t\u0101 ir pies\u0101tin\u0101ta ar klusumu. \u0160ie purvi ir apriju\u0161i veselas v\u0113stures – iero\u010dus, rotas, \u0137erme\u0146us. Tie ir gan apbed\u012bjuma vieta, gan arh\u012bvs. At\u0161\u0137ir\u012bb\u0101 no akmens pieminek\u013ciem, kas pace\u013cas aug\u0161up un sludina savu past\u0101v\u012bbu, purvs \u010dukst par saglab\u0101\u0161anu. Purvs glab\u0101 nevis v\u0113stures triumfus, bet t\u0101s trauslumu: matu p\u012bni, \u0101das kroku, aizmirstu upur\u0113jumu. Purvs atceras to, ko cietzeme m\u0113dz aizmirst.<\/p>\n

Bet es dz\u012bvoju Reikjav\u012bk\u0101. Mana pils\u0113ta ir nobru\u0123\u0113jusi savus mitr\u0101jus, novirz\u012bjusi citur savus \u016bde\u0146us, ier\u0101d\u012bjusi zemei, k\u0101 uzvesties. Paredzam\u012bba un stabilit\u0101te ir m\u016bsdienu dz\u012bves pamats; no caurlaid\u012bbas m\u0113s izvair\u0101mies. Tad kur te purvs?<\/p>\n

Varb\u016bt apkaim\u0113s, kas uzceltas uz seniem mitr\u0101jiem, kur zeme ik gadus klusi nos\u0113\u017eas par da\u017eiem milimetriem, atg\u0101dinot mums, ka asfalts ir tikai pl\u0101na \u0101da, p\u0101rvilkta p\u0101ri \u016bdenim. Varb\u016bt s\u0113ra dvak\u0101, kas ce\u013cas no zemes, atg\u0101dinot mums, ka stabilit\u0101te vienm\u0113r bijusi tikai virspus\u0113ja.<\/p>\n

Purvs Reikjav\u012bku vaj\u0101 maigi, bet neatlaid\u012bgi. Pils\u0113ta atrodas ainav\u0101, kas ne\u013caujas pieradin\u0101ties: t\u0101 ir vulk\u0101niska, poraina, past\u0101v\u012bgi main\u012bga. T\u0101pat k\u0101 purvs, t\u0101 uzst\u0101j uz cit\u0101m laika l\u012bnij\u0101m, citiem iztur\u012bbas paveidiem.<\/p>\n

Bet t\u0101d\u0101 gad\u012bjum\u0101, kur ir purvs man\u0101 \u0137ermen\u012b? Es izt\u0113lojos savu \u0101du k\u0101 s\u016bnu, audus k\u0101 k\u016bdru, org\u0101nus k\u0101 ar \u016bdeni pievilgu\u0161u zemi. Es izt\u0113lojos, k\u0101 pien\u0101ks diena, kad mani kauli iz\u0161\u0137\u012bd\u012bs laika l\u0113naj\u0101 \u0137\u012bmij\u0101. Kas paliks p\u0101ri? M\u012bkstums, kont\u016bras. Purva \u0137ermenis ir paradoks\u0101ls: neskarts, bet iztuk\u0161ots. Saglab\u0101ts, bet p\u0101rveidots. T\u0101 sp\u0113ks sl\u0113pjas nevis pretest\u012bb\u0101 pret tr\u016bd\u0113\u0161anu \u2013 tas vienk\u0101r\u0161i \u013cauj tr\u016bd\u0113\u0161anai norit\u0113t cit\u0101di. Purvs neaptur n\u0101vi, tas maina t\u0101s tempu. Tas liek mums p\u0101rdom\u0101t, ko noz\u012bm\u0113 turpin\u0101t past\u0101v\u0113t.<\/p>\n

Man j\u0101dom\u0101 par hidrofeminismu \u2013 par Astr\u012bdas Neimanes atg\u0101din\u0101jumu, ka m\u0113s esam \u016bdens \u0137erme\u0146i, m\u016bsu miesa un asinis ri\u0146\u0137o l\u012bdzi tiem pa\u0161iem plan\u0113tas cikliem k\u0101 oke\u0101ni, lietus un asaras. \u016adens padara attiec\u012bbas neizb\u0113gamas: tas iz\u0161\u0137\u012bst, pl\u016bst caur mums, saistot m\u016bs ar sve\u0161iniekiem, sen\u010diem, ar vis\u0101m dz\u012bvaj\u0101m un nedz\u012bvaj\u0101m b\u016btn\u0113m[2]. Es pr\u0101toju, ko noz\u012bm\u0113 dom\u0101t, apzinoties \u0161\u0101du elementu, ko noz\u012bm\u0113 iedom\u0101ties sevi k\u0101 kaut ko pl\u016bsto\u0161u, savienojo\u0161u, neaptveramu.<\/p>\n

Hidrofeminisms iz\u0161\u0137\u012bdina robe\u017eas caur pl\u016bdumu; bet purvs pievieno v\u0113l vienu m\u0101c\u012bbu: iztur\u012bga ir ne tikai aprite, bet ar\u012b pies\u0101tin\u0101jums un miers. K\u0101 teikusi Vird\u017e\u012bnija Vulfa: \u201cMan ir saknes, bet es pl\u016bstu\u201d[3].<\/p>\n

Ja hidrofeminisms m\u0101ca, ka mans \u0137ermenis ir \u016bdens, kas pl\u016bst bezgal\u012bgi, tad purva feminisms atg\u0101dina, ka mans \u0137ermenis var b\u016bt ar\u012b purvs, pies\u0101tin\u0101ts ar sl\u0101\u0146iem, ko veido tas, kas bijis agr\u0101k. Purvs neaizskalo, tas klusi lietas patur sev. Varb\u016bt t\u0101 b\u016btu j\u0101dom\u0101 par iztur\u012bbu?<\/p>\n

Ko noz\u012bm\u0113tu pils\u0113tai dz\u012bvot saska\u0146\u0101 ar purva feminismu? Reikjav\u012bkai b\u016btu j\u0101p\u0101rst\u0101j izlikties, ka t\u0101s zeme ir stingra. Tai b\u016btu j\u0101atz\u012bst, ka zem asfalta zeme ir nemier\u012bga \u2013 t\u0101 grimst, uzp\u016b\u0161as, pl\u016bst, to nekad neb\u016bs iesp\u0113jams piln\u012bb\u0101 pieradin\u0101t. Ielas tad vairs netiktu uzskat\u012btas par past\u0101v\u012bg\u0101m art\u0113rij\u0101m, bet gan par pagaidu ap\u0161uvumu, kas p\u0101rstiepts p\u0101ri slapjai v\u0113sturei. Pils\u0113ta iem\u0101c\u012btos elpot kop\u0101 ar saviem metaforiskajiem purviem, \u013cautu mitrumam pacelties, pie\u0146emtu nos\u0113\u0161anos k\u0101 da\u013cu no sava ritma, nevis k\u0101 k\u013c\u016bmi, kas j\u0101labo.<\/p>\n

Purva feminisms pils\u0113t\u0101 var\u0113tu noz\u012bm\u0113t, ka caurlaid\u012bba k\u013c\u016bst par sabiedr\u012bbas v\u0113rt\u012bbu: sienas, kas aicina pie sevis s\u016bnu, bru\u0123is, kas viesm\u012bl\u012bgi uz\u0146em plaisas, apkaimes, kas k\u013c\u016bst porain\u0101kas, nevis ciet\u0101kas. T\u0101 vairs neb\u016btu zemes iekaro\u0161ana, bet sarunas ar to, simbiozi ar \u016bdeni, kas turpina s\u016bkties. Tas var\u0113tu mudin\u0101t m\u016bs dom\u0101t par pils\u0113tu nevis k\u0101 par past\u0101v\u012bbas pieminekli, bet k\u0101 par dz\u012bvu apv\u0113rses arh\u012bvu, kas saglab\u0101 to, kas m\u012bksts, bet \u013cauj sairt cietajam.<\/p>\n

Un k\u0101 ar ainavu? Purva feminisma skat\u012bjums var\u0113tu noraid\u012bt m\u012btu par akmens m\u016b\u017e\u012bgumu. Tas mums atg\u0101din\u0101tu, ka s\u016bnas, \u0137\u0113rpji un mitr\u0101 porain\u012bba ir patiesie laika sargi, kas p\u0101rdz\u012bvo betonu, t\u0113raudu un stiklu. \u0160\u0101d\u0101 ainav\u0101 v\u0113rt\u012bba netiktu m\u0113r\u012bta p\u0113c augstuma vai ciet\u012bbas, bet p\u0113c to organismu klus\u0101s neatlaid\u012bbas, kuri izplat\u0101s bez lieka ska\u013cuma.<\/p>\n

Bet es? Varb\u016bt purva feminisms prasa man god\u0101t savu porain\u012bbu, atz\u012bt, ka ar\u012b es sast\u0101vu no \u016bdens un m\u012bkstuma. Ka es esmu nevis cietoksnis, bet dr\u012bz\u0101k mitr\u0101js, dr\u012bz\u0101k membr\u0101na nek\u0101 siena. Mana miesa ir k\u016bdras sl\u0101\u0146i, kas uzkr\u0101ju\u0161i pieredzes nogulsnes.<\/p>\n

Un ja nu izdz\u012bvo\u0161ana nemaz nav saist\u012bta ar stingru past\u0101v\u0113\u0161anu? Ja t\u0101 ir dr\u012bz\u0101k uzs\u016bk\u0161ana, tur\u0113\u0161ana un \u013cau\u0161an\u0101s caurlaid\u012bbai? Dz\u012bvot k\u0101 purvam var\u0113tu noz\u012bm\u0113t \u013caut laikam man\u012b pal\u0113nin\u0101ties, \u013caut skumj\u0101m un priekam uzkr\u0101ties sl\u0101\u0146os, nevis steigties visu atrisin\u0101t.<\/p>\n

Ar\u012b atmi\u0146a b\u016btu j\u0101p\u0101rdom\u0101. Mums m\u0101ca celt p\u012bl\u0101rus pret laika eroziju. Bet purva feminisms \u010dukst ko citu: atmi\u0146a nav j\u0101iegrav\u0113 akmen\u012b, lai t\u0101 p\u0101rdz\u012bvotu. T\u0101 var sl\u0113pties zemes sl\u0101\u0146os un saglab\u0101ties dz\u012bva mitrum\u0101, tums\u0101 un klusum\u0101. Varb\u016bt dz\u012bvot k\u0101 purvam noz\u012bm\u0113 pie\u0146emt, ka piek\u0101p\u0161an\u0101s ir sava veida sp\u0113ks, ka p\u0101rv\u0113rt\u012bba ir vispaties\u0101kais izdz\u012bvo\u0161anas veids.<\/p>\n

Purva feminisms liek dom\u0101t, ka \u0137ermenis nekad nav piln\u012bb\u0101 savs. T\u0101pat k\u0101 purvu, to vienm\u0113r pilda citi: bakt\u0113rijas, s\u0113nes, v\u0113stures, m\u012blest\u012bbas, zaud\u0113jumi. Atz\u012bt to nav sak\u0101ve, bet l\u012bdzdal\u012bba \u2013 dobums, kas nekad nav tuk\u0161s, m\u012bkstums, kas atsak\u0101s pazust.<\/p>\n

Purva feminisms neuzrun\u0101 k\u0101 doktr\u012bna, bet k\u0101 jaut\u0101jums.<\/p>\n

Tas nav p\u012bl\u0101rs, bet porain\u012bba.<\/p>\n

T\u0101 nav p\u0101rliec\u012bba, bet l\u0113na pies\u0101tin\u0101\u0161an\u0101s ar dz\u012bvi kop\u0101 ar citiem.<\/p>\n

M\u0113s neesam cietok\u0161\u0146i, bet mitr\u0101ji.<\/p>\n

_________________________
\n[1] Gilbert, S. F. \u201cHolobiont by Birth: Multilineage Individuals as the Unit of Evolution.\u201d Biological Theory, 14(3), 151\u2013164, 2019. https:\/\/doi.org\/10.1007\/s13752-019-00322-1
\n[2] Neimanis, A. Bodies of Water: Posthuman Feminist Phenomenology. Bloomsbury Academic, 2017.
\n[3] Woolf, V. The Waves. 1931. (Oxford University Press edition, 2006).<\/p>\n

Darbs veidots ar Sabiedr\u012bbas integr\u0101cijas fonda finansi\u0101lu atbalstu no Kult\u016bras ministrijas pie\u0161\u0137irtajiem Latvijas valsts bud\u017eeta l\u012bdzek\u013ciem, k\u0101 ar\u012b ar Kult\u016bras ministrijas l\u012bdzfinans\u0113jumu. Darba tap\u0161an\u0101 notikusi sadarb\u012bba ar Dabas aizsardz\u012bbas p\u0101rvaldes Pier\u012bgas re\u0123ion\u0101lo administr\u0101ciju. Par darba saturu atbild biedr\u012bba \u201cLatvijas Jaun\u0101 te\u0101tra instit\u016bts\u201d.<\/p>\n

\u201cThe Big Green\u201d ir Eiropas l\u012bme\u0146a, zin\u0101tnes un m\u0101kslas nozares p\u0101rst\u0101vo\u0161u organiz\u0101ciju sadarb\u012bbas projekts, kas balst\u012bts uz atzi\u0146u, ka kult\u016bra kalpo k\u0101 soci\u0101lo p\u0101rmai\u0146u instruments, t\u0101d\u0113j\u0101di kult\u016bras un rado\u0161\u0101 sektora uzdevums ir veicin\u0101t vides p\u0101rmai\u0146u ietekmes mazin\u0101\u0161anu vai uzlabo\u0161anu.
\n\"\"<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

M\u0101kslinieces Rosas Omarsdotiras refleksija par rezidenci, kas \u012bstenota sadarb\u012bb\u0101 ar m\u0101kslinieci Lindu Bo\u013c\u0161akovu Eiropas Savien\u012bbas programmas \u201cRado\u0161\u0101 Eiropa\u201d projekta \u201cThe Big Green\u201d ietvaros \u0136emeru Nacion\u0101laj\u0101 park\u0101. Tulkojusi Ieva Le\u0161inska.<\/p>\n","protected":false},"author":1,"featured_media":5078,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[91,87],"tags":[],"class_list":["post-5077","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lasitava","category-the-big-green"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5077","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5077"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5077\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5078"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5077"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5077"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}