Kroders.lv<\/a><\/p>\nSanta:<\/strong>\u00a0K\u0101di bija impulsi j\u016bsu \u0161obr\u012bd vai k\u0101dreiz vad\u012bto festiv\u0101lu tap\u0161anai?<\/strong><\/p>\nReinis:<\/strong>\u00a0Mana atbilde ir \u013coti vienk\u0101r\u0161a. Valmieras pils\u0113tas dome v\u0113l\u0113j\u0101s, lai vasar\u0101 pils\u0113t\u0101 notiktu k\u0101ds kult\u016bras pas\u0101kums. Vien\u012bg\u0101 valsts kult\u016bras iest\u0101de Valmier\u0101 ir Valmieras te\u0101tris, un vasar\u0101 vi\u0146iem ir atva\u013cin\u0101jums. T\u0101p\u0113c dome jaut\u0101ja, vai b\u016btu iesp\u0113jams sar\u012bkot k\u0101du festiv\u0101lu. Daudz dom\u0101j\u0101m, k\u0101ds festiv\u0101ls var\u0113tu b\u016bt interesants mums pa\u0161iem. Skaidrs, ja ir vasara un te\u0101tris atva\u013cin\u0101jum\u0101, m\u0113s nevaram izmantot te\u0101tra cilv\u0113kresursus. T\u0101p\u0113c tika nolemts rad\u012bt rezidences tipa festiv\u0101lu. M\u0113s aicin\u0101m m\u0101ksliniekus m\u0113nesi dz\u012bvot Valmier\u0101 un tur rad\u012bt te\u0101tra izr\u0101des. T\u0101tad \u012bsum\u0101 tas noz\u012bm\u0113 vienu m\u0113nesi rezidenc\u0113 un vienu ned\u0113\u013cas nogali m\u0101ksliniekiem un skat\u012bt\u0101jiem.<\/p>\nGundega:<\/strong>\u00a0Es savulaik 15 gadus str\u0101d\u0101ju festiv\u0101l\u0101 \u201cHomo Novus\u201d, bet p\u0113d\u0113jos piecus gadus mana dz\u012bve vairs nav saist\u012bta ar festiv\u0101liem, un varu teikt, ka man mazliet tr\u016bkst festiv\u0101la k\u0101 tik\u0161an\u0101s un domapmai\u0146as vietas. Run\u0101jot par impulsiem, es\u00a0varu m\u0113\u0123in\u0101t run\u0101t to cilv\u0113ku v\u0101rd\u0101, kuri aizs\u0101ka \u201cHomo Novus\u201d.\u00a0Dom\u0101ju, ka iemesls bija l\u012bdz\u012bgs k\u0101\u00a0Baltoscandal<\/em>. Tolaik Vi\u013c\u0146\u0101 notika neticami lielisks, \u013coti iedvesmojo\u0161s festiv\u0101ls\u00a0Life<\/em>\u00a0\u2013 absol\u016bti est\u0113tisk\u0101s un rado\u0161\u0101s br\u012bv\u012bbas sv\u0113tki t\u016bl\u012bt p\u0113c \u201cdzelzs priek\u0161kara\u201d kri\u0161anas, 80.\u00a0gadu beig\u0101s un 90. gadu s\u0101kum\u0101. \u201cHomo Novus\u201d rad\u0101s 1995. gad\u0101 Daugavpil\u012b, kur bija un joproj\u0101m ir te\u0101tris, kur\u0101 tolaik darboj\u0101s P\u0113tera Krilova vad\u012btais aktieru kurss. Vi\u0146i tur jut\u0101s k\u0101 iesprostoti, proti, t\u0101 vide un ar\u012b izgl\u012bt\u012bbas sist\u0113ma stagn\u0113ja. Bija nepiecie\u0161amas p\u0101rmai\u0146as. Tas b\u016bt\u012bb\u0101 bija p\u0101rejas br\u012bdis no viena dom\u0101\u0161anas veida uz citu. Festiv\u0101ls tapa k\u0101 \u0101rpusstudiju pas\u0101kums studentiem ar m\u0113r\u0137i satikties ar citiem re\u0123iona studentiem un saprast, ko vi\u0146i dara, kas ir vi\u0146u domubiedri. Tas s\u0101k\u0101s k\u0101 neform\u0101la skola, bet \u0101tri p\u0101rv\u0113rt\u0101s par festiv\u0101lu un p\u0113c tam jau likumsakar\u012bgi p\u0101rc\u0113l\u0101s uz R\u012bgu. Bet \u0161ogad, jubilejas gad\u0101, \u201cHomo Novus\u201d atkal atgriez\u0101s Daugavpil\u012b.<\/p>\nArmands:\u00a0<\/strong>\u201cSansus\u012b\u201d var raksturot ar v\u0101rdiem \u201cm\u016bzika me\u017e\u0101\u201d. Tas ir mans st\u0101sts\u2026 Viens no pamudin\u0101jumiem bija mans t\u0113vs, tie\u0161i fizisk\u0101 vieta, k\u0101p\u0113c \u201cSansus\u012b\u201d notiek Sus\u0113j\u0101, Akn\u012bst\u0113, S\u0113lij\u0101. Otrs impulss bija mana person\u012bg\u0101 v\u0113lme atbr\u012bvot rado\u0161o ener\u0123iju. Esmu operdzied\u0101t\u0101js, un taj\u0101 laik\u0101 daudz nedzied\u0101ju, t\u0101p\u0113c man bija br\u012bvs laiks. S\u0101ku dom\u0101t, k\u0101du festiv\u0101lu pats grib\u0113tu rad\u012bt. Man tas \u0161\u0137ita lo\u0123iski, saskan\u012bgi ar manu person\u012bbu. Man ir klasiska muzik\u0101l\u0101 izgl\u012bt\u012bba, ta\u010du es sp\u0113l\u0113ju maz\u0101 rokm\u016bzikas grup\u0101 un bie\u017ei apmekl\u0113ju mazus rokfestiv\u0101lus Latvij\u0101. \u0160\u0137ita dabiski apvienot \u0161\u012bs divas pasaules. Klasiskaj\u0101 m\u016bzik\u0101 nekad nebiju redz\u0113jis t\u0101du atmosf\u0113ru, k\u0101da valda mazos rokfestiv\u0101los. Mans sapnis bija izlauzties no tradicion\u0101l\u0101 r\u0101mja \u2013 rad\u012bt klasisk\u0101s m\u016bzikas festiv\u0101lu ar rokfestiv\u0101la noska\u0146u. Cilv\u0113ki atbrauc uz tr\u012bs dien\u0101m, dz\u012bvo telt\u012bs, klaus\u0101s kamerm\u016bziku me\u017e\u0101, p\u013cav\u0101s, zem klajas debess. Tagad redzu daudz l\u012bdz\u012bgu pas\u0101kumu, bet pirms 12 gadiem neviens to t\u0101 nedar\u012bja. Liekas, m\u0113s bij\u0101m pirmie.<\/p>\nSanta: Marta, varb\u016bt tu k\u0101 p\u0113tniece vari sniegt pla\u0161\u0101ku skat\u012bjumu par to, k\u0101p\u0113c rodas starptautiski festiv\u0101li? Vai eksist\u0113 da\u017e\u0101di to tipi vai tap\u0161anas c\u0113lo\u0146i? Varb\u016bt ir kaut k\u0101da klasifik\u0101cija?<\/strong><\/p>\nMarta:<\/strong>\u00a0O, tas ir pla\u0161s jaut\u0101jums. Es varb\u016bt s\u0101k\u0161u ar savu person\u012bgo pieredzi, jo ar\u012b \u013bub\u013cinas festiv\u0101la, kur\u0101 k\u0101dreiz str\u0101d\u0101ju, v\u0113sture ir l\u012bdz\u012bga. Tas tika dibin\u0101ts 1995. gad\u0101 un \u0161ogad svin savu 30. jubileju. Tas rad\u0101s tie\u0161i p\u0101rejas laik\u0101 \u2013 no vienas sist\u0113mas uz citu, no viena te\u0101tra dom\u0101\u0161anas veida uz citu. To dibin\u0101ja cilv\u0113ki, kas Polij\u0101, \u012bpa\u0161i Lub\u013cin\u0101, veidoja neatkar\u012bgo te\u0101tra vidi. T\u0101 bija kop\u012bga par\u0101d\u012bba vis\u0101 Austrumeirop\u0101 \u2013 m\u0113\u0123in\u0101jums rad\u012bt telpu, kur satikties, dom\u0101t, ieraudz\u012bt un saprast, kur m\u0113s esam, k\u0101 m\u0113s veidojam m\u0101kslu, k\u0101d\u0101 sabiedr\u012bb\u0101 dz\u012bvojam. Toreiz festiv\u0101li ar starptautisk\u0101m programm\u0101m k\u013cuva par kolekt\u012bvas dom\u0101\u0161anas platform\u0101m, kuras caur da\u017e\u0101d\u0101m m\u0101kslinieciskaj\u0101m praks\u0113m uzdeva jaut\u0101jumus, kas m\u0113s esam, kurp v\u0113lamies doties un ko ar mums izdar\u012bs vai varb\u016bt neizdar\u012bs \u201cturboneoliber\u0101lais kapit\u0101lisms\u201d? Tom\u0113r v\u0113l\u0101k festiv\u0101li, ar\u012b \u013bub\u013cin\u0101, k\u013cuva par da\u013cu no t\u0101 neoliber\u0101l\u0101s sp\u0113les \u2013 ar lieliem bud\u017eetiem, slaveniem m\u0101ksliniekiem, kas ierodas tikai uz da\u017e\u0101m dien\u0101m, un koncentr\u0113\u0161anos uz pla\u0161i reklam\u0113tiem pas\u0101kumiem. \u0160\u012b kult\u016bras \u201cfestiv\u0101liz\u0101cija\u201d, kas s\u0101k\u0101s 90. gadu vid\u016b un jaun\u0101s t\u016bksto\u0161gades s\u0101kum\u0101, \u0101tri k\u013cuva par pretstatu tam, ko m\u0113s cent\u0101mies saprast, \u2013 k\u0101das paties\u012bb\u0101 ir festiv\u0101la funkcijas.<\/p>\nMan un manam partnerim un l\u012bdzkuratoram G\u017eego\u017eam Re\u0161kem (Grzegorz Reszke<\/em>) tas k\u013cuva par iemeslu, k\u0101p\u0113c p\u0113t\u012bt tie\u0161i festiv\u0101lus. M\u0113s grib\u0113j\u0101m izmantot festiv\u0101la j\u0113dzienu un resursus, lai dar\u012btu kaut ko t\u0101du, k\u0101 viet\u0113j\u0101 skatuves m\u0101kslas ekosist\u0113m\u0101 pietr\u016bka: atbalst\u012bt neatkar\u012bgos m\u0101ksliniekus, kuri neieder\u0113j\u0101s valsts finans\u0113t\u0101 repertu\u0101ra te\u0101tra sist\u0113m\u0101 un kuriem nebija struktur\u0101la atbalsta vai pietiekamas atpaz\u012bstam\u012bbas. Cent\u0101mies iedom\u0101ties, kas var\u0113tu b\u016bt publisk\u0101s m\u0101kslas instit\u016bcija \u2013 kaut kas at\u0161\u0137ir\u012bgs no tradicion\u0101l\u0101 te\u0101tra mode\u013ca ar past\u0101v\u012bg\u0101m trup\u0101m un fiks\u0113tiem repertu\u0101riem. Grib\u0113j\u0101m pied\u0101v\u0101t alternat\u012bvu. Un es dom\u0101ju, ka tie\u0161i t\u0101p\u0113c p\u0113c pieciem gadiem mums n\u0101c\u0101s to p\u0101rtraukt. M\u0113s nerad\u012bj\u0101m pietiekami daudz \u201cpla\u0161i reklam\u0113tu pas\u0101kumu\u201d, k\u0101 mums teica. M\u0113s aicin\u0101j\u0101m m\u0101ksliniekus ne tikai n\u0101kt un prezent\u0113t savu darbu, bet pavad\u012bt laiku kop\u0101 ar mums. L\u012bdz\u012bgi k\u0101 Rei\u0146a gad\u012bjum\u0101, m\u0113s pied\u0101v\u0101j\u0101m rezidences pirms festiv\u0101la, pirms publikas iera\u0161an\u0101s. Mums bija lieliska infrastrukt\u016bra \u2013 skaistas rezidences telpas. Reiz k\u0101ds m\u0101kslinieks intervij\u0101 teica, ka m\u016bsu festiv\u0101ls ir k\u0101 br\u012bni\u0161\u0137\u012bgs SPA \u2013 intelektu\u0101ls, emocion\u0101ls SPA, kur pavad\u012bt desmit dienas. \u0160is koment\u0101rs v\u0113l\u0101k tika izmantots pret mums: \u201cM\u0101kslinieki nav \u0161eit, lai labi pavad\u012btu laiku, \u2013 vi\u0146i ir \u0161eit, lai rad\u012btu rezult\u0101tu!\u201d Man tas bija perfekts domin\u0113jo\u0161\u0101 narat\u012bva piem\u0113rs par to, k\u0101dam j\u0101b\u016bt festiv\u0101lam, un tikpat labs piem\u0113rs, ko m\u0113\u0123in\u0101t p\u0101rv\u0113rt\u0113t. Un es redzu \u0161o pa\u0161u dom\u0101\u0161anu ar\u012b \u0161eit, \u201cHomo Novus\u201d, \u2013 j\u016bs izmantojat festiv\u0101la strukt\u016bru un p\u0101rv\u0113r\u0161at to par kaut ko citu. Tie\u0161i tas ir aizraujo\u0161i \u2013 apgriezt \u0161o festiv\u0101la form\u0101tu otr\u0101di, t\u0101pat k\u0101\u00a0SAAL Biennaal<\/em>, kur visa komanda ir kuratori. Daudzi par to run\u0101, bet tikai da\u017ei to patie\u0161\u0101m dara. T\u0101p\u0113c mani tik \u013coti interes\u0113 \u0161iem procesiem sekot un v\u0113rot, k\u0101 tie att\u012bst\u0101s.<\/p>\nPr\u012bts:<\/strong>\u00a0Igaunij\u0101 visi festiv\u0101li tiek organiz\u0113ti eso\u0161o instit\u016bciju pasp\u0101rn\u0113. Pats festiv\u0101ls nav instit\u016bcija. T\u0101p\u0113c p\u0113tniec\u012bba vair\u0101k notiek sezonas, nevis pa\u0161a festiv\u0101la laik\u0101. Festiv\u0101ls ir vair\u0101k k\u0101 procesa kulmin\u0101cija un veids, k\u0101 piesaist\u012bt pla\u0161\u0101ku uzman\u012bbu. Piem\u0113ram, iemesls, k\u0101p\u0113c m\u0113s izl\u0113m\u0101m veidot\u00a0SAAL Biennaal<\/em>, bija galvenok\u0101rt t\u0101p\u0113c, ka tas bija vien\u012bgais veids, k\u0101 piesaist\u012bt naudu ne tikai no valsts instit\u016bcij\u0101m, bet ar\u012b, piem\u0113ram, no G\u0113tes instit\u016bta m\u0101kslinieku atve\u0161anai no \u0101rvalst\u012bm. T\u0101 bija vien\u012bg\u0101 iesp\u0113ja. Un m\u0113s visi saprotam, ka ar politi\u0137iem ir daudz viegl\u0101k run\u0101t par festiv\u0101lu nek\u0101 par neatkar\u012bgu telpu, kas veic p\u0113t\u012bjumus vai pied\u0101v\u0101 rezidences. Vi\u0146i saka: \u201cKas? P\u0113tniec\u012bba? Ko tad j\u016bs p\u0113t\u0101t?\u201d<\/p>\nGundega:\u00a0<\/strong>\u201cK\u013c\u016bstiet ta\u010du reiz nopietni! Vediet pie mums slavenus re\u017eisorus!\u201d<\/p>\nMarta:\u00a0<\/strong>\u201cStr\u0101d\u0101jiet ta\u010du, lai ir kaut k\u0101di rezult\u0101ti!\u201d (Smejas.<\/em>)<\/p>\nPr\u012bts:<\/strong>\u00a0Tie\u0161i t\u0101. T\u0101p\u0113c \u0161aj\u0101 zi\u0146\u0101 bija daudz viegl\u0101k teikt: \u201cM\u0113s r\u012bkojam festiv\u0101lu.\u201d Politi\u0137i to saprot \u2013 vi\u0146i var ierasties atkl\u0101\u0161an\u0101. Vairs ne, bet s\u0101kum\u0101 vi\u0146i t\u0101 dar\u012bja. Tagad \u0161\u0101da kult\u016bra vairs neskait\u0101s \u201cseks\u012bga\u201d. T\u0101, man \u0161\u0137iet, ir galven\u0101 at\u0161\u0137ir\u012bba starp Igauniju un daudz\u0101m cit\u0101m valst\u012bm. \u0160eit festiv\u0101lus r\u012bko instit\u016bcijas, kas jau str\u0101d\u0101 visu gadu, \u2013 t\u0101p\u0113c ne vienm\u0113r ir laiks piln\u012bb\u0101 koncentr\u0113ties uz festiv\u0101lu, vai ar\u012b ir tikai viens vai divi cilv\u0113ki, kas ar to re\u0101li nodarbojas.<\/p>\nMarta<\/strong>: Tad k\u0101 jums izdev\u0101s pan\u0101kt, ka tagad puse\u00a0Kanuti Gildi Saal<\/em>\u00a0vai visa komanda ir festiv\u0101la kuratori?<\/p>\nPr\u012bts:<\/strong>\u00a0Visa komanda piedal\u0101s festiv\u0101la k\u016br\u0113\u0161an\u0101, bet paties\u012bb\u0101 pilna slodze gada garum\u0101 ir diviem cilv\u0113kiem.<\/p>\nMarta<\/strong>: T\u0101tad vi\u0146i vada procesu, ja?<\/p>\nPr\u012bts:<\/strong>\u00a0J\u0101.\u00a0Baltoscandal\u00a0<\/em>darbojas t\u0101pat. Valsts te\u0101tris mani pie\u0146em darb\u0101, lai es veidotu festiv\u0101lu\u00a0Baltoscandal<\/em>.<\/p>\nGundega:<\/strong>\u00a0T\u0101tad tas ir t\u0101pat k\u0101 tev, Reini, \u2013 tevi pie\u0146em darb\u0101 Valmieras te\u0101tris, lai tur sar\u012bkotu festiv\u0101lu.<\/p>\nReinis:<\/strong>\u00a0J\u0101, bet taj\u0101 pa\u0161\u0101 laik\u0101 m\u0113s str\u0101d\u0101jam k\u0101 neatkar\u012bga komanda.<\/p>\nPr\u012bts:<\/strong>\u00a0Es dom\u0101ju, ka mums ir l\u012bdz\u012bgi. Mani un v\u0113l vienu cilv\u0113ku ar\u012b pie\u0146em darb\u0101 tie\u0161i festiv\u0101la r\u012bko\u0161anai.<\/p>\nGundega:\u00a0<\/strong>J\u0101, bet tie, kas tevi pie\u0146em darb\u0101, neko nekontrol\u0113.<\/p>\nSanta:<\/strong>\u00a0Armand, vai tevi k\u0101ds pie\u0146em darb\u0101, lai tu r\u012bkotu \u201cSansus\u012b\u201d?<\/p>\nArmands:<\/strong>\u00a0Vai es pats sevi pie\u0146emu darb\u0101? (Smejas<\/em>.) Protams, mums ir da\u017ei apmaks\u0101ti amati, bet tas nekad nav pietiekami. M\u0113s joproj\u0101m sevi uzskat\u0101m par br\u012bvpr\u0101t\u012bgajiem \u2013 naudu sa\u0146emam tikai tad, kad t\u0101 ir.<\/p>\nSanta:\u00a0<\/strong>Vai tev bud\u017eet\u0101 nav paredz\u0113ts atalgojums kuratoram?<\/p>\nArmands:<\/strong>\u00a0Da\u017eu pas\u0101kumu t\u0101m\u0113s m\u0113s iek\u013caujam nelielu atl\u012bdz\u012bbu m\u0101kslinieciskajam vad\u012bt\u0101jam.<\/p>\nSanta:<\/strong>\u00a0Es Slov\u0101kij\u0101 satiku cilv\u0113kus no festiv\u0101la\u00a0KIOSK<\/em>, un vi\u0146i teica, ka t\u0101 bija pirm\u0101 reize asto\u0146u gadu laik\u0101, kad vi\u0146iem bija algas. Un tas bija tikai pirms gada. Vairs nav 90. gadi.<\/p>\nArmands:<\/strong>\u00a0J\u0101, to es saprotu. Varb\u016bt p\u0113d\u0113jo divu gadu laik\u0101 m\u0113s \u201cSansus\u012b\u201d beidzot s\u0101k\u0101m iek\u013caut t\u0101m\u0113 savas algas \u2013 jo t\u0101m tur vajadz\u0113tu b\u016bt. Parasti festiv\u0101la beig\u0101s k\u0101 visur skait\u0101m zaud\u0113jumus, m\u012bnusus. Agr\u0101k komanda vienm\u0113r bija rind\u0101 p\u0113d\u0113jie \u2013 maks\u0101ja tikai tad, ja kaut kas palika p\u0101ri. Tagad vismaz m\u0113s nodro\u0161in\u0101m nelielu summu, pat ja tas ir tikai 200 \u2013 300 eiro. Tas nav daudz, bet tas ir vismaz kaut kas. Cit\u0101di liel\u0101k\u0101 da\u013ca darba joproj\u0101m tiek veikta br\u012bvpr\u0101t\u012bgi.<\/p>\nGundega<\/strong>:\u00a0Es grib\u0113tu koment\u0113t to, ko tu teici\u00a0par\u00a0KIOSK<\/em>\u00a0un par \u0161o re\u0123ionu \u2013 t\u0101 saukto Austrumeiropu, ko mums, iesp\u0113jams, k\u0101d\u0101 br\u012bd\u012b vajadz\u0113tu p\u0101rsaukt cit\u0101di. \u0160\u012b ir teritorija ar \u013coti at\u0161\u0137ir\u012bgiem v\u0113sturiskajiem apst\u0101k\u013ciem nek\u0101 p\u0101r\u0113j\u0101 Eiropa. Un, kad m\u0113s skat\u0101mies uz festiv\u0101lu pasauli, ir milz\u012bga at\u0161\u0137ir\u012bba taj\u0101, k\u0101 festiv\u0101lus uztver. Rietumeirop\u0101, \u012bpa\u0161i lielajos \u201cdinozauros\u201d, kas s\u0101ka darboties 20. gadsimta 40. gados, p\u0113c kara, kuratora loma ir \u0101rk\u0101rt\u012bgi presti\u017ea \u2013 ar liel\u0101m alg\u0101m, daudz ce\u013cojumiem un patiesu ietekmi, da\u017ek\u0101rt lab\u0101 noz\u012bm\u0113, da\u017ek\u0101rt ne tik lab\u0101. Bet Austrumeirop\u0101, pat p\u0113c 30 gadiem, tas joproj\u0101m bie\u017ei vien ir par misiju \u2013 par tic\u012bbu. M\u0113s to dar\u0101m nevis t\u0101p\u0113c, ka\u00a0tas b\u016btu presti\u017es darbs vai pak\u0101piens karjer\u0101.\u00a0Ir cita pamata ideja, t\u0101ds gars, ko m\u0113s joproj\u0101m nesam no tiem 90.\u00a0gadiem. Tas ir skaisti, bet tas nevar ilgt m\u016b\u017e\u012bgi. Tas m\u016bsdienu pasaul\u0113 nav ilgtsp\u0113j\u012bgi. Un tom\u0113r man ir tik pat\u012bkami redz\u0113t, ka pat jaun\u0101kajos festiv\u0101los, k\u0101dus veidojat j\u016bs, Armand un Reini, \u0161is ide\u0101lisms joproj\u0101m ir dz\u012bvs \u2013 dar\u012bt kaut ko pa\u0161as idejas, nevis presti\u017ea vai person\u012bga labuma d\u0113\u013c.<\/p>\nSanta:<\/strong>\u00a0\u0160\u012b gada \u201cHomo Novus\u201d programmas izr\u0101d\u0113 \u201cPinokio rad\u012b\u0161ana\u201d m\u0101ksliniecisko vad\u012bt\u0101ju att\u0113lo k\u0101 domin\u0113jo\u0161u fig\u016bru sarkan\u0101 lateksa t\u0113rp\u0101. Un katr\u0101 festiv\u0101l\u0101 \u0161is t\u0113ls tiek nosaukts viet\u0113j\u0101 festiv\u0101la m\u0101ksliniecisk\u0101 vad\u012bt\u0101ja v\u0101rd\u0101. Es pati tulkoju subtitrus, jo mums nav naudas, lai algotu tulkot\u0101ju, un non\u0101cu l\u012bdz ainai, kur man n\u0101c\u0101s ierakst\u012bt savu v\u0101rdu. Un tad es p\u0113k\u0161\u0146i sajutu, ka man j\u0101izskaidro m\u0101kslinieciskajai komandai, ka joks varb\u016bt \u0161eit \u012bsti nestr\u0101d\u0101s, jo m\u016bsu gad\u012bjum\u0101 m\u0101kslinieciskais vad\u012bt\u0101js nav glu\u017ei varas fig\u016bra. Tad m\u0113s s\u0101k\u0101m dom\u0101t, kur\u0161 BDSM [1] burts paties\u012bb\u0101 atspogu\u013cotu kuratoru? Bet es grib\u0113ju jaut\u0101t tev, Gundega, \u2013 k\u0101 tika izveidots Jaun\u0101 te\u0101tra instit\u016bts Latvij\u0101? Un vai t\u0101 visp\u0101r ir instit\u016bcija?<\/p>\nGundega:<\/strong>\u00a0Nu, tas atkar\u012bgs no t\u0101, ko m\u0113s \u012bsti saprotam ar v\u0101rdu \u201cinstit\u016bcija\u201d. Es dom\u0101ju, ka festiv\u0101ls ir instit\u016bcija. Es dom\u0101ju, ka mums vajadz\u0113tu elast\u012bg\u0101k pal\u016bkoties uz instit\u016bcijas ideju. T\u0101 nav oblig\u0101ti \u0113ka vai strukt\u016bra, kas sa\u0146em valsts finans\u0113jumu, \u2013 \u0161aj\u0101 j\u0113dzien\u0101 ir daudz vair\u0101k da\u017e\u0101d\u012bbas. Instit\u016bts rad\u0101s, jo bija sp\u0113c\u012bga v\u0113lme dar\u012bt vair\u0101k nek\u0101 tikai r\u012bkot festiv\u0101lu.\u00a0Festiv\u0101ls vienm\u0113r ir bijis centr\u0101lais punkts, bet pamaz\u0101m tas sazaroj\u0101s da\u017e\u0101dos procesos, kam bija vajadz\u012bga uzman\u012bba un r\u016bpes ik dienu. Laik\u0101, kad rad\u0101s instit\u016bts, bija \u013coti daudz darba, jo \u012bsti v\u0113l nekas nepast\u0101v\u0113ja. Kult\u016brpolitika bija j\u0101veido no jauna, bija piln\u012bb\u0101 j\u0101p\u0101rdefin\u0113 veids, k\u0101 m\u0113s visp\u0101r run\u0101jam par laikmet\u012bg\u0101 te\u0101tra form\u0101m. Un instit\u016bt\u0101 bija daudz jaunu cilv\u0113ku, kas bija \u0101rk\u0101rt\u012bgi ieinteres\u0113ti taj\u0101 piedal\u012bties. T\u0101p\u0113c rad\u0101s juridiska strukt\u016bra, kas padar\u012bja visas \u0161\u012bs aktivit\u0101tes iesp\u0113jamas. Un tas vienk\u0101r\u0161i turpin\u0101ja augt un augt\u2026 l\u012bdz br\u012bdim, kad m\u0113s gandr\u012bz sevi \u201cap\u0113d\u0101m\u201d. M\u0113s mazliet iestig\u0101m\u00a0zem t\u0101s nastas, ko pa\u0161i sevi bij\u0101m uzliku\u0161i. M\u0113s rad\u012bj\u0101m \u201cHomo Alibi\u201d festiv\u0101lu, kas k\u0101d\u0101 br\u012bd\u012b bija izaudzis tikpat liels k\u0101 \u201cHomo Novus\u201d. Cilv\u0113ki jaut\u0101ja: \u201cK\u0101p\u0113c jums ir divi festiv\u0101li ar vien\u0101du nosaukumu?\u201d T\u0101s bija neticamas alkas, varb\u016bt pat aps\u0113st\u012bba \u2013 dar\u012bt arvien vair\u0101k un vair\u0101k. Cerams, lab\u0101 noz\u012bm\u0113. T\u0101tad t\u0101ds ir LJTI. Bet es dom\u0101ju, ka tavs gad\u012bjums, Reini, ir l\u012bdz\u012bgs.<\/p>\nReinis<\/strong>: J\u0101, es grib\u0113ju turpin\u0101t. Izr\u0101d\u012bj\u0101s, ka Valmieras Vasaras te\u0101tra festiv\u0101ls auditorijai patie\u0161\u0101m ir svar\u012bgs. Tam ir tikai 10 gadu, bet m\u0113s jau esam k\u013cuvu\u0161i noz\u012bm\u012bgi viet\u0113jai kopienai. Un t\u0101 ir m\u016bsu galven\u0101 auditorija \u2013 ne tikai skat\u012bt\u0101ji, bet ar\u012b viet\u0113jie uz\u0146\u0113mumi. P\u0113c 10 gadiem daudzi uz\u0146\u0113mumi v\u0113las m\u016bs atbalst\u012bt vai aicina sadarboties. Vi\u0146i nov\u0113rt\u0113 kult\u016bru un te\u0101tri \u2013 ziem\u0101 vi\u0146i iet uz te\u0101tri, bet vasar\u0101 vi\u0146iem pat\u012bk, ka te\u0101tris notiek tie\u0161i vi\u0146u pils\u0113t\u0101. Tas ir viens aspekts. Un, protams, ir liels prieks pulc\u0113t m\u0101ksliniekus kop\u0101, lai rad\u012btu \u012bpa\u0161vietas izr\u0101des \u2013 izmantojot zin\u0101\u0161anas un pieredzi, ko bij\u0101m guvu\u0161i \u201cHomo Novus\u201d un citur. Bet k\u0101d\u0101 br\u012bd\u012b m\u0113s saprat\u0101m, ka v\u0113lamies veidot te\u0101tri b\u0113rniem. Viens no festiv\u0101la re\u017eisoriem \u2013 J\u0101nis Znoti\u0146\u0161 \u2013 \u013coti daudz str\u0101d\u0101 b\u0113rnu te\u0101tr\u012b, un m\u0113s saprat\u0101m, ka, ja v\u0113lamies veidot visu programmu ap \u0161\u0101da veida darbu, mums \u013coti nopietni j\u0101piev\u0113r\u0161as kvalit\u0101tes jaut\u0101jumam. P\u0113c pirm\u0101 gada m\u0113s uzs\u0101k\u0101m izgl\u012bt\u012bbas programmu, p\u0113tot, k\u0101 rad\u012bt te\u0101tri b\u0113rniem un ko par to j\u0101zina. Runa ir ne tikai par m\u0101kslinieciskaj\u0101m idej\u0101m, bet ar\u012b par pedago\u0123isko izpratni. Apm\u0113ram pirms 10 gadiem joproj\u0101m past\u0101v\u0113ja uzskats \u2013 ja tu esi slikts re\u017eisors, tad tu taisi b\u0113rnu izr\u0101des, vai \u2013 ja tu esi slikts aktieris, tad tu non\u0101c le\u013c\u013cu te\u0101tr\u012b. No m\u016bsdienu skatpunkta tas \u0161\u0137iet neticami, bet tolaik t\u0101 bija. Projekts \u201cB\u0113rnu un jaunie\u0161u te\u0101tra instit\u016bts\u201d k\u013cuva par veidu, k\u0101 b\u0113rnu un jaunie\u0161u te\u0101trim pie\u0161\u0137irt liel\u0101ku presti\u017eu. M\u0113s nol\u0113m\u0101m, ka katra otr\u0101 festiv\u0101la uzman\u012bbas centr\u0101 b\u016bs \u0161\u0101da veida darbs. Un tad m\u0113s to integr\u0113j\u0101m programm\u0101 \u2013 vienu gadu festiv\u0101ls bija velt\u012bts piln\u012bb\u0101 b\u0113rnu un jaunie\u0161u te\u0101trim. Gadu gait\u0101 k\u013cuva skaidrs, ka b\u0113rnu un jaunie\u0161u te\u0101tris ir patie\u0161\u0101m lielisks, un es v\u0113l\u0113jos to att\u012bst\u012bt. Bet vienlaikus m\u0113s ar\u012b saprat\u0101m, ka mums ir j\u0101apg\u016bst un j\u0101izprot, cik at\u0161\u0137ir\u012bgi j\u0101dom\u0101, veidojot izr\u0101di, piem\u0113ram, septi\u0146gad\u012bgam b\u0113rnam.<\/p>\nSanta:<\/strong>\u00a0T\u0101tad VVTF ir ar\u012b izgl\u012bt\u012bbas un eksperiment\u0101la platforma.<\/p>\nReinis:<\/strong>\u00a0J\u0101, tie\u0161i t\u0101. Un caur \u0161o instit\u016btu m\u0113s ar\u012b redz\u0113j\u0101m iesp\u0113ju veidot starptautisku t\u012bklu. Jo festiv\u0101lam ir svar\u012bgi b\u016bt ar starptautisk\u0101m sait\u0113m. Nevienu no mums gan \u012bsti neinteres\u0113ja vienk\u0101r\u0161i atvest gatavas \u012bpa\u0161vietas izr\u0101des. Ja kaut ko r\u0101da laukos, cilv\u0113ku attieksme bie\u017ei vien ir t\u0101da: \u201cNu, ja tas ir latvie\u0161u darbs, es ie\u0161u to skat\u012bties. Bet, ja tas ir\u2026 piem\u0113ram, slov\u0113\u0146u \u2013\u00a0hmm, nezinu, kas tas b\u016bs<\/em>.\u201d Tom\u0113r b\u0113rnu un jaunie\u0161u te\u0101tra kontekst\u0101 m\u0113s \u0101tri saprat\u0101m, ka tas ir cit\u0101di. Piem\u0113ram, Igaunij\u0101 ir te\u0101tra komp\u0101nija\u00a0ZUGA<\/em>, kuras uzman\u012bbas centr\u0101 ir darbs ar b\u0113rniem. Taj\u0101 darbojas Hanna Milka-Ka\u0146ecka (Hanna Bylka-Kanecka<\/em>) no\u00a0Holobiont Collective<\/em>\u00a0Polij\u0101 \u2013 m\u0101ksliniece, kas rada l\u012bdzdal\u012bbas izr\u0101des ar akt\u012bvu publikas iesaisti. T\u0101 bija lieliska iesp\u0113ja piesaist\u012bt speci\u0101listus no \u0101rzem\u0113m, veidojot sadarb\u012bbu ar m\u016bsu m\u0101ksliniekiem, lai kop\u0101 taptu jaunas izr\u0101des un jauns dom\u0101\u0161anas veids. Un tie\u0161i tas s\u0101ka notikt.<\/p>\nSanta:<\/strong>\u00a0K\u0101da ir starptautisko izr\u0101\u017eu proporcija Valmieras festiv\u0101la programm\u0101?<\/p>\nReinis:<\/strong>\u00a0T\u0101 main\u0101s, bet m\u0113s cen\u0161amies to notur\u0113t apm\u0113ram 20-30 % l\u012bmen\u012b.<\/p>\nSanta:<\/strong>\u00a0Tas mani nedaudz mulsina \u2013 m\u0113s ieguld\u0101m tik daudz p\u016b\u013cu, lai atvestu \u0101rzemju viesizr\u0101des, un tas k\u013c\u016bst arvien d\u0101rg\u0101k. Tom\u0113r viet\u0113jie latvie\u0161u darbi tiek izp\u0101rdoti uzreiz, bet ar viesizr\u0101d\u0113m cilv\u0113ki ir piesardz\u012bgi. Iesp\u0113jams, kad festiv\u0101ls s\u0101k\u0101s, bija otr\u0101di \u2013 cilv\u0113ki v\u0113l\u0113j\u0101s redz\u0113t kaut ko no \u0101rzem\u0113m, jo tas bija retums. Tagad \u0161\u0137iet, ka ir otr\u0101di.<\/p>\nGundega:<\/strong>\u00a0Bet joproj\u0101m nepietiekami. Patiesi nevar teikt, ka ir daudz \u0101rvalstu viesizr\u0101\u017eu.<\/p>\nSanta:<\/strong>\u00a0Tie\u0161i t\u0101 ir mana jaut\u0101juma b\u016bt\u012bba \u2013 kas notiek? Varb\u016bt Armands var sniegt k\u0101das atbildes.<\/p>\nArmands:<\/strong>\u00a0Es uzskatu, ka tas vienm\u0113r ir jaut\u0101jums par to, k\u0101 m\u0113s reklam\u0113jam izr\u0101di. Jo liel\u0101koties cilv\u0113ki nep\u0113rk bi\u013cetes uz to, ko vi\u0146i nepaz\u012bst. \u201cSansus\u012b\u201d gad\u012bjum\u0101 lab\u0101kais veids bijis p\u0101rdot pa\u0161u festiv\u0101lu, nevis atsevi\u0161\u0137us m\u0101ksliniekus vai izr\u0101des. M\u0113s p\u0101rdodam festiv\u0101la saj\u016btu \u2013 atmosf\u0113ru, ko vi\u0146i tur pieredz\u0113s. Un es dom\u0101ju, ka tie\u0161i t\u0101 ir, teiksim t\u0101, \u201cSansus\u012b\u201d pan\u0101kumu atsl\u0113ga. Ja m\u0113\u0123in\u0101m reklam\u0113t konkr\u0113tus m\u0101ksliniekus, tas ir daudz gr\u016bt\u0101k. Piem\u0113ram, reiz m\u0113s atved\u0101m operdzied\u0101t\u0101ju \u2013 Eirop\u0101 uzleco\u0161u zvaigzni \u2013 un pat iznom\u0101j\u0101m Operas Jauno z\u0101li, kuru t\u0101 ar\u012b neizdev\u0101s l\u012bdz galam piepild\u012bt. V\u0113l\u0101k, kad run\u0101ju ar Sandi Voldi\u0146u, kas tagad ir Latvijas Nacion\u0101l\u0101s operas un baleta direktors, vi\u0146\u0161 teica, ka tas paties\u012bb\u0101 ir st\u0101sts par auditoriju. Jo Operas auditorija paties\u012bb\u0101 nav m\u016bsu auditorija. \u201cSansus\u012b\u201d publika mekl\u0113 festiv\u0101la saj\u016btu, nevis konkr\u0113tas zvaigznes.<\/p>\nReinis:<\/strong>\u00a0M\u0113s dar\u0101m to pa\u0161u \u2013 tirgojam atmosf\u0113ru un Valmieras Vasaras te\u0101tra festiv\u0101la v\u0101rdu. M\u016bsu auditorija vispirms dom\u0101: \u201c\u0100, m\u0113s dodamies uz Valmieras Vasaras te\u0101tra festiv\u0101lu!\u201d, un tad izlemj, tie\u0161i kuras izr\u0101des skat\u012bsies.<\/p>\nSanta<\/strong>: Tas ir saprotami un ar\u012b rakstur\u012bgi maz\u0101k\u0101m viet\u0101m t\u0101l\u0101k no galvaspils\u0113tas. K\u0101, piem\u0113ram, festiv\u0101l\u0101 \u201cOpti\u017e\u016bns\u201d \u2013 tur taj\u0101 [\u0112rg\u013cu] me\u017e\u0101 citur nekas nenotiek, t\u0101p\u0113c tu redzi visas izr\u0101des. Bet R\u012bg\u0101 festiv\u0101ls sakr\u012bt ar te\u0101tra sezonas s\u0101kumu. Cilv\u0113ki nevar pasp\u0113t uz visu, jo tik daudz notiek vienlaikus. M\u0113s s\u0101k\u0101m dom\u0101t, vai varb\u016bt septembris paties\u012bb\u0101 nav lab\u0101kais laiks festiv\u0101lam.<\/p>\nPr\u012bts:<\/strong>\u00a0J\u0101, liel\u0101 pils\u0113t\u0101 ir \u013coti gr\u016bti p\u0101rdot bi\u013cetes. K\u0101p\u0113c? T\u0101p\u0113c, ka te\u0101tros paral\u0113li notiek sezonas repertu\u0101ra izr\u0101des. Cilv\u0113kiem ir izv\u0113le \u2013 vi\u0146i iet ar\u012b uz cit\u0101m izr\u0101d\u0113m. M\u0113s ar\u012b p\u0101rdodam\u00a0Baltoscandal<\/em>\u00a0festiv\u0101lu, bet probl\u0113ma ir, ka tas ilgst tikai \u010detras dienas. T\u0101tad maksim\u0101lais festiv\u0101la bi\u013ce\u0161u skaits ir vien\u0101ds ar m\u016bsu maz\u0101k\u0101s norises vietas ietilp\u012bbu \u2014 bie\u017ei vien tikai 30 cilv\u0113ki. Un tas ar\u012b viss. M\u0113s p\u0101rdodam bi\u013cetes bez jebk\u0101das inform\u0101cijas par programmu \u2013 tikai datumus \u2013, un t\u0101s tiek nekav\u0113joties izp\u0101rdotas. Tom\u0113r, t\u0101 k\u0101 t\u0101s ir tikai 20 vai 30 bi\u013cetes, tas \u012bsti nepal\u012bdz. Maz\u0101k\u0101 viet\u0101, teiksim, Rakver\u0113, l\u012bdz\u012bgi k\u0101 Valmier\u0101, \u0161is modelis var str\u0101d\u0101t. Bet Tallin\u0101 tas nav iesp\u0113jams, jo vienm\u0113r notiek ar\u012b kaut kas cits. Tu \u012bsti nevari apgalvot, ka tas, ko tu dari, ir kaut k\u0101 lab\u0101ks par blakus notieko\u0161o.<\/p>\nMarta:<\/strong>\u00a0Iesp\u0113jams, \u0161eit ir divas lietas. Viens ir tas, ko tu jau teici \u2013 ka m\u0113s m\u0113dzam klaus\u012bties dziesmas, kuras jau paz\u012bstam. Bet es dom\u0101ju, ka \u0161eit darbojas ar\u012b pla\u0161\u0101ks soci\u0101lpolitisks fenomens \u2013 tieksme atgriezties pie sav\u0113jiem, pie t\u0101, ko zin\u0101m, kur j\u016btamies vair\u0101k vai maz\u0101k komfortabli, uzticoties jau atpaz\u012bstamiem v\u0101rdiem. Tas varb\u016bt ir ska\u013ci teikts, bet, ja iedom\u0101jamies visu valsts l\u012bmeni vai, k\u0101 nu m\u0113s t\u0101s sauktu, nacion\u0101l\u0101s tendences, tas atrodas kaut kur \u0161aj\u0101 spektr\u0101. Tas ir viens no elementiem, kas liek palikt sav\u0101 komforta zon\u0101. Un tas notiek pat diezgan radik\u0101li. Piem\u0113ram, Polij\u0101 ar lab\u0113ji orient\u0113tu vald\u012bbu p\u0113d\u0113jo asto\u0146u gadu laik\u0101 viena no galvenaj\u0101m izmai\u0146\u0101m l\u012bdz\u0101s daudzu m\u0101ksliniecisko vad\u012bt\u0101ju nomai\u0146ai instit\u016bcij\u0101s bija t\u0101, ka festiv\u0101lu starptautisk\u0101s programmas saruka. Bija gadi, kad \u0161\u012bs programmas izzuda gandr\u012bz piln\u012bb\u0101.\u00a0Konfrontacje<\/em>, ko agr\u0101k r\u012bkoj\u0101m k\u0101 starptautisku festiv\u0101lu, p\u0113d\u0113jos piecos gados ir absol\u016bti nacion\u0101ls. Un to pat neizl\u0113ma tie\u0161i vald\u012bba. Tas notika pirms jebk\u0101da ofici\u0101la l\u0113muma vai publiska pazi\u0146ojuma \u2013 bija tikai \u0161\u012b saj\u016bta: \u201cLab\u0101k atk\u0101pjamies, pirms rodas probl\u0113ma.\u201d Manupr\u0101t, tas ir diezgan b\u012bstami. Varb\u016bt \u0161is fenomens nav tik ac\u012bmredzams vai taust\u0101ms visur, bet es dom\u0101ju, ka l\u012bdz\u012bgas tendences var atrast ar\u012b citur.<\/p>\nReinis:<\/strong>\u00a0Es tikai gribu piebilst vienu lietu. Kad viet\u0113jie m\u0101kslinieki rada kaut ko festiv\u0101lam, tas ir unik\u0101li. To var izr\u0101d\u012bt tikai tr\u012bs vai \u010detras reizes. Un kopiena, kas interes\u0113jas par te\u0101tri vai kult\u016bru, lai cik maza t\u0101 ar\u012b neb\u016btu, R\u012bg\u0101 teiks: \u201cAk, tas ir unik\u0101ls notikums, to izr\u0101d\u012bs tikai da\u017eas reizes, mums j\u0101redz!\u201d Bet ar starptautisko programmu ir cit\u0101di. Da\u017eas no \u0161\u012bm izr\u0101d\u0113m m\u0113s jau esam redz\u0113ju\u0161i. Piem\u0113ram,\u00a0Fun Fact<\/em>\u00a0\u2013 es to redz\u0113ju pirms gada Tallin\u0101 izr\u0101\u017eu skat\u0113. Tie, kas patie\u0161\u0101m ir ieinteres\u0113ti te\u0101tr\u012b, var ce\u013cot un redz\u0113t izr\u0101des to ori\u0123in\u0101laj\u0101 kontekst\u0101. T\u0101tad tas nav tikai par v\u0101rdiem \u2013 tas ir ar\u012b par pieredzi, skatoties izr\u0101des cit\u0101s valst\u012bs.<\/p>\nGundega:\u00a0<\/strong>Es dom\u0101ju, ka tas m\u016bs ved pie kaut k\u0101, par ko m\u0113s v\u0113l \u012bsti neesam run\u0101ju\u0161i. Kad m\u0113s skat\u0101mies uz vis\u0101m \u0161\u012bm liet\u0101m atsevi\u0161\u0137i, mums ar\u012b j\u0101uzdod jaut\u0101jums: kas V\u0112L ir festiv\u0101ls? Man tas \u0161\u0137iet visinteresant\u0101kais jaut\u0101jums.\u00a0Ko v\u0113l tas var izdar\u012bt bez labas izr\u0101\u017eu programmas sasti\u0137\u0113\u0161anas? K\u0101da ir t\u0101 dramatur\u0123ija? K\u0101du sarunu tas veido?\u00a0K\u0101 m\u0113s str\u0101d\u0101jam ar telpu? Es dom\u0101ju, ka tas ir v\u0113l viens sl\u0101nis, kas ir tikpat svar\u012bgs k\u0101 m\u0101ksliniecisk\u0101s izv\u0113les \u2013 k\u0101ds m\u0101kslinieks, kura izr\u0101de. Un es j\u016btu, ka Latvij\u0101 \u0161\u012b saruna tikai s\u0101kas. M\u0113s nekad \u012bsti neesam run\u0101ju\u0161i par to, kas ir festiv\u0101ls, kas tas var\u0113tu b\u016bt, k\u0101ds ir t\u0101 potenci\u0101ls. Vai m\u0113s to izmantojam? Vai m\u0113s to rad\u0101m? Tas ir tik interesants jaut\u0101jums.<\/p>\nMarta:<\/strong>\u00a0\u0160eit es grib\u0113tu iejaukties \u2013 ar\u012b, balstoties uz to, kas jau \u0161odien teikts, \u2013 par to, k\u0101 m\u0113s dom\u0101jam par festiv\u0101lu. Es dom\u0101ju, ka tu to ar\u012b min\u0113ji, Gundega, un tas da\u013c\u0113ji izskan\u0113ja tav\u0101 jaut\u0101jum\u0101, Santa: k\u0101 m\u0113s varam dom\u0101t par festiv\u0101lu k\u0101 instit\u016bciju? Es pie\u013cauju, ka m\u0113s varam teikt, ka festiv\u0101ls ir instit\u016bcija, jo tas nosaka noteiktas hierarhijas. Tas notiek soci\u0101l\u0101 kontekst\u0101 un t\u0101p\u0113c ar\u012b ietekm\u0113, k\u0101 \u0161is konteksts funkcion\u0113. Tas var veidot, uztur\u0113t, bag\u0101tin\u0101t vai papla\u0161in\u0101t soci\u0101l\u0101s attiec\u012bbas. Protams, tas ar\u012b nodro\u0161ina atpaz\u012bstam\u012bbu da\u017eiem m\u0101ksliniekiem, bet ne visiem \u2013 t\u0101d\u0101 zi\u0146\u0101 tas ir ar\u012b process, k\u0101 institucion\u0101li veidot pa\u0161u lauku. Bet es gribu atgriezties pie sarunas, kas notika Santarkand\u017eelo festiv\u0101l\u0101 It\u0101lij\u0101 p\u0113c kuratores un dramatur\u0123es Silvijas Botiroli (Silvia Bottiroli<\/em>) iniciat\u012bvas. T\u0101 tika public\u0113ta 2015. gad\u0101 p\u0113d\u0113j\u0101 vi\u0146as r\u012bkot\u0101 festiv\u0101la bukleta izdevum\u0101. T\u0101 bija skaista, spekulat\u012bva saruna starp vi\u0146u un \u010detriem citiem kuratoriem, kur vi\u0146i ierosin\u0101ja dom\u0101t par festiv\u0101liem k\u0101 dom\u0101jo\u0161\u0101m b\u016btn\u0113m. Ja m\u0101kslas rad\u012b\u0161ana ir dom\u0101\u0161anas forma, tad kuratora darbs festiv\u0101l\u0101 ar\u012b var tikt uzskat\u012bts par dom\u0101\u0161anas formu. \u0160\u0101d\u0101 zi\u0146\u0101 festiv\u0101li var\u0113tu b\u016bt sava veida dom\u0101\u0161anas veids \u2013 tie var pied\u0101v\u0101t savas izt\u0113les formas. Un varb\u016bt k\u0101 auditorijas loceklis vai kurators tu vari ar\u012b m\u0113\u0123in\u0101t dom\u0101t kop\u0101 ar tiem. Iedvesmojoties no t\u0101 un skatoties, kur m\u0113s esam \u0161obr\u012bd, \u012bpa\u0161i ar festiv\u0101liem, kas tuvojas savai 30 gadu jubilejai, es izt\u0113lojos, kas notiktu, ja m\u0113s uztvertu festiv\u0101lu ne tikai k\u0101 dom\u0101jo\u0161as b\u016btnes, bet ar\u012b k\u0101 \u0137erme\u0146us? \u0136erme\u0146us, kas m\u012bt konkr\u0113t\u0101 ekosist\u0113m\u0101, kas taj\u0101 atrodas un veido attiec\u012bbas ar daudziem cilv\u0113kiem un \u0101rpus cilv\u0113ka eksist\u0113jo\u0161iem partneriem.<\/p>\nGundega:<\/strong>\u00a0Priek\u0161roc\u012bba ir t\u0101, ka nepast\u0101v fiks\u0113tas formas.<\/p>\nMarta:<\/strong>\u00a0Tie\u0161i t\u0101. Un tom\u0113r t\u0101s var ar\u012b past\u0101v\u0113t. Festiv\u0101ls gan k\u0101 instit\u016bcija, gan k\u0101 \u0137ermenis var\u0113tu b\u016bt k\u0101da veida \u0101da \u2013 varb\u016bt ne \u0113kas fas\u0101de, bet dr\u012bz\u0101k poraina \u0101da. K\u0101 \u0161\u012b \u0101da, piem\u0113ram, elpo? Vai, v\u0113l \u0137ermenisk\u0101k, \u0161im \u0137ermenim vajadz\u012bga bar\u012bba, tam kaut kur j\u0101ieg\u016bst uzturvielas. No kurienes t\u0101s sa\u0146em? Un kas notiek, ja \u0161is \u0137ermenis, b\u016bdams 30 vai 10, vai pat tikai divus gadus vecs, nogurst? Ko m\u0113s tad varam dar\u012bt? Vai festiv\u0101ls past\u0101v tikai t\u0101p\u0113c, lai r\u016bp\u0113tos un nodro\u0161in\u0101tu telpu m\u0101ksliniekiem un skat\u012bt\u0101jiem? Vai tas ar\u012b var sa\u0146emt kaut ko pret\u012b? Tas b\u016btu mans jaut\u0101jums \u2013 vai m\u0113s varam kaut k\u0101 rad\u012bt apst\u0101k\u013cus, kur k\u0101ds par\u016bp\u0113jas ar\u012b par pa\u0161u festiv\u0101lu?<\/p>\nSanta:<\/strong>\u00a0Bet reiz\u0113m festiv\u0101ls ir s\u0101cies k\u0101 k\u0101da cilv\u0113ka vai grupas person\u012bga, d\u0101rga iniciat\u012bva \u2013 p\u0113c 30 gadiem tas vairs nav vi\u0146u, un m\u0113s pat \u012bsti nezin\u0101m, k\u0101 tas s\u0101k\u0101s. M\u0113s esam biju\u0161i da\u013ca no t\u0101 da\u017e\u0101dos br\u012b\u017eos, da\u013ca noz\u012bm\u012bga procesa, bet nekad to neesam vad\u012bju\u0161i. Tagad tas ir izaudzis par kaut ko lielu \u2013 sist\u0113mu, organismu, \u0161o kompleksu, Eiropas projektos iesaist\u012bto monstru ar savu \u012bpa\u0161o atmosf\u0113ru \u2013 un m\u0113s tikai cen\u0161amies saprast, kas tas \u012bsti ir un k\u0101 m\u0113s joproj\u0101m varam b\u016bt da\u013ca no t\u0101, pal\u012bdzot tam turpin\u0101ties.<\/p>\nMarta:<\/strong>\u00a0Varb\u016bt tagad tas ir j\u016bsu festiv\u0101ls, j\u016bsu sapnis?<\/p>\nReinis:<\/strong>\u00a0Man \u0161eit ir p\u0101rdomas. Valmieras Vasaras te\u0101tra festiv\u0101ls svin\u0113ja 10 gadu jubileju, un es visus \u0161os gadus esmu bijis t\u0101 m\u0101kslinieciskais vad\u012bt\u0101js. M\u0113s s\u0101k\u0101m k\u0101 neliels festiv\u0101ls, bet \u0161ovasar uz ned\u0113\u013cas nogali pirmo reizi pat sl\u0113dz\u0101m vienu no galvenaj\u0101m Valmieras iel\u0101m. T\u0101 bija liela lieta \u2013 un nedaudz ar\u012b galvass\u0101pes \u2013, jo festiv\u0101la laik\u0101 notika ar\u012b \u201cPr\u0101ta v\u0113tras\u201d<\/em>\u00a0koncerts. Iela bija sl\u0113gta, satiksme haotiska, bet cilv\u0113kiem tas patika. Publika to nov\u0113rt\u0113ja, un ar\u012b te\u0101tra m\u0101kslinieki to izbaud\u012bja. Taj\u0101 pa\u0161\u0101 laik\u0101 es joproj\u0101m uzdodu sev jaut\u0101jumu \u2013 nu, labi, m\u0113s dar\u0101m to \u0161\u0101di jau 10 gadus, bet kas notiks t\u0101l\u0101k? K\u0101 m\u0113s varam kaut ko dar\u012bt cit\u0101di? Visus \u0161os gadus m\u0113s cent\u0101mies pan\u0101kt saj\u016btu, ka festiv\u0101ls ir par kaut ko \u012bpa\u0161u, ka tam ir sava identit\u0101te. Pa\u0161laik uzman\u012bbas centr\u0101 ir divas galven\u0101s lietas: nodro\u0161in\u0101t telpu jaunajiem m\u0101ksliniekiem un tiem, kas nevar atrast vietu institucion\u0101lajos te\u0101tros. V\u0113l pirms p\u0101ris gadiem uz lielaj\u0101m skatuv\u0113m jauno re\u017eisoru iestud\u0113jumu bija maz. Mums lik\u0101s svar\u012bgi pied\u0101v\u0101t \u0161o iesp\u0113ju. Taj\u0101 pa\u0161\u0101 laik\u0101 nev\u0113lamies izskat\u012bties k\u0101 \u201cies\u0101c\u0113ju festiv\u0101ls\u201d. Tagad esam izveidoju\u0161i festiv\u0101la identit\u0101ti un atmosf\u0113ru \u2013 visi jau apm\u0113ram zina, k\u0101du pieredzi gaid\u012bt. Ja esi m\u0101kslinieks, tu zini, ka str\u0101d\u0101si ar telpu, ar pils\u0113tu, ar t\u0101s cilv\u0113kiem, ar ainavu, jo m\u0113s veidojam t\u0101du te\u0101tri. Protams, bud\u017eets nav liels \u2013 k\u0101 visiem kult\u016bras jom\u0101. Bet man paties\u012bb\u0101 pat\u012bk, ka savus da\u017eus t\u016bksto\u0161us eiro m\u0113s varam t\u0113r\u0113t tie\u0161i m\u0101ksliniekiem. Vi\u0146i maksim\u0101li izmanto to, kas vi\u0146iem ir. Piem\u0113ram, mums bija \u201ctraktoru opera\u201d (Andra Kalnozola izr\u0101de \u201cTraktopera\u201d, 2017 \u2013 tulk. piez.): atbrauca \u012bsti traktori, izraka bedri \u2013 t\u0101 bija skatuve, m\u0101kslinieki nosp\u0113l\u0113ja izr\u0101di, aizb\u0113ra bedri, un viss. Traktori atgriez\u0101s celtniec\u012bbas uz\u0146\u0113mum\u0101. Bet visi guva pozit\u012bvas emocijas, izjuta rado\u0161o garu. Protams, da\u017ek\u0101rt vajag liel\u0101kas izr\u0101des, jo ar\u012b v\u0113lies daudzskaitl\u012bg\u0101ku auditoriju. Pa\u0161laik festiv\u0101lu r\u012bkojam vienu vai divas ned\u0113\u013cas p\u0113c [Valmieras] pils\u0113tas sv\u0113tkiem. Pils\u0113tas sv\u0113tkos viss ir bez maksas \u2013 lielas popgrupas un viss p\u0101r\u0113jais. Un cilv\u0113ki viegli izt\u0113r\u0113 savus 23 eiro par porciju \u0161a\u0161lika, kartupe\u013ciem, alu. M\u016bsu bi\u013cetes maks\u0101 ap 16 eiro vai 8 eiro profesion\u0101\u013ciem, tiek piem\u0113rotas da\u017e\u0101das atlaides un akcijas. Tur gandr\u012bz nekad nesan\u0101k tie 23 eiro, un nauda tiek t\u0113r\u0113ta m\u0101kslai un emocion\u0101lajai pieredzei.<\/p>\nSanta:<\/strong>\u00a0Es sapratu, ka paties\u012bb\u0101, kad kriti\u0137i s\u0101k rakst\u012bt labas lietas par tevi, tas k\u013c\u016bst par t\u0101du k\u0101 slogu. Kad tev v\u0113l j\u0101iedro\u0161ina cilv\u0113ki, \u0161\u012b c\u012b\u0146a dod ener\u0123iju. Bet, kad vi\u0146i s\u0101k tevi slav\u0113t, tu dom\u0101 \u2013 vai m\u0113s kaut ko dar\u0101m nepareizi?<\/p>\nReinis:<\/strong>\u00a0Es \u0101tri m\u0113\u0123in\u0101\u0161u atbild\u0113t ar savu piem\u0113ru. S\u0101kum\u0101 m\u016bsu ideja bija r\u012bkot festiv\u0101lu reizi divos gados. M\u0113s sar\u012bkoj\u0101m pirmo izdevumu, bet n\u0101c\u0101s atcelt vienu izr\u0101di, cita izr\u0101d\u012bj\u0101s nedaudz nedro\u0161a, un t\u0101 t\u0101l\u0101k. Galu gal\u0101 bija pl\u0101noti se\u0161i notikumi, bet \u012bsten\u012bb\u0101 notika tikai \u010detri \u2013 un varb\u016bt divi no tiem vair\u0101k vai maz\u0101k k\u0101rt\u012bb\u0101. K\u0101 kurators non\u0101cu ne tikai finansi\u0101l\u0101s gr\u016bt\u012bb\u0101s, bet ar\u012b sask\u0101ros ar \u0161aub\u0101m kopien\u0101. Visi jaut\u0101ja, kas \u012bsti ir \u0161is Valmieras te\u0101tra festiv\u0101ls. Kriti\u0137i un pat pils\u0113tas dome teica, ka tas viss izskat\u0101s \u0161aub\u012bgi. Tad div\u0101s nakt\u012bs m\u0113s izdom\u0101j\u0101m jaunu konceptu \u2013 n\u0101kamaj\u0101 gad\u0101 r\u012bkot b\u0113rnu te\u0101tra festiv\u0101lu. Kaut ko maz\u0101ka m\u0113roga, ar apm\u0113ram 100 viet\u0101m, bez nepiecie\u0161am\u012bbas izmantot ska\u013cru\u0146us, str\u0101d\u0101jot \u013coti koncentr\u0113ti. Un m\u0113s visu izdar\u012bj\u0101m \u013coti \u0101tri.<\/p>\nGundega:<\/strong>\u00a0Bet tie\u0161i t\u0101 festiv\u0101li ar\u012b rodas. J\u016bs identific\u0113j\u0101t re\u0101lu vajadz\u012bbu \u2013 kaut ko, uz ko var rea\u0123\u0113t tikai festiv\u0101ls. Nav kult\u016brpolitikas, kas r\u016bp\u0113tos par n\u0101kotnes auditorij\u0101m, tikai par zvaig\u017e\u0146u re\u017eisoriem. J\u016bs aizpild\u012bj\u0101t \u0161o tuk\u0161o telpu. Un t\u0101p\u0113c j\u016bs ar\u012b s\u0101k\u0101t atkl\u0101t vair\u0101kas nepiln\u012bbas, piem\u0113ram, izgl\u012bt\u012bbas tr\u016bkumu, un tad izveidoj\u0101t \u201cB\u0113rnu un jaunie\u0161u instit\u016btu\u201d. T\u0101tad \u2013 veiksmi, un tiksimies p\u0113c 30 gadiem!<\/p>\nSanta:<\/strong>\u00a0Virzoties m\u016bsu diskusijas fini\u0161a taisn\u0113 un dom\u0101jot par \u201cHomo Novus\u201d vai j\u016bsu veidotajiem festiv\u0101liem, vai esat pieredz\u0113ju\u0161i, ka festiv\u0101ls rada patiesas p\u0101rmai\u0146as? T\u0101, ka var sadal\u012bt laiku \u201cpirms\u201d un \u201cp\u0113c\u201d?<\/p>\nPr\u012bts:<\/strong>\u00a0SAAL Biennaal<\/em>\u00a0ir notiku\u0161as skaidri redzamas p\u0101rmai\u0146as, kop\u0161 pirms \u010detriem gadiem, kad m\u0113s nol\u0113m\u0101m veidot festiv\u0101lu visi kop\u0101, pat \u012bsti nezinot, ko tas noz\u012bm\u0113. M\u0113s vienk\u0101r\u0161i s\u0101k\u0101m \u2013 s\u0113d\u0113j\u0101m pie galda, run\u0101j\u0101m, un kaut k\u0101 s\u0101ka par\u0101d\u012bties v\u0101rdi un t\u0101 t\u0101l\u0101k.<\/p>\nGundega:<\/strong>\u00a0Bet vai pats festiv\u0101ls ir rad\u012bjis p\u0101rmai\u0146as?<\/p>\nPr\u012bts:<\/strong>\u00a0M\u0113s neesam tik svar\u012bgi \u2013 m\u0113s nemain\u0101m pasauli.<\/p>\nMarta:<\/strong>\u00a0Bet es dom\u0101ju, ka diezgan daudz citu festiv\u0101lu un organiz\u0101ciju raug\u0101s uz jums. Varb\u016bt tur s\u0101kas p\u0101rmai\u0146as.<\/p>\nPr\u012bts:<\/strong>\u00a0Varb\u016bt. M\u0113s dr\u012bz\u0101k uz to skat\u0101mies t\u0101 \u2013\u00a0un tad jau redz\u0113s<\/em>! \u0160\u012b bija otr\u0101 reize, kad festiv\u0101la kuratoru darbs notika komand\u0101. Festiv\u0101l\u0101 vienm\u0113r ir teor\u0113tiskas diskusijas par \u0161o kolekt\u012bvo pieeju \u2013 m\u0113s m\u0101c\u0101mies proces\u0101, t\u0101lu no t\u0101, lai k\u0101dam citam m\u0101c\u012btu, k\u0101 tam j\u0101b\u016bt. Bet esam nol\u0113mu\u0161i vismaz l\u012bdz n\u0101kamajai reizei \u0161\u0101di turpin\u0101t. Kolekt\u012bv\u0101 kuratoru prakse daudziem no mums, tostarp man pa\u0161am, pats par sevi bija p\u0101rmai\u0146u process. Es biju \u013coti skeptisks, jo n\u0101ku no paaudzes, kas uzskata, ka ir j\u0101b\u016bt k\u0101dam atbild\u012bgajam par notieko\u0161o. Varb\u016bt festiv\u0101ls nav main\u012bjies tik daudz, cik es pats, un ar\u012b to konstat\u0113t ir fascin\u0113jo\u0161i. Nav nek\u0101du gatavu zin\u0101\u0161anu, mums pa\u0161iem viss j\u0101izdom\u0101.<\/p>\nMarta:\u00a0<\/strong>Vai iesp\u0113jams noformul\u0113t, kas main\u012bjies tie\u0161i tav\u0101 lom\u0101 festiv\u0101l\u0101?<\/p>\nPr\u012bts:<\/strong>\u00a0Tas process s\u0101k\u0101s\u00a0Kanuti Gildi SAAL<\/em>. Es atk\u0101pos no m\u0101ksliniecisk\u0101 direktora amata, un tr\u012bs mani kol\u0113\u0123i to p\u0101r\u0146\u0113ma. Tas jau bija solis uz kopdarbu. Un es dom\u0101ju, ka \u0161iem trim cilv\u0113kiem ir liel\u0101kas probl\u0113mas nek\u0101 mums festiv\u0101l\u0101 ar desmit cilv\u0113kiem. Ar trim tu joproj\u0101m jaut\u0101 \u2013 kur\u0161 ir atbild\u012bgais? Bet ar desmit \u0161is jaut\u0101jums gandr\u012bz izz\u016bd.<\/p>\nGundega:<\/strong>\u00a0Es dom\u0101ju, ka \u201cHomo Novus\u201d gadu gait\u0101 ir demonstr\u0113jis drosmi rad\u012bt cit\u0101di, piedz\u012bvot cit\u0101di, b\u016bt kop\u0101 cit\u0101di.\u00a0Tas ne vienm\u0113r noz\u012bm\u0113, ka esam noteiku\u0161i jaunu standartu \u0161aj\u0101 lauk\u0101, bet es dom\u0101ju, ka esam aicin\u0101ju\u0161i b\u016bt br\u012bv\u0101kiem, maz\u0101k no\u0146emties ar savu ego, bet taj\u0101 pa\u0161\u0101 laik\u0101 \u013coti, \u013coti nopietni iztur\u0113ties pret m\u0101kslu, ko rad\u0101m. Es nezinu\u2026 Reini, tu es str\u0101d\u0101jis ar mums kop\u0101\u2026<\/p>\nReinis:<\/strong>\u00a0Es teiktu, ka man \u201cHomo Novus\u201d tie\u0161\u0101m main\u012bja dom\u0101\u0161anu \u2013 ne tikai k\u0101 m\u0101ksliniekam, bet ar\u012b k\u0101 festiv\u0101la organizatoram. Es veidoju darbu kop\u0101 ar saviem trim kol\u0113\u0123iem \u201cHomo Alibi\u201d, un, k\u0101 teica Gundega, tas s\u0101k\u0101s \u0161\u0101di: \u201cKlausieties, draugi, mums ir 5000 eiro \u2013 \u013coti maz naudas \u2013, te ir tuk\u0161a telpa, un pusotra m\u0113ne\u0161a laik\u0101 j\u0101b\u016bt izr\u0101dei.\u201d T\u0101tad m\u0113s visu veidoj\u0101m pa\u0161i \u2013 izst\u0101di, instal\u0101ciju, skatuvi, s\u0113dvietas, ska\u0146u, apgaismojumu. M\u0113s rad\u012bj\u0101m visu ar sav\u0101m rok\u0101m, un man \u013coti patika \u0161\u012b pieredze. T\u0101pat m\u0113s str\u0101d\u0101jam Valmier\u0101: mums ir neliels bud\u017eets, atv\u0113rti m\u0101kslinieki, nav tehnisk\u0101s komandas vai re\u017eisoru \u2013 visu darbu veic komanda. Tas dod milz\u012bgu atbild\u012bbas saj\u016btu m\u0101ksliniekiem.<\/p>\nGundega:<\/strong>\u00a0Es tikai piebild\u012b\u0161u \u2013\u00a0\u201cHomo Novus\u201d gad\u012bjum\u0101 tas ne vienm\u0113r ir t\u0101, ka \u0161eit ir nauda, tiekamies p\u0113c m\u0113ne\u0161a. J\u016bsu gad\u012bjums bija \u012bpa\u0161s, jo j\u016bsu kvartets (Reinis Suhanovs, J\u0113kabs N\u012bmanis, J\u0101nis Znoti\u0146\u0161, R\u016bdolfs Beki\u010ds) v\u0113l\u0113j\u0101s uzb\u016bv\u0113t savu ide\u0101lo skatuvi. Tur nebija vietas man k\u0101 dramaturgam vai kuratoram \u2013 vi\u0146i grib\u0113ja rad\u012bt savu pasauli ar sav\u0101m rok\u0101m.<\/p>\nReinis:<\/strong>\u00a0Tie\u0161i t\u0101, un tie\u0161i t\u0101p\u0113c tas man bija tik svar\u012bgs pieredzes br\u012bdis. Es grib\u0113ju rad\u012bt \u0161\u0101du telpu ar\u012b citiem m\u0101ksliniekiem. Tas ne vienm\u0113r ir pat\u012bkami, \u012bpa\u0161i, str\u0101d\u0101jot valsts te\u0101tros, kur scenogr\u0101fi, mened\u017eeri un m\u0101kslinieciskie direktori tev saka, ko un k\u0101 vajag main\u012bt. Es grib\u0113ju rad\u012bt telpu, kur m\u0101kslinieki var piln\u012bb\u0101 izmantot atbild\u012bbu un br\u012bv\u012bbu.<\/p>\nSanta:<\/strong>\u00a0\u0160ogad projekt\u0101 \u201cP\u0101rb\u016bves\u201d ar\u012b jaunie scenogr\u0101fijas studenti rad\u012bja savu telpu \u2013 tikai ar 5000 eiro. Bet vi\u0146i rad\u012bja kaut ko patiesi noz\u012bm\u012bgu sev. Ar sp\u0113c\u012bgu v\u0113lmi kaut ko \u012bstenot. Vi\u0146i to dar\u012bja vienk\u0101r\u0161i, bet ar patiesu m\u0113r\u0137i. Mums tas bija k\u0101 \u201cdegviela\u201d komandai \u2013 redz\u0113t cilv\u0113kus, kuri patie\u0161\u0101m grib kaut ko dar\u012bt, nevis sisties aizsl\u0113gt\u0101s durv\u012bs vai uzb\u0101zties viet\u0101m, kur vi\u0146us negaida. Studenti uztv\u0113ra to apm\u0113ram t\u0101: \u201cJ\u0101, es pie\u0146emu izaicin\u0101jumu. Es att\u012br\u012b\u0161u telpu, uzlik\u0161u savu v\u0101rdu un padar\u012b\u0161u to par savu.\u201d<\/p>\nReinis:<\/strong>\u00a0\u0160eit man j\u0101pasaka paldies \u2013 par to, ka dev\u0101t studentiem \u0161o iesp\u0113ju. \u0160\u012b pieredze p\u0113c festiv\u0101la atst\u0101s re\u0101lu ietekmi, br\u012bd\u012b, kad vi\u0146i saprat\u012bs: \u201cM\u0113s varam rad\u012bt kaut ko ar savu garu.\u201d Attiec\u012bb\u0101 uz Valmieras festiv\u0101lu \u2013 m\u0113s esam par\u0101d\u012bju\u0161i, k\u0101 dom\u0101t cit\u0101di un k\u0101 \u0101tri p\u0101rveidot te\u0101tra telpu. Piem\u0113ram, vienreiz m\u0113s str\u0101d\u0101j\u0101m vec\u0101 katlu m\u0101j\u0101 un p\u0101rv\u0113rt\u0101m to par telpu te\u0101trim. V\u0113l\u0101k, kad Valmieras te\u0101tr\u012b notika rekonstrukcija, m\u0113s var\u0113j\u0101m min\u0113taj\u0101 telp\u0101, ko sauc\u0101m par \u201cKurtuvi\u201d, atv\u0113rt pagaidu te\u0101tri tikai divu m\u0113ne\u0161u laik\u0101.<\/p>\nGundega:<\/strong>\u00a0Tas pats notika Tabakas fabrik\u0101 \u2013 jaunie\u0161i tur uzb\u016bv\u0113ja savu ide\u0101lo skatuvi, kura v\u0113l\u0101k k\u013cuva par Jaun\u0101 R\u012bgas te\u0101tra telpu rekonstrukcijas laik\u0101.<\/p>\nReinis:<\/strong>\u00a0T\u0101 festiv\u0101ls vienk\u0101r\u0161i dod cilv\u0113kiem iesp\u0113ju paskat\u012bties uz liet\u0101m ar cit\u0101m ac\u012bm.<\/p>\n\n
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[1]\u00a0BDSM \u2013 sa\u012bsin\u0101jums no\u00a0Bondage<\/em>\/verdz\u012bba,\u00a0Domination<\/em>\/kundz\u012bba,\u00a0Sado<\/em>\/sadisms,\u00a0Mazo<\/em>\/mazohisms \u2013 seksu\u0101lu prak\u0161u kopums, kas ietver erotisku varas apmai\u0146u ar asu saj\u016btu stimul\u0101cijam un da\u017e\u0101d\u0101m lomu sp\u0113l\u0113m \u2013 tulk. piez.<\/p>\n<\/div>\nFoto: Andrejs Strokins<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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Sada\u013cu “Las\u012btava” finansi\u0101li atbalsta Sabiedr\u012bbas integr\u0101cijas fonds no Latvijas valsts bud\u017eeta l\u012bdzek\u013ciem.<\/p>\n
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Diskusij\u0101, kas norisin\u0101j\u0101s 6. septembr\u012b festiv\u0101l\u0101 “Homo Novus”, piedal\u0101s Diskusij\u0101 piedal\u0101s Santa Remere, Gundega Laivi\u0146a, Reinis Suhanovs, Armands Sili\u0146\u0161-Bergmanis, Marta Keila, Pr\u012bts Rauds.<\/p>\n","protected":false},"author":1,"featured_media":5096,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[86,91,92],"tags":[],"class_list":["post-5095","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-homo-novus","category-lasitava","category-sif-projekts"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5095"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5095\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5096"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5095"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5095"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}