Intervija ar sard\u012bnie\u0161u izcelsmes starpdisciplin\u0101ro m\u0101kslinieci Valentinu Medu, kura dz\u012bvo Bolo\u0146\u0101. Vi\u0146as rado\u0161\u0101 darb\u012bba aptver skatuves un vizu\u0101lo m\u0101kslu, k\u0101 ar\u012b vietkonkr\u0113tas intervences. Savos darbos vi\u0146a p\u0113ta attiec\u012bbas starp publisko un priv\u0101to, \u0137ermeni un arhitekt\u016bru, pils\u0113tvidi un soci\u0101lo pieder\u012bbu. \u0160\u012bgada apr\u012bl\u012b da\u017e\u0101da vecuma, taut\u012bbas un profesiju sievietes tika aicin\u0101tas piedal\u012bties pils\u0113tas izp\u0113t\u0113, lai noteiktu vietas R\u012bg\u0101, kur\u0101s vi\u0146as j\u016btas dro\u0161i, pastaig\u0101joties vienatn\u0113 kr\u0113slas stund\u0101s, un kur \u0161\u012b dro\u0161\u012bbas saj\u016bta beidzas. \u0160\u012b p\u0113t\u012bjuma rezult\u0101t\u0101 tapu\u0161as R\u012bgas nakts kartes, kas no 3. l\u012bdz 12. septembrim b\u016bs apl\u016bkojamas izst\u0101d\u0113 \u201cPils\u0113tas nakt\u012b\u201d kult\u016bras telp\u0101 \u201cRAA\u201d, Mat\u012bsa iel\u0101 8, R\u012bg\u0101.\u00a0<\/b><\/p>\n
Kas pamudin\u0101ja tevi piev\u0113rsties p\u0113t\u012bjumam par sievie\u0161u draudu uztveri pils\u0113tvid\u0113?<\/b><\/p>\n
\u0160is projekts dzima no p\u0101rdom\u0101m, kas man rad\u0101s p\u0113c dz\u012bves Brisel\u0113. Es uz turieni p\u0101rc\u0113los 2006. gad\u0101 un taj\u0101 laik\u0101 str\u0101d\u0101ju b\u0101r\u0101. P\u0113c darba, ap diviem trijiem nakt\u012b, devos vienatn\u0113 m\u0101j\u0101s, \u0161\u0137\u0113rsojot k\u0101du konkr\u0113tu pils\u0113tas rajonu. Tolaik nezin\u0101ju, ka \u0161o apk\u0101rtni uzskata par b\u012bstamu, t\u0101p\u0113c jutos dro\u0161i \u2013 \u0161\u0137ita, ka p\u0101rvietojos glu\u017ei k\u0101 pa jebkuru citu pils\u0113tas da\u013cu. Viss main\u012bj\u0101s br\u012bd\u012b, kad k\u0101ds man pateica, ka man tur nevajadz\u0113tu iet, jo t\u0101 apk\u0101rtne ir b\u012bstama. \u0160aj\u0101 rajon\u0101 galvenok\u0101rt dz\u012bvoja musulma\u0146u ar\u0101bu izcelsmes migranti. Es p\u0101rst\u0101ju tur iet, pamatojoties nevis uz savu pieredzi, bet uz k\u0101da cita saj\u016bt\u0101m un aizspriedumiem. P\u0113c vair\u0101kiem gadiem tas man atausa pr\u0101t\u0101 un \u013coti sadusmoja. Es biju ietekm\u0113jusies no k\u0101da cita dz\u012bves uztveres un aizspriedumiem. Tie\u0161i tas bija impulss, kas aizs\u0101ka \u0161o projektu.<\/p>\n
Kas padara Eiropas pils\u0113tas b\u012bstamas sieviet\u0113m?\u00a0<\/b><\/p>\n
Es neteiktu, ka Eiropas pils\u0113t\u0101s ir kaut kas unik\u0101li b\u012bstams. Pils\u0113tas visur pasaul\u0113 var b\u016bt vienl\u012bdz nedro\u0161as. Manupr\u0101t, draud\u012bgas t\u0101s padara fakts, ka publiskaj\u0101 telp\u0101 domin\u0113 v\u012brie\u0161i. Pils\u0113tas nakt\u012b k\u013c\u016bst tuk\u0161as, taj\u0101s vairs nav cilv\u0113ku, kas vienk\u0101r\u0161i uzturas \u0101r\u0101, iet sav\u0101s dar\u012b\u0161an\u0101s. Un, ja ar\u012b ir, tie p\u0101rsvar\u0101 ir v\u012brie\u0161i. T\u0101p\u0113c es uzskatu, ka sieviet\u0113m ir j\u0101apdz\u012bvo pils\u0113tas ar saviem \u0137erme\u0146iem un j\u0101veido alianses, lai \u0161\u012bs vietas k\u013c\u016btu maz\u0101k vientu\u013cas un b\u016btu dro\u0161\u0101kas. Protams, pal\u012bdz ar\u012b praktiski risin\u0101jumi, piem\u0113ram, labs apgaismojums vai arhitekt\u016bras risin\u0101jumi, kas neveido draud\u012bgu vidi un neaizsedz redzesloku. Es \u0161obr\u012bd dz\u012bvoju Bolo\u0146\u0101 \u2013 pils\u0113t\u0101 ar daudziem portikiem. Tie ir \u013coti skaisti, bet reiz\u0113 ar\u012b ierobe\u017eo redzam\u012bbu un pastiprina ska\u0146as. Bie\u017ei rodas saj\u016bta, ka tev k\u0101ds seko vai ir \u013coti tuvu, lai gan paties\u012bb\u0101 t\u0101 ir tikai atbalss. T\u0101tad, no vienas puses, arhitekt\u016bra un pils\u0113tvides pl\u0101nojums var pal\u012bdz\u0113t veidot dro\u0161\u0101ku vidi. No otras \u2013 mums pa\u0161\u0101m j\u0101apdz\u012bvo pils\u0113ta, j\u0101iet \u0101r\u0101, j\u0101uzturas publiskaj\u0101 telp\u0101, j\u0101izbauda nakts dz\u012bve, proti, j\u0101dz\u012bvo pils\u0113t\u0101 pilnv\u0113rt\u012bgi.<\/p>\n
Kur\u0101s pils\u0113t\u0101s tu jau esi \u012bstenojusi \u0161o projektu un k\u0101das at\u0161\u0137ir\u012bbas esi nov\u0113rojusi da\u017e\u0101d\u0101s viet\u0101s?\u00a0<\/b><\/p>\n
Esmu str\u0101d\u0101jusi vair\u0101k\u0101s It\u0101lijas pils\u0113t\u0101s \u2013 Bolo\u0146\u0101, Mod\u0113n\u0101, Kalj\u0101ri, Rom\u0101. Projektu esmu \u012bstenojusi ar\u012b Pri\u0161tin\u0101, Tronheim\u0101 un tagad \u2013 R\u012bg\u0101. Kopum\u0101 situ\u0101cija ir \u013coti l\u012bdz\u012bga neatkar\u012bgi no vietas \u2013 sievietes j\u016btas nedro\u0161i, \u012bpa\u0161i nakt\u012b. Mani p\u0101rsteidz, ka jaun\u0101kas sievietes izj\u016bt visliel\u0101k\u0101s bailes. It\u0101lij\u0101 90. gados, Berluskoni vald\u012b\u0161anas laik\u0101, notika pla\u0161a kampa\u0146a par dro\u0161\u012bbu uz iel\u0101m. T\u0101 ac\u012bmredzot bija v\u0113rsta pret imigrantiem \u2013 vald\u012bbas retorik\u0101 tie\u0161i vi\u0146i bija tie, kas padar\u012bja m\u016bsu ielas b\u012bstamas. Manupr\u0101t, tas bija apzin\u0101ts politisks g\u0101jiens \u2013 desmit gadu laik\u0101 tika rad\u012bta vide, kur\u0101 cilv\u0113ki jut\u0101s apdraud\u0113ti sav\u0101 pils\u0113t\u0101. Tas bija attaisnojums palielin\u0101t policijas kl\u0101tb\u016btni publiskaj\u0101 telp\u0101, pastiprin\u0101t kontroli un mazin\u0101t cilv\u0113ku patst\u0101v\u012bbu, it \u012bpa\u0161i ierobe\u017eojot sievie\u0161u br\u012bv\u012bbu. Iesp\u0113jams, \u0161odien m\u0113s redzam \u0161\u012b procesa rezult\u0101tu \u2013 kad, piem\u0113ram, 26 gadus veca sieviete, kas stud\u0113 Bolo\u0146as Universit\u0101t\u0113 \u2013 pils\u0113t\u0101, kur es vienm\u0113r mier\u012bgi staig\u0101ju viena se\u0161os no r\u012bta jebk\u0101d\u0101 st\u0101vokl\u012b, atgrie\u017eoties, piem\u0113ram, no reiviem \u2013, nej\u016btas dro\u0161i iziet \u0101r\u0101 nakt\u012b. Tas mani patie\u0161\u0101m satriec \u2013 redz\u0113t jaunu sievieti, kurai vajadz\u0113tu baud\u012bt dz\u012bvi piln\u0101 spar\u0101, bet kura bai\u013cu iespaid\u0101 neiet \u0101r\u0101 nakt\u012b. T\u0101 ir da\u013ca no pla\u0161\u0101ka procesa \u2013 pils\u0113tu nakts dz\u012bve ir izzudusi. Tas ir ar\u012b politisks l\u0113mums. Ir daudz restor\u0101nu un b\u0101ru, kur\u00a0 t\u0113r\u0113t naudu, bet nav vairs ne skvotu, ne pagr\u012bdes pas\u0101kumu. T\u0101p\u0113c uz iel\u0101m vairs nav cilv\u0113ku. Es joproj\u0101m da\u017ek\u0101rt dodos m\u0101j\u0101s viena piecos no r\u012bta. Un nesen, pirmo reizi m\u016b\u017e\u0101, man bija bail, jo es sapratu, ka uz ielas nav neviena cita cilv\u0113ka, iz\u0146emot mani un v\u0113l divus cilv\u0113kus, ar kuriem es nejutos dro\u0161i. Visi veikali bija sl\u0113gti, nebija dzirdama ne m\u016bzika, ne cita k\u0146ada. Tad rodas jaut\u0101jums \u2013 k\u0101p\u0113c k\u0101dam visp\u0101r vajadz\u0113tu b\u016bt uz ielas, ja nav iemesla tur atrasties? Tas ir ar\u012b politisks m\u0113r\u0137is \u2013 likt mums palikt m\u0101j\u0101s. Vi\u0146i nev\u0113las, lai m\u0113s b\u016btu uz ielas ar savu \u0137ermeni. Statistika gan liecina, ka visliel\u0101kais vardarb\u012bbas risks sieviet\u0113m ir tie\u0161i m\u0101j\u0101s un \u0123imen\u0113, nevis uz ielas. T\u0101tad tas ir veids, k\u0101 kontrol\u0113t sievietes. \u0160\u012b kontroles sist\u0113ma darbojas \u013coti efekt\u012bvi \u2013 gandr\u012bz visur pasaul\u0113. T\u0101tad, j\u0101, m\u0113s visas baid\u0101mies, bet, god\u012bgi sakot, neredzu b\u016btiskas at\u0161\u0137ir\u012bbas starp da\u017e\u0101d\u0101m pils\u0113t\u0101m.<\/p>\n
K\u0101du iespaidu uz tevi atst\u0101ja sievietes R\u012bg\u0101? K\u0101da ir noska\u0146a pils\u0113t\u0101?\u00a0<\/b><\/p>\n
Sievietes R\u012bg\u0101 j\u016btas tikpat nedro\u0161i k\u0101 sievietes cit\u0101s pils\u0113t\u0101s \u2013 da\u017eas vair\u0101k, da\u017eas maz\u0101k. T\u0101s, kuras izj\u016bt bailes, min l\u012bdz\u012bgus iemeslus k\u0101 citviet. T\u0101 tas vienm\u0113r bijis \u0161\u012b projekta ietvaros. Zin\u0101m\u0101 m\u0113r\u0101 tas, ka mums ir bail no viena un t\u0101 pa\u0161a, padara m\u016bs tuv\u0101kas un stipr\u0101kas: m\u0113s atrodam savas ievainojam\u012bbas iemeslus \u0101rpus individu\u0101l\u0101s atbild\u012bbas. M\u0113s neejam \u0101r\u0101 nevis t\u0101p\u0113c, ka negribam vai mums tr\u016bktu drosmes (es neieredzu j\u0113dzienu \u201cdrosme\u201d \u2013 tas ir maldino\u0161s un \u0113tiski aplams). M\u0113s neejam \u0101r\u0101 t\u0101p\u0113c, ka nakts un pils\u0113ta nav dom\u0101tas mums. \u201cK\u0101rt\u012bgas meitenes\u201d paliek m\u0101j\u0101s. Apzinoties, ka m\u016bsu bail\u0113m ir politiski iemesli, varam mekl\u0113t un dal\u012bties ar risin\u0101jumiem, k\u0101 t\u0101s p\u0101rvar\u0113t. T\u0101 veidojas savstarp\u0113js atbalsts un alianse ar cit\u0101m sieviet\u0113m, kas dz\u012bvo t\u0101lu prom, pavisam citos apst\u0101k\u013cos. M\u0113s veidojam jaunu kopienu, kas p\u0101rvar nacion\u0101l\u0101s robe\u017eas.<\/p>\n
Tu nodarbojies ar vietkonkr\u0113to (ang. val.\u00a0site-specific<\/em>) interven\u010du praksi \u2013 \u0161im projektam ir gan izst\u0101des, gan performances form\u0101ts. K\u0101 tie at\u0161\u0137iras?<\/b><\/p>\n Izst\u0101des form\u0101t\u0101 es p\u0113tu pils\u0113tu, veidojot jaunu topogr\u0101fiju. \u0136ermenis, p\u0101rvietojoties pa pils\u0113tu, p\u0101rraksta t\u0101s robe\u017eas. Pils\u0113ta nebeidzas tur, kur to nosaka \u0123eogr\u0101fisk\u0101s robe\u017eas, bet gan tur, kur \u0137ermenis p\u0101rtrauc staig\u0101t. Ar kar\u0161u pal\u012bdz\u012bbu es \u0161\u012bs robe\u017eas vizualiz\u0113ju. Performances form\u0101ts nedaudz at\u0161\u0137iras. Tur es nel\u016bdzu sieviet\u0113m izp\u0113t\u012bt visu pils\u0113tu vai t\u0101s perif\u0113riju, bet gan aicinu vi\u0146as s\u0101kt pastaigu konkr\u0113t\u0101 punkt\u0101 un, l\u012bdzko vi\u0146as j\u016btas apdraud\u0113tas, p\u0101rtraukt ce\u013cu. Rezult\u0101t\u0101 skat\u012bt\u0101js burtiski seko izpild\u012bt\u0101jas so\u013ciem un iej\u016btas vi\u0146as pieredz\u0113, vi\u0146as \u0137ermeniskaj\u0101 atmi\u0146\u0101 un izv\u0113l\u0113s. Abi form\u0101ti darbojas nedaudz at\u0161\u0137ir\u012bg\u0101 veid\u0101, bet tie abi p\u0113ta robe\u017eas un to, k\u0101 \u0137erme\u0146i \u0161\u012bs robe\u017eas p\u0101rz\u012bm\u0113. Izst\u0101de ir vizu\u0101li iespaid\u012bga, t\u0101 \u013cauj skat\u012bt\u0101jam sal\u012bdzin\u0101t kartes un sievie\u0161u da\u017e\u0101do pieredzi. Bie\u017ei t\u0101s var \u013coti at\u0161\u0137irties \u2013 zonu, ko viena sieviete uzskata par apdraudo\u0161u, cita mier\u012bgi ir \u0161\u0137\u0113rsojusi. Uzreiz rodas iespaids, ka runa ir nevis par objekt\u012bv\u0101m briesm\u0101m, bet gan par uztveri.<\/p>\n Cik ilgi tu jau nodarbojies ar \u0161o projektu, un vai \u0161o gadu laik\u0101 sievie\u0161u draudu uztver\u0113 kaut kas ir main\u012bjies?\u00a0<\/b><\/p>\n Nu jau ir pag\u0101ju\u0161i vair\u0101k nek\u0101 desmit gadi, kop\u0161 s\u0101ku str\u0101d\u0101t pie \u0161\u012b darba. Un ikreiz, kad man \u0161\u0137iet \u2013 ir jau gana \u2013, k\u0101ds mani atkal aicina to \u012bstenot. Piem\u0113ram, decembr\u012b ar \u0161o projektu do\u0161os uz Ostendi. Tas man liek dom\u0101t, ka \u0161is darbs joproj\u0101m ir vajadz\u012bgs. T\u0101 ir t\u0113ma, par kuru v\u0113l arvien ir j\u0101run\u0101, kura ir j\u0101izp\u0113ta. Sieviet\u0113m t\u0101 joproj\u0101m ir b\u016btiska. M\u0113s visas kaut k\u0101d\u0101 l\u012bmen\u012b dz\u012bvojam bail\u0113s, bet par to nerun\u0101jam. Ta\u010du darbn\u012bc\u0101s sievietes s\u0101k run\u0101t \u2013 par to, no k\u0101 vi\u0146as baid\u0101s publiskaj\u0101 telp\u0101. Parasti s\u0101kum\u0101 da\u017eas saka, ka vi\u0146as ne no k\u0101 nebaid\u0101s. Ta\u010du pamaz\u0101m k\u013c\u016bst skaidrs, ka vi\u0146as ir tikai atradu\u0161as veidus, k\u0101 tikt gal\u0101 ar \u0161\u012bm bail\u0113m \u2013 daudzas, piem\u0113ram, vienk\u0101r\u0161i izvair\u0101s nakt\u012b iet \u0101r\u0101 vienas pa\u0161as. Un tie\u0161i par to ir mans projekts \u2013 par \u0137ermeni, kas ir kl\u0101teso\u0161s pils\u0113t\u0101 un kas izstaig\u0101 ielas, nevis tikai p\u0101rvietojas ar automa\u0161\u012bnu. Da\u017eas sievietes nakt\u012b dodas \u0101r\u0101 tikai kop\u0101 ar draugiem vai partneri \u2013 un, manupr\u0101t, tas ir v\u0113l slikt\u0101k, jo t\u0101d\u0113j\u0101di vi\u0146\u0101m nav savas patst\u0101v\u012bbas. Vi\u0146as nebaid\u0101s, jo nemaz neiet \u0101r\u0101 nakt\u012bs. Vai ar\u012b ir izstr\u0101d\u0101ju\u0161as noteiktas strat\u0113\u0123ijas \u2013 \u0123\u0113rbjas t\u0101, lai var\u0113tu \u0101tri aizb\u0113gt (nevalk\u0101 augstpap\u0113\u017eu apavus, pat ja to v\u0113l\u0113tos), vai tur rok\u0101 telefonu, izlikdam\u0101s, ka run\u0101 ar k\u0101du. Tas, ka sievietes par \u0161\u012bm liet\u0101m run\u0101 darbn\u012bc\u0101s, man liek dom\u0101t, cik \u013coti nepiecie\u0161ams turpin\u0101t \u0161o projektu. Jo bailes joproj\u0101m past\u0101v \u2013 t\u0101s ierobe\u017eo, t\u0101s liedz patst\u0101v\u012bbu. Un, pat ja k\u0101da sieviete tom\u0113r dodas \u0101r\u0101 viena, vi\u0146a nereti visu laiku ir spriedz\u0113. \u0160\u012bs izj\u016btas tiek nodotas no paaudzes paaudz\u0113. Es vienm\u0113r dom\u0101ju \u2013 tagad, kad man ir piecdesmit, man vajadz\u0113tu b\u016bt bail\u012bg\u0101kai nek\u0101 jaunai, divdesmitgad\u012bgai sievietei. Bet, str\u0101d\u0101jot gan Bolo\u0146\u0101, gan R\u012bg\u0101, esmu sastapusi \u013coti jaunas sievietes, kuras patie\u0161\u0101m baid\u0101s iziet \u0101r\u0101 vienas. Un \u0161is projekts vi\u0146as sav\u0101 zi\u0146\u0101 iedro\u0161ina \u2013 \u013cauj p\u0101rk\u0101pt robe\u017eas, doties \u0101r\u0101 nakt\u012b, iepaz\u012bt apk\u0101rt\u0113jo vidi un saprast, ka, iesp\u0113jams, nekas slikts nenotiks. \u0160\u012b iedro\u0161in\u0101\u0161ana, manupr\u0101t, ir viena no vissvar\u012bg\u0101kaj\u0101m un skaist\u0101kaj\u0101m projekta da\u013c\u0101m.<\/p>\n <\/p>\n Sada\u013cu “Las\u012btava” finansi\u0101li atbalsta Sabiedr\u012bbas integr\u0101cijas fonds no Latvijas valsts bud\u017eeta l\u012bdzek\u013ciem.<\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" Intervija ar Valentinu Medu, kuras rado\u0161\u0101 darb\u012bba aptver skatuves un vizu\u0101lo m\u0101kslu, k\u0101 ar\u012b vietkonkr\u0113tas intervences. \u0160\u012bgada apr\u012bl\u012b da\u017e\u0101da vecuma, taut\u012bbas un profesiju sievietes tika aicin\u0101tas piedal\u012bties pils\u0113tas izp\u0113t\u0113, lai noteiktu vietas R\u012bg\u0101, kur\u0101s vi\u0146as j\u016btas dro\u0161i, pastaig\u0101joties vienatn\u0113 kr\u0113slas stund\u0101s, un kur \u0161\u012b dro\u0161\u012bbas saj\u016bta beidzas. \u0160\u012b p\u0113t\u012bjuma rezult\u0101t\u0101 tapu\u0161as R\u012bgas nakts kartes no 3. l\u012bdz 12. septembrim apl\u016bkojamas izst\u0101d\u0113 \u201cPils\u0113tas nakt\u012b\u201d.<\/p>\n","protected":false},"author":1,"featured_media":5100,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[86,91,92],"tags":[],"class_list":["post-5099","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-homo-novus","category-lasitava","category-sif-projekts"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5099","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5099"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5099\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5100"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5099"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5099"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5099"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Foto: Margherita Caprilli<\/h6>\n<\/div>\n
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