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\u0160is gads ir festiv\u0101la “Homo Novus” jubilejas gads, un, to godam atz\u012bm\u0113jot, festiv\u0101la r\u012bkot\u0101ji un skatuves m\u0101kslinieki sag\u0101d\u0101ju\u0161i bag\u0101t\u012bgu programmu ar daudziem aizraujo\u0161iem projektiem. Viens no t\u0101diem \u2013 aktrises Gunas Zari\u0146as, senogr\u0101fes Daces Ignatovas, dramaturga Kirila \u0112\u010da un grupas “Alejas” kopdarbs \u2013 \u0123imenes izr\u0101de “Laika Zobs un klusuma mizot\u0101ji” Latvijas Nacion\u0101laj\u0101 oper\u0101. Jau pati izr\u0101des norises vieta \u0161\u0137iet intri\u0123\u0113jo\u0161a \u2013 darb\u012bba nenotiks uz skatuves, bet gan b\u0113ni\u0146os un aizskatuv\u0113.<\/p>\n
“M\u0113s jau veselu gadu par \u0161o projektu dom\u0101jam. Mums ir izdom\u0101ta vesela pasaule, kas balst\u0101s patiesos notikumos. M\u0113s m\u0113\u0123in\u0101sim vair\u0101k run\u0101t ar b\u0113rniem un vi\u0146u vec\u0101kiem. Manupr\u0101t, vislab\u0101k\u0101s ir t\u0101s sarunas, kuras var vest m\u0101j\u0101s un p\u0113c tam t\u0101l\u0101k apspriest \u0123imen\u0113. Un m\u0113s run\u0101sim par to, k\u0101 m\u0113s varam tur\u0113ties pretim izn\u012bc\u012bbai, erozijai un k\u0101 par to visp\u0101r var run\u0101t un, dom\u0101jams, ar\u012b smieties,” atkl\u0101j Guna Zari\u0146a.<\/p>\n
Vi\u0146as pieredze ar festiv\u0101lu ir \u013coti cie\u0161a jau kop\u0161 t\u0101 pirms\u0101kumiem \u2013 zin\u0101t\u0101ji atceras, ka pirmie Jaun\u0101 R\u012bgas te\u0101tra gadi ar aktieru kursu, kur\u0101 sp\u0113l\u0113ja ar\u012b Guna Zari\u0146a, tika izsp\u0113l\u0113ti tie\u0161i uz “Homo Novus” skatuv\u0113m. 30 gadu gait\u0101 festiv\u0101l\u0101 piedz\u012bvoti ne tikai daudzi noz\u012bm\u012bgi iestud\u0113jumi un neaizmirstami br\u012b\u017ei k\u0101 aktrisei, bet ar\u012b k\u0101 skat\u012bt\u0101jai. Un nu \u2013 ar\u012b k\u0101 vienai no festiv\u0101la jubilejas gr\u0101matas autorei.<\/p>\n<\/div>\n
Guna Zari\u0146a atz\u012bst \u2013 festiv\u0101lam ir liela noz\u012bme skatuves m\u0101kslinieku dz\u012bv\u0113s, jo tas paver pla\u0161\u0101kus rado\u0161os apv\u0101r\u0161\u0146us nek\u0101 dienu no dienas str\u0101d\u0101jot vien\u0101 te\u0101tr\u012b. “Es izk\u0101pju no savas instit\u016bcijas, kur\u0101 es tom\u0113r dz\u012bvoju kaut k\u0101d\u0101 reglament\u0101 un sist\u0113m\u0101. Tur ar\u012b bie\u017ei vien neesmu tikai aktrise, bet festiv\u0101l\u0101 man ir v\u0113l citi uzdevumi, un es pati sev uzlieku citus uzdevumus un kaut ko v\u0113l piln\u012bgi citu. Tas ir k\u0101 cits visums,” atkl\u0101j aktrise.<\/p>\n
Festiv\u0101la ilggad\u0113j\u0101 vad\u012bt\u0101ja un viena no topo\u0161\u0101s jubilejas gr\u0101matas galvenaj\u0101m autor\u0113m Gundega Laivi\u0146a uzskata, ka festiv\u0101la form\u0101ts ir svar\u012bgs ne tikai t\u0101p\u0113c, ka tas sp\u0113j pied\u0101v\u0101t da\u017e\u0101d\u012bbu un main\u012bbu skatuves m\u0101kslinieku rado\u0161aj\u0101 darb\u012bb\u0101, bet ar\u012b te\u0101tra procesos kopum\u0101. “Festiv\u0101ls ir \u013coti main\u012bgs, un tas main\u0101s \u0101tri, kaut ar\u012b notiek vien reizi gad\u0101. Iesp\u0113jams, te\u0101tri ar \u0161tatu un repertu\u0101ru nevar tik \u0101tri pie\u0146emt l\u0113mumus vai rea\u0123\u0113t, jo te\u0101tris ir liels ku\u0123is. Festiv\u0101ls turpretim ir maza airu laivi\u0146a, kuru pagriezt da\u017e\u0101dos virzienos var daudz viegl\u0101k,” Gundega Laivi\u0146a saka.<\/p>\n
Piem\u0113ram, vi\u0146a atceras, ka 2020. gad\u0101, kad pasauli negaidot p\u0101rsteidza pand\u0113mijas vilnis, festiv\u0101la komanda jau teju gadu bija str\u0101d\u0101jusi pie programmas. “Mart\u0101 m\u0113s saprat\u0101m, ka t\u0101 visa programma ir j\u0101atce\u013c un tad m\u0113s dom\u0101j\u0101m \u2013 atcelt festiv\u0101lu vai dar\u012bt kaut ko citu? Un m\u0113s salik\u0101m kop\u0101, manupr\u0101t, vienu no visbr\u012bni\u0161\u0137\u012bg\u0101kajiem izlaidumiem “Homo Novus” v\u0113stur\u0113 vien tr\u012bs m\u0113ne\u0161u laik\u0101,” Gundega Laivi\u0146a saka.<\/p>\n
Festiv\u0101lu nereti apraksta k\u0101 savdab\u012bgu atrau\u0161anos no ikdienas. “Tas ir tie\u0161i t\u0101s intensit\u0101tes d\u0113\u013c. Tiem, kas ir gatavi nodoties festiv\u0101liem, uz laiku izkr\u012bt kaut k\u0101ds realit\u0101tes nogrieznis, un vi\u0146i pavada kaut k\u0101du laiku t\u0101d\u0101 k\u0101 utopij\u0101. Bet, manupr\u0101t, tas ir \u0101rk\u0101rt\u012bgi svar\u012bgi, lai, atgrie\u017eoties realit\u0101t\u0113, m\u0113s nestu l\u012bdzi piedz\u012bvoto un nekad nep\u0101rtrauktu \u0123ener\u0113t alternat\u012bvus scen\u0101rijus, n\u0101kotnes scen\u0101rijus un raudz\u012bties uz savu realit\u0101ti ar t\u0101d\u0101m k\u0101 aizdom\u0101m \u2013 ka varb\u016bt m\u0113s varam dom\u0101t par to ar\u012b cit\u0101d\u0101k vai virz\u012bt k\u0101d\u0101 cit\u0101 virzien\u0101,” Gundega Laivi\u0146a saka.<\/p>\n
Vi\u0146aspr\u0101t, festiv\u0101ls ir ar\u012b izcils form\u0101ts, lai izceltu k\u0101du konkr\u0113tu kult\u016bras fenomenu, kas nereti p\u0113c tam k\u013c\u016bst par teju vai pa\u0161saprotamu te\u0101tra sast\u0101vda\u013cu. “Mums ir bijis gan jaunais cirks, gan objektu te\u0101tris senos laikos, kas aizs\u0101ka veselu objektu te\u0101tra vilni. Un 2021. gad\u0101 festiv\u0101ls piev\u0113rs\u0101s te\u0101trim \u0101rpus te\u0101tra \u0113kas, kas “pav\u0113ra sl\u016b\u017eas va\u013c\u0101”.<\/p>\n
Skatuves m\u0101kslinieki ir s\u0101ku\u0161i piln\u012bgi cit\u0101d\u0101k skat\u012bties uz telpas dramatur\u0123iju, te\u0101tra m\u0101kslinieku un skat\u012bt\u0101ju attiec\u012bb\u0101m,” saka Gundega Laivi\u0146a. Vi\u0146a tic, ka festiv\u0101ls ir ar\u012b pateic\u012bga vieta neveiksm\u0113m, kas ar\u012b ir svar\u012bga rado\u0161o darbu sast\u0101vda\u013ca. “Nav j\u0101dom\u0101 par liel\u0101m izr\u0101d\u0113m lielai auditorijai, un tas ir br\u012bni\u0161\u0137\u012bgi. M\u0101ksla un rad\u012b\u0161ana ir nep\u0101rtraukta k\u013c\u016bd\u012b\u0161an\u0101s, mekl\u0113jumi un riskantas, bet vajadz\u012bgas sarunas ve\u0161ana, kur ir visda\u017e\u0101d\u0101kie izn\u0101kumi iesp\u0113jami. Un festiv\u0101ls var b\u016bt vieta, kur to visu izm\u0113\u0123in\u0101t bez tik smag\u0101m sek\u0101m,” uzskata Gundega Laivi\u0146a.<\/p>\n
Nu jau k\u0101du laiku “Homo Novus” ir k\u013cuvis starptautisks, ik gadu piesaistot m\u0101ksliniekus no daudz\u0101m pasaules valst\u012bm \u2013 gan jaunus, gan pla\u0161i atz\u012btus un labi atpaz\u012bstamus v\u0101rdus, ko citos apst\u0101k\u013cos Latvij\u0101, iesp\u0113jams, nevar\u0113tu pieredz\u0113t. K\u0101p\u0113c Latvijai, kur te\u0101tra trad\u012bcija ir \u0161\u0137ietami sp\u0113c\u012bga, tom\u0113r ir svar\u012bgi sastapties ar pasaules te\u0101tri? “Starptautiskais aspekts ir \u0101rk\u0101rt\u012bgi svar\u012bgs \u2013 t\u0101 ir il\u016bzija, ja mums liekas, ka m\u0113s neesam saist\u012bti ar p\u0101r\u0113jo pasauli.<\/p>\n
M\u0113s esam saist\u012bti, un mums ir j\u0101apzin\u0101s \u0161\u012b saikne \u2013 gan vertik\u0101la, gan horizont\u0101la, gan vis\u0101dos cit\u0101dos l\u012bme\u0146os v\u0113rsta. Aizv\u0113rt durvis un sirdis, manupr\u0101t, ir t\u0101pat k\u0101 aizliegt sev k\u0101du v\u0113rt\u012bgu dz\u012bves pieredzi,” uzskata Gundega Laivi\u0146a. Laik\u0101, kad festiv\u0101ls “Homo Novus” piedz\u012bvoja savus pirmos past\u0101v\u0113\u0161anas gadus, vi\u0146ai bijusi iesp\u0113ja paviesoties Avi\u0146onas festiv\u0101l\u0101. “Toreiz s\u0113d\u0113ju tur ar pav\u0113rtu muti un dom\u0101ju \u2013 k\u0101 lai \u0161o aizved ar\u012b m\u016bs\u0113jiem?” vi\u0146a atceras.<\/p>\n
Gadiem ejot, kad festiv\u0101ls jau bija ie\u0146\u0113mis starptautiskus apgriezienus, esot pien\u0101cis br\u012bdis, kad festiv\u0101la komanda s\u0101kusi dom\u0101t \u2013 ko \u0101rzemju m\u0101kslinieku vieso\u0161an\u0101s dod Latvijas kult\u016bras telpai? Bez savu darbu izr\u0101d\u012b\u0161anas, ko vi\u0146i v\u0113l \u0161eit dara un piedz\u012bvo?<\/p>\n
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“Tas pamaz\u0101m aizs\u0101ka to jaundarbu vilni vai adapt\u0113to vilni, kur m\u0113s aicin\u0101j\u0101m m\u0101ksliniekus no cit\u0101m valst\u012bm b\u016bt \u0161eit un str\u0101d\u0101t ar citiem m\u0101ksliniekiem, radot jaunus darbus, vai ar\u012b braukt ar jau gatavu darbu, kur\u0101 ir paredz\u0113tas k\u0101das \u0161\u0137irbas, pa kur\u0101m var ien\u0101kt ar\u012b lok\u0101lais. Vai nu tematiski, vai l\u012bdzautoru zi\u0146\u0101, lai ar\u012b viet\u0113jie sp\u0113ki var b\u016bt kl\u0101teso\u0161i. Vai ar\u012b m\u0113s apzin\u0101ti mekl\u0113jam \u0101rvalstu m\u0101kslinieka darbam atbilsto\u0161u lok\u0101ciju, kas nav te\u0101tra meln\u0101 kaste. Lai vismaz veidojas sa\u0137ere ar viet\u0113jo telpu. Mums k\u013cuva svar\u012bgi, lai notiktu saruna. M\u0113s pat vien\u0101 br\u012bd\u012b ievies\u0101m festiv\u0101la br\u012bvdienas, kad m\u0113s visi brauc\u0101m uz Lapme\u017eciemu un s\u0113d\u0113j\u0101m j\u016bras krast\u0101 bez nek\u0101da iepriek\u0161 izdom\u0101ta r\u012bc\u012bbas pl\u0101na.<\/p>\n
Visiem bija tur j\u0101brauc, un tur dzima br\u012bni\u0161\u0137\u012bgas idejas, draudz\u012bbas un sarunas. No t\u0101da pragmatiska skatupunkta t\u0101 varb\u016bt ir naudas iz\u0161\u0137\u0113rd\u0113\u0161ana, bet, manupr\u0101t, t\u0101 ir bijusi viena no festiv\u0101la v\u0113rt\u012bg\u0101kaj\u0101m epizod\u0113m, lai dzimtu starptautiskas sadarb\u012bbas,” Gundega Laivi\u0146a saka.<\/p>\n<\/div>\n\n\n
<\/div>\n<\/div>\n<\/section>\n
Raidierakstu “P\u0101rb\u016bves. Sarunas par laikmet\u012bgo te\u0101tri Latvij\u0101” finansi\u0101li atbalsta Sabiedr\u012bbas integr\u0101cijas fonds no Latvijas valsts bud\u017eeta l\u012bdzek\u013ciem.<\/p>\n
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<\/p>","protected":false},"excerpt":{"rendered":"
Par festiv\u0101la v\u0113sturi, b\u016bt\u012bbu un vietu Latvijas un starptautiskaj\u0101 ainav\u0101 Latvijas Radio 3 “Klasika” sarunu cikl\u0101 “P\u0101rb\u016bves” sarun\u0101jas festiv\u0101la veidot\u0101ja Gundega Laivi\u0146a un te\u0101tra m\u0101ksliniece Guna Zari\u0146a.<\/p>\n","protected":false},"author":1,"featured_media":5102,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[86,91,92],"tags":[],"class_list":["post-5101","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-homo-novus","category-lasitava","category-sif-projekts"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5101"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5101\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5102"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}