{"id":5105,"date":"2025-08-28T11:50:10","date_gmt":"2025-08-28T11:50:10","guid":{"rendered":"https:\/\/theatre.local\/parbuves-sarunas-par-laikmetigo-teatri-latvija-teatris-pilsetvide-scenografija\/"},"modified":"2025-08-28T11:50:10","modified_gmt":"2025-08-28T11:50:10","slug":"parbuves-sarunas-par-laikmetigo-teatri-latvija-teatris-pilsetvide-scenografija","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/parbuves-sarunas-par-laikmetigo-teatri-latvija-teatris-pilsetvide-scenografija\/","title":{"rendered":"P\u0101rb\u016bves. Sarunas par laikmet\u012bgo te\u0101tri Latvij\u0101: Te\u0101tris. Pils\u0113tvide. Scenogr\u0101fija."},"content":{"rendered":"

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\u0160ogad Latvijas Jaun\u0101 te\u0101tra instit\u016bta r\u012bkotais festiv\u0101ls “Homo Novus” svin savu 30. dzim\u0161anas dienu. Gaidot festiv\u0101la norises septembr\u012b, laiks l\u012bdz svin\u012bgajam br\u012bdim tiks pavad\u012bts spraigi un rado\u0161i, un viens no jaukiem un izzino\u0161iem akcentiem ir sadarb\u012bb\u0101 ar Latvijas Radio 3 “Klasika” r\u012bkotais sarunu cikls “P\u0101rb\u016bves. Sarunas par laikmet\u012bgo te\u0101tri Latvij\u0101”<\/a>. \u0160aj\u0101\u00a0cikl\u0101 kop\u0101 ar da\u017e\u0101diem viesiem tiks run\u0101ts par laikmet\u012bg\u0101s skatuves m\u0101kslas dz\u012bvi gan pag\u0101tn\u0113, gan tagadn\u0113.<\/strong><\/p>\n

\u0160\u012bs reizes t\u0113ma \u2013 te\u0101tris, pils\u0113tvide un scenogr\u0101fija. Par to Linda Kr\u016bmi\u0146a pla\u0161\u0101k sarun\u0101jas ar scenogr\u0101fi Moniku Pormali un m\u0101kslinieku kolekt\u012bva “Gr\u0101fienes” p\u0101rst\u0101v\u0113m Just\u012bni Jasjukevi\u010du, Ildzi Jurkovsku un Mariannu Lapi\u0146u.<\/strong><\/p>\n

🔊Klausies sarunu Latvijas Radio 3 “Klasika” arh\u012bv\u0101<\/a>.<\/h3>\n

Scenogr\u0101fe Monika Pormale ar festiv\u0101lu “Homo Novus” ir saist\u012bta jau kop\u0161 pa\u0161iem t\u0101 pirms\u0101kumiem, kad festiv\u0101la pirmaj\u0101 gad\u0101 rado\u0161\u0101s noska\u0146\u0101s iedz\u012bvin\u0101ja parku un t\u0101 kokus Daugavpil\u012b. Vi\u0146aspr\u0101t, tie\u0161i festiv\u0101ls ir licis vi\u0146ai saprast, ka te\u0101tris un l\u012bdz ar to ar\u012b scenogr\u0101fija var b\u016bt kas daudz pla\u0161\u0101ks par \u0161o m\u0101kslas veidu klasiskaj\u0101m form\u0101m.<\/p>\n

“\u0160is festiv\u0101ls man atv\u0113ra jaunu un p\u0101rsteidzo\u0161u pieredzi, par\u0101dot, ka te\u0101tris var b\u016bt \u0101rpus te\u0101tra \u0113kas un skatuves kastes. Tas man bija \u013coti liels m\u0101c\u012bbu process, ka var ar\u012b t\u0101 un v\u0113l t\u0101. Visu laiku tas pla\u0161in\u0101ja manas priek\u0161statu robe\u017eas,” vi\u0146a atkl\u0101j.<\/p>\n

M\u0101kslinieku kolekt\u012bva “Gr\u0101fienes” p\u0101rst\u0101ves ar festiv\u0101lu ir saist\u012btas vien da\u017eus gadus \u2013 s\u0101kum\u0101 k\u0101 apmekl\u0113t\u0101jas, bet pavisam nesen ar\u012b k\u0101 dal\u012bbnieces, jo pag\u0101ju\u0161ogad tie\u0161i “Gr\u0101fienes” veidoja festiv\u0101la kop\u0113jo scenogr\u0101fiju. “Man liekas \u013coti interesants tas fenomens, ka, izejot \u0101rpus te\u0101tra telpas, scenogr\u0101fija k\u013c\u016bst v\u0113l vair\u0101k par t\u0101du pa\u0161pietiekamu darbu, jo tur ir ar\u012b nejau\u0161ais skat\u012bt\u0101js, kas nen\u0101k uz izr\u0101di vien\u0101 konkr\u0113t\u0101 laik\u0101, bet vienk\u0101r\u0161i pieredz pa\u0161u pils\u0113tvid\u0113 izvietoto scenogr\u0101fiju, kas tur atrodas,” vi\u0146as atkl\u0101j un uzskata \u2013 festiv\u0101ls vi\u0146\u0101m ir iem\u0101c\u012bjis, ka scenogr\u0101fijai ne vienm\u0113r ir saist\u012bba ar te\u0101tri, jo t\u0101 var b\u016bt ar\u012b pati par sevi past\u0101vo\u0161a m\u0101kslas forma.<\/p>\n

“Gr\u0101fienes” pag\u0101ju\u0161ogad pils\u0113tvid\u0113 izvietoja uzrakstus “\u0160\u012b ir mana m\u012b\u013c\u0101k\u0101 diena”, kas tika papildin\u0101ti ar da\u017e\u0101d\u0101m te\u0101tra performanc\u0113m. Tom\u0113r uzraksti turpina dz\u012bvot v\u0113l \u0161odien, neatkar\u012bgi no festiv\u0101la vai performanc\u0113m, ap kur\u0101m tie s\u0101kotn\u0113ji tika rad\u012bti. “Tas v\u0113st\u012bjums turpina b\u016bt. Un tas galvenais uzraksts, kas atrad\u0101s pret\u012b pag\u0101ju\u0161\u0101 gada festiv\u0101la centram, visa gada garum\u0101 nav ticis p\u0101rkl\u0101ts ar kr\u0101sas flakoni\u0146iem vai uzrakstiem. T\u0101 siena ir nop\u016bsta ar vis\u0101diem v\u0113st\u012bjumiem, bet uzrakstam “\u0160\u012b ir mana m\u012b\u013c\u0101k\u0101 diena” neviens nav \u0137\u0113ries kl\u0101t,” vi\u0146as paman\u012bju\u0161as.<\/p>\n

\u0160ogad festiv\u0101la “Homo Novus” laik\u0101 norisin\u0101s jauno scenogr\u0101fu izst\u0101de, kas mekl\u0113 atbildi uz jaut\u0101jumu, kas \u012bsti ir scenogr\u0101fija. Izst\u0101de neatrodas konkr\u0113t\u0101 viet\u0101, bet gan ir izv\u0113rsta pa da\u017e\u0101d\u0101m R\u012bgas ainav\u0101m, iek\u013caujot taj\u0101 jaunus objektus. Kas tad \u012bsti ir scenogr\u0101fija?<\/p>\n

“Man \u0161is jaut\u0101jums nedod mieru nep\u0101rtraukti. Interesanti, ka laika gait\u0101 ir \u013coti pamain\u012bjusies pati scenogr\u0101fijas defin\u012bcija. Kad es stud\u0113ju, scenogr\u0101fija vienm\u0113r bija saist\u012bta ar te\u0101tri. Es pati ar\u012b pasniedzu M\u0101kslas akad\u0113mij\u0101 scenogr\u0101fiju un redzu, cik liela interese studentiem ir iet ar\u012b \u0101rpus te\u0101tra. (..) Man person\u012bgi liekas, ka str\u0101d\u0101t te\u0101tr\u012b uz skatuves ir interesant\u0101k, jo tas ir sare\u017e\u0123\u012bt\u0101k \u2013 tur ir daudz maz\u0101k iesp\u0113ju. \u0100rpus te\u0101tra pati vide jau var rad\u012bt tik \u013coti sp\u0113c\u012bgu atmosf\u0113ru, ka m\u0101ksliniekam varb\u016bt j\u0101dara sal\u012bdzino\u0161i maz. Vi\u0146\u0161 var papildin\u0101t vai izcelt deta\u013cas, bet t\u0101 vide jau past\u0101v ar\u012b pati par sevi. L\u012bdz ar to \u0161is jaut\u0101jums ir main\u012bgs, un man n\u0101kas par to daudz dom\u0101t un run\u0101t ar studentiem un sevi. Saliekot visu kop\u0101, man \u0161\u0137iet, ka scenogr\u0101fija ir vizu\u0101la t\u0113la rad\u012b\u0161ana skatuviskai darb\u012bbai. T\u0101 k\u0101 darb\u012bba ir ar\u012b laiks, tad scenogr\u0101fijai b\u016btu j\u0101str\u0101d\u0101 ar\u012b ar laika izpratni. Cit\u0101di tas ir vienk\u0101r\u0161i noform\u0113jums,” uzskata Monika Pormale.<\/p>\n

Scenogr\u0101fe pau\u017e \u2013 t\u0101 k\u0101 pats te\u0101tris laika gait\u0101 ir s\u0101cis iet \u0101rpus sav\u0101m tradicion\u0101laj\u0101m telp\u0101m, b\u016btu tikai mu\u013c\u0137\u012bgi gaid\u012bt, ka scenogr\u0101fija paliks uz vietas un b\u016bs sastopama tikai te\u0101tra z\u0101l\u0113s. “Ar\u012b dramatur\u0123iskais materi\u0101ls vairs nav tikai luga \u2013 t\u0101 var b\u016bt viena zi\u0146a vai telefona gr\u0101mata. L\u012bdz ar to ar\u012b scenogr\u0101fija iet l\u012bdzi. T\u0101pat k\u0101 medic\u012bn\u0101, holistiskaj\u0101 pieej\u0101 dom\u0101, ka \u0137ermenis ar garu iet absol\u016bt\u0101 mijiedarb\u012bb\u0101, tad ar\u012b te\u0101tris ir cie\u0161i saist\u012bts ar visiem t\u0101 lielumiem. T\u0101 ir liela mijiedarb\u012bba. Un, ja viens iet \u0101r\u0101, citi seko un mekl\u0113 jaunu valodu,” Monika Pormale saka.<\/p>\n

Tom\u0113r gan Monika Pormale, gan “Gr\u0101fienes” uzskata, ka scenogr\u0101fijas noz\u012bmes strauj\u0101 papla\u0161in\u0101\u0161an\u0101s vienlaikus var b\u016bt gan pozit\u012bva, gan negat\u012bva tendence, uz ko j\u0101raug\u0101s ar nelielu piesardz\u012bbu.<\/p>\n

P\u0113d\u0113j\u0101 laik\u0101 v\u0101rds “scenogr\u0101fija” k\u013cuvis \u013coti popul\u0101rs \u2013 t\u0101 uzskata “Gr\u0101fienes”, kuras paman\u012bju\u0161as, ka savi scenogr\u0101fi var b\u016bt pat korporat\u012bv\u0101m vakari\u0146\u0101m. Kaut ar\u012b daudzus var mulsin\u0101t scenogr\u0101fijas v\u0101rda pla\u0161\u0101 izmanto\u0161ana, tam ir ar\u012b pozit\u012bvas sekas \u2013 M\u0101kslas akad\u0113mij\u0101 netr\u016bkst stud\u0113tgrib\u0113t\u0101ju. “Mums \u0161ogad bija viens no liel\u0101kajiem konkursiem uz Scenogr\u0101fijas noda\u013cu, jo cilv\u0113ki redz iesp\u0113ju, kur vi\u0146i var savas zin\u0101\u0161anas pielietot. Scenogr\u0101fija vairs nav saist\u012bta tikai ar te\u0101tri \u2013 cilv\u0113ki ir dzird\u0113ju\u0161i, ka var kino, pie izst\u0101\u017eu iek\u0101rto\u0161anas str\u0101d\u0101t. Un tas ir rad\u012bjis t\u0101du k\u0101 ne renesansi, bet \u013coti lielu interesi, un tas ir tikai br\u012bni\u0161\u0137\u012bgi,” saka Monika Pormale. Kaut ar\u012b scenogr\u0101fija g\u016bst arvien liel\u0101ku interesi no jauno talantu puses, vai jau eso\u0161ajiem nozares p\u0101rst\u0101vjiem nerodas saj\u016bta, ka vajadz\u0113tu sarg\u0101t ar\u012b t\u0101s saknes ar te\u0101tri?<\/p>\n

“Es dom\u0101ju, ka b\u016btu j\u0101b\u016bt uzman\u012bgai attieksmei. M\u0113s jau neko nevaram nosarg\u0101t, bet negrib\u0113tos, lai tas paliek par jebko. Ja kaut kas paliek p\u0101r\u0101k univers\u0101ls un iek\u013caujas jebkur\u0101 \u017eanr\u0101, tad\u2026 Man dr\u012bz\u0101k \u0161\u0137iet simp\u0101tiska pieeja, ka vien\u0101 jom\u0101 iet dzi\u013cum\u0101, nevis m\u0113\u0123ina katru lietu nedaudz zin\u0101t. Es tom\u0113r uzskatu, ka pirms\u0101kums n\u0101k no te\u0101tra m\u0101kslas,” uzskata Monika Pormale.<\/p>\n

Ar\u012b “Gr\u0101fienes” piekr\u012bt savai biju\u0161ajai scenogr\u0101fijas pasniedz\u0113jai. “Dr\u012bz\u0101k j\u0101mekl\u0113 jauni v\u0101rdi. Valoda papla\u0161in\u0101s, m\u016bsu nozare ar\u012b. Un t\u0101m jaunaj\u0101m liet\u0101m b\u016btu j\u0101iedod defin\u012bcija. Ir v\u0113rts par \u0161o diskut\u0113t, lai att\u012bst\u012btu valodu,” vi\u0146as saka.<\/p>\n

 <\/p>\n

Raidierakstu “P\u0101rb\u016bves. Sarunas par laikmet\u012bgo te\u0101tri Latvij\u0101” finansi\u0101li atbalsta Sabiedr\u012bbas integr\u0101cijas fonds no Latvijas valsts bud\u017eeta l\u012bdzek\u013ciem.<\/p>\n

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<\/p>","protected":false},"excerpt":{"rendered":"

\u0160\u012bs reizes t\u0113ma \u2013 te\u0101tris, pils\u0113tvide un scenogr\u0101fija. Par to Linda Kr\u016bmi\u0146a pla\u0161\u0101k sarun\u0101jas ar scenogr\u0101fi Moniku Pormali un m\u0101kslinieku kolekt\u012bva \u201cGr\u0101fienes\u201d p\u0101rst\u0101v\u0113m Just\u012bni Jasjukevi\u010du, Ildzi Jurkovsku un Mariannu Lapi\u0146u.<\/p>\n","protected":false},"author":1,"featured_media":5106,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[86,91,92],"tags":[],"class_list":["post-5105","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-homo-novus","category-lasitava","category-sif-projekts"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5105"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5105\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5106"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}