{"id":5107,"date":"2025-08-25T11:15:30","date_gmt":"2025-08-25T11:15:30","guid":{"rendered":"https:\/\/theatre.local\/parbuves-sarunas-par-laikmetigo-teatri-latvija-pieklustamiba-kulturas-norisem-un-sadarbiba-ar-kopienam-veidojot-teatra-notikumus\/"},"modified":"2025-08-25T11:15:30","modified_gmt":"2025-08-25T11:15:30","slug":"parbuves-sarunas-par-laikmetigo-teatri-latvija-pieklustamiba-kulturas-norisem-un-sadarbiba-ar-kopienam-veidojot-teatra-notikumus","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/parbuves-sarunas-par-laikmetigo-teatri-latvija-pieklustamiba-kulturas-norisem-un-sadarbiba-ar-kopienam-veidojot-teatra-notikumus\/","title":{"rendered":"P\u0101rb\u016bves. Sarunas par laikmet\u012bgo te\u0101tri Latvij\u0101: Piek\u013c\u016bstam\u012bba kult\u016bras noris\u0113m un sadarb\u012bba ar kopien\u0101m, veidojot te\u0101tra notikumus"},"content":{"rendered":"

<\/p>\n

\u0160ogad Latvijas Jaun\u0101 te\u0101tra instit\u016bta r\u012bkotais festiv\u0101ls “Homo Novus” svin savu 30. dzim\u0161anas dienu. Gaidot festiv\u0101la norises septembr\u012b, laiks l\u012bdz svin\u012bgajam br\u012bdim tiks pavad\u012bts spraigi un rado\u0161i, un viens no jaukiem un izzino\u0161iem akcentiem ir sadarb\u012bb\u0101 ar Latvijas Radio 3 “Klasika” r\u012bkotais sarunu cikls “P\u0101rb\u016bves. Sarunas par laikmet\u012bgo te\u0101tri Latvij\u0101”<\/a>. \u0160aj\u0101\u00a0cikl\u0101 kop\u0101 ar da\u017e\u0101diem viesiem tiks run\u0101ts par laikmet\u012bg\u0101s skatuves m\u0101kslas dz\u012bvi gan pag\u0101tn\u0113, gan tagadn\u0113.<\/strong><\/p>\n

\u0160\u012bs reizes viesi \u2013 producente un projektu vad\u012bt\u0101ja Sandra Lapkovska un da\u017e\u0101du te\u0101tra projektu dal\u012bbnieks Samuels Ozoli\u0146\u0161. Lai kult\u016bru un t\u0101s notikumus veidotu atv\u0113rt\u0101kus ikvienai sabiedr\u012bbas da\u013cai un indiv\u012bdiem, pa\u0161as kopienas un to p\u0101rst\u0101vji tiek iesaist\u012bti da\u017e\u0101dos projektos un izr\u0101d\u0113s, lai k\u013c\u016btu par to dal\u012bbniekiem, nevis tikai v\u0113rot\u0101jiem no malas, bet \u2013 lai ikviens sp\u0113tu b\u016bt gan te\u0101tra m\u0101kslas l\u012bdzdal\u012bbnieks, gan v\u0113rot\u0101js, j\u0101run\u0101 ar\u012b par kult\u016bras nori\u0161u piek\u013c\u016bstam\u012bbu,\u00a0 nor\u0101da Sandra Lapkovska.<\/strong><\/strong><\/div>\n
\n <\/p>\n

🔊Klausies sarunu Latvijas Radio 3 “Klasika” arh\u012bv\u0101<\/a>.<\/h3>\n<\/div>\n
\n

Latvijas Jaun\u0101 te\u0101tra instit\u016bta organiz\u0113tais festiv\u0101ls “Homo Novus” \u0161ogad svin\u0113s 30. dzim\u0161anas dienu. K\u0101 jau katru gadu, festiv\u0101ls norisin\u0101sies septembr\u012b.<\/p>\n

\u0160ogad norises vietas tiek pla\u0161i papildin\u0101tas, ce\u013cojot no R\u012bgas uz Valmieru un pa\u0161a pirm\u0101 festiv\u0101la dzimto pils\u0113tu Daugavpili, jo piek\u013c\u016bstam\u012bba te\u0101tra notikumiem ir \u012bpa\u0161i b\u016btiska festiv\u0101la r\u012bkot\u0101ju ac\u012bs.<\/p>\n

“M\u0113s t\u0101 nopietn\u0101k ar \u0161o t\u0113mu s\u0101k\u0101m str\u0101d\u0101t pirms p\u0101ris gadiem, kad festiv\u0101lu “Homo Novus” atbrauca k\u016br\u0113t festiv\u0101la kuratore Beka Bergere, un t\u0101 bija viena no pirmaj\u0101m liet\u0101m, ko vi\u0146a mums pras\u012bja \u2013 ko j\u016bs dar\u0101t ar piek\u013c\u016bstam\u012bbas jaut\u0101jumiem? K\u0101 j\u016bs piel\u0101gojat izr\u0101des, k\u0101 j\u016bs piel\u0101gojat ikdienas komunik\u0101ciju, k\u0101da ir cilv\u0113ku ar invalidit\u0101ti iesaiste visp\u0101r m\u016bsu darb\u0101 un festiv\u0101l\u0101, un m\u0101kslas procesos?” st\u0101st\u012bja Lapkovska.<\/p>\n

Toreiz viss, ar ko festiv\u0101la r\u012bkot\u0101ji var\u0113ju\u0161i atbild\u0113t, bija p\u0101ris izr\u0101des par \u0161o t\u0113mu un p\u0101ris m\u0101kslinieki, kuri it k\u0101 p\u0101rst\u0101v \u0161o cilv\u0113ku grupu sabiedr\u012bb\u0101, bet tas ar\u012b viss. Festiv\u0101lu kontekst\u0101 vi\u0146i par to nebija dom\u0101ju\u0161i, t\u0101pat k\u0101 ikdienas darb\u0101.<\/p>\n

“Toreiz, 2020. gad\u0101, bija pirm\u0101 reize, kad ar\u012b es s\u0101ku padzi\u013cin\u0101t\u0101k par to dom\u0101t, bet kop\u0161 t\u0101 2020. gada m\u0113s katru gadu esam piek\u013c\u016bstam\u012bbas t\u0113mai piev\u0113rsu\u0161ies daudz vair\u0101k gan instit\u016bta projektos, gan “Homo Novus” izr\u0101\u017eu veido\u0161an\u0101. Piem\u0113ram, mekl\u0113jot telpas viesizr\u0101d\u0113m, m\u0113s dom\u0101jam par cilv\u0113kiem rati\u0146kr\u0113slos, vai vi\u0146i sp\u0113s piek\u013c\u016bt skatuvei, m\u0113s dom\u0101jam par neredz\u012bgiem un v\u0101jredz\u012bgiem cilv\u0113kiem, vai vi\u0146i sp\u0113s izbaud\u012bt \u0161o izr\u0101di,” atkl\u0101ja Lapkovska.<\/p>\n<\/div>\n

Pats pamats ir vienk\u0101r\u0161a, bet detaliz\u0113ta sabiedr\u012bbas inform\u0113\u0161ana par to, k\u0101da ir katra konkr\u0113t\u0101 izr\u0101de, par ko t\u0101 ir un k\u0101da ir telpa, kur\u0101 t\u0101 notiks. Ne tikai festiv\u0101la laik\u0101, bet ar\u012b p\u0101r\u0113jos Latvijas Jaun\u0101 te\u0101tra instit\u016bta projektos un pas\u0101kumos. T\u0101l\u0101k seko saruna.<\/p>\n

“Tas pats pirmais, ja jums ir interese savu telpu vai vietu padar\u012bt piek\u013c\u016bstam\u0101ku, padar\u012bt ar\u012b savu auditoriju pla\u0161\u0101ku, t\u0101 ir saruna ar t\u0101m cilv\u0113ku grup\u0101m un organiz\u0101cij\u0101m, un indiv\u012bdiem, kuri zina to vislab\u0101k, kuri zina vislab\u0101k, k\u0101 ir p\u0101rvietoties rati\u0146kr\u0113sl\u0101 un vai \u0161\u012b rampa b\u016bs pietieko\u0161i sl\u012bpa, lai es tur var\u0113tu iek\u013c\u016bt. T\u0101 b\u016btu pirm\u0101 lieta \u2013 saruna par to, kas ir vajadz\u012bgs un k\u0101 es varu padar\u012bt \u0161o telpu piek\u013c\u016bstam\u0101ku,” st\u0101st\u012bja Lapkovska.<\/p>\n

Skaidrs, ka ne visu iesp\u0113jams main\u012bt vienas dienas laik\u0101, bet bie\u017ei vien to izdar\u012bt trauc\u0113 stereotips, ka tas viss ir \u0101rk\u0101rt\u012bgi d\u0101rgi. J\u0101, ir gad\u012bjumi, kad stereotips apstiprin\u0101s, un ir piek\u013c\u016bstam\u012bbas aspekti, kuru realiz\u0113\u0161anai tik tie\u0161\u0101m vajag laiku un naudu, bet t\u0101 tas nav vienm\u0113r. Reiz\u0113m tie ir nelieli piel\u0101gojumi, kas nemaks\u0101 teju neko.<\/p>\n

Bet paral\u0113li tam visam j\u0101veic darbs ar\u012b ar da\u017e\u0101d\u0101m kopien\u0101m. “Mums gribas, lai par to, ko festiv\u0101ls pied\u0101v\u0101, uzzina vair\u0101k cilv\u0113ku, lai t\u0101 auditorija, kas n\u0101k uz festiv\u0101lu, kur\u0161 nu jau ir 30 gadus Latvij\u0101, k\u013c\u016bst arvien pla\u0161\u0101ka. Cilv\u0113ki aug. Tie, kas pirms padsmit gadiem ir biju\u0161i b\u0113rni, tagad ir jaunie\u0161i un mekl\u0113 lietas un vietas, ko skat\u012bties. Viena no liet\u0101m, caur kur\u0101m m\u0113s varam nodot \u0161o inform\u0101ciju par festiv\u0101lu vai festiv\u0101la aktivit\u0101t\u0113m un viesizr\u0101d\u0113m, ir iesaistot da\u017e\u0101du auditoriju festiv\u0101la procesos, taj\u0101 skait\u0101 izr\u0101d\u0113s,” skaidroja Lapkovska.<\/p>\n

Vi\u0146aspr\u0101t, da\u017e\u0101d\u0101s balsis, kas ien\u0101k skatuves m\u0101ksl\u0101 un festiv\u0101l\u0101 “Homo Novus”, padara visus m\u0101kslas un kult\u016bras procesus daudz bag\u0101t\u0101kus.<\/p>\n

“T\u0101s t\u0113mas, kuras var pied\u0101v\u0101t \u0101rpus skatuves m\u0101kslas kopienas, ir daudz pla\u0161\u0101kas, jo, piem\u0113ram, mani k\u0101 cilv\u0113ku interes\u0113 \u0161\u012bs da\u017e\u0101d\u0101s t\u0113mas, ko man m\u0101kslinieki pied\u0101v\u0101, bet ar\u012b tie cilv\u0113ki, ar kuriem m\u0101kslinieki str\u0101d\u0101, kas ikdien\u0101 varb\u016bt nav skatuves m\u0101kslas p\u0101rst\u0101vji. Jo man te\u0101tris ir k\u0101 platforma, k\u0101 tilts, k\u0101 sarunu vieta, un \u0161ai sarunai ir j\u0101b\u016bt dz\u012bvai, tai ir j\u0101b\u016bt m\u016bsdien\u012bgai, ir j\u0101run\u0101 par tagadni un, iesp\u0113jams, par n\u0101kotni, un to var dar\u012bt daudz pla\u0161\u0101k caur cilv\u0113kiem, kurus es ik pa br\u012bdim saucu par “dz\u012bvajiem cilv\u0113kiem”, kas ir \u0101rpus m\u016bsu skatuves burbu\u013ca,” pauda Lapkovska.<\/p>\n

\u0160\u012b iemesla d\u0113\u013c festiv\u0101la r\u012bkot\u0101jiem ir svar\u012bgi iesaist\u012bt, piem\u0113ram, cilv\u0113kus ar invalidit\u0101ti gan festiv\u0101la r\u012bko\u0161an\u0101, gan k\u0101p\u0161an\u0101 uz skatuves, un t\u0101pat ar\u012b viet\u0113jo kopienu p\u0101rst\u0101vjus. “Lai tad, ja m\u0113s veidojam izr\u0101di Sed\u0101, Valmier\u0101 vai Daugavpil\u012b, viet\u0113jie cilv\u0113ki taj\u0101 iesaist\u0101s, lai t\u0101 nav tikai m\u0101kslinieka ideja par to, to vai to, bet vi\u0146i re\u0101li ar\u012b str\u0101d\u0101 ar viet\u0113jiem iedz\u012bvot\u0101jiem,” nor\u0101d\u012bja Lapkovska.<\/p>\n

Da\u017e\u0101du te\u0101tra projektu dal\u012bbnieks Samuels Ozoli\u0146\u0161 pirmoreiz “Homo Novus” festiv\u0101lam piesl\u0113dz\u0101s 2021. gad\u0101, kad k\u0101 br\u012bvpr\u0101t\u012bgais iesaist\u012bj\u0101s izr\u0101d\u0113 “Dz\u012bres”, kas notika Sporta pils d\u0101rzos.<\/p>\n

“Tas sav\u0101 zi\u0146\u0101 bija kopienas projekts ar viet\u0113jiem jaunie\u0161iem un V\u0101cijas ferment\u0113\u0161anas kolekt\u012bvu “Edible Alchemy”, kas bija par \u0113diena atkritumu samazin\u0101\u0161anu un k\u0101 izmantot to, kas mums ir apk\u0101rt. Tad jau n\u0101kamaj\u0101 gad\u0101 es iesaist\u012bjos jauno kuratoru projekt\u0101 “Apv\u0113rsums” jeb “The Shake Down”, kas man pav\u0113ra milz\u012bgu logu uz laikmet\u012bgo te\u0101tri un kas tas visp\u0101r ir, un k\u0101 str\u0101d\u0101t ar da\u017e\u0101diem veidiem, metod\u0113m,” pieredz\u0113 dal\u012bj\u0101s Ozoli\u0146\u0161.<\/p>\n

\u0160\u012b projekta laik\u0101 vi\u0146am bija iesp\u0113ja veidot da\u013cu no 2022. gada “Homo Novus” festiv\u0101la, k\u0101 ar\u012b 2023. gad\u0101 da\u013cu no Tronheim\u0101 notieko\u0161\u0101 “Bastard” festiv\u0101la. “Tur ar\u012b s\u0101k\u0101s t\u0101 mana interese par kopienu un l\u012bdzdal\u012bbas m\u0101kslas praks\u0113m ne tikai te\u0101tra, bet visp\u0101r da\u017e\u0101du m\u0101kslas nozaru veid\u0101. T\u0101 bija mana pirm\u0101 pieredze, str\u0101d\u0101jot ar kaut ko t\u0101du kop\u012bgi veidotu, un es sapratu, ka tas ir tik for\u0161i, ka nav t\u0101s klasisk\u0101s te\u0101tra hierarhijas, kur\u0101 ir viens re\u017eisors, viens scenogr\u0101fs un viens horeogr\u0101fs, un kaut k\u0101 tie p\u0101r\u0113jie ir pak\u013cauti \u0161\u012bm rado\u0161aj\u0101m izv\u0113l\u0113m,” pauda Ozoli\u0146\u0161.<\/p>\n

Norv\u0113\u0123ij\u0101 vi\u0146\u0161 savuk\u0101rt fokus\u0113jies uz piek\u013c\u016bstam\u012bbu un to, k\u0101 padar\u012bt festiv\u0101lu pat\u012bkamu, \u0113rtu un pieejamu cilv\u0113kiem ar da\u017e\u0101d\u0101m vajadz\u012bb\u0101m, un ne tikai cilv\u0113kiem ar invalidit\u0101ti.<\/p>\n

“Tas koncepts tur bija “relax festival”, un m\u0113s dom\u0101j\u0101m, k\u0101 veidot festiv\u0101lu k\u0101 dro\u0161u vidi da\u017e\u0101diem cilv\u0113kiem, ne tikai \u2013 re, mums ir izr\u0101de, atn\u0101c uz izr\u0101di un ej m\u0101j\u0101s, bet ar\u012b paliec, uzkav\u0113jies telp\u0101s, jo te notiek kaut kas vair\u0101k\u00a0nek\u0101 tikai m\u0101kslas darbu apskate. Kas man \u013coti palika no t\u0101 festiv\u0101la, bija tas, k\u0101 dom\u0101t par da\u017e\u0101diem “trigger warnings” izr\u0101d\u0113s un m\u0101kslas darbos,” st\u0101st\u012bja Ozoli\u0146\u0161.<\/p>\n

Ja ierasti pirms izr\u0101d\u0113m daudzviet br\u012bdina tikai par mirgojo\u0161\u0101m gaism\u0101m no stroboskopa, ja t\u0101ds paredz\u0113ts, tad tur festiv\u0101la apmekl\u0113t\u0101ji laikus br\u012bdin\u0101ti ar\u012b, piem\u0113ram, par to, ka izr\u0101d\u0113 tiks skarta n\u0101ves t\u0113ma vai tiks izmantota d\u016bmu ma\u0161\u012bna, un ar\u012b par daudz ko citu, kas atsevi\u0161\u0137\u0101m cilv\u0113ku grup\u0101m var izrais\u012bt diskomfortu.<\/p>\n

Kopienu te\u0101tris vai l\u012bdzdal\u012bbas te\u0101tris no amatieru te\u0101tra at\u0161\u0137iras ar to, ka klasiskais amatierte\u0101tra form\u0101ts, kur\u0101 da\u017e\u0101di profesion\u0101\u013ci un re\u017eisori str\u0101d\u0101 ar amatieraktieru kolekt\u012bviem, vair\u0101k ir par klasisku lugu iestud\u0113\u0161anu un nereti ar\u012bdzan jaunu lugu veido\u0161anu.<\/p>\n

Savuk\u0101rt kopienu vai l\u012bdzdal\u012bbas te\u0101tr\u012b, kad m\u0101kslinieks s\u0101k str\u0101d\u0101t, vi\u0146am var b\u016bt sava ideja, ko vi\u0146\u0161 v\u0113las veidot vai ar ko v\u0113las str\u0101d\u0101t, ta\u010du vi\u0146am ir j\u0101r\u0113\u0137in\u0101s, ka vi\u0146\u0161, iesp\u0113jams, s\u0101k str\u0101d\u0101t ar 5\u201310 cilv\u0113kiem, kas nekad nav sask\u0101ru\u0161ies ar skatuves m\u0101kslu.<\/p>\n

“L\u012bdz ar to tas te\u0101tris ar kopienu priek\u0161 manis ir vair\u0101k par to, ka j\u016bs kop\u0101 rad\u0101t proces\u0101, un tu k\u0101 profesion\u0101ls m\u0101kslinieks r\u0113\u0137inies ar to, ka tas materi\u0101ls taps, tikai veidojot \u0161o darbu, vai ar\u012b, ja materi\u0101ls jau ir, tas var tikt adapt\u0113ts caur \u0161iem cilv\u0113kiem, kurus tu iesaisti,” skaidroja Lapkovska.<\/p>\n

L\u012bdz ar to l\u012bdzdal\u012bbas te\u0101tris prasa daudz vair\u0101k laika. Nereti kopienu dal\u012bbnieki beig\u0101s tiek nod\u0113v\u0113ti par l\u012bdzautoriem, un ar\u012b tas prasa papildu skaidrojo\u0161o darbu, kas savuk\u0101rt prasa laiku un iedzi\u013cin\u0101\u0161anos.<\/p>\n

\n

“Ja m\u0101kslinieks uzs\u0101k darbu ar cilv\u0113ku, kur\u0161, piem\u0113ram, nekad nav bijis ne te\u0101tra izr\u0101d\u0113, ne piedal\u012bjies te\u0101tra izr\u0101d\u0113, un respekt\u012bvi vi\u0146\u0161 nesaprot tos skatuves m\u0101kslas procesus, \u0161ie da\u017e\u0101die elementi no izr\u0101\u017eu veido\u0161anas sadarb\u012bb\u0101 ar kopien\u0101m ir \u0101rk\u0101rt\u012bgi svar\u012bgi un b\u016btiski, un m\u0101ksliniekiem tie ir j\u0101akcent\u0113, un paties\u012bb\u0101, m\u0101ksliniekiem jau darbu uzs\u0101kot, \u0161ie procesi \u013coti daudz ir j\u0101izskaidro cilv\u0113kiem, kurus vi\u0146i iesaista, lai \u0161\u0101ds termins k\u0101 “l\u012bdzautors” b\u016btu tam dal\u012bbniekam skaidr\u0101ks,” nor\u0101d\u012bja Lapkovska.<\/p>\n

Galu gal\u0101 iesaist\u012btais cilv\u0113ks var ar\u012b nepiekrist k\u013c\u016bt par l\u012bdzautoru, ta\u010du tie\u0161i \u0161\u012b jaut\u0101\u0161ana un iek\u013cau\u0161ana ir \u0101rk\u0101rt\u012bgi svar\u012bga.<\/p>\n

 <\/p>\n<\/div>\n

\n

Raidierakstu “P\u0101rb\u016bves. Sarunas par laikmet\u012bgo te\u0101tri Latvij\u0101” finansi\u0101li atbalsta Sabiedr\u012bbas integr\u0101cijas fonds no Latvijas valsts bud\u017eeta l\u012bdzek\u013ciem.<\/p>\n

\"\"<\/p>\n<\/div>\n

<\/p>","protected":false},"excerpt":{"rendered":"

Lai kult\u016bru un t\u0101s notikumus veidotu atv\u0113rt\u0101kus ikvienai sabiedr\u012bbas da\u013cai un indiv\u012bdiem, pa\u0161as kopienas un to p\u0101rst\u0101vji tiek iesaist\u012bti da\u017e\u0101dos projektos un izr\u0101d\u0113s, lai k\u013c\u016btu par to dal\u012bbniekiem, nevis tikai v\u0113rot\u0101jiem no malas, bet \u2013 lai ikviens sp\u0113tu b\u016bt gan te\u0101tra m\u0101kslas l\u012bdzdal\u012bbnieks, gan v\u0113rot\u0101js, j\u0101run\u0101 ar\u012b par kult\u016bras nori\u0161u piek\u013c\u016bstam\u012bbu. Par to \u0161oreiz sarun\u0101jas producente un projektu vad\u012bt\u0101ja Sandra Lapkovska un da\u017e\u0101du te\u0101tra projektu dal\u012bbnieks Samuels Ozoli\u0146\u0161.<\/p>\n","protected":false},"author":1,"featured_media":5108,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[86,91,92],"tags":[],"class_list":["post-5107","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-homo-novus","category-lasitava","category-sif-projekts"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5107"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5107\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5108"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}