\u0160\u012b bija projekta partneru pirm\u0101 tik\u0161an\u0101s kl\u0101tien\u0113, kas \u013c\u0101va ne tikai tuvpl\u0101n\u0101 iepaz\u012bt starptautisku, Eirop\u0101 atz\u012btu laikmet\u012bg\u0101s skatuves m\u0101kslas festiv\u0101lu, bet ar\u012b satikt projekta partnerus no festiv\u0101liem \u201cMladi Levi\u201d (Slov\u0113nija) un \u201cSantarcangelo\u201d (It\u0101lija), k\u0101 ar\u012b \u010detras projekta mentores \u2014 Martu Keilu, Beku Bergeri, J\u016bliju Aspersku un Silviju Botiroli \u2013, kuru uzdevums tuv\u0101ko divu gadu laik\u0101 ir izv\u0113rt\u0113t visus tr\u012bs projekt\u0101 iesaist\u012btos festiv\u0101lus un izstr\u0101d\u0101t ieteikumus un risin\u0101jumus iek\u013caujo\u0161\u0101kai un labb\u016bt\u012bbu veicino\u0161ai festiv\u0101lu videi.
\nKop\u0101 ar mums uz Santarkand\u017eelo dev\u0101s ar\u012b divas m\u0101kslinieces no Latvijas \u2014 Ance Ancova un Linda Kr\u016bmi\u0146a, kur\u0101m ar\u012b bija iesp\u0113ja pieredz\u0113t starptautisku laikmet\u012bg\u0101s skatuves m\u0101kslas festiv\u0101lu.<\/p>\n
Santarkand\u017eelo festiv\u0101la programma bija v\u0113rien\u012bga, starptautiska un daudzsl\u0101\u0146aina. T\u0101 iek\u013c\u0101va ne tikai izr\u0101des, bet ar\u012b sarunas, darbn\u012bcas, instal\u0101cijas da\u017e\u0101d\u0101s m\u0101kslas form\u0101s un mijiedarb\u012bb\u0101 ar arhitekt\u016bru, dabu, pils\u0113tvidi un sabiedr\u012bbu. Festiv\u0101la saturs aptv\u0113ra m\u0101ksliniekus no da\u017e\u0101d\u0101m pasaules mal\u0101m, starp kuriem bija da\u017e\u0101di atz\u012bti v\u0101rdi un darbi, kuri \u0161obr\u012bd g\u016bst iev\u0113r\u012bbu starptautiski.<\/p>\n
\u010cetru dienu laik\u0101 no 10. l\u012bdz 13. j\u016blijam LJTI komanda un m\u0101kslinieces pasp\u0113ja vid\u0113ji vienas dienas laik\u0101 redz\u0113t \u010detras izr\u0101des un piedal\u012bties vair\u0101kos citos festiv\u0101la notikumos (t\u012bklo\u0161an\u0101s pas\u0101kumi, sarunas, darbn\u012bcas, festiv\u0101la ball\u012btes u.c.). \u0160aj\u0101 rakst\u0101 v\u0113lamies dal\u012bties ar savu individu\u0101lo pieredzi.<\/p>\n
Brauciens uz Santarkand\u017eelo festiv\u0101lu bija mana pirm\u0101 pieredze liela m\u0113roga skatuves m\u0101kslas festiv\u0101l\u0101 \u0101rzem\u0113s. T\u0101 bija lieliska iesp\u0113ja redz\u0113t, k\u0101das prakses piekopj \u0161\u0101du pas\u0101kumu organizatori, lai nodro\u0161in\u0101tu pat\u012bkamu pieredzi t\u0101 apmekl\u0113t\u0101jiem un viesiem. \u012apa\u0161u uzman\u012bbu velt\u012bju festiv\u0101la komandas attieksmei pret t.s. profesion\u0101\u013ciem, starp kuriem ar\u012b man san\u0101ca ierindoties. Profesion\u0101\u013cus sagaid\u012bja patie\u0161\u0101m viesm\u012bl\u012bgi, katram sag\u0101d\u0101jot festiv\u0101la d\u0101vani\u0146u komplektu, kas paties\u012bb\u0101 ir diezgan iespaid\u012bgi \u0146emot v\u0113r\u0101, ka profesion\u0101\u013cu sarakst\u0101 bija aptuveni 400 cilv\u0113ki. Festiv\u0101la Santerkand\u017eelo gaisotne bija laiska, lai gan programma \u2013 \u013coti bl\u012bva. T\u0101s epicentr\u0101 bija festiv\u0101la centrs, kas izvietots maz\u0101s pils\u0113ti\u0146as vid\u016b uz pla\u0161a laukuma ar da\u017e\u0101d\u0101m kafejn\u012bc\u0101m, inform\u0101cijas stendu, str\u016bklaku un br\u012bvdabas skatuvi. Cilv\u0113ki ros\u012bj\u0101s cauru dienu un nakti, nemit\u012bgi veidojot festiv\u0101la vibr\u0101ciju. Santarkand\u017eelo festiv\u0101lu v\u0113l\u0113jos apmekl\u0113t jau gadiem. Tas ir viens no tiem festiv\u0101liem, kur satiekas \u013coti pla\u0161s kuratoru un producentu loks no da\u017e\u0101d\u0101m pasaules mal\u0101m \u2014 l\u012bdz ar to tas k\u013c\u016bst par augl\u012bgu t\u012bklo\u0161an\u0101s vietu. \u0160eit ir iesp\u0113ja iepaz\u012bties un apmain\u012bties ar dom\u0101m ar citu starptautisku festiv\u0101lu p\u0101rst\u0101vjiem, pla\u0161i paz\u012bstamiem m\u0101ksliniekiem un vienlaikus piedz\u012bvot programmu, kas tiek uzskat\u012bta par vienu no noz\u012bm\u012bg\u0101kaj\u0101m laikmet\u012bg\u0101s skatuves m\u0101kslas vid\u0113 Eirop\u0101. Dro\u0161i vien spilgt\u0101kie iespaidi par Santarcangelo\u202fdi\u202fRomagna festiv\u0101lu ir saist\u012bti ar te\u0101tra mijiedarbi uz pils\u0113tvidi, kas \u0161\u0137iet k\u0101 rad\u012bta vai radusies publiskai m\u0101kslai \u2013 laukumi, ielas, vasaras gaism\u0113nas, arkas, siltie terakotas un okera to\u0146i ir dabas dota un cilv\u0113ka pilnveidota scenogr\u0101fija, kas nekalpo k\u0101 butaforija viduslaiku, renesanses vai baroka izr\u0101\u017eu imit\u0101cijai. T\u0101s ir sienas laikmet\u012bgai, main\u012bgai m\u0101kslai pils\u0113tas \u0161odien\u0101, kas nav konflikt\u0101 ar t\u0101s pag\u0101tnes kult\u016bru. Lai ar\u012b diennakts gait\u0101 izr\u0101\u017eu programma m\u016bs veda gan uz noliktavu, gan kinote\u0101tru un operas nama z\u0101l\u0113m, t\u0101 vakar\u0101 k\u0101 magn\u0113ts savilka raibo p\u016bli centr\u0101laj\u0101 pils\u0113tas laukum\u0101 Piazza\u202fGanganelli, kur lip\u012bgas tradicion\u0101l\u0101s m\u016bzikas pavad\u012bb\u0101 uz atk\u0101rtojumu vien l\u012bdz del\u012brijam griez\u0101s sp\u0101\u0146u m\u0101ksliniece La Chachi, liekot uz br\u012bdi \u0161aub\u012bties, vai tas ir iestud\u0113ts, vai k\u0101ds vienk\u0101r\u0161i j\u016bk pr\u0101t\u0101 pie \u0161\u012bs m\u016bzikas\u2026 bet abos gad\u012bjumos no t\u0101 nav iesp\u0113jams atrauties, jo \u0161\u012b aps\u0113st\u0101 deja, kur\u0101 flamenko satiekas ar ielas m\u0101kslu un p\u0101rgurums robe\u017eojas ar att\u012br\u012b\u0161anos, liekas tik cilv\u0113c\u012bgi paz\u012bstama un tie\u0161i \u0161obr\u012bd nepiecie\u0161ama. Projektu \u201cFestival SPA\u201d atbalsta ES programma \u201cRado\u0161\u0101 Eiropa\u201d ar Kult\u016bras ministrijas l\u012bdzfinans\u0113jumu.\u00a0<\/span><\/p>\n Pas\u0101kumu finansi\u0101li atbalsta Sabiedr\u012bbas integr\u0101cijas fonds no Latvijas valsts bud\u017eeta l\u012bdzek\u013ciem. <\/p>","protected":false},"excerpt":{"rendered":" No 10. l\u012bdz 13. j\u016blijam LJTI komanda apmekl\u0113ja Santarkand\u017eelo festiv\u0101lu It\u0101lij\u0101, lai ofici\u0101li atkl\u0101tu jauno Eiropas Savien\u012bbas programmas \u201cRado\u0161\u0101 Eiropa\u201d projektu un tuvpl\u0101n\u0101 iepaz\u012btu vienu no visv\u0113rien\u012bg\u0101kajiem laikmet\u012bg\u0101s skatuves m\u0101kslas festiv\u0101liem Eirop\u0101. <\/p>\n","protected":false},"author":1,"featured_media":5118,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[90,88,92],"tags":[],"class_list":["post-5117","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival-spa","category-ljti-dara","category-sif-projekts"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5117"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5117\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5118"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nFestiv\u0101la form\u0101ts man \u0161\u0137ita veiksm\u012bgs, jo liel\u0101k\u0101 da\u013ca izr\u0101\u017eu norises vietas atrad\u0101s t\u0101d\u0101 r\u0101dius\u0101, ka var\u0113j\u0101 mier\u012bgi p\u0101rvietoties k\u0101j\u0101m. Turkl\u0101t skat\u012bt\u0101ji, kas bija nopirku\u0161i bi\u013cetes uz izr\u0101d\u0113m \u0101rpus Santarkand\u017eelo ciemati\u0146a, tika nodro\u0161in\u0101ti ar bezmaksas transf\u0113ru, kas pavisam noteikti katram atviegloja sava individu\u0101l\u0101 grafika pl\u0101no\u0161anu – manupr\u0101t, sare\u017e\u0123\u012bt\u0101ko festiv\u0101la apmekl\u0113\u0161anas aspektu. Pirms iera\u0161an\u0101s Santarkand\u017eelo, kad pl\u0101noju apmekl\u0113jumu un attiec\u012bgi ieg\u0101d\u0101jos bi\u013cetes, bija gr\u016bti noorient\u0113ties pla\u0161\u0101j\u0101 programm\u0101 un m\u0113\u0123in\u0101t saprast, uz kur\u0101m izr\u0101d\u0113m ir iesp\u0113jams tikt, t\u0101p\u0113c mana metode bija pirkt visu, kas v\u0113l bija pieejams, kas ar\u012b veiksm\u012bgi nostr\u0101d\u0101ja.
\nIzr\u0101des bija kr\u0101\u0161\u0146as, lielu uzman\u012bbu veltot ar\u012b skat\u012bt\u0101ju l\u012bdzdal\u012bbai, piem\u0113ram it\u0101\u013cu m\u0101kslinieces Fl\u0101vijas Dzaganelli (Flavia Zaganelli) darb\u0101 “Placebo Dances” re\u017eisora lom\u0101 var\u0113ja iejusties ikviens skat\u012bt\u0101js, izv\u0113loties, kur\u0101 br\u012bd\u012b \u013cauties izpild\u012bt\u0101ju aicin\u0101jumam pieredz\u0113t izr\u0101di ar aizv\u0113rt\u0101m ac\u012bm un izbaud\u012bt, k\u0101das saj\u016btas sp\u0113j izrais\u012bt p\u0101r\u0113jo ma\u0146u akt\u012bv\u0101ka iedarbin\u0101\u0161ana. Portug\u0101\u013cu m\u0101kslinieces D\u017eesikas Tei\u0161eiras (J\u00e9ssica Teixeira) izr\u0101de “MONGA” visnota\u013c atst\u0101ja dzi\u013cu iespaidu man\u0101 uztver\u0113 par l\u012bdzdal\u012bbas izr\u0101d\u0113m. M\u0101ksliniecei san\u0101ca iesaist\u012bt skat\u012bt\u0101ju nepiespiest\u0101, bet tom\u0113r rota\u013c\u012bg\u0101 un izaicino\u0161\u0101 veid\u0101. Izr\u0101des nosl\u0113gum\u0101 jau bija saj\u016bta, ka savstarp\u0113ji esam izveidoju\u0161i t\u0101du k\u0101 kom\u016bnu, kur\u0101 br\u012bvi varam kop\u012bgi smieties, raud\u0101t, dejot un saskandin\u0101t ka\u0161asas gl\u0101zi.
\n\u0160\u012bs piecas dienas Santarkand\u017eelo festiv\u0101l\u0101 deva iesp\u0113ju izgl\u012btoties par liela m\u0113roga skatuves m\u0101kslas festiv\u0101la organizatorisko pusi, t\u0101d\u0113j\u0101di iedvesmojot un sniedzot noder\u012bgus padomus n\u0101kotnei, r\u012bkojot citus skatuves m\u0101kslas notikumus, piem\u0113ram, festiv\u0101lu “Homo Novus”. Visbeidzot, v\u0113rts piemin\u0113t, ka tur pieredz\u0113t\u0101s izr\u0101des sag\u0101d\u0101ja lielu baudu un atrais\u012bja manu skatu uz laikmet\u012bgaj\u0101m skatuves m\u0101ksl\u0101m daudz pla\u0161\u0101k\u0101 perspekt\u012bv\u0101.<\/em>
\n– Ance Ancova<\/strong><\/p>\n
\nSav\u0101 pieredz\u0113 \u012bpa\u0161i j\u0101izce\u013c kan\u0101die\u0161u m\u0101kslinieces Claras Furey izr\u0101de UNARMOURED. Par izr\u0101di rakst\u012bts:
\n“Izr\u0101d\u0113 \u201cUNARMOURED\u201d kan\u0101die\u0161u autore Clara Furey att\u0113lo iek\u0161\u0113j\u0101 j\u016bras pla\u0161umus, p\u0113tot bezgal\u012bbu k\u0101 transform\u0113jo\u0161u emociju un p\u0101rdefin\u0113jot erotiskumu, atbr\u012bvojot to no tradicion\u0101l\u0101s seksualit\u0101tes un soci\u0101lajiem konstruktiem un vedot to abstrakt\u0101, pl\u016bsto\u0161\u0101 un univers\u0101l\u0101 dimensij\u0101. Kosmiskais erotiskums ir prim\u0101ra ener\u0123ija, dz\u012bv\u012bbas sp\u0113ks, kas pl\u016bst caur \u0137ermeni. Kv\u012bru m\u0101kslinieku kolekt\u012bvs uz skatuves att\u0113lo fragmentus no sav\u0101m st\u0101stiem un dziedin\u0101\u0161an\u0101s ce\u013cojumiem, uzsverot r\u016bpes un emp\u0101tijas j\u0113dzienus pieredz\u0113, kas p\u0101rsniedz individu\u0101lo robe\u017eas.”
\nIzr\u0101de patiesi bija kosmiska un ievelko\u0161a. Pat \u0161odien atceroties, saj\u016bta par pieredz\u0113to ir jaud\u012bga \u2013 tie\u0161i par pieredzi, nevis par intelektu\u0101lo sapra\u0161anu vai anal\u012bzi. Izr\u0101d\u0113 \u0137erme\u0146i v\u0113st\u012bja un rad\u012bja pasauli, kust\u012bba komunic\u0113ja un ieveda skat\u012bt\u0101jus kosmiskaj\u0101 erotisma visum\u0101. Nebija nepiecie\u0161ams ne hronolo\u0123isks, ne fragment\u0101rs st\u0101st\u012bjums, skaidrojums vai zin\u0101\u0161anas par ko m\u0101kslinieki grib\u0113tu man kaut ko v\u0113st\u012bt. K\u016bst\u012bbas un \u0137erme\u0146i bija autonomi ‘zi\u0146ne\u0161i’, ‘tulki’. Lai gan t\u0101 sakot, atkal atgrie\u017eamies pie joc\u012bg\u0101s vajadz\u012bbas valodu izvirz\u012bt k\u0101 prim\u0101ro komunik\u0101cijas l\u012bdzekli. \u0160\u012b izr\u0101de man nebija par kaut ko, tas vair\u0101k bija k\u0101 br\u012bdis, k\u0101 pieredze, k\u0101 mirklis, kur\u0101 b\u016bt un, lai cik ban\u0101li teikt, bet \u2013 \u013cauties.
\nKop\u0113j\u0101 festiv\u0101la noris\u0113s tika aktualiz\u0113tas un izgaismotas da\u017e\u0101das balsis. Programma tika iek\u013cauti darbi, kas run\u0101ja par par seksualit\u0101ti, rasismu, darbu seksa industrij\u0101, kv\u012bru un da\u017e\u0101du \u0137erme\u0146u att\u0113lojumu, k\u0101 ar\u012b par da\u017e\u0101du kult\u016bru v\u0113sturisko un m\u016bsdienu soci\u0101laj\u0101m un politiskaj\u0101m realit\u0101t\u0113m. Nebija saj\u016btas, ka festiv\u0101ls b\u016btu vair\u0101k par visu b\u016btu orient\u0113ts uz politisku vai m\u0101kslas akt\u012bvismu, ta\u010du kuratori\u0101l\u0101s izv\u0113les nebija nejau\u0161as un t\u0101s signaliz\u0113ja par v\u012bziju, v\u0113rt\u012bb\u0101m un nost\u0101ju. <\/em>
\n– Linda Kr\u016bmi\u0146a<\/strong><\/p>\n
\nJ\u0101piebilst, ka festiv\u0101la organizatori savu darbu veic patie\u0161\u0101m meistar\u012bgi \u2014 tiek dom\u0101ts par katru aspektu, nodro\u0161inot augstu kvalit\u0101ti ne tikai produc\u0113\u0161anas un publicit\u0101tes jom\u0101s, bet ar\u012b m\u0101kslinieku sagaid\u012b\u0161an\u0101 un profesion\u0101\u013cu piesaist\u0113. Kopum\u0101 festiv\u0101lu \u0161ogad apmekl\u0113ja ap 400 nozares profesion\u0101\u013cu \u2014 skaits, kas patie\u0161\u0101m p\u0101rsteidz.
\nAr\u012b festiv\u0101la programma ir iespaid\u012bga \u2014 ne tikai apjom\u012bga, bet ar\u012b daudzveid\u012bga, ar lieliem, starptautiski atz\u012btiem v\u0101rdiem un darbiem. Iesp\u0113ja visu redz\u0113t ir ierobe\u017eota \u2014 izr\u0101des tiek \u0101tri izpirktas, un programma ir \u013coti bl\u012bva. Ta\u010du \u012bpa\u0161i iepriecina, ka festiv\u0101ls piesaista ne vien profesion\u0101lo auditoriju, bet ar\u012b viet\u0113jos iedz\u012bvot\u0101jus un It\u0101lijas skat\u012bt\u0101jus pla\u0161\u0101k\u0101 noz\u012bm\u0113. Pat\u012bkami p\u0101rsteidza, cik daudz jaunie\u0161u, senioru un da\u017e\u0101du kopienu p\u0101rst\u0101vju apmekl\u0113 izr\u0101des. Piem\u0113ram, k\u0101d\u0101 izr\u0101d\u0113, kur bija nodro\u0161in\u0101ts z\u012bmju valodas tulkojums, puse no skat\u012bt\u0101jiem bija nedzird\u012bgo auditorija.
\nFestiv\u0101la laik\u0101 redz\u0113ju 12 izr\u0101des un v\u0113l vair\u0101kus citus notikumus. \u013boti v\u0113l\u0113jos redz\u0113t Alex Baczynski-Jenkins jauno darbu \u201cMalign Junction (Goodbye, Berlin)\u201d, jo p\u0113d\u0113jos gados esmu c\u012bt\u012bgi sekojusi vi\u0146a dai\u013cradei. Diem\u017e\u0113l \u0161oreiz darbs nedaudz lika vilties. Savuk\u0101rt \u012bpa\u0161i j\u0101izce\u013c Alessandro Sciarroni darbs \u201cU. (un canto)\u201d. Sciarroni iepriek\u0161\u0113jais darbs \u201cSave the last dance for me\u201d ir viens no maniem visu laiku m\u012b\u013c\u0101kajiem skatuves m\u0101kslas darbiem, t\u0101d\u0113\u013c \u0161o izr\u0101di gaid\u012bju ar lielu interesi \u2014 un t\u0101 pat\u012bkami p\u0101rsteidza ar savu sal\u012bdzino\u0161i vienk\u0101r\u0161o formu, bet vienlaikus \u013coti kv\u012br\u012bgo un j\u016bt\u012bgo v\u0113st\u012bjumu.
\nV\u0113l viens festiv\u0101la p\u0101rsteigums bija Eisa Jocson un Venuri Perera izr\u0101de \u201cMagic Maids\u201d \u2014 \u013coti provokat\u012bvs darbs, kas tr\u0101p\u012bgi skar nevienl\u012bdz\u012bbas un ekspluat\u0101cijas t\u0113mas.
\nMana apmekl\u0113juma galvenais m\u0113r\u0137is bija satikt festiv\u0101lu \u201cMladi Levi\u201d un \u201cSantarcangelo\u201d p\u0101rst\u0101vjus, k\u0101 ar\u012b projekta \u201cFestival SPA\u201d ekspertus. \u0160\u012b bija pirm\u0101 reize, kad tik\u0101mies visi kop\u0101, lai ofici\u0101li uzs\u0101ktu projektu un izrun\u0101tu visus neskaidros jaut\u0101jumus un deta\u013cas. Liels prieks, ja izdodas \u0161\u0101das projekta viz\u012btes apvienot ar festiv\u0101la apmekl\u0113jumu, t\u0101d\u0113j\u0101di dom\u0101jot par ilgtsp\u0113ju ne tikai vides aspekt\u0101, bet ar\u012b sav\u0101 profesion\u0101laj\u0101 labb\u016bt\u012bb\u0101.<\/em>
\n– Ieva Briede<\/strong><\/p>\n
\nNo Santarkand\u017eelo redz\u0113taj\u0101m 10 izr\u0101d\u0113m \u0161\u012b ir t\u0101, kuras melodija v\u0113l skan pr\u0101t\u0101, bet vizu\u0101li un telpiski neizdz\u0113\u0161am\u0101kie \u0161\u0137iet abi Rimini oper\u0101 skat\u012btie darbi Klaras Fjur\u012b \u201cUnarmored\u201d – ar\u012b deja, kas hipnotiski sev aiznes l\u012bdzi skat\u012bt\u0101ju uz saj\u016btu un vietu, kurai v\u0113l nav v\u0101rda, k\u0101 ar\u012b Alessandro \u0160aroni izr\u0101de \u201cU. (un canto)\u201d, kur\u0101 septi\u0146i Gen Z jaunie\u0161i izpilda It\u0101lijas kora dzied\u0101jumus, liek dom\u0101t ne tikai par muzik\u0101lo izpild\u012bjumu, bet ar\u012b par klusumu starp tiem un telpu, kuru \u0161is dramatur\u0123iski nospriegotais klusums piepilda, kl\u0101tb\u016btni un tiem \u201cm\u0113s\u201d, kas pa\u0161laik apdz\u012bvo \u0161o plan\u0113tas un v\u0113stures sl\u0101ni, taj\u0101 klausoties.<\/em>
\n– Santa Remere<\/strong><\/p>\n![\"\"](\"http:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/SPA-color_transparetn-background-300x139.png\"){kind=spacer}
\u00a0 \u00a0 \u00a0 \u00a0 ![\"\"](\"http:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/LV-Lidzfinanse-Eiropas-Savieniba_PANTONE-300x63.jpg\")
\u00a0 \u00a0 \u00a0![\"\"](\"http:\/\/theatre.lv\/wp-content\/uploads\/2025\/10\/pilnkrasu_rgb1-300x290.png\")
<\/p>\n
\n![\"\"](\"http:\/\/theatre.lv\/wp-content\/uploads\/2025\/07\/vienkarss_bez_laukuma_rgb_v_LV-5.jpg\")
<\/p>\nPiecu Latvijas Jaun\u0101 te\u0101tra instit\u016bta darbinieku dal\u012bbu pieredzes apmai\u0146as pas\u0101kum\u0101 finansi\u0101li atbalsta Sabiedr\u012bbas integr\u0101cijas fonds, viena projekta “Festival SPA” koordinatora dal\u012bbu finansi\u0101li atbalsta ES programma \u201cRado\u0161\u0101 Eiropa\u201d ar Kult\u016bras ministrijas l\u012bdzfinans\u0113jumu.<\/h6>\n