Tr\u012bs dienu laik\u0101 apmekl\u0113t\u0101ji var\u0113ja baud\u012bt se\u0161as izr\u0101des, k\u0101 ar\u012b piedal\u012bties diskusij\u0101s, t\u012bklo\u0161an\u0101s pas\u0101kumos un rado\u0161\u0101 darbn\u012bc\u0101. Programma izc\u0113l\u0101s ar izteiktu feministisku skat\u012bjumu, eksperiment\u0101l\u0101m form\u0101m un da\u017e\u0101du paaud\u017eu m\u0101kslinieku st\u0101stiem, kas rosin\u0101ja p\u0101rdomas par identit\u0101ti, attiec\u012bb\u0101m, ikdienas r\u016bp\u0113m un soci\u0101laj\u0101m strukt\u016br\u0101m. <\/p>\n
Latviju festiv\u0101l\u0101 p\u0101rst\u0101v\u0113ja divas izr\u0101des \u2013 Barbaras Lehtnas, L\u012bvas Bl\u016bmas un Lindas Kr\u016bmi\u0146as veidot\u0101 kameropera \u201cMonstera Deliciosa<\/a>\u201d un Katr\u012bnas D\u016bkas, k\u0101 ar\u012b viet\u0113j\u0101s Turku LGBTQ+ kopienas, veidotais projekts \u201cKv\u012bru Tango Klubs<\/a>\u201d.<\/p>\n \nFoto: Jussi Virkkumaa<\/p>\n No Lietuvas festiv\u0101l\u0101 piedal\u012bj\u0101s Greta Grinevi\u010di\u016bt\u0117 ar izr\u0101di \u201cA Dance for Washing Machine and a Mother\u201d un Agniet\u0117 Lisi\u010dkinait\u0117 ar performanci \u201cHands Up\u201d, bet Igauniju p\u0101rst\u0101v\u0113ja Sigrid Savi un Hanna Kritten Tangsoo ar \u201cCOWBODY \/ Oh wow, it\u2019s you!\u201d un Anita Kremm ar \u201cMe \/ Her\u201d.<\/p>\n Festiv\u0101ls ne tikai prezent\u0113ja katras Baltijas valsts izv\u0113l\u0113t\u0101s izr\u0101des, bet ar\u012b stiprin\u0101ja starptautisk\u0101s un viet\u0113j\u0101s attiec\u012bbas, \u013caujot Baltijas m\u0101ksliniekiem piedal\u012bties rezidenc\u0113s, iepaz\u012bt Somijas skatuves m\u0101kslas vidi un t\u0101s specifiku, k\u0101 ar\u012b veidot sadarb\u012bbu ar Somijas kult\u016bras iest\u0101d\u0113m un to p\u0101rst\u0101vjiem. Festiv\u0101ls tiec\u0101s rad\u012bt vidi, kur\u0101 kult\u016bras profesion\u0101\u013ci un m\u0101kslinieki var apmain\u012bties ar pieredzi un idej\u0101m.<\/p>\n Festiv\u0101ls veiksm\u012bgi apliecin\u0101ja Baltijas valstu laikmet\u012bg\u0101s skatuves m\u0101kslas daudzveid\u012bbu, radot iesp\u0113ju Turku publikai iepaz\u012bt jaunas perspekt\u012bvas un sajust rado\u0161o dialogu starp Baltijas un Somijas m\u0101ksliniekiem. <\/p>\n No sirds v\u0113lamies izteikt pateic\u012bbu visiem iesaist\u012btajiem m\u0101ksliniekiem, partneriem, Turku publikai un domubiedriem. Uz tik\u0161anos \u201cBaltic Take Over\u201d festiv\u0101l\u0101 2026. gada maij\u0101 \u2013 Stokholm\u0101, Zviedrij\u0101! <\/p>\n \u201cBaltic Take Over 2025\u201d notika sadarb\u012bb\u0101 ar \u201cTehdas Teatteri\u201d, \u201cNew Performance Turku Biennale\u201d, \u201cEhk\u00e4-production\u201d, \u201cBarker-Teatteri,\u201d \u201cViinatehdas\u201d, \u201cPerforming Arts Centre Finland\u201d (ESKUS) un \u201cAurinkobaletti\u201d. 2025. gada festiv\u0101lu atbalst\u012bja Baltijas Kult\u016bras fonds, Zieme\u013cvalstu un Baltijas valstu mobilit\u0101tes grants kult\u016brai, Igaunijas v\u0113stniec\u012bba Helsinkos, Igaunijas Kult\u016bras ministrija, Valsts Kult\u016brkapit\u0101la fonds. <\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" No 10. l\u012bdz 12. apr\u012blim Turku, Somij\u0101, norisin\u0101j\u0101s jau otrais skatuves m\u0101kslas festiv\u0101ls \u201cBaltic Take Over 2025\u201d. Tr\u012bs dienu laik\u0101 apmekl\u0113t\u0101ji var\u0113ja baud\u012bt se\u0161as izr\u0101des, k\u0101 ar\u012b piedal\u012bties diskusij\u0101s, t\u012bklo\u0161an\u0101s pas\u0101kumos un rado\u0161\u0101 darbn\u012bc\u0101.<\/p>\n","protected":false},"author":1,"featured_media":5146,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[94,88],"tags":[],"class_list":["post-5145","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-baltic-take-over","category-ljti-dara"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5145"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5145\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5146"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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