{"id":5153,"date":"2025-05-06T15:38:48","date_gmt":"2025-05-06T15:38:48","guid":{"rendered":"https:\/\/theatre.local\/par-to-ko-atstat-un-noenkurot-rezidences-pieredze-kanada\/"},"modified":"2025-05-06T15:38:48","modified_gmt":"2025-05-06T15:38:48","slug":"par-to-ko-atstat-un-noenkurot-rezidences-pieredze-kanada","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/par-to-ko-atstat-un-noenkurot-rezidences-pieredze-kanada\/","title":{"rendered":"Par to, ko atst\u0101t un noenkurot. Rezidences pieredze Kan\u0101d\u0101"},"content":{"rendered":"

<\/p>\n

2024. gada starptautisk\u0101 jauna te\u0101tra festiv\u0101la \u201cHomo Novus\u201d ikgad\u0113jo festiv\u0101la skolu vad\u012bja Kan\u0101das kolekt\u012bvs \u201cMammalian Diving Reflex\u201d, kas paz\u012bstams ar soci\u0101li atbild\u012bgiem, iesaisto\u0161iem un l\u012bdzdal\u012bbas m\u0101kslas projektiem. Festiv\u0101la skolas meistarklas\u0113s piedal\u012bj\u0101s gan pieredz\u0113ju\u0161i m\u0101kslinieki, gan viet\u0113jie pusaud\u017ei, kuri ned\u0113\u013cas laik\u0101 n\u0101ca klaj\u0101 ar vair\u0101k nek\u0101 40 idej\u0101m jaunas izr\u0101des veido\u0161anai, izmantojot \u201cMammalian Diving Reflex\u201d pieeju Avotu ielas apkaimes un t\u0101s iedz\u012bvot\u0101ju izp\u0113tei. M\u0113nesi v\u0113l\u0101k l\u012bdz\u012bgs projekts tika \u012bstenots ar\u012b Kvebek\u0101, kur viet\u0113jie m\u0101kslinieki apguva soci\u0101li atbild\u012bgas m\u0101kslas prakses un rad\u012bja jaunas izr\u0101\u017eu idejas, p\u0113tot Senro\u0161as (Saint-Roch) apkaimi.<\/p>\n

\u0160o projektu s\u0113riju t\u0101 veidot\u0101ji nod\u0113v\u0113ju\u0161i par \u201cMammalian Droppings\u201d \u2013 izp\u0113te ir tikai pirmais posms, kam seko k\u0101das atrast\u0101s idejas \u012bsteno\u0161ana cit\u0101 valst\u012b, pils\u0113t\u0101 un kult\u016bras kontekst\u0101, t\u0101 veicinot \u201cstarptautisku m\u0101ksliniecisko apputeksn\u0113\u0161anos\u201d. Pirmais \u0161\u0101ds m\u0113\u0123in\u0101jums notika \u0161\u012b gada apr\u012bl\u012b, kad Kvebekas m\u0101klinieki izv\u0113l\u0113j\u0101s vienu no R\u012bg\u0101 dzimu\u0161aj\u0101m idej\u0101m \u2013 \u201cSnorres st\u0101stu vakaru\u201d, ko realiz\u0113ja Kvebek\u0101. \u0160aj\u0101 nol\u016bk\u0101 divi m\u0101kslinieki no R\u012bg\u0101 notiku\u0161\u0101s festiv\u0101la skolas \u2013 dzejniece M\u0101ra Ulme un festiv\u0101la skolas rado\u0161ais producents Samuels Ozoli\u0146\u0161 \u2013 dev\u0101s uz ned\u0113\u013cu ilgu rezidenci Kvebek\u0101, kur kop\u0101 ar viet\u0113jiem m\u0101ksliniekiem \u012bstenoja \u0161o projektu, lai izm\u0113\u0123in\u0101tu, k\u0101 Avotu ielas iedvesmot\u0101 ideja uzrun\u0101 citas valsts skat\u012bt\u0101jus un dal\u012bbniekus.<\/p>\n

Kvebekas rezidences nosl\u0113gum\u0101 tika rad\u012bta rota\u013c\u012bga, interakt\u012bva las\u012b\u0161anas izr\u0101de, kur\u0101 mijiedarboj\u0101s m\u0101kslinieki un skat\u012bt\u0101ji, izm\u0113\u0123inot jaunu las\u012b\u0161anas veidu. \u0160\u012bs izr\u0101des m\u016bza un iedvesmas avots bija R\u012bg\u0101 dz\u012bvojo\u0161ais Snorre Karkkonens Svenssons no “Valodu m\u0101jas” Avotu iel\u0101, kur\u0161 festiv\u0101la skolas dal\u012bbniekiem atkl\u0101ja savu unik\u0101lo veidu, k\u0101 vienlaikus las\u012bt 200 gr\u0101matas.<\/p>\n

N\u0101kamais “Droppings” projekts norisin\u0101sies Mil\u0101n\u0101, bet 2026. gad\u0101 tas, iesp\u0113jams, atgriez\u012bsies ar\u012b R\u012bg\u0101 ar k\u0101du pasauli apce\u013coju\u0161u ideju. Sekojiet l\u012bdzi!<\/p>\n

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<\/div>\n<\/div>\n

📷 1\u20133 Shanya Ramirez, 4-5 Isabel Ahat, 6 Samuels Ozoli\u0146\u0161<\/p>\n

Par to, k\u0101 izpaud\u0101s rezidence un ko vi\u0146i tur dar\u012bja, st\u0101sta m\u0101ksliniece M\u0101ra Ulme, kas piedal\u012bj\u0101s 2024. gada \u201cHomo Novus\u201d festiv\u0101la skol\u0101 Avotu iel\u0101 un rezidenc\u0113 Kan\u0101d\u0101: <\/strong><\/p>\n

Lai atbild\u0113tu uz jaut\u0101jumu \u201cKo j\u016bs tur dar\u012bj\u0101t?\u201d, b\u016btu nepiecie\u0161amas vair\u0101kas lapaspuses, ta\u010du pats b\u016btisk\u0101kais, manupr\u0101t, bija piedz\u012bvot mazo m\u0101kslas uzvaru.<\/p>\n

T\u0101tad \u2013 rad\u012bt vienreiz\u0113ju notikumu, kur\u0101 veidojas \u012bpa\u0161a atmosf\u0113ra; vietu, kur m\u0113s visi varam justies atkl\u0101ti, paman\u012bti un ar apzi\u0146u, ka dar\u0101m ko patiesi v\u0113rt\u012bgu.<\/p>\n

Praktiskaj\u0101 l\u012bmen\u012b \u2013 jau tr\u012bs m\u0113ne\u0161us pirms rezidences akt\u012bvi sazvan\u012bj\u0101mies ar Kvebekas komandu. Mums bija skaidrs, ka las\u012bsim tikai t\u0101s gr\u0101matas, kas main\u012bju\u0161as m\u016bsu dz\u012bvi, un ka izr\u0101de notiks pils\u0113tas \u201cblack-box\u201d telp\u0101. Pirmaj\u0101 dien\u0101 sadal\u012bj\u0101mies div\u0101s maz\u0101s grup\u0101s.<\/p>\n

Scenogr\u0101fijas grupu vad\u012bja Samuels. Vi\u0146u uzdevums bija iek\u0101rtot telpu \u2013 izv\u0113l\u0113ties, kur atrad\u012bsies plaukti, galdi\u0146i, d\u012bv\u0101ni, klubkr\u0113sli un citas m\u0101j\u012bgumu rosino\u0161as lietas, ko dal\u012bbnieki var\u0113ja atnest ar\u012b no m\u0101j\u0101m. Vi\u0146u dev\u0101s ar\u012b uz bibliot\u0113ku un sarun\u0101j\u0101s ar cilv\u0113kiem, lai noskaidrotu, kuras gr\u0101matas main\u012bju\u0161as vi\u0146u dz\u012bvi. \u0160\u0137iet, viens no sare\u017e\u0123\u012bt\u0101kajiem l\u0113mumiem bija \u2013 vai sanest \u013coti daudz gr\u0101matu, lai piepild\u012btu telpu un rad\u012btu vizu\u0101li iespaid\u012bgu vidi, vai tikai t\u0101s gr\u0101matas, kas biju\u0161as \u012bpa\u0161as un main\u012bju\u0161as k\u0101da cilv\u0113ka dz\u012bvi. \u0160\u012b dillemma izrais\u012bja pla\u0161as diskusijas par to, kas \u012bsti ir j\u0113gpilna gr\u0101mata \u2013 varb\u016bt jebkura gr\u0101mata k\u0101dam ir noz\u012bm\u012bga, tikai m\u0113s to nezin\u0101m. Galu gal\u0101 kvalit\u0101te uzvar\u0113ja kvantit\u0101ti, un telp\u0101 palika tikai t\u0101s gr\u0101matas, par kuru ietekmi bij\u0101m dro\u0161i.<\/p>\n

Izr\u0101des grupu vad\u012bju es. M\u0113s bij\u0101m atbild\u012bgi par to, kas notiks izr\u0101d\u0113 \u2013 k\u0101 varam ietekm\u0113t to, cik ilga t\u0101 b\u016bs, k\u0101das gr\u0101matas las\u012bsim, cik daudz un ar k\u0101du noz\u012bmi. K\u013cuva skaidrs, ka vislab\u0101k ar laiku iesp\u0113jams r\u012bkoties tad, ja br\u012b\u017eiem izr\u0101des vad\u012bbu uz\u0146emamies pa\u0161i \u2013 zinot, ko un k\u0101 las\u012bsim. Tas mums \u013c\u0101va ar\u012b kontrol\u0113t savas lok\u0101cijas, m\u016bziku un apgaismojumu, t\u0101 no\u0146emot spiedienu no apmekl\u0113t\u0101jiem un padarot vi\u0146iem \u0161o pieredzi interesantu ar\u012b k\u0101 skat\u012bt\u0101jiem.<\/p>\n

M\u0113s uz\u0146\u0113m\u0101m laiku, lasot katra komandas biedra izv\u0113l\u0113to fragmentu, un dr\u012bz vien atkl\u0101j\u0101m, kuri fragmenti dabiski papildina viens otru \u2013 nevis tuk\u0161\u0101 repet\u012bcij\u0101, bet ar j\u0113gu papildino\u0161u kvalit\u0101ti. Lai izr\u0101de neliktos smagn\u0113ja vai garlaic\u012bga, iek\u013c\u0101v\u0101m da\u017e\u0101das negaid\u012btas interakcijas.<\/p>\n

Pirm\u0101 interakt\u012bv\u0101 pauze bija gr\u0101matu or\u0101kuls \u2013 apmekl\u0113t\u0101ji var\u0113ja uzdot jaut\u0101jumu, nosaukt skaitli, or\u0101kula vad\u012bt\u0101js skaitot pieg\u0101ja pie konkr\u0113tas gr\u0101matas, tad nosaukt v\u0113l vienu skaitli \u2013 lai atv\u0113rtu konkr\u0113tu lappusi un rindkopu., ko nolas\u012bt k\u0101 atbildi<\/p>\n

Otr\u0101 interakt\u012bv\u0101 pauze bija piln\u012bb\u0101 skat\u012bt\u0101ju r\u012bc\u012bb\u0101 \u2013 vi\u0146i var\u0113ja n\u0101kt priek\u0161\u0101 vai no savas vietas nolas\u012bt fragmentu no gr\u0101matas, kas main\u012bjusi vi\u0146u dz\u012bvi.<\/p>\n

P\u0113c tam v\u0113l divas reizes aplis s\u0101k\u0101s no s\u0101kuma \u2013 m\u016bsu iestud\u0113t\u0101 da\u013ca mij\u0101s ar or\u0101kulu un br\u012bvo las\u012b\u0161anas da\u013cu, kopum\u0101 radot apm\u0113ram pusotru stundu ilgu izr\u0101di.<\/p>\n

J\u0101saka, ka laiks tie\u0161\u0101m paskr\u0113ja nemanot. Es ticu, ka \u0161\u012bs ned\u0113\u013cas laik\u0101 mums patie\u0161\u0101m izdev\u0101s rad\u012bt mierpilnu, j\u0113gpilnu un god\u012bgu pieredzes telpu daudziem. Es (beidzot un l\u0113n\u0101m) s\u0101ku apzin\u0101ties, ka atg\u016bstu sp\u0113ju uztic\u0113ties sev un citiem, ja atrodos vid\u0113, kas ir g\u0101d\u012bga un veicina komunik\u0101ciju. Nosl\u0113gum\u0101, varu apsol\u012bt, ka cent\u012b\u0161os \u0161o sa\u0146emto ener\u0123iju un p\u0101rliec\u012bbu nodot t\u0101l\u0101k \u2013 vislab\u0101kaj\u0101 iesp\u0113jamaj\u0101 veid\u0101 \u2013 ikvien\u0101 n\u0101kamaj\u0101 projekt\u0101, kur\u0101 piedal\u012b\u0161os!<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

Apr\u012bl\u012b uz Kan\u0101du dev\u0101s 2024. gada “Homo Novus” festiv\u0101la skolas dal\u012bbnieki \u2013 dzejniece M\u0101ra Ulme un festiv\u0101la skolas rado\u0161ais producents Samuels Ozoli\u0146\u0161, kas kop\u0101 ar “Mammalian Diving Reflex” un viet\u0113jiem m\u0101ksliniekiem p\u0101rbaud\u012bja, k\u0101 Avotu ielas iedvesmot\u0101 ideja uzrun\u0101 starptautisku auditoriju.<\/p>\n","protected":false},"author":1,"featured_media":5154,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[86,88],"tags":[],"class_list":["post-5153","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-homo-novus","category-ljti-dara"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5153","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5153"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5153\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5154"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5153"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5153"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}