{"id":5185,"date":"2025-01-21T07:03:12","date_gmt":"2025-01-21T07:03:12","guid":{"rendered":"https:\/\/theatre.local\/par-pasaulu-satiksanos-skanas-ainava\/"},"modified":"2025-01-21T07:03:12","modified_gmt":"2025-01-21T07:03:12","slug":"par-pasaulu-satiksanos-skanas-ainava","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/par-pasaulu-satiksanos-skanas-ainava\/","title":{"rendered":"Par pasau\u013cu satik\u0161anos ska\u0146as ainav\u0101. Saruna ar izr\u0101des &#8220;Pl\u016bdi&#8221; veidot\u0101jiem"},"content":{"rendered":"<p><\/p>\n<p><strong>Starptautisk\u0101 jaun\u0101 te\u0101tra festiv\u0101la \u201cHomo Novus\u201d kuratore Santa Remere sarun\u0101jas ar <a href=\"https:\/\/homonovus.lv\/programma.php?s=pludi\" target=\"_blank\" rel=\"noopener\">izr\u0101des \u201cPl\u016bdi\u201d<\/a> veidot\u0101jiem \u2013 austr\u0101\u013cu m\u016bzi\u0137iem Madeleinu Flinnu, Timu Hamfriju un tehnolo\u0123isko risin\u0101jumu m\u0101kslinieku, jaunz\u0113landieti Robu Larsenu. \u201cPl\u016bdi\u201d ir izr\u0101de, kuru Latvijas skat\u012bt\u0101ji un klaus\u012bt\u0101ji var\u0113ja pieredz\u0113t festiv\u0101la laik\u0101 Latvijas Nacion\u0101laj\u0101 m\u0101kslas muzej\u0101. T\u0101 bija ilglaic\u012bga, performat\u012bva ska\u0146as instal\u0101cija, kas savienoj\u0101s ar Andra Egl\u012b\u0161a ainavu izst\u0101di &#8220;<a href=\"https:\/\/lnmm.gov.lv\/latvijas-nacionalais-makslas-muzejs\/izstades\/andris-eglitis-izstade-517\" target=\"_blank\" rel=\"noopener\">Izst\u0101de. Da\u017ei izt\u0113les un mat\u0113rijas satik\u0161an\u0101s gad\u012bjumi<\/a>&#8220;, \u013caujot to pieredz\u0113t ar\u012b ar dzirdi. Sadarb\u012bb\u0101 ar Latvijas m\u016bzi\u0137iem J\u0113kabu N\u012bmani, Laimu Jansoni, Kirilu \u0112ci un Martu Lortkipanidzi tika rad\u012bta \u012bpa\u0161a klaus\u012b\u0161an\u0101s telpa, kur\u0101 m\u016bzikas dz\u012bvais izpild\u012bjums ar noteiktu ultravirziena ska\u013cru\u0146u sist\u0113mas pal\u012bdz\u012bbu rada cit\u0101du klaus\u012b\u0161an\u0101s pieredzi \u2013 atelpu v\u0113tr\u0101, miera salu inform\u0101cijas un laikapst\u0101k\u013cu pl\u016bdos, k\u0101 to raksturo pa\u0161i izr\u0101des veidot\u0101ji. \u0160aj\u0101 sarun\u0101 vi\u0146i st\u0101sta gan par savu rado\u0161o praksi un ska\u0146as performativit\u0101ti, gan <a href=\"https:\/\/satori.lv\/article\/dazi-redzesanas-un-valodas-satiksanas-gadijumi\" target=\"_blank\" rel=\"noopener\">audio aprakstu<\/a> un citiem novatoriskiem elementiem, kas raksturo vi\u0146u darbus.<\/strong><\/p>\n<p><a href=\"https:\/\/madeleineandtim.net\/\" target=\"_blank\" rel=\"noopener\">Madeleina Flinna un Tims Hamfrijs<\/a> ir starptautiski paz\u012bstami un godalgoti Austr\u0101lijas konceptu\u0101l\u0101s m\u016bzikas m\u0101kslinieki, kas rada ska\u0146darbus neparast\u0101m viet\u0101m un negaid\u012btiem klaus\u012b\u0161an\u0101s apst\u0101k\u013ciem. Vi\u0146u muzik\u0101l\u0101s darb\u012bbas centr\u0101 ir interese par ska\u0146u, vietas \u012bpatn\u012bb\u0101m, tehnolo\u0123ij\u0101m un ekolo\u0123iju. \u0160\u012bs t\u0113mas ar publiku iesaisto\u0161u interven\u010du starpniec\u012bbu m\u0101kslinieki izv\u0113r\u0161 un att\u012bsta jaunos procesos. Sav\u0101 rado\u0161aj\u0101 darb\u012bb\u0101 Flinna un Hamfrijs piev\u0113r\u0161as gan viet\u0113j\u0101m, gan nacion\u0101l\u0101m un starpvalstu attiec\u012bb\u0101m.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2013525179&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<div style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"><a style=\"color: #cccccc; text-decoration: none;\" title=\"LJTI\" href=\"https:\/\/soundcloud.com\/user-632344880-918958778\" target=\"_blank\" rel=\"noopener\">LJTI<\/a> \u00b7 <a style=\"color: #cccccc; text-decoration: none;\" title=\"A Conversation with the Creators of &quot;Deluge&quot;\" href=\"https:\/\/soundcloud.com\/user-632344880-918958778\/a-conversation-with-the-creators-of-deluge\" target=\"_blank\" rel=\"noopener\">A Conversation with the Creators of &#8220;Deluge&#8221;<\/a><\/div>\n<p><strong>Santa<\/strong>: Vai varat past\u0101st\u012bt vair\u0101k \u2013 kas tie par \u201cPl\u016bdiem\u201d, kas notika Latvijas Nacion\u0101laj\u0101 m\u0101kslas muzej\u0101 festiv\u0101la laik\u0101? T\u0101 bija izr\u0101de, instal\u0101cija, kas tas \u012bsti bija?<br \/>\n<strong>Madeleina<\/strong>: \u201cPl\u016bdi\u201d bija laika spr\u012bdis, ko m\u0113s pavad\u012bj\u0101m kop\u0101. M\u0113s kop\u012bgi rad\u012bj\u0101m situ\u0101ciju, kur\u0101 mums veidoj\u0101s noteiktas attiec\u012bbas ar telpu, arhitekt\u016bru, m\u0101kslu un citam ar citu. Tad ierad\u0101s ar\u012b apmekl\u0113t\u0101ji, un pieredze katru dienu ilga 3 stundas. Publika var\u0113ja n\u0101kt un iet vai uzkav\u0113ties telp\u0101, bet liel\u0101koties palika uz ilgu vai gandr\u012bz visu laiku, kas mums \u0161\u0137iet \u013coti skaisti!<br \/>\n<strong>Santa<\/strong>: Vai j\u016bs var\u0113tu iepaz\u012bstin\u0101t ar sevi? Kas j\u016bs esat un ko dar\u0101t?<br \/>\n<strong>Madeleina<\/strong>: Mani sauc Madeleina Flinna, esmu ska\u0146as un m\u016bzikas m\u0101ksliniece no Austr\u0101lijas.<br \/>\n<strong>Tims<\/strong>: Esmu Tims \u2013 ska\u0146as un m\u016bzikas m\u0101kslinieks no t\u0101 saukt\u0101s Austr\u0101lijas.<br \/>\n<strong>Robs<\/strong>: Esmu Robs Larsens. Parasti saku, ka esmu m\u0101kslinieku tehniskais asistents. Es izstr\u0101d\u0101ju da\u017e\u0101dus dizainus skatuves m\u0101kslas vajadz\u012bb\u0101m. Man ir tehniskas prasmes, ar kur\u0101m labpr\u0101t izpal\u012bdzu m\u0101ksliniekiem, kam m\u0113dz b\u016bt t\u0101di drusku sav\u0101di\u2026 tehnisko pras\u012bbu raksturojumi. Un \u201cPl\u016bdi\u201d tam ir spilgts piem\u0113rs. Piedodiet.<br \/>\n<strong>Madeleina<\/strong>: Lielisks rezum\u0113jums, man pat\u012bk.<br \/>\n<strong>Santa<\/strong>: T\u0101tad tu esi tehniskais asistents neparast\u0101m izr\u0101d\u0113m?<br \/>\n<strong>Robs<\/strong>: J\u0101, bet ne tikai neparastaj\u0101m. Es str\u0101d\u0101ju ar\u012b ar konvenci\u0101l\u0101m, meinstr\u012bma izr\u0101d\u0113m, ta\u010du man pat\u012bk str\u0101d\u0101t ar\u012b pie margin\u0101l\u0101kiem projektiem. Nav t\u0101, ka izv\u0113los tikai lielbud\u017eetus, man pat\u012bk str\u0101d\u0101t ar lab\u0101m idej\u0101m.<br \/>\n<strong>Madeleina<\/strong>: Robs ir lielisks m\u0101kslinieks un sabiedrotais. M\u0113s ar Timu m\u0113dzam teikt, ka mums pat\u012bk rad\u012bt neparastus klaus\u012b\u0161an\u0101s apst\u0101k\u013cus. Tas b\u016btu izejas punkts. Mums pat\u012bk p\u0101rkalibr\u0113t, salikt kop\u0101 neparastas lietas, uzdodot t\u0101dus k\u0101 pamata jaut\u0101jumus \u2013 k\u0101p\u0113c visp\u0101r past\u0101v kaut k\u0101di konvencion\u0101li pie\u0146emtie veidi, k\u0101 liet\u0101m j\u0101notiek, un vai ir iesp\u0113jams par t\u0101m dom\u0101t cit\u0101d\u0101k.<br \/>\n<strong>Tims<\/strong>: \u0160aj\u0101 gad\u012bjum\u0101 tie neveiklie vai neparastie ska\u013cru\u0146i rada \u012bpa\u0161u telpu, kur\u0101 kop\u0101 darboties. Ja skat\u0101mies no performat\u012bv\u0101s ska\u0146as perspekt\u012bvas, t\u0101 ir interesanta un \u0113rta telpa, kur str\u0101d\u0101t, jo t\u0101 visu laiku main\u0101s. Tu, iesp\u0113jams, sp\u0113l\u0113 to pa\u0161u noti, bet, kad tu to sp\u0113l\u0113 otrreiz, t\u0101 telp\u0101 atrodas cit\u0101 viet\u0101. Un izr\u0101d\u0101s, ka tas ir \u013coti \u0113rti un pat\u012bkami ar\u012b p\u0101r\u0113jiem iesaist\u012btajiem. Vismaz l\u012bdz \u0161im t\u0101 ir bijis. Esam \u0161\u0101di sp\u0113l\u0113ju\u0161i jau vair\u0101kas reizes, bet \u0161is joproj\u0101m ir jauns projekts, kam cen\u0161amies izzin\u0101t iesp\u0113jas, potenci\u0101lu, mekl\u0113jam, k\u0101di v\u0113l var\u0113tu izr\u0101d\u012bties slazdi, kuros iekrist. No katras uzst\u0101\u0161an\u0101s m\u0113s daudz m\u0101c\u0101mies.<br \/>\n<strong>Santa<\/strong>: J\u016bs lietojat terminu \u201cperformat\u012bv\u0101 ska\u0146a\u201d. Man k\u0101 festiv\u0101la kuratorei bie\u017ei tiek uzdots jaut\u0101jums \u2013- vai tas b\u016bs koncerts? Un k\u0101ds kin\u0113tiskai ska\u0146as instal\u0101cijai sakars ar te\u0101tri? K\u0101 j\u016bs skaidrotu saikni starp performativit\u0101ti un ska\u0146darba izpild\u012b\u0161anu?<br \/>\n<strong>Madeleina<\/strong>: To var paskaidrot da\u017e\u0101dos veidos. Pirmk\u0101rt, t\u0101 ir pieredze, kas ir balst\u012bta laik\u0101. Tai noteikt\u0101 laik\u0101 main\u0101s veidoli un formas, paisumi, b\u0113gumi, da\u017e\u0101das fr\u0101zes un klusuma mirk\u013ci. Taj\u0101 ir noteikta ska\u0146as dramatur\u0123ija. M\u0113s rad\u0101m \u0161o dizainu ne tikai ar ska\u0146u, bet ar\u012b ar telpu, dom\u0101jot par to, k\u0101 ska\u0146a taj\u0101 izplat\u0101s un k\u0101das attiec\u012bbas \u0161aj\u0101s telp\u0101s mums veidojas ar cilv\u0113ku, apmekl\u0113t\u0101ju. Un tre\u0161\u0101 lieta \u2013 \u0161aj\u0101 gad\u012bjum\u0101, k\u0101das ir \u0161\u012b ska\u0146darba attiec\u012bbas ar Andra [Egl\u012b\u0161a] glezn\u0101m, k\u0101 m\u0113s novietojamies \u0161aj\u0101 scenogr\u0101fij\u0101, kam ir liela loma. Un ceturtais aspekts ir pati arhitektonisk\u0101 telpa, kas pilda te\u0101tra lomu. T\u0101pat dz\u012bvaj\u0101 izpild\u012bjum\u0101 piedal\u0101s ar\u012b m\u016bsu \u0137erme\u0146i, kas \u013cauj rad\u012bt \u0161o m\u016bziku. \u0160aj\u0101 zi\u0146\u0101 es j\u016btu cie\u0161u saikni ar citiem skatuves m\u0101ksliniekiem vai dejot\u0101jiem, pat ja m\u0113s lietojam da\u017e\u0101du izteiksmes valodu, bet \u0161\u012b saikne ar sevi k\u0101 dz\u012bvu, elpojo\u0161u b\u016btni \u013cauj mums apzin\u0101ties ar\u012b savu vietu telp\u0101.<br \/>\n<strong>Santa<\/strong>: \u0160\u012b nav pirm\u0101 reize, kad j\u016bsu darbs tiek veidots un ir pieredzams R\u012bg\u0101. Ta\u010du \u0161oreiz j\u016bs pa\u0161i ar\u012b esat kl\u0101t. Iepriek\u0161\u0113jo reizi kovida laik\u0101 m\u0113s str\u0101d\u0101j\u0101m pie izr\u0101des no att\u0101luma. Bet jau toreiz j\u016bs teic\u0101t, ka labpr\u0101t iel\u016bdzat citus cilv\u0113kus sav\u0101 kontekst\u0101 vai dal\u0101ties ar savu kontekstu. Varb\u016bt varat past\u0101st\u012bt, k\u0101 tas notiek? K\u0101 j\u016bs sasniedzat \u0161os cilv\u0113kus?<br \/>\n<strong>Madeleina<\/strong>: Iepriek\u0161\u0113jo reizi m\u0113s pa\u0161i nevar\u0113j\u0101m b\u016bt R\u012bg\u0101 un satikt m\u016bzi\u0137us, bet p\u0113c tam mums bija iesp\u0113ja atbraukt \u012bs\u0101 viz\u012bt\u0113 un satikt da\u017eus no veidot\u0101jiem, v\u0113l\u0101k vair\u0101ki no vi\u0146iem ir viesoju\u0161ies ar\u012b Austr\u0101lij\u0101 \u2013 gan ar koncertiem, gan citos apst\u0101k\u013cos. T\u0101d\u0101 veid\u0101 mums ir izveidoju\u0161\u0101s attiec\u012bbas, kas rada pa\u013c\u0101v\u012bbu, ka \u0161aj\u0101 projekt\u0101 m\u0113s var\u0113tu sasp\u0113l\u0113ties. Tas ir t\u0101ds k\u0101 organiski v\u0113sturisks process, un man \u0161\u0137iet tas izdev\u0101s \u013coti labi. Vien\u012bg\u0101 m\u0101ksliniece, ko iepriek\u0161 nepazin\u0101m, ir Marta [Lortkipanidze], kas piedal\u0101s ar vok\u0101lu un tekstu. Bet, atbildot uz jaut\u0101jumu \u201ck\u0101p\u0113c \u0161is ir te\u0101tris?\u201d, svar\u012bgi piemin\u0113t, ka \u201cPl\u016bdos\u201d ietverts ar\u012b audio apraksts. Apraksti, kas izv\u0113r\u0161as po\u0113tisk\u0101 tekst\u0101 par apk\u0101rt\u0113jo telpu, m\u0101kslas darbiem, arhitekt\u016bru. T\u0101pat Kirils rad\u012bja savu po\u0113tisko tekstu, kas rea\u0123\u0113 uz \u0161o m\u0101kslas telpu. Ja m\u0113s dom\u0101jam par te\u0101tri, kas iesaista tekstu dramatisk\u0101 vid\u0113, tad tas visai izteikti notika ar\u012b \u0161aj\u0101 izr\u0101d\u0113.<br \/>\n<strong>Santa<\/strong>: J\u016bs ar \u0161o darbu esat vair\u0101kk\u0101rt uzst\u0101ju\u0161ies ar\u012b cit\u0101s viet\u0101s. Vai ar\u012b taj\u0101s tika izmantoti audio apraksti?<br \/>\n<strong>Madeleina<\/strong>: J\u0101, ar\u012b cit\u0101s \u0161\u012b darba interpret\u0101cij\u0101s bija integr\u0113ts audio apraksts, ta\u010du ierakst\u012bt\u0101 form\u0101t\u0101. \u0160\u012b ir pirm\u0101 reize, kad audio apraksta iespraudumi ien\u0101k muzik\u0101laj\u0101 izpild\u012bjum\u0101 un tas sasp\u0113l\u0113jas ar m\u016bzi\u0137iem. Man liekas, ka \u0161is eksperiments izdev\u0101s. T\u0101 bija \u013coti izjusta darb\u012bba, t\u0101p\u0113c man liekas, ka ir v\u0113rts to ar\u012b turpm\u0101k patur\u0113t k\u0101 dz\u012bv\u0101 izpild\u012bjuma da\u013cu, nevis ierakstu. Es dom\u0101ju, ka Kirils un Marta ir \u013coti j\u016bt\u012bgi m\u0101kslinieki, kas m\u0101k str\u0101d\u0101t ar savu balsi un tekstu un kas zina, k\u0101 str\u0101d\u0101t ar m\u016bziku. Jo t\u0101 nav tikai teksta vokaliz\u0101cija, t\u0101 ir sasp\u0113le. Man pa\u0161ai \u0161\u012b bija laba m\u0101c\u012bbu stunda par to, k\u0101das prasmes ir nepiecie\u0161amas, lai m\u0101kslinieks \u0161o var\u0113tu iznest re\u0101laj\u0101 laik\u0101.<br \/>\n<strong>Santa<\/strong>: Latvijas kult\u016bras vid\u0113 audio apraksts v\u0113l nav sevi\u0161\u0137i paz\u012bstams un izplat\u012bts. Pamaz\u0101m par\u0101d\u0101s pirm\u0101s izr\u0101des un filmas, kur\u0101s tas tiek ietverts. Kas tas visp\u0101r ir? Un cik liel\u0101 m\u0113r\u0101 to pie\u0146emts lietot Austr\u0101lij\u0101?<br \/>\n<strong>Madeleina<\/strong>: Audio apraksts ir ierun\u0101ts teksts, kur\u0161 raksturo izr\u0101des vizu\u0101los elementus. Parasti tas tiek izmantots k\u0101 pieejam\u012bbas r\u012bks neredz\u012bgiem vai v\u0101jredz\u012bgiem cilv\u0113kiem. Bet divi m\u016bsu draugi \u2013 Endijs Sleiters un Fajenne D\u2019\u012av\u012b (Andy Slater, Fayen D&#8217;Evie), \u2013 m\u0101kslinieki ar redzes trauc\u0113jumiem, m\u016bs iepaz\u012bstin\u0101ja ar br\u012bni\u0161\u0137\u012bgu m\u0101kslinieku kust\u012bbu, kas izstr\u0101d\u0101 audio aprakstus k\u0101 po\u0113tisku m\u0101kslas darb\u0101 integr\u0113tu da\u013cu. Vi\u0146i akt\u012bvi iest\u0101jas par \u0161o ideju un bie\u017ei sastr\u0101d\u0101jas ar citiem m\u0101ksliniekiem, lai pal\u012bdz\u0113tu izveidot vai ietvert \u0161os aprakstus savos darbos, aicinot aizdom\u0101ties par jauniem, netradicion\u0101liem veidiem, k\u0101 to v\u0113l var\u0113tu izdar\u012bt. Visbie\u017e\u0101k meinstr\u012bma izr\u0101d\u0113s tiek izmantots audio apraksts austi\u0146\u0101s.<br \/>\n<strong>Robs<\/strong>: Es esmu visai att\u0101li ar to paz\u012bstams, bet mums parasti lielajos te\u0101tros ir vair\u0101kas izr\u0101des, kas tiek aprakst\u012btas. Tas prasa mazliet tehniskas iema\u0146as un cilv\u0113kus, kas prot veidot \u0161os [vizu\u0101lo elementu apraksta] kopsavilkumus. Pats neesmu klaus\u012bjies \u0161\u012bs p\u0101rraides, jo man izr\u0101des laik\u0101 parasti ir citi darba pien\u0101kumi. Es tikai zinu, ka te\u0101triem, kas sa\u0146em pietiekamu finans\u0113jumu, parasti ir audio apraksti \u2013- ja ne glu\u017ei vis\u0101m izr\u0101d\u0113m, tad noteikti vair\u0101k\u0101m izr\u0101d\u0113m sezon\u0101.<br \/>\n<strong>Madeleina<\/strong>: Es zinu, ka Austr\u0101lij\u0101 ir divas grupas, kas veido audio aprakstus gan lielajiem, gan neatkar\u012bgajiem un dejas te\u0101triem. Cilv\u0113ki \u0161aj\u0101 jom\u0101 str\u0101d\u0101 jau k\u0101dus 8 l\u012bdz 10 gadus un apm\u0101ca ar\u012b citus. Tam joproj\u0101m nav ofici\u0101lu apm\u0101c\u012bbu vai universit\u0101tes sertifik\u0101ta, tas vair\u0101k ir grupas darbs, bet \u013coti daudzus interes\u0113 apg\u016bt \u0161o tehniku. Vi\u0146u vid\u016b ir daudz m\u0101kslinieku un cilv\u0113ku, kas saist\u012bti ar skatuvi, un l\u012bdz ar vi\u0146iem \u0161aj\u0101 izteiksmes form\u0101 ien\u0101k da\u017e\u0101das citas zin\u0101\u0161anas, kas, iesp\u0113jams, \u0161o tekstu padara ar\u012b mazliet interesant\u0101ku klaus\u012bt\u0101jiem.<br \/>\n<strong>Robs<\/strong>: Es tikko atcer\u0113jos, ka vien\u0101 izr\u0101d\u0113 audio apraksts tika veikts att\u0101lin\u0101ti \u2013 zoom\u0101. \u0160\u0137iet, ka tas ir visai izplat\u012bts veids. V\u0113l joproj\u0101m nav pietiekamidaudz cilv\u0113ku, kas to sp\u0113j. Bija interesanti v\u0113rot, k\u0101 vi\u0146i to dara ar \u0161o papildu \u0161\u0137\u0113rsli pa vidu, proti, sekojot izr\u0101dei caur video un audio.<br \/>\n<strong>Santa<\/strong>: Latvij\u0101 \u012bsti nav pat nesertific\u0113tu audio apraksta apm\u0101c\u012bbu, bet j\u016bs tik un t\u0101 izv\u0113l\u0113j\u0101ties spert \u0161o soli un padar\u012bt notikumu pieejam\u0101ku ar\u012b neredz\u012bgo publikai. \u0160aj\u0101 gad\u012bjum\u0101 \u012bpa\u0161i ir tas, ka \u201cPl\u016bdi\u201d notiek Latvijas Nacion\u0101laj\u0101 m\u0101kslas muzej\u0101 \u2013 viet\u0101, kur parasti tiek izst\u0101d\u012bta vizu\u0101l\u0101 m\u0101ksla, kas \u012bsti nav piek\u013c\u016bstama neredz\u012bgiem cilv\u0113kiem vai cilv\u0113kiem ar redzes trauc\u0113jumiem. Ta\u010du, padarot izst\u0101di pieejam\u0101ku \u0161ai auditorijai, j\u016bs vienlaikus atkl\u0101j\u0101t jaunu perspekt\u012bvu ar\u012b redz\u012bgajai publikai.<br \/>\n<strong>Madeleina<\/strong>: J\u0101, tas m\u016bs visus padara par mazliet iek\u013caujo\u0161\u0101ku sabiedr\u012bbu. Savedot kop\u0101 cilv\u0113kus ar da\u017e\u0101d\u0101m prasm\u0113m, notiek papla\u0161in\u0101\u0161an\u0101s akts. Un tas ir ar\u012b eksperiment\u0101ls m\u0101kslas akts,jo atkl\u0101j jaunus veidus, k\u0101 ar\u012b mums dom\u0101t par sevi k\u0101 ska\u0146as un audiom\u0101kslas veidot\u0101jiem. Caur \u0161iem pieejam\u012bbas r\u012bkiem neredz\u012bgiem un v\u0101jredz\u012bgiem cilv\u0113kiem un caur klaus\u012b\u0161an\u0101s prasm\u0113m, kas \u0161ai iedz\u012bvot\u0101ju grupai ir att\u012bst\u012bta, m\u0113s saj\u016btam intuit\u012bvu saikni ar audio aprakstu un ska\u0146as b\u016bt\u012bbu. Tas viss liek kop\u012bgi aizdom\u0101ties par daudziem b\u016btiskiem jaut\u0101jumiem.<br \/>\n<strong>Santa<\/strong>: Un te\u0101tris k\u0101 kolekt\u012bva m\u0101ksla jau ar\u012b ir par satik\u0161anos \u2013 tas ir br\u012bdis, kur\u0101 ieraug\u0101m citus, kas ir telp\u0101 ap mums un starp kuriem \u0161obr\u012bd notiek saruna. Pievienojot izr\u0101dei \u0161o nelielo papildin\u0101jumu, j\u016bs bag\u0101tin\u0101t ar\u012b uztveres pieredzi. Ta\u010du \u201cPl\u016bdi\u201d ir noz\u012bm\u012bgi ar\u012b ar to, ka \u0161aj\u0101 darb\u0101 j\u016bs satiekaties un mijiedarbojaties ar Andra Egl\u012b\u0161a m\u0101kslu. Past\u0101stiet, k\u0101 j\u016bs satik\u0101ties!<br \/>\n<strong>Tims<\/strong>: M\u0113s ierad\u0101mies Latvij\u0101 izp\u0113tes viz\u012bt\u0113. Apmekl\u0113j\u0101m daudz da\u017e\u0101das vietas R\u012bg\u0101 \u2013 daudzas skaistas vietas, da\u017eas maz\u0101k skaistas. Un lai ar\u012b bija \u013coti auksts, m\u0113s aizbrauc\u0101m uz Andra darbn\u012bcu, un, man liekas, \u0101tri saprat\u0101m, ka esam uz viena vi\u013c\u0146a ar \u0161o m\u0101kslinieku \u2013 gan attiec\u012bb\u0101 uz vidi, gan tagad\u0113jo laikmetu, zeigeist un visu ko t\u0101du. M\u016bsos atbalsoj\u0101s ar\u012b tas, k\u0101du noz\u012bmi vi\u0146\u0161 pie\u0161\u0137ir procesa ilgstam\u012bbai. Vi\u0146s pied\u0101v\u0101ja mums ien\u0101kt vi\u0146a izst\u0101d\u0113, jo bija iecer\u0113jis, ka taj\u0101 b\u016bs iek\u013cautas v\u0113l da\u017e\u0101das lietas. V\u0113l mums vajadz\u0113ja par to vienoties ar\u012b ar Latvijas Nacion\u0101lo m\u0101kslas muzeju. \u0160\u0137iet, ka t\u0101 m\u0113s dar\u0101m pirmo reizi.<br \/>\n<strong>Santa<\/strong>: Varb\u016bt tas sasl\u0113dziens izveidoj\u0101s ar\u012b konkr\u0113t\u0101 m\u0101kslinieka d\u0113\u013c, jo Andris \u0161aj\u0101 izst\u0101d\u0113 l\u016bdz skat\u012bt\u0101ju ien\u0101kt ainavas glezniec\u012bbas b\u016bt\u012bb\u0101. M\u0113\u0123ina rad\u012bt telpas pieredzi, k\u0101da veidojas ainav\u0101, ar glezniec\u012bbas starpniec\u012bbu. Un taj\u0101 kaut kas sasauc\u0101s ar j\u016bsu nol\u016bkiem.<br \/>\n<strong>Madeleina<\/strong>: Man grib\u0113tos gan piebilst, ka m\u0113s Andri nesatik\u0101m nejau\u0161i. Tu m\u016bs savedi kop\u0101, Santa, pat ja to neatz\u012bsti. T\u0101p\u0113c, ka tu mums uztic\u0113jies un sp\u0113ji iel\u016bkoties taj\u0101, kas mums k\u0101 m\u0101ksliniekiem ir nepiecie\u0161ams. Un tu pa\u013caujies uz to, ka zini, kas \u0161aj\u0101 viet\u0101 ir nepiecie\u0161ams. T\u0101 ir diezgan reta \u012bpa\u0161\u012bba. Tu ar\u012b paredz\u0113ji to, ka mums ar Andri viss savienosies. Jo nekad jau nav sol\u012bts, ka da\u017e\u0101d\u0101s formas tie\u0161\u0101m labi str\u0101d\u0101s kop\u0101. T\u0101pat ar\u012b ne visi m\u0101kslinieki var str\u0101d\u0101t kop\u0101 tikai t\u0101p\u0113c, ka vi\u0146i ir m\u0101kslinieki vai vi\u0146iem interes\u0113 l\u012bdz\u012bgas lietas. Man k\u0101 \u0101rpusniecei ir nepiecie\u0161ams k\u0101ds, kur\u0161 par to padom\u0101 un par\u016bp\u0113jas, lai izprastu, kas ir tas, ko es daru un k\u0101ds ir vietas konteksts \u0161aj\u0101 gad\u012bjum\u0101. T\u0101 ir b\u016btiska loma, ko paveic festiv\u0101ls un j\u016bsu komanda. Jo j\u016bs esat tie, kas rada apst\u0101k\u013cus, kuros \u0161\u012b starptautisk\u0101 apmai\u0146a var notikt. T\u0101 ir reta sp\u0113ja, un es j\u016btos \u013coti iespaidota un pateic\u012bga par ab\u0101m pieredz\u0113m, kas mums ir biju\u0161as \u201cHomo Novus\u201d \u2013 m\u0113s jut\u0101mies sadzird\u0113ti, nov\u0113rt\u0113ti, un mans darbs \u0161\u012bs pieredzes de\u013c ir ieguvis liel\u0101ku v\u0113rt\u012bbu.<\/p>\n<div class='gallery'><a href='https:\/\/theatre.lv\/wp-content\/uploads\/2025\/01\/STR8207.jpg' data-lightbox='ljti' ><img style='width:150px;height:150px;' src='https:\/\/theatre.lv\/wp-content\/uploads\/2025\/01\/STR8207-150x150.jpg'\/><\/a><a href='https:\/\/theatre.lv\/wp-content\/uploads\/2025\/01\/STR8062.jpg' data-lightbox='ljti' ><img style='width:150px;height:150px;' src='https:\/\/theatre.lv\/wp-content\/uploads\/2025\/01\/STR8062-150x150.jpg'\/><\/a><a href='https:\/\/theatre.lv\/wp-content\/uploads\/2025\/01\/STR8065.jpg' data-lightbox='ljti' ><img style='width:150px;height:150px;' src='https:\/\/theatre.lv\/wp-content\/uploads\/2025\/01\/STR8065-150x150.jpg'\/><\/a><a href='https:\/\/theatre.lv\/wp-content\/uploads\/2025\/01\/STR8071.jpg' data-lightbox='ljti' ><img style='width:150px;height:150px;' src='https:\/\/theatre.lv\/wp-content\/uploads\/2025\/01\/STR8071-150x150.jpg'\/><\/a><a href='https:\/\/theatre.lv\/wp-content\/uploads\/2025\/01\/STR8087.jpg' data-lightbox='ljti' ><img style='width:150px;height:150px;' src='https:\/\/theatre.lv\/wp-content\/uploads\/2025\/01\/STR8087-150x150.jpg'\/><\/a><a href='https:\/\/theatre.lv\/wp-content\/uploads\/2025\/01\/STR8130.jpg' data-lightbox='ljti' ><img style='width:150px;height:150px;' src='https:\/\/theatre.lv\/wp-content\/uploads\/2025\/01\/STR8130-150x150.jpg'\/><\/a><a href='https:\/\/theatre.lv\/wp-content\/uploads\/2025\/01\/STR8154.jpg' data-lightbox='ljti' ><img style='width:150px;height:150px;' src='https:\/\/theatre.lv\/wp-content\/uploads\/2025\/01\/STR8154-150x150.jpg'\/><\/a><a href='https:\/\/theatre.lv\/wp-content\/uploads\/2025\/01\/STR8200.jpg' data-lightbox='ljti' ><img style='width:150px;height:150px;' src='https:\/\/theatre.lv\/wp-content\/uploads\/2025\/01\/STR8200-150x150.jpg'\/><\/a><a href='https:\/\/theatre.lv\/wp-content\/uploads\/2025\/01\/STR8218.jpg' data-lightbox='ljti' ><img style='width:150px;height:150px;' src='https:\/\/theatre.lv\/wp-content\/uploads\/2025\/01\/STR8218-150x150.jpg'\/><\/a><\/p>\n<div class='clr'><\/div>\n<\/div>\n<p>Foto: Andrejs Strokins<\/p>\n<p><strong>Santa<\/strong>: Pie\u013cauju, ka da\u013cu darba te izdara intu\u012bcija. Ta\u010du man v\u0113l ir jaut\u0101jumi par \u201cPl\u016bdiem\u201d. J\u016bsu iecere bija rad\u012bt \u201catelpas br\u012bdi\u201d \u2013 klusuma salu inform\u0101cijas pl\u016bdos. Es aptuveni izt\u0113lojos, k\u0101 tas ir, bet, atn\u0101kot uz notikumu, es to \u013coti sp\u0113c\u012bgi pieredz\u0113ju \u2013 tie\u0161i fiziski, \u0137ermeniski. J\u016bs tie\u0161\u0101m rad\u0101t \u013coti \u012bpa\u0161us, fiziski saj\u016btamus laikapst\u0101k\u013cus. Varb\u016bt Robs var past\u0101st\u012bt vair\u0101k par tiem tehnolo\u0123iskajiem izr\u0101des dal\u012bbniekiem, kas paveic \u0161o izr\u0101des pieredzi.<br \/>\n<strong>Robs<\/strong>: Izr\u0101d\u0113 ir tr\u012bs dal\u012bbnieki, kas nav cilv\u0113ki. T\u0101di vienk\u0101r\u0161i ska\u013cru\u0146i, kas funckion\u0113 ar zem\u0101k\u0101m frekvenc\u0113m, jo t\u0101s da\u013cas, kuras es veidoju, sevi\u0161\u0137i labi ne\u0137er zem\u0101s frekvences. Pati tehnolo\u0123isk\u0101 iek\u0101rta ir gatavs, nop\u0113rkams produkts. Tas gan ir ni\u0161as produkts, ko bie\u017e\u0101k izmanto galerijas un muzeji lok\u0101lam ska\u0146as efektam. Tas mazina ska\u0146as pies\u0101r\u0146ojumu telp\u0101, kur v\u0113lamies iek\u0101rtot da\u017e\u0101das zonas, lai cilv\u0113ki var staig\u0101t t\u0101m cauri un pieredz\u0113t ska\u0146u, b\u016bt vien\u012bgie, kas to dzird. \u0160\u012b ier\u012bce ir veidota k\u0101 fokus\u0113ts ska\u0146as avots. Madijai un Timam jau bija \u0161ie prototipi \u2013 no katra veida pa vienam. V\u0113l tur ir liels panelis, kam ir visai pla\u0161s ska\u0146as spektrs un kas veiksm\u012bgi reproduc\u0113 ska\u0146u. Kad es pievienojos vi\u0146u komandai, tas jau st\u0101v\u0113ja Melburnas studij\u0101, un es pirmo reizi pieredz\u0113ju, k\u0101 tas darbojas. Neatceros, k\u0101 tie\u0161i m\u0113s izl\u0113m\u0101m, ka \u0161im panelim ir j\u0101rot\u0113, jo tam paredz\u0113ts darboties tikai vien\u0101 le\u0146\u0137\u012b.<br \/>\nT\u0101tad mums telp\u0101 ir tr\u012bs 60 x 60 cm pane\u013ci, kas lieliski atska\u0146o ska\u0146u, un maz\u0101ki pane\u013ci apm\u0113ram 30 x 30 cm, un tiem es piemont\u0113ju t\u0101du k\u0101 kron\u0161teinu, kas \u013cauj tos da\u017e\u0101di noliekt un pav\u0113rst pret telpu. Es tos mazliet p\u0101rregul\u0113ju, lai tie var\u0113tu nep\u0101rtraukti rot\u0113t pa ab\u0101m as\u012bm, sa\u0146emot audiosign\u0101lu, kuru var kontrol\u0113t caur t\u012bklu ar OSC (Open Sound Protocol) protokolu. T\u0101 ir t\u0101da k\u0101 moden\u0101ka \u201cMidi\u201d versija, kuru m\u016bsdien\u0101s lieto daudzi m\u016bzi\u0137i \u2013 to ir iesp\u0113jams piel\u0101got p\u0113c vajadz\u012bb\u0101m. Mans pien\u0101kums \u0161aj\u0101 izr\u0101d\u0113 ir par\u016bp\u0113ties par ska\u013cru\u0146u darb\u012bbu, prec\u012bz\u0101k, pan\u0101kt, ka Tims tos var kontrol\u0113t izr\u0101des atska\u0146ojuma laik\u0101.<br \/>\n<strong>Madeleina<\/strong>: M\u0113s \u0161o darbu turpin\u0101m att\u012bst\u012bt. Es teiktu, ka tam jau ir tre\u0161\u0101 f\u0101ze. M\u0113s iesak\u0101m cits citam, ko v\u0113l b\u016btu iesp\u0113jams tehniski, est\u0113tiski, m\u0101kslinieciski piesl\u012bp\u0113t, kas v\u0113l var\u0113tu piedal\u012bties \u0161aj\u0101 pieredz\u0113 un pasaul\u0113. Mums pat\u012bk \u0161\u012b prakse.<br \/>\n<strong>Robs<\/strong>: Esmu tos ska\u013cru\u0146us uzdizain\u0113jis t\u0101, lai tos var\u0113tu vienk\u0101r\u0161i pavairot, ja v\u0113lamies \u0161o ska\u0146as telpu padar\u012bt ar\u012b pla\u0161\u0101ku. Tam gan var\u0113tu b\u016bt finansi\u0101li ierobe\u017eojumi, bet tehniski tam nav \u0161\u0137\u0113r\u0161\u013cu.<br \/>\n<strong>Santa<\/strong>: Cik saprotu, tava nodarbo\u0161an\u0101s ir izdom\u0101t jaunas iek\u0101rtas specifiskiem m\u0101kslas projektiem? K\u0101dus v\u0113l piem\u0113rus tu var\u0113tu nosaukt? Ko v\u0113l tev pas\u016bta m\u0101kslinieki un eksperiment\u0101l\u0101s m\u016bzikas veidot\u0101ji?<br \/>\n<strong>Robs<\/strong>: Pirms 20 gadiem m\u0113s k\u0101dai izr\u0101dei izveidoj\u0101m t\u0101du sist\u0113mu, kas atdarin\u0101ja 1970. gada NASA misijas vad\u012bbas iek\u0101rtu. T\u0101 bija paredz\u0113ta simtiem skat\u012bt\u0101ju, un katram bija sava individu\u0101la konsole un t\u0101lrunis, kas \u013c\u0101va sazin\u0101ties ar citiem skat\u012bt\u0101jiem un aktieriem uz skatuves. To iek\u0101rtu izstr\u0101d\u0101ja mans draugs Breds, kur\u0161 ir industri\u0101lais dizainers. Vi\u0146\u0161 izgudroja \u0161o modul\u0101ro konsoli, kur\u0101 es savuk\u0101rt ievietoju virkni da\u017e\u0101das elektronikas, izmantojot vecu \u201cPABX\u201d (viet\u0113j\u0101 autom\u0101tisk\u0101 telefonu sist\u0113ma, ko izmantoja uz\u0146\u0113mumi no 20. gs. 70. l\u012bdz 90. gadiem) sist\u0113mu, lai savienotu visus t\u0101lru\u0146us kop\u0101, un saregul\u0113ju televizorus t\u0101, lai katr\u0101 konsol\u0113 b\u016btu cits att\u0113ls.<br \/>\n\u0160is projekts man\u012b atkal atmodin\u0101ja interesi par skatuves m\u0101kslu, jo lik\u0101s, ka man ir apnicis str\u0101d\u0101t te\u0101tr\u012b. Pirms tam es ilgu laiku str\u0101d\u0101ju pie lielaj\u0101m izr\u0101d\u0113m, biju maza skr\u016bv\u012bte liel\u0101 operu un baletu meh\u0101nism\u0101. Bet \u0161aj\u0101 period\u0101 man izdev\u0101s piesl\u012bp\u0113t da\u017e\u0101das prasmes, un es pamaz\u0101m ieguvu reput\u0101ciju k\u0101 cilv\u0113ks, pie kura var v\u0113rsties, kad nepiecie\u0161ams aizpild\u012bt da\u017e\u0101dus caurumus \u2013 kad zini, ko gribi izdar\u012bt, bet nezini, k\u0101 to izdar\u012bt. \u0160obr\u012bd esmu ska\u013cru\u0146u cilv\u0113ks, l\u012bdz\u012bgi k\u0101 \u0161aj\u0101 izr\u0101d\u0113. Pirms tam mums bija laikmet\u012bg\u0101s dejas izr\u0101de ar \u201cDance North\u201d Kv\u012bnsland\u0113, Austr\u0101lij\u0101. To sauca \u201cWayfinder\u201d, un tur es veidoju t\u0101das plastik\u0101ta lodes, ko skat\u012bt\u0101ji tur rok\u0101s. Es taj\u0101s ievietoju elektroniku \u2013 LED gaismu, ska\u013crun\u012bti, bateriju piesl\u0113gumu. Skat\u012bt\u0101jiem bija simtiem \u0161\u0101du ska\u013cru\u0146u bumbu, kas izr\u0101des laik\u0101 k\u013cuva par kori \u2013 katra no t\u0101m skan\u0113ja un sp\u012bd\u0113ja, un tas tika kontrol\u0113ts ar pulti. Dizainu izstr\u0101d\u0101ja vair\u0101ki dizaineri, bet mans uzdevums bija nodro\u0161in\u0101t, lai t\u0101s darbojas.<br \/>\n<strong>Santa<\/strong>: \u0160o visu klausoties, saprotu, ka katrai komandai, kas v\u0113las rad\u012bt \u201c\u012bpa\u0161us klaus\u012b\u0161an\u0101s apst\u0101k\u013cus\u201d, ir vajadz\u012bgs savs izgudrot\u0101js.<br \/>\n<strong>Robs<\/strong>: T\u0101 noteikti ir ni\u0161as lieta, un nav daudz cilv\u0113ku, kas ar \u0161o nodarbojas. Bet, ce\u013cojot pa pasauli ar da\u017e\u0101d\u0101m izr\u0101d\u0113m, esmu atkl\u0101jis, ka katr\u0101 pils\u0113t\u0101 vienm\u0113r atrodas viet\u0113jie, katr\u0101 komand\u0101 ir \u0161is cilv\u0113ks, pie kura v\u0113r\u0161as ar tehniskajiem jaut\u0101jumiem. Man vienm\u0113r ir interesanti ar vi\u0146iem aprun\u0101ties. M\u016bsu nav daudz, bet \u0161ie projekti m\u016bs saved kop\u0101.<br \/>\n<strong>Santa<\/strong>: Man \u0161\u0137iet, ka ar\u012b \u201cHomo Novus\u201d gadu gait\u0101 ir m\u0113\u0123in\u0101jis l\u016bkoties, k\u0101 savienot \u0161\u012bs lietas. Jau pirms 20 gadiem m\u0113s veidoj\u0101m izr\u0101des, kur bija iesaist\u012btas uzzi\u0146as t\u0101lru\u0146u l\u012bnijas, video, da\u017e\u0101di multimediji. Un ar laiku tehnolo\u0123ijas ir padar\u012bju\u0161as \u0161os notikumus ar\u012b pieejam\u0101kus da\u017e\u0101d\u0101m grup\u0101m. Man \u0161\u0137iet, ka tas raksturo laikmet\u012bgo skatuves m\u0101kslu, proti, t\u0101 ir ne tikai d\u0101sns dal\u012b\u0161an\u0101s akts, bet pied\u0101v\u0101 ar\u012b atjaut\u012bgus risin\u0101jumus, k\u0101 tos piedz\u012bvot kop\u0101. \u201cPl\u016bdi\u201d bija k\u0101rt\u0113jais br\u012bni\u0161\u0137\u012bgais apliecin\u0101jums tam, k\u0101 savienot m\u0101kslu, tehnisk\u0101s nianses, skat\u012bt\u0101jus, da\u017e\u0101das kult\u016bras un uztveres iesp\u0113jas. Vai jums ir v\u0113l kas piebilstams \u2013 k\u0101ds koment\u0101rs par p\u0113c-festiv\u0101la izj\u016bt\u0101m?<br \/>\n<strong>Robs<\/strong>: Es \u013coti nov\u0113rt\u0113ju, ka var\u0113j\u0101m tik daudz ko ar\u012b redz\u0113t un piedz\u012bvot, kam\u0113r \u0161eit uztur\u0113j\u0101mies. Bie\u017ei festiv\u0101los nav \u0161\u0101das iesp\u0113jas, t\u0101p\u0113c es \u013coti nov\u0113rt\u0113ju, ka \u0101rpus m\u0113\u0123in\u0101jumu laika var\u0113j\u0101m apmekl\u0113t daudz ko citu. Paldies!<br \/>\n<strong>Madeleina<\/strong>: Es \u0161o pieredzi uztveru k\u0101 invest\u012bciju m\u016bsos pa\u0161os, iesp\u0113ju padom\u0101t, uz ko cilv\u0113ki \u0161obr\u012bd tiecas, k\u0101dus jaut\u0101jumus sev uzdod, k\u0101 vi\u0146i uz \u0161o rea\u0123\u0113, kas vi\u0146iem ir svar\u012bgi. Bet man gribas piebilst v\u0113l kaut ko. P\u0113c atgrie\u0161an\u0101s no viesizr\u0101d\u0113m mums cilv\u0113ki bie\u017ei jaut\u0101 \u2013 nu, k\u0101 g\u0101ja, k\u0101 izdev\u0101s tas, ko j\u016bs tur dar\u012bj\u0101t? Un es atbildu, ka \u0161\u012b bija patie\u0161\u0101m \u013coti skaista iesp\u0113ja g\u016bt izpratni par citu vietu un caur m\u016bsu darbu sajust \u013coti cie\u0161u saikni ar turienes cilv\u0113kiem.<br \/>\n<strong>Santa<\/strong>: Varb\u016bt \u0161eit savi nopelni ir ar\u012b tam, ka mums k\u0101du laiku ir bijusi austr\u0101\u013cu kuratore, un tas ir pal\u012bdz\u0113jis nostiprin\u0101t \u0161o savstarp\u0113jo izpratni. Starptautisks kurators izaicina skat\u012bt\u0101ju paskat\u012bties uz sevi no malas. Tas ir gr\u016bti, bet varb\u016bt reiz\u0113m vesel\u012bgi \u2013 ieraudz\u012bt sevi, sp\u0113t dal\u012bties un savienoties ar otru.<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Starptautisk\u0101 jaun\u0101 te\u0101tra festiv\u0101la \u201cHomo Novus\u201d kuratore Santa Remere sarun\u0101jas ar izr\u0101des \u201cPl\u016bdi\u201d veidot\u0101jiem. Sarun\u0101 vi\u0146i st\u0101sta gan par savu rado\u0161o praksi un ska\u0146as performativit\u0101ti, gan audio aprakstu un citiem novatoriskiem elementiem, kas raksturo vi\u0146u darbus.<\/p>\n","protected":false},"author":1,"featured_media":5186,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[86,91,88],"tags":[],"class_list":["post-5185","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-homo-novus","category-lasitava","category-ljti-dara"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5185"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5185\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5186"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}