{"id":5187,"date":"2024-12-30T14:04:43","date_gmt":"2024-12-30T14:04:43","guid":{"rendered":"https:\/\/theatre.local\/fragments-no-gramatas-sajutot-zemi-kulturas-meklejumi-uzkarsetaja-pasaule\/"},"modified":"2024-12-30T14:04:43","modified_gmt":"2024-12-30T14:04:43","slug":"fragments-no-gramatas-sajutot-zemi-kulturas-meklejumi-uzkarsetaja-pasaule","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/fragments-no-gramatas-sajutot-zemi-kulturas-meklejumi-uzkarsetaja-pasaule\/","title":{"rendered":"Fragments no gr\u0101matas \u201cSaj\u016btot Zemi. Kult\u016bras mekl\u0113jumi uzkars\u0113taj\u0101 pasaul\u0113&#8221;"},"content":{"rendered":"<p><\/p>\n<p><strong>Fragments no gr\u0101matas \u201c<a href=\"https:\/\/valiz.nl\/en\/publications\/sensing-earth\" rel=\"noopener\" target=\"_blank\">Saj\u016btot Zemi. Kult\u016bras mekl\u0113jumi uzkars\u0113taj\u0101 pasaul\u0113<\/a>\u201d (<em>Sensing Earth Cultural Quests Across a Heated Globe<\/em>)  Red. \u2013 Filips D\u012btahmairs, Pask\u0101ls G\u012blens, D\u017eord\u017eija Nikolau (<em>Philipp Dietachmair, Pascal Gielen, Georgia Nicolau<\/em>), Valiz, 2023. Fragmentu tulkojusi Santa Remere. Gr\u0101mata br\u012bvpieej\u0101 pieejama <a href=\"https:\/\/valiz.nl\/images\/sensing_earth_inside-open%20access.pdf\" rel=\"noopener\" target=\"_blank\">\u0161eit<\/a> vai kl\u0101tien\u0113 \u2013 LJTI bibliot\u0113k\u0101. <\/strong><\/p>\n<p>Piembremz\u0113t (<em>to slow down<\/em> \u2013 tulk.) nenoz\u012bm\u0113 atteikties no visiem rado\u0161ajiem impulsiem vai iedvesmojo\u0161\u0101m satik\u0161an\u0101s iesp\u0113j\u0101m, ko sniedz ce\u013cojums. Noels Salazars cen\u0161as pateikt \u2013 lai ar\u012b m\u016bsdien\u0101s ir pieejami tik daudz un da\u017e\u0101di ce\u013co\u0161anas veidi, realit\u0101t\u0113 cilv\u0113ks j\u016btas tikai v\u0113l vair\u0101k atsve\u0161in\u0101jies no \u201cotra\u201d (ar to saprotot gan vidi, gan citus cilv\u0113kus) un ar\u012b pats no sevis. \u0160aj\u0101 tekst\u0101 vi\u0146\u0161 piev\u0113r\u0161as saiknei starp \u201c<em>motion<\/em>\u201d (kust\u012bbu) un \u201c<em>emotion<\/em>\u201d (emocij\u0101m), k\u0101 ar\u012b j\u0113dzienam \u201c<em>travel<\/em>\u201d (ce\u013cojums), kas c\u0113lies no fran\u010du v\u0101rda \u201c<em>travail<\/em>\u201d (str\u0101d\u0101t). V\u0101rd\u0101 \u201c<em>travail<\/em>\u201d joproj\u0101m var saklaus\u012bt to, ka ce\u013cot noz\u012bm\u0113 pielikt p\u016bles \u2013 lai ar tevi notiktu p\u0101rmai\u0146as, pa\u0161am ir j\u0101paveic \u201cdarbs\u201d, v\u0101cot atzi\u0146as, ieg\u016bstot zin\u0101\u0161anas, kas \u013cauj iepaz\u012bt \u0161\u012bs jaun\u0101s, nezin\u0101m\u0101s teritorijas.<\/p>\n<p>Daudz\u0101s v\u0101ciski run\u0101jo\u0161o zem\u0113s Centr\u0101leirop\u0101, t\u0101pat ar\u012b Skandin\u0101vij\u0101 un Francij\u0101 joproj\u0101m ir zin\u0101ma k\u0101da gadsimtiem sena trad\u012bcija \u2013 no t\u0101 saukto ze\u013c\u013cu laikiem. Galdniekiem, jumi\u0137iem, t\u0101pat met\u0101lapstr\u0101d\u0113 vai \u0113r\u0123e\u013cb\u016bv\u0113 str\u0101d\u0101jo\u0161ajiem amatniekiem (un amatniec\u0113m) tradicion\u0101li p\u0113c m\u0101c\u012bbu beig\u0161anas bija uz trim gadiem un vienu dienu j\u0101dodas prom no m\u0101j\u0101m, lai k\u0101j\u0101m (!) dotos no darbn\u012bcas uz darbn\u012bcu un pilnveidotu meistar\u012bbu sav\u0101 profesij\u0101. \u0160\u012b prakse \u2013 mac\u012bties ce\u013cojot \u2013 aizs\u0101k\u0101s jau Eiropas viduslaiku \u0123ild\u0113s, kad ce\u013cojumus veica ar\u012b akme\u0146ka\u013ci, kokgriez\u0113ji un gleznot\u0101ji. Ar\u012b m\u016bsdien\u0101s ce\u013co\u0161anas trad\u012bcija kalpo izgl\u012btojo\u0161am m\u0113r\u0137im, un tas saskan ar Noela Salazara teikto, ka &#8220;kust\u012bb\u0101 eso\u0161s \u0137ermenis ir vislab\u0101kais r\u012bks pasaules izzin\u0101\u0161anai \u2013 tas \u013cauj mums pilnveidoties gan kognit\u012bvi, gan eksistenci\u0101li&#8221;. Visu kontinentu pamatiedz\u012bvot\u0101ju kult\u016bras vienm\u0113r ir nov\u0113rt\u0113ju\u0161as \u0161\u0101da veida zin\u0101\u0161anas. (..) Cilv\u0113ki ir &#8220;integr\u0113ta, dz\u012bva sist\u0113ma, kas atrodas past\u0101v\u012bg\u0101 kust\u012bb\u0101,&#8221; secina Salazars, tom\u0113r m\u016bsdienu globaliz\u0113t\u0101s m\u0101kslas pasaules realit\u0101t\u0113 m\u0101kslinieki un kult\u016bras profesion\u0101\u013ci bie\u017ei vien tik \u0101tri maina savu atra\u0161an\u0101s vietu, ka sasniegtais galam\u0113r\u0137is vi\u0146os bie\u017ei vien neizraisa nek\u0101das emocijas vai p\u0101rdz\u012bvojumu. Pat nerun\u0101jot par to, ka ce\u013cojot netiek paman\u012bts, cik sare\u017e\u0123\u012bt\u0101 veid\u0101 apk\u0101rt\u0113j\u0101 vide tiek \u0161\u0137\u0113rsota, lai nok\u013c\u016btu galam\u0113r\u0137\u012b. P\u0101r\u0101k daudzi no mums, kas sa\u0146em \u201cstipendiju mobilit\u0101tei\u201d, lai rad\u012btu lok\u0101lus un \u201cvietkonkr\u0113tus\u201d darbus, paliek kult\u016bratsau\u010du un profesion\u0101lo t\u012bklu burbul\u012b. Past\u0101v liela iesp\u0113ja, ka neuztveram nedz viet\u0113j\u0101s vides \u012bpatn\u012bbas, nedz velt\u0101m pien\u0101c\u012bgu v\u0113r\u012bbu tam, k\u0101du ietekmi uz plan\u0113tu atst\u0101j m\u016bsu \u012bslaic\u012bg\u0101 kult\u016bras mobilit\u0101te. T\u0101p\u0113c ir steidzami j\u0101att\u012bsta jaunas [kult\u016bras mobilit\u0101tes] prakses, kas pal\u012bdz\u0113tu iesak\u0146oties un v\u0113r\u012bg\u0101k attiekties pret vietu, kur\u0101 esi ieradies. <\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Fragments no gr\u0101matas \u201cSaj\u016btot Zemi. Kult\u016bras mekl\u0113jumi uzkars\u0113taj\u0101 pasaul\u0113\u201d. Red. \u2013 Filips D\u012btahmairs, Pask\u0101ls G\u012blens, D\u017eord\u017eija Nikolau. Fragmentu tulkojusi Santa Remere.<\/p>\n","protected":false},"author":1,"featured_media":5188,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[91],"tags":[],"class_list":["post-5187","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lasitava"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5187"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5187\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5188"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}