{"id":5193,"date":"2024-12-16T11:24:25","date_gmt":"2024-12-16T11:24:25","guid":{"rendered":"https:\/\/theatre.local\/maija-hirvanena-mycoscores-choreospores\/"},"modified":"2024-12-16T11:24:25","modified_gmt":"2024-12-16T11:24:25","slug":"maija-hirvanena-mycoscores-choreospores","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/maija-hirvanena-mycoscores-choreospores\/","title":{"rendered":"Maija Hirvanena: Mycoscores \/ Choreospores"},"content":{"rendered":"<p><\/p>\n<p><strong>Somu m\u0101ksliniece <a href=\"https:\/\/www.hirvanen.net\/\" target=\"_blank\" rel=\"noopener\">Maija Hirvanena<\/a> 8. decembr\u012b viesoj\u0101s Latvij\u0101 un <a href=\"https:\/\/www.facebook.com\/horasoc\/posts\/pfbid02q2LPVT5HHT7ikdosKfy67vcKwTkj1FZ9bxUCEGd6kbaHxE1ztbepNsndVepx4gGKl\" target=\"_blank\" rel=\"noopener\">Horeogr\u0101fu asoci\u0101cijas r\u012bkot\u0101 sarun\u0101<\/a> iepaz\u012bstin\u0101ja ar m\u0101ksliniecisko partit\u016bru kopumu \u201c<a href=\"https:\/\/www.hirvanen.net\/post\/656055612450504704\/order-mycoscores-choreospores-publication\" target=\"_blank\" rel=\"noopener\">Mycoscores \/ Choreospores<\/a>\u201d, kas tagad ir pieejams ar\u012b <a href=\"https:\/\/theatre.lv\/mediateka\/biblioteka\/\" target=\"_blank\" rel=\"noopener\">Latvijas Jaun\u0101 te\u0101tra instit\u016bta bibliot\u0113k\u0101<\/a>. <\/strong><\/p>\n<p>Hirvanenas \u201cMycoscores \/ Choreospores\u201d ir m\u0101ksliniecisku partit\u016bru kopums, kas atkl\u0101j saikni starp s\u0113\u0146u un cilv\u0113ku es\u012bbu, galvenok\u0101rt attiec\u012bb\u0101 uz kust\u012bbu un deju. Katra partit\u016bra var kalpot k\u0101 izejas punkts dejai, soci\u0101lai situ\u0101cijai, kompon\u0113\u0161anai vai performat\u012bvam mekl\u0113jumam. Komplekt\u0101 ir 31 partit\u016bras kart\u012bte, buklets ar pavado\u0161o tekstu \u201cS\u0113\u0146u saj\u016bta\u201d, kas sniedz ievadu partit\u016bru lieto\u0161anai, da\u017e\u0101di nor\u0101d\u012bjumi, skaidrojo\u0161s glos\u0101rijs un \u012bsi partit\u016bru apraksti. Izdev\u0113js: Friends of Physical Contemporary Art, Performing Portals project. Sadarb\u012bb\u0101 ar DAS Research\/DAS Publishing, Academy of Theatre and Dance, Amsterdam, 2024. Turpin\u0101jum\u0101 \u2013 fragments no \u201cMycoscores \/ Choreospores\u201d ievada Santas Remeres tulkojum\u0101.<\/p>\n<p>Ja uzaudz blakus senam me\u017eam, t\u0101 daudzveid\u012bba atst\u0101j tev\u012b dzi\u013cus nospiedumus. Me\u017es k\u013c\u016bst par tavu ikdienas vidi visos iesp\u0113jamos veidos. T\u0101 ir vieta, kur klai\u0146ot un mald\u012bties, kur sa\u0123\u0113rbties da\u017e\u0101dos t\u0113rpos un r\u0101pties pa akme\u0146iem, k\u0101pt kokos, izl\u0101d\u0113t dusmas, atvest draugus, las\u012bt gr\u0101matas, dejot, rakst\u012bt, klaus\u012bties m\u016bziku, raud\u0101t, uzst\u0101ties ar run\u0101m. T\u0101 ir vieta, kur tu iepaz\u012bsti \u0137\u0113rpjus un s\u0113nes, kur dziedi dziesmu mu\u0161mirei, apglab\u0101 un apraudi miru\u0161os dz\u012bvniekus, v\u0113rojot, k\u0101 s\u0113nes pal\u012bdz sadal\u012bties vi\u0146u \u0137erme\u0146iem. Man\u0101 gad\u012bjum\u0101 me\u017es \u2013 t\u0101pat k\u0101 vec\u0101ki, draugi, m\u0101jdz\u012bvnieki \u2013 k\u013cuva par manu skolot\u0101ju. Sens me\u017es ir vieta, kur\u0101 norisin\u0101s neskait\u0101mi procesi.<\/p>\n<p>Es sav\u0101 horeogr\u0101fes praks\u0113 izr\u0101des un pasauli kopum\u0101 prim\u0101ri uztveru k\u0101 procesu. Process ir aktivit\u0101\u0161u un uzman\u012bbas p\u0101rsl\u0113g\u0161an\u0101s no viena br\u012b\u017ea uz n\u0101kamo, un katrs t\u0101 mirklis ir sav\u0101 veid\u0101 svar\u012bgs. L\u012bdz\u0101s procesam iez\u012bm\u0113jas ar\u012b da\u017e\u0101das formas, beigu punkti, kaut kas izkristaliz\u0113jas. Izr\u0101des, dz\u012bves cikli, atsk\u0101rsmes, est\u0113tiska p\u0101rdz\u012bvojuma mirk\u013ci. S\u0113nes, apputeksn\u0113\u0161an\u0101s, no\u0101rd\u012b\u0161an\u0101s, atkl\u0101jumi.<\/p>\n<p>Man \u013coti pat\u012bk s\u0113nes, esmu mikof\u012bls, rudens un mitro s\u016bnu draugs. Es iem\u0101c\u012bjos s\u0113\u0146ot un atpaz\u012bt s\u0113nes vienlaikus ar m\u0101c\u012b\u0161anos run\u0101t. Ilgu laiku uzskat\u012bju, ka t\u0101 ir da\u013ca no manas cilv\u0113cisk\u0101s b\u016bt\u012bbas, mans somugru mantojums un ieg\u016bt\u0101s kult\u016bras zin\u0101\u0161anas, ta\u010du nesaist\u012bju to ar savu horeogr\u0101fijas un izr\u0101\u017eu veido\u0161anas praksi. Pirms desmit gadiem s\u0101ku sajust, ka ilgie braucieni uz me\u017eu s\u0113\u0146u sezon\u0101 s\u0101k ietekm\u0113t manu horeogr\u0101fiju. Me\u017ea vel\u0161u las\u012b\u0161ana atst\u0101ja arvien j\u016btam\u0101ku ietekmi uz darbu deju studij\u0101 un te\u0101tr\u012b. Un es pamaz\u0101m, sav\u0101 temp\u0101 s\u0101ku tam \u013cauties.<\/p>\n<p>\u0160obr\u012bd es sp\u0113ju saskat\u012bt sakar\u012bbas starp s\u0113\u0146u un dejas veidiem. \u0160\u012b saikne izpau\u017eas kompoz\u012bcij\u0101, kuras pamat\u0101 ir daudzsl\u0101\u0146ain\u012bba un daudzu da\u017e\u0101du lietu sav\u0113rp\u0161an\u0101s. S\u0113nes man ir pal\u012bdz\u0113ju\u0161as daudz ko izprast par \u0161iem procesiem, jo sevi\u0161\u0137i par attiec\u012bb\u0101m starp redzamo un neredzamo pusi. S\u0113nes man liku\u0161as aizdom\u0101ties ar\u012b par individualit\u0101tes j\u0113dzienu un to, ko uztveram par savas pat\u012bbas pieredzes pamatu. Individualit\u0101te ir tikai da\u013ca no da\u017e\u0101d\u0101m kolekt\u012bvisma izpausm\u0113m, un neatk\u0101rtojam\u012bba sl\u0113pjas pieredz\u0113, kas ir pla\u0161\u0101ka par individu\u0101lo.<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Fragments no somu m\u0101kslinieces Maijas Hirvanenas \u201cMycoscores \/ Choreospores\u201d ievada, Izdevums ir m\u0101ksliniecisku partit\u016bru kopums, kas atkl\u0101j saikni starp s\u0113\u0146u un cilv\u0113ku es\u012bbu, galvenok\u0101rt attiec\u012bb\u0101 uz kust\u012bbu un deju. Tulkojusi Santa Remere. <\/p>\n","protected":false},"author":1,"featured_media":5194,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[91],"tags":[],"class_list":["post-5193","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lasitava"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5193"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5193\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5194"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}