\u0161eit<\/a>.<\/strong><\/p>\nPirms vair\u0101kiem gadiem es izlas\u012bju Br\u016bsa Pasko gr\u0101matu \u201cTum\u0161ais Emu\u201d, kas p\u0101rskata Austr\u0101lijas aborig\u0113nu atspogu\u013cojumu kolonizatoru pierakstos. Gr\u0101mata s\u0101kas ar st\u0101stu par Emu garu
\nBaijami \u2013 dievu-rad\u012bt\u0101ju un debesu t\u0113vu vair\u0101ku aborig\u0113nu tautu kosmolo\u0123ij\u0101, saukt\u0101 ar\u012b par Sap\u0146ojumu. Kad Baijame bija rad\u012bjis zemi, vi\u0146\u0161 tum\u0161as kont\u016bras veidol\u0101 p\u0101rc\u0113l\u0101s uz Piena ce\u013cu. St\u0101stu nosl\u0113dz po\u0113tisks pretnostat\u012bjums: \u201cEiropie\u0161i raug\u0101s zvaigzn\u0113s, bet aborig\u0113ni redz ar\u012b telpu starp t\u0101m, kur m\u012bt Emu gars\u201d. M\u016bsu sabiedr\u012bb\u0101 m\u0101kslinieki ir tie, kuri pamana un aktiviz\u0113 starptelpas, ierosinot p\u0101rmai\u0146as ne vien individu\u0101l\u0101, bet ar\u012b soci\u0101li politisk\u0101 l\u012bmen\u012b. Visbie\u017e\u0101k to paveic t\u0101das rado\u0161\u0101s prakses, kas ciena gan cilv\u0113kus, gan necilv\u0113kveid\u012bg\u0101s b\u016btnes, stiprina da\u017e\u0101das balsis un savij t\u0101s vienot\u0101 mustur\u0101, radot vietu attiec\u012bb\u0101m, radniec\u012bb\u0101m un dz\u012bv\u012bbai.<\/p>\n
Gr\u0101mat\u0101 \u201cVietai\u201d britu cilv\u0113k\u0123eogr\u0101fe Dor\u012bna Meisija raksta: \u201cM\u0113s nevaram \u201ctapt\u201d (\u2026) bez citiem. T\u0101 ir telpa, kas rada vajadz\u012bgos apst\u0101k\u013cus \u0161ai iesp\u0113jai,\u201d uzsverot vietu k\u0101 b\u016btisku faktoru m\u016bsu identit\u0101\u0161u un attiec\u012bbu tap\u0161an\u0101 un p\u0101rtap\u0161an\u0101. \u201cMelno kasti\u201d te\u0101tr\u012b un \u201cbalto kubu\u201d vizu\u0101laj\u0101 m\u0101ksl\u0101 joproj\u0101m uzskata par visatbilsto\u0161\u0101ko vietu laikmet\u012bgo m\u0101kslas darbu izr\u0101d\u012b\u0161anai. Tom\u0113r aizvien vair\u0101k m\u0101kslinieku izv\u0113las str\u0101d\u0101t citos, nereti sare\u017e\u0123\u012bt\u0101kos un neparedzamos telpiskos
\napst\u0101k\u013cos \u2013 publisk\u0101s un priv\u0101t\u0101s lok\u0101cij\u0101s, dz\u012bvok\u013cos, skol\u0101s, slimn\u012bc\u0101s, cietumos, urb\u0101n\u0101s un lauku ainav\u0101s, me\u017eos un krastmal\u0101s. At\u0161\u0137ir\u012bb\u0101 no tradicion\u0101l\u0101s skatuves un izst\u0101\u017eu z\u0101l\u0113m, kas mums liek uz mirkli pamest realit\u0101ti, \u0161ie vietkonkr\u0113tie darbi dzimst pa\u0161\u0101 realit\u0101tes sird\u012b \u2013 tur, kur v\u0113rojama ak\u016bta vajadz\u012bba p\u0113c uzman\u012bbas, intimit\u0101tes, r\u016bp\u0113m un uzdr\u012bkst\u0113\u0161an\u0101s.<\/p>\n
\u0160is pav\u0113rsiens ir main\u012bjis un nereti ar\u012b pal\u0113nin\u0101jis iestud\u0113\u0161anas, izr\u0101d\u012b\u0161anas un t\u016br\u0113\u0161anas tempus, padarot daudz\u0161\u0137aut\u0146ainu ilgtsp\u0113jas j\u0113dzienu par vienu no laikmet\u012bg\u0101 te\u0101tra prakses pamatprincipiem. Tas ved uz dzi\u013c\u0101k\u0101m, savstarp\u0113ji bag\u0101tino\u0161\u0101m attiec\u012bb\u0101m ar vietu, t\u0101s materialit\u0101ti un iem\u012btniekiem un m\u012bkstina antropocentrisko ideolo\u0123iju un ar to saist\u012bto varas dinamiku. M\u0113s k\u013c\u016bstam par lieciniekiem, k\u0101 m\u0101kslas ainava, kuras centr\u0101 ir glob\u0101li veiksm\u012bgs m\u0101kslas profesion\u0101lis, kur\u0161 sevi nesaista ar specifisku teritoriju un j\u016btas pieder\u012bgs visur\/nekur, piedz\u012bvo p\u0101rmai\u0146as, jo radusies atsk\u0101rsme, ka, lai patie\u0161am kaut ko main\u012btu, j\u0101paz\u012bst vietas, lietas vai b\u016btnes tekst\u016bra un dz\u012bvesst\u0101sts. Tas prasa laiku, iesak\u0146o\u0161anos un drosmi.<\/p>\n
M\u0101kslinieks vienm\u0113r ir str\u0101d\u0101jis da\u017e\u0101d\u0101s viet\u0101s. Tom\u0113r p\u0113d\u0113j\u0101s dek\u0101d\u0113s vietkonkr\u0113t\u0101s prakses raksturo jauni mekl\u0113jumi. \u0160odien iemesli konvencion\u0101l\u0101s infrastrukt\u016bras pame\u0161anai, vietkonkr\u0113to darbu tehniskie vai est\u0113tiskie aspekti ir k\u013cuvu\u0161i maz\u0101k saisto\u0161i. T\u0101 viet\u0101 ir par\u0101d\u012bjusies vajadz\u012bba p\u0113t\u012bt to, K\u0100 m\u0113s apdz\u012bvojam telpu \u2013 k\u0101 m\u0101kslinieki un iedz\u012bvot\u0101ji, apzinoties, ka ikvienu vietu un taj\u0101 tapu\u0161u m\u0101kslas darbu koprada un kop\u012bgi pieredz cilv\u0113ki un necilv\u0113kveid\u012bgie, proti, dz\u012bvnieki, lietas, miner\u0101li, laikapst\u0101k\u013ci, pat v\u012brusi. K\u0101 veidot attiec\u012bbas ar re\u0101l\u0101m, bet ar\u012b izt\u0113lot\u0101m vai metaforisk\u0101m telp\u0101m, dodot iesp\u0113ju t\u0101m piedal\u012bties, rea\u0123\u0113t un reiz\u0113m ar\u012b p\u0101r\u0146emt kontroli? V\u0113lme p\u0101rskat\u012bt hierarhisk\u0101s attiec\u012bbas ar telpu, kas preval\u0113 tradicion\u0101l\u0101 izr\u0101des veido\u0161an\u0101 un izr\u0101d\u012b\u0161an\u0101, un veidot t\u0101das, kas nep\u0101rtraukti grauj ierast\u0101s strukt\u016bras un varas poz\u012bcijas, no nejau\u0161\u012bbas aizvien bie\u017e\u0101k k\u013c\u016bst par apzin\u0101tu izv\u0113li.<\/p>\n
Main\u012bjies un papla\u0161in\u0101jies ir ar\u012b izr\u0101des telpas j\u0113dziens \u2013 par skatuvi var uzskat\u012bt ar\u012b individu\u0101lu \u0137ermeni vai \u0137erme\u0146u grupu, kas noteikt\u0101 viet\u0101 un laik\u0101 izsp\u0113l\u0113 izr\u0101des ritu\u0101lu. \u0136ermenis k\u013c\u016bst par trauku jeb vietu, kas uzglab\u0101 izr\u0101des pieredzi un nes to t\u0101l\u0101k. At\u0161\u0137ir\u012bb\u0101 no skatuves, t\u0101 ir tempor\u0101la, kust\u012bga, pl\u016bsto\u0161a, poraina, elpojo\u0161a.<\/p>\n
\u0160ie procesi aicina p\u0101rskat\u012bt ne tikai izr\u0101des telpu k\u0101 fiks\u0113tu un konstantu vien\u012bbu, bet ar\u012b to, kas veido un nosaka centru. Pam\u0113\u0123in\u0101sim izt\u0113loties te\u0101tra ekosist\u0113mu konkr\u0113t\u0101 pils\u0113t\u0101. Atzi\u0146a, ka ikvienai vietai piem\u012bt potenci\u0101ls k\u013c\u016bt par skatuvi, sagrauj ideju par klasisko te\u0101tra \u0113ku k\u0101 \u0161\u012bs ainavas centru. T\u0101 viet\u0101 mums atkl\u0101jas visda\u017e\u0101d\u0101ko centru t\u012bklojums \u2013 da\u017ei no tiem ir fiks\u0113ti, citi pl\u016bsto\u0161i, tie par\u0101d\u0101s un atkal izz\u016bd \u0161ur un tur atkar\u012bb\u0101 no vajadz\u012bbas. \u0160is puls\u0113jo\u0161ais audekls, kas ple\u0161as p\u0101r visu pils\u0113tu un izpl\u016bst ar\u012b \u0101rpus t\u0101s robe\u017e\u0101m, noliek perif\u0113riju blakus centram, konfront\u0113jot izplat\u012bto pie\u0146\u0113mumu par centru k\u0101 v\u0113rt\u012bg\u0101ku. \u0160\u0137ietami margin\u0101l\u0101m kult\u016bras viet\u0101m piem\u012bt tik b\u016btisk\u0101 sp\u0113ja tricin\u0101t centru, nep\u0101rtraukti ap\u0161aubot t\u0101 ekskluzivit\u0101ti.<\/p>\n
Neskatoties uz to, ka izpratne par l\u012bdzdal\u012bgo un vietkonkr\u0113to te\u0101tri main\u0101s, visbie\u017e\u0101k tas joproj\u0101m ir aicin\u0101jums iek\u013cauties jau gatav\u0101, iepriek\u0161 rad\u012bt\u0101 m\u0101kslas darba strukt\u016br\u0101. Ta\u010du ilgtsp\u0113j\u012bgas ir t\u0101s prakses, kas vietu un kopienu atz\u012bst par l\u012bdzautoriem un to lomu strukt\u016bras rad\u012b\u0161an\u0101 \u2013 par iz\u0161\u0137iro\u0161u. \u0160ie m\u0101kslas profesion\u0101\u013ci b\u016bv\u0113 attiec\u012bbas ar vietu, uzdodot sare\u017e\u0123\u012btu jaut\u0101jumu \u2013 \u201ckas tur ir?\u201d \u2013 un m\u0113\u0123inot atkl\u0101t vietas garu. Tikai tad, kad izdevies saprast, k\u0101das atmi\u0146as, kopienas un attiec\u012bbas tur jau past\u0101v, vi\u0146i piev\u0113r\u0161as tam, k\u0101ds var\u0113tu b\u016bt vi\u0146u pienesums. Tie ir m\u0101kslinieki, kas \u013cauj idejai piedzimt, apg\u016bstot vietu. Vieta nav resurss, bet dz\u012bva, daudzu da\u017e\u0101di apdz\u012bvota mat\u0113rija, kas nep\u0101rtraukti main\u0101s un atrodas mijiedarb\u0113 ar cit\u0101m viet\u0101m un laikiem. <\/p>\n
\u0160\u012bs prakses dzimst no pieredz\u0113t\u0101 un ir radniec\u012bgas situacionistu dreif\u0113\u0161anas taktikai, kas mudina \u013cauties vietas valdzin\u0101jumam un nejau\u0161\u012bb\u0101m. T\u0101s m\u0101ca, ka neviena vieta nekad nav pabeigta, jo ikviens, kam piem\u012bt r\u012bc\u012bbsp\u0113ja, piedal\u0101s t\u0101s nep\u0101rtraukt\u0101 p\u0101rrad\u012b\u0161an\u0101. M\u0101kslinieks, savuk\u0101rt, ir v\u0113rot\u0101js, rad\u012bt\u0101js, dal\u012bbnieks, saimnieks un ciemi\u0146\u0161 vienlaikus.<\/p>\n
Visu tekstu ang\u013cu valod\u0101 varat las\u012bt izdevum\u0101 \u201cThe Handbook of Cultural Work\u201d, kas br\u012bvpieej\u0101 pieejams \u0161eit<\/a>. <\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
Fragments no izdevuma \u201cThe Handbook of Cultural Work\u201d Christos Carras redakcij\u0101, Bloomsbury Visual Arts, London 2024. Tulkojusi autore.<\/p>\n","protected":false},"author":1,"featured_media":5208,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[91],"tags":[],"class_list":["post-5207","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lasitava"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5207"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5207\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5208"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5207"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5207"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}