{"id":5297,"date":"2024-03-08T14:01:14","date_gmt":"2024-03-08T14:01:14","guid":{"rendered":"https:\/\/theatre.local\/orestija-ar-sievietes-sirdi-lugas-lasijuma-vardnica-un-konspekts\/"},"modified":"2024-03-08T14:01:14","modified_gmt":"2024-03-08T14:01:14","slug":"orestija-ar-sievietes-sirdi-lugas-lasijuma-vardnica-un-konspekts","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/orestija-ar-sievietes-sirdi-lugas-lasijuma-vardnica-un-konspekts\/","title":{"rendered":"\u201cOrestija ar sievietes sirdi\u201d lugas las\u012bjuma v\u0101rdn\u012bca un konspekts"},"content":{"rendered":"

<\/p>\n

2024. gada 8. mart\u0101 LJTI organiz\u0113 it\u0101\u013cu autores D\u017euzep\u012bnas Nor\u010das (Giuseppina Norcia) lugas \u201cOrestija ar sievietes sirdi\u201d las\u012bjumu, kuru izpilda aktrise Guna Zari\u0146a. \u0160eit iepaz\u012bstin\u0101m j\u016bs ar lugas \u012bso, skaidrojo\u0161o v\u0101rdn\u012bcu un konspektu.\u00a0<\/span><\/i><\/p>\n

Lugu lasa Guna Zari\u0146a. Lugu latvie\u0161u valod\u0101 tulkojusi Dace Meiere. Scenogr\u0101fiju veidojusi Sab\u012bne Vernere. Kurators – \u017danluka Barbadori (<\/span>Gianluca Barbadori<\/span><\/i>). R\u012bko Latvijas Jaun\u0101 te\u0101tra instit\u016bts sadarb\u012bb\u0101 ar It\u0101lijas v\u0113stniec\u012bbu, atbalsta Valsts kult\u016brkapit\u0101la fonds. P\u0113c las\u012bjuma sarun\u0101 piedal\u0101s kinozin\u0101tniece Inga P\u0113rkone, literat\u016brzin\u0101tnes doktore un dzejniece Anna Auzi\u0146a, te\u0101tra kriti\u0137e un p\u0113tniece Kitija Balcare.\u00a0<\/span><\/p>\n

Rakstniece, sengrie\u0137u kult\u016bras pazin\u0113ja un populariz\u0113t\u0101ja D\u017euzep\u012bna Nor\u010da pl\u0101no mar\u0161rutus, rada dramatur\u0123iju un priek\u0161las\u012bjumus, iedvesmojoties no m\u012btiem un viet\u0101m, kam ir velt\u012bjusi savus projektus un publik\u0101cijas. Vi\u0146a jau vair\u0101k nek\u0101 divdesmit gadus sadarbojas ar Romas Nacion\u0101lo sen\u0101s dr\u0101mas instit\u016btu (INDA), kur tostarp pasniedz ant\u012bko dramatur\u0123iju. Nor\u010da ir daudzu m\u012btam velt\u012btu gr\u0101matu autore.<\/span><\/p>\n

V\u0100RDN\u012aCA:<\/b><\/p>\n

<\/b>Agamemnons<\/b> – Argosas \u0137\u0113ni\u0146\u0161\u00a0 “\u0137\u0113ni\u0146u \u0137\u0113ni\u0146\u0161”, tas kur\u0161 vad\u012bja ahaju (grie\u0137u) arm\u0101du karag\u0101jien\u0101 pret Troju. Aul\u012bd\u0101 vi\u0146\u0161 upur\u0113 dieviem savu meitu Ifig\u0113niju, lai flotei b\u016btu labs ce\u013cav\u0113j\u0161 un t\u0101 neskarta var\u0113tu turpin\u0101t ce\u013cu p\u0101ri j\u016brai.
\n<\/span>Klitaimnestra<\/b> – Agamemnona sieva, Argosas k\u0113ni\u0146iene. Vi\u0146a nogalina Agamemnonu, lai atriebtu Ifig\u0113nijas upur\u0113\u0161anu.
\n<\/span>Orests<\/b> – Agamemnona un Klitaimnestras d\u0113ls, kas nogalina savu m\u0101ti, lai atriebtu t\u0113va slepkav\u012bbu. Vi\u0146u ties\u0101s At\u0113nas izveidotais tribun\u0101ls.
\n<\/span>Elektra<\/b> – Agamemnona un Klitaimestras meita, atbalsta sava br\u0101\u013ca Oresta pl\u0101nus atriebties m\u0101tei.
\n<\/span>Kasandra<\/b> – princese, Trojas valdnieka Priama un Hekabes meita, pare\u0123e, kas tiek aizvesta uz Argosu k\u0101 kara verdzene un Agamemnona konkub\u012bne. Klitaimnestra vi\u0146u nogalina.
\n<\/span>At\u0113na <\/b>– gudr\u012bbas, milit\u0101r\u0101s strat\u0113\u0123ijas (kara) un amatniec\u012bbas dieviete.\u00a0 At\u0113na Pall\u0101da ir viena no visvair\u0101k god\u0101taj\u0101m sen\u0101s Grie\u0137ijas dieviet\u0113m, kuras v\u0101rd\u0101 nosaukta pils\u0113ta; tiesu iedibin\u0101t\u0101ja, paz\u012bstama k\u0101 t\u0113va meita, kas n\u0101kusi pasaul\u0113 no Zeva p\u0101r\u0161\u0137elt\u0101s galvas. \u0160aj\u0101 darb\u0101 atkl\u0101jas sen aizmirstas At\u0113nas \u0123enealo\u0123ijas det\u0101l\u0101s, kas saist\u012btas ar m\u0101tes eksistenci.
\n<\/span>Apollons<\/b> – Zeva un L\u0113to d\u0113ls, dievs, kas nesaraujami saist\u012bts ne tikai ar Delfu or\u0101kulu, bet ar\u012b ar m\u0101kslu un medic\u012bnu.
\n<\/span>Er\u012bnijas <\/b>– tum\u0161\u0101s atrieb\u012bbas d\u0113mones, vaj\u0101 tos, kas vain\u012bgi noziegumos pret saviem radiniekiem. Aishila “Orestijas” beig\u0101s atriebes dieves k\u013c\u016bst par Eumen\u012bd\u0113m, “labv\u0113l\u012bgaj\u0101m”.\u00a0<\/span><\/p>\n

KONSPEKTS:
\n<\/b>
\nAishila 458. gad\u0101 p. m. \u0113. sacer\u0113t\u0101 tra\u0123\u0113diju trilo\u0123ija “Orestija” \u0161aj\u0101 D\u017euzep\u012bnas Nor\u010das (Giuseppina Norcia) sarakst\u012btaj\u0101 versij\u0101 ir pasniegta k\u0101 monologs “ar sievietes sirdi”.<\/p>\n

St\u0101sts s\u0101kas, kad Agamemnons, Argosas \u0137\u0113ni\u0146\u0161, “\u0137\u0113ni\u0146u \u0137\u0113ni\u0146\u0161”, vadot ahaju (grie\u0137u) arm\u0101du karag\u0101jien\u0101 pret Troju, upur\u0113 savu meitu Ifig\u0113niju dieviem Aul\u012bd\u0101, lai flotei b\u016btu labs ce\u013cav\u0113j\u0161 un t\u0101 neskarta var\u0113tu turpin\u0101t ce\u013cu p\u0101ri j\u016brai. Vi\u0146a sieva Klitaimnestra, Ifig\u0113nijas m\u0101te, ir satriekta.<\/p>\n

P\u0113c 10 gadu ilgu\u0161a uzvaras kara pret trojie\u0161iem, Agamemnons atgrie\u017eas Argos\u0101, pa\u0146emot sev l\u012bdzi k\u0101 kara verdzeni un konkub\u012bni pare\u0123i Kasandru, Trojas valdnieka Priama un Hekabes meitu. Argosas \u0137eni\u0146iene, vi\u0146a sieva Klitaimnestra, nogalina savu v\u012bru, iev\u012bstot vi\u0146u vilt\u012bbas t\u012bkl\u0101, lai atriebtu vi\u0146u meitas Ifig\u0113nijas upur\u0113\u0161anu. Kop\u0101 ar Agamemnonu nogalina ar\u012b Kasandru.<\/p>\n

Agamemnona un Klitaimnestras d\u0113ls Orests, kur\u0161 uzaudzis t\u0101lu no m\u0101j\u0101m, atgrie\u017eas Argos\u0101 un (ar m\u0101sas Elektras pal\u012bdz\u012bbu) nogalina savu m\u0101ti, lai atriebtos par t\u0113va nogalin\u0101\u0161anu.<\/p>\n

Orests tiks ties\u0101ts tautas tribun\u0101l\u0101, ko izveidojusi At\u0113na.<\/p>\n

\u0160eit aps\u016bdz\u012bbu ce\u013c Er\u012bnijas, tum\u0161\u0101s atrieb\u012bbas d\u0113mones, kas vaj\u0101 tos, kuri vainojami noziegumos pret saviem radiniekiem; Orestu aizst\u0101v dievs Apollons, un tiesne\u0161i ar At\u0113nas iz\u0161\u0137iro\u0161o balsi vi\u0146u attaisno.<\/p>\n

Aishila “Orestijas” beig\u0101s atriebes dieves p\u0101rv\u0113r\u0161as par “labv\u0113l\u012bgaj\u0101m” dieviet\u0113m – Eumen\u012bd\u0113m.<\/p>\n

Ta\u010du D\u017euzep\u012bnas Nor\u010das darbs ar to nebeidzas. Kas notiek izgaismotaj\u0101 At\u0113nu pils\u0113t\u0101 p\u0113c Oresta attaisno\u0161anas? Vai tiesu dibin\u0101t\u0101ja dieviete patie\u0161\u0101m ir sava t\u0113va meita, kas n\u0101kusi pasaul\u0113, iz\u0161\u0137i\u013coties no Zeva galvas?<\/p>\n

Monologa st\u0101st\u012bjums, kas balans\u0113 starp izmekl\u0113\u0161anu, dr\u0101mu un ties\u0101\u0161anu, arvien vair\u0101k savijas ar m\u016bsdienu pasaules realit\u0101ti, iesaistot taj\u0101 ar\u012b pa\u0161u At\u0113nu, l\u012bdz seko atkl\u0101smes br\u012bdis, kur\u0101 liela noz\u012bme ir vi\u0146as person\u012bgajam dz\u012bves st\u0101stam, paverot iesp\u0113ju glu\u017ei citai notikumu gaitai.<\/p>\n

Luga \u201cOrestija ar sievietes sirdi\u201d, kas iecer\u0113ta k\u0101 velt\u012bjums Pj\u0113ram Paulam Pazol\u012bni un satur daudzas atsauces uz vi\u0146a darbiem un rakst\u012btiem, tulkotiem tekstiem, s\u0101kot ar “Orestijas” trilo\u0123iju, pamaz\u0101m aizved klaus\u012bt\u0101ju l\u012bdz p\u0101rdom\u0101m par m\u0101tes lomu un m\u0101tb\u016b\u0161anu, ko savos darbos apl\u016bkoju\u0161as ar\u012b L\u016bsa Irigraja, Marija Zambrano un \u017dakl\u012bna Morino.<\/p>\n

Zi\u0146a public\u0113ta: 08.03.2024<\/p>\n

R\u012bko Latvijas Jaun\u0101 te\u0101tra instit\u016bts sadarb\u012bb\u0101 ar It\u0101lijas v\u0113stniec\u012bbu, atbalsta Valsts kult\u016brkapit\u0101la fonds. <\/span><\/em><\/p>\n

\"\" \"\" \"\"<\/b><\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

2024. gada 8. mart\u0101 LJTI organiz\u0113 it\u0101\u013cu autores D\u017euzep\u012bnas Nor\u010das (Giuseppina Norcia) lugas \u201cOrestija ar sievietes sirdi\u201d las\u012bjumu, kuru izpilda aktrise Guna Zari\u0146a. \u0160eit iepaz\u012bstin\u0101m j\u016bs ar lugas \u012bso, skaidrojo\u0161o v\u0101rdn\u012bcu un konspektu.\u00a0<\/p>\n","protected":false},"author":1,"featured_media":5298,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[102,88],"tags":[],"class_list":["post-5297","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhivets","category-ljti-dara"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5297"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5297\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5298"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5297"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5297"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}