{"id":5347,"date":"2023-10-16T12:37:12","date_gmt":"2023-10-16T12:37:12","guid":{"rendered":"https:\/\/theatre.local\/festivala-gars-ir-atgriezies-helsinkos\/"},"modified":"2023-10-16T12:37:12","modified_gmt":"2023-10-16T12:37:12","slug":"festivala-gars-ir-atgriezies-helsinkos","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/festivala-gars-ir-atgriezies-helsinkos\/","title":{"rendered":"Festiv\u0101la gars ir atgriezies Helsinkos"},"content":{"rendered":"

<\/p>\n

Reiz\u0113m pat nenojaut, kas tev pietr\u016bkst, l\u012bdz br\u012bdim, kad to piedz\u012bvo. \u0160oreiz tas nebija nekas t\u0101ds, ko es piedz\u012bvotu pirmo reizi m\u016b\u017ea, man pat lik\u0101s, ka tas te vienm\u0113r ir bijis, bet t\u0101 glu\u017ei nav. Es run\u0101ju par starptautiska te\u0101tra festiv\u0101la garu Helsinkos.
\nJ\u0101, mums ir daudzi starptautiski te\u0101tra festiv\u0101li ar super\u012bg\u0101m programm\u0101m, tom\u0113r p\u0113d\u0113jos 10 vai 15 gados esam pazaud\u0113ju\u0161i festiv\u0101lu garu. Apmekl\u0113jam lieliskas izr\u0101des un tad dodamies m\u0101j\u0101s vai iedzeram gl\u0101zi v\u012bna ar pazi\u0146\u0101m. Tie\u0161i t\u0101pat k\u0101 jebkur\u0101 cit\u0101 te\u0101tra vakar\u0101. Festiv\u0101la klubs ar\u012b pats ir k\u013cuvis par performat\u012bvu pas\u0101kumu, un tikai retumis ir vieta, kur san\u0101k kop\u0101 cilv\u0113ki ar da\u017e\u0101du kult\u016bras pieredzi, lai parun\u0101tos par m\u0101kslu un cit\u0101m svar\u012bg\u0101m t\u0113m\u0101m. Profesion\u0101\u013cu t\u012bklo\u0161an\u0101s notiek kaut kur citur, bet ne Helsinkos.
\nMan lik\u0101s, ka sen pag\u0101ju\u0161i vecie labie laiki, kad p\u0113c izr\u0101\u017eu pilnas dienas dodies uz festiv\u0101la centru vai klubu, lai iepaz\u012btos vai satiktu pazi\u0146as, apmain\u012btos dom\u0101m par redz\u0113to vai apspriestu strukt\u016bras, kur\u0101s darbojamies, lai uzdejotu, lai nejau\u0161i kaut ko uzs\u0101ktu un attaptos, tikai \u0113dam brokastu bulci\u0146as ar nepaz\u012bstamiem cilv\u0113kiem. Man lik\u0101s, kaut kas t\u0101ds bija iesp\u0113jams 2000. gadu s\u0101kum\u0101, kad s\u0101ku te\u0101tra producentes un komunik\u0101ciju speci\u0101listes karjeru, bet ne jau \u0161odien. Es pr\u0101toju, vai pils\u0113ta ir p\u0101r\u0101k izpletusies, vai ar\u012b varb\u016bt tie ir cilv\u0113ki, kas ir main\u012bju\u0161ies. Varb\u016bt neviens vairs negrib iziet parun\u0101ties un iedzert alu?
\nBet! Festiv\u0101ls Baltic Takeover apliecin\u0101ja, ka tas joproj\u0101m ir tepat \u2013 festiv\u0101la gars ir dz\u012bvs un mutu\u013cojo\u0161s! Vajadz\u0113ja tikai ierasties baltie\u0161iem un, nu j\u0101, \u0146emt pils\u0113tu sav\u0101s rok\u0101s.<\/p>\n

Kop\u0101 dar\u012b\u0161anas sp\u0113ks<\/strong>
\nFestiv\u0101la Baltic Takeover apraksts, kas las\u0101ms t\u0101 m\u0101jaslap\u0101, s\u0101kas ar anekdoti, k\u0101 igaunis, latvietis un lietuvietis ieiet te\u0101tr\u012b. \u0160aj\u0101 rakst\u0101 b\u016bs manas p\u0101rdomas, k\u0101 baltie\u0161i ien\u0101ca Helsinku te\u0101trus, lai r\u0101d\u012btu savus darbus somu skat\u012bt\u0101jiem. Festiv\u0101ls Baltic Takeover sevi raksturo k\u0101 radik\u0101lu eksperimentu, k\u0101 \u012bsu pam\u0101c\u012bbu Baltijas m\u0101ksl\u0101, k\u0101 m\u0113\u0157\u0137tiec\u012bgu ce\u013cojumu no Lietuvas l\u012bdz Helsinkiem. Es to sauktu par unik\u0101lu sadarb\u012bbu, kas pier\u0101d\u012bja, kam paredz\u0113ts \u012bsts te\u0101tra festiv\u0101ls un ko var izdar\u012bt, ja grib.
\nEs dab\u016bju piedz\u012bvot to festiv\u0101la da\u013cu, kad divu gadu smagais pl\u0101no\u0161anas, k\u016br\u0113\u0161anas, partneru piesaist\u012b\u0161anas un naudas mekl\u0113\u0161anas darbs bija gal\u0101, un 2023. gada j\u016bnija s\u0101kum\u0101 beidzot bija laiks prezent\u0113t devi\u0146u Baltijas m\u0101kslinieku\/m\u0101kslas apvien\u012bbu darbus piec\u0101s norises viet\u0101s Helsinkos. Festiv\u0101lu produc\u0113ja Latvijas Jaun\u0101 te\u0101tra instit\u016bts (LJTI), Kanuti Gildi SAAL un Lietuvas Dejas inform\u0101cijas centrs (LDIC). Festiv\u0101la galvenais virz\u012bt\u0101jsp\u0113ks bija Starptautisk\u0101 jaun\u0101 te\u0101tra festiv\u0101la Homo Novus programmas kuratore un LJTI rado\u0161\u0101 direktore Beka Bergere. Vi\u0146a sazin\u0101j\u0101s ar sadarb\u012bbas partneriem Somij\u0101 un visai \u0101tri izdab\u016bja vi\u0146u piekri\u0161anu, jo, k\u0101 dzird\u0113ju, pied\u0101v\u0101jums bija apm\u0113ram \u0161\u0101ds: dodiet mums telpu un tehnisko apr\u012bkojumu, un m\u0113s jums to piepild\u012bsim ar lab\u0101ko iesp\u0113jamo saturu no Baltijas.
\nFestiv\u0101la laik\u0101 man bija iesp\u0113ja piedz\u012bvot \u010detrus darbus. Divas no t\u0101m pirmizr\u0101des: Piekri\u0161ana, ko veidoja Povils Bastis\/Miss Plastica (Lietuva) un Kad gulo\u0161ais mostas, ko veidoja te\u0101tra apvien\u012bba KVADRIFRONS (Latvija). Redz\u0113ju ar\u012b biedr\u012bbas Sansus\u012b veidoto koncertizr\u0101di b\u0113rniem un ne tikai Sav\u0101di cilv\u0113ki st\u0101v \u013coti sav\u0101di (Latvija), k\u0101 ar\u012b Johana Rozenberga iestud\u0113jumu lamatas (Igaunija).
\nJa es b\u016btu cer\u0113jusi uz tradicion\u0101l\u0101m, tekst\u0101 balst\u012bt\u0101m izr\u0101d\u0113m, mani gaid\u012btu vil\u0161an\u0101s. Bet t\u0101 k\u0101 grib\u0113ju ieraudz\u012bt laikmet\u012bgu, dz\u012bv\u012bgu m\u0101kslu, kas rosin\u0101tu manas ma\u0146as un iem\u0101c\u012btu ko jaunu, tad dab\u016bju visu, ko v\u0113l\u0113jos, un pat vair\u0101k.<\/p>\n

Piln\u012bgs manas sirds aptumsums<\/strong>
\nEs vienk\u0101r\u0161i iem\u012bl\u0113ju Kvadrifrona izr\u0101di Kad gulo\u0161ais mostas. Tas ir melanholisks zombiju st\u0101sts par \u00abnesaraujam\u0101m draudz\u012bbas sait\u0113m, sapl\u012bsu\u0161u v\u0113ja \u0123eneratoru, milz\u012bgu spoguli un v\u0113l milz\u012bg\u0101ku melno caurumu\u00bb. T\u0101 bija smiekl\u012bga, aizkustino\u0161a, d\u012bvaina un skrupulozi veidota laikmet\u012bg\u0101 te\u0101tra izr\u0101de. Skat\u012bt\u0101jiem iedeva libretu koka v\u0101kos un uz tablo, k\u0101dus parasti redzam lielveikala ga\u013cas noda\u013c\u0101 vai zob\u0101rsta kabinet\u0101, nor\u0101d\u012bja, kad p\u0101r\u0161\u0137irama lapa. Izr\u0101d\u0113 zombiji dar\u012bja savas zombiju lietas, kaut gan neesmu p\u0101rliecin\u0101ta, ka vi\u0146u darb\u012bbas bija saist\u012btas ar libreta si\u017eetu, un tie\u0161i tas man \u013coti patika. K\u0101 skat\u012bt\u0101jai man bija j\u0101izv\u0113las, vai sekot zombijiem vai libretam. Un visu laiku Bonijas Taileres episk\u0101 dziesma Total Eclipse of the Heart skan\u0113ja k\u0101 fona m\u016bzika, t\u0101 man\u012bj\u0101s, att\u012bst\u012bj\u0101s, l\u016bza, p\u0101rv\u0113rt\u0101s par ko piln\u012bgi nezin\u0101mu. Pag\u0101ja laici\u0146\u0161, l\u012bdz uz\u0137\u0113ru izr\u0101des gaitu, bet, kad tiku iek\u0161\u0101, t\u0101 k\u013cuva par m\u0101kslas baud\u012bjuma kalngalu. Izr\u0101de man atg\u0101din\u0101ja par dz\u012bv\u0101 te\u0101tra unik\u0101lo dabu. Tas ir da\u017e\u0101du prasmju un dullu ideju kopums, kas rada kaut ko v\u0113l dzi\u013c\u0101ku un dull\u0101ku. Iedom\u0101jieties \u2013 Bonijas Taileres dziesma, zombiji un raudamgabals ar melnajiem caurumiem!<\/p>\n

Ne jau par valodas sapra\u0161anu<\/strong>
\nLibretu sa\u0146\u0113m\u0101m ar\u012b pirms Sansus\u012b izr\u0101des Sav\u0101di cilv\u0113ki st\u0101v \u013coti sav\u0101di. Teik\u0161u god\u012bgi, uzzin\u0101jusi, ka b\u016bs j\u0101skat\u0101s 50 min\u016b\u0161u garu koncertizr\u0101di, kas apvieno sintezatorus ar operas bals\u012bm, ko papildina analogais kino\u2026 b\u0113rniem\u2026 latviski, s\u0101ku \u0161aub\u012bties. Es teiktu, ka aptuveni 10 da\u013ca no skat\u012bt\u0101jiem zin\u0101ja latvie\u0161u valodu, bet te nu m\u0113s bij\u0101m, laim\u012bgi sekodami rado\u0161\u0101s komandas talantu sav\u0101dajam mikslim.
\nPaties\u012bb\u0101 teksts \u2013 Daniila Harmsa absurda dzejo\u013ci \u2013 pat \u012bsti nav vajadz\u012bgs, domu iesp\u0113jams uztvert bez valodas zin\u0101\u0161an\u0101m. Tie\u0161i t\u0101 man bija pietr\u016bcis: klaus\u012bties izr\u0101di, ko nesaprotu, bet saj\u016btu. Protams, Helsinkos ir izr\u0101des, kas nav nedz somu, nedz zviedru valod\u0101, bet parasti ir ang\u013cu subtitri (bija ar\u012b \u0161oreiz, bet b\u0113rni parasti nem\u0101k las\u012bt absurda dzeju ang\u013cu tulkojum\u0101). Kad teksts ir redzams, cilv\u0113ka pr\u0101ts v\u0113las tam sekot, dab\u016bt visu iesp\u0113jamo no izr\u0101des, to saprast, pat ja t\u0101d\u0113\u013c vajadz\u0113s palaist gar\u0101m pa\u0161u svar\u012bg\u0101ko, respekt\u012bvi, darb\u012bbu, kas risin\u0101s uz skatuves. Daniila Harmsa dzeja ir labs piem\u0113rs tekstam, kuram nav j\u0101seko, neatkar\u012bgi no valodas zin\u0101\u0161anas vai nezin\u0101\u0161anas. Un ar\u012b \u0161eit par\u0101d\u0101s dz\u012bv\u0101s m\u0101kslas ma\u0123ija: atmosf\u0113ra, ritms, gaismas, sejas. Lab\u0101 izr\u0101d\u0113 b\u0113rniem vienm\u0113r ir ar\u012b sl\u0101nis, kas m\u0113r\u0137\u0113ts pieaugu\u0161ajiem skat\u012bt\u0101jiem, bet sp\u0113j aizraut ar\u012b b\u0113rnus. Izr\u0101d\u0113 Sav\u0101di cilv\u0113ki st\u0101v \u013coti sav\u0101di \u0161o saj\u016btu rad\u012bja rado\u0161\u0101s komandas darbs bez datoru izmanto\u0161anas. Un tas nostr\u0101d\u0101ja.<\/p>\n

Lietuvas v\u012brie\u0161i \u2013 k\u0101 jums kl\u0101jas?<\/strong>
\nIzr\u0101d\u0113 Piekri\u0161ana horeogr\u0101fs Povils Bastis \u00abanaliz\u0113 piekri\u0161anas konceptu un, vi\u0146apr\u0101t, t\u0101 tr\u016bkumu m\u016bsdienu sabiedr\u012bb\u0101. Izr\u0101des m\u0113r\u0137is ir rosin\u0101t apzin\u0101tu l\u0113mumu pie\u0146em\u0161anu t\u0101 viet\u0101, lai vienk\u0101r\u0161i funkcion\u0113tu p\u0113c noklus\u0113juma. Izr\u0101de ir personisks ieskats \u0161ajos jaut\u0101jumos\u00bb. Piekri\u0161an\u0101 uzst\u0101jas horeogr\u0101fs Konstant\u012bns Kosovecs un ar\u012b pats Bastis \u2013sava drag \u00abotr\u0101 es\u00bb Miss Plastica lom\u0101. Laim\u012bg\u0101 k\u0101rt\u0101 kust\u012bba #metoo ir izvirz\u012bjusi jaut\u0101jumu par piekri\u0161anu uzman\u012bbas centr\u0101 ne vien soci\u0101lajos medijos, bet ar\u012b m\u0101kslas organiz\u0101cij\u0101s un izr\u0101d\u0113s. \u0160o v\u0101rdu var interpret\u0113t da\u017e\u0101di, un to var apl\u016bkot gan k\u0101 pozit\u012bvu, gan negat\u012bvu jaut\u0101jumu. V\u0113rojot, k\u0101 Miss Plastica laipni apsveicin\u0101s ar skat\u012bt\u0101jiem, imit\u0113, ka dzied Em\u012blijas Ridbergas dziesmu Big Big World, tad skat\u012bt\u0101ji vi\u0146u iesprosto m\u0101ksl\u012bg\u0101s \u0101das jak\u0101, un p\u0113c tam notiek maskul\u012bna skrie\u0161an\u0101s un boksa ma\u010ds starp Basti un Kosovecu, kas noved pie maiga un mier\u012bga fin\u0101la, es sapratu, cik minim\u0101las ir manas zin\u0101\u0161anas par Lietuvas kult\u016bras telpu. S\u0101ku pr\u0101tot, k\u0101 \u0161\u012b izr\u0101de izskat\u012btos Lietuvas Dejas m\u0101j\u0101. Es laikam nepaz\u012bstu nevienu lietuvie\u0161u laikmet\u012bg\u0101s dejas m\u0101kslinieku. Es nezinu, k\u0101 izskat\u0101s Lietuvas LGBTQ+ kopienas ainava, k\u0101das tur ir seksu\u0101lo un dzimuma minorit\u0101\u0161u ties\u012bbas un cik liel\u0101 m\u0113r\u0101 \u0161is darbs ir politisks. Priv\u0101tais ir politisks, bet varb\u016bt \u0161\u012b izr\u0101de ir politiska vair\u0101k nek\u0101 tikai vien\u0101 veid\u0101. T\u0101 k\u0101 lab\u0113j\u0101 sp\u0101rna retorika pastiprin\u0101s vis\u0101 pasaul\u0113, un kar\u0161 notiek pavisam tuvu Baltijas valst\u012bm, tad ko \u0161\u0101ds darbs noz\u012bm\u0113 minorit\u0101t\u0113m? Bet ar\u012b \u2013 ko \u0161is darbs noz\u012bm\u0113 cis-dzimtes v\u012brie\u0161iem \u0161aj\u0101 re\u0123ion\u0101? Esmu redz\u0113jusi desmitiem izr\u0101\u017eu, kuru centr\u0101 ir dzimte un dzimums, bet, dom\u0101jot par piekri\u0161anas jaut\u0101jumu, \u0161is darbs nedod man mieru.<\/p>\n

Slidens, kad slapj\u0161<\/strong>
\nJohana Rozenberga darbs lamatas man pav\u0113r\u0101s k\u0101 distopiska po\u0113ma. Ien\u0101kot Takomo te\u0101tra telp\u0101, temperat\u016bra man\u0101mi paaugstin\u0101j\u0101s un gaiss k\u013cuva mitr\u0101ks \u2013 bija gandr\u012bz gr\u016bti elpot. Telp\u0101 lidin\u0101j\u0101s mazas mu\u0161i\u0146as un pa\u0161a Rozenberga atveidots rad\u012bjums. Vai m\u0113s bij\u0101m zood\u0101rz\u0101? Tropos? M\u016bsdien\u0101s vai p\u0113c k\u0101das apokaliptiskas kataklizmas? K\u0101p\u0113c? Vai mums bija \u013cauts mijiedarboties ar Rozenberga rad\u012bjumu, vai ar\u012b j\u0101izliekas, ka neesam tur? Un kas visu laiku pil\u0113ja no sien\u0101m, ska\u013ci noplink\u0161\u0137ot uz gr\u012bdas? Kas ir \u0161\u012bs lamatas?
\nEs izbaud\u012bju lamatu briesmas un komfortu. Man t\u0101s vair\u0101k atg\u0101din\u0101ja instal\u0101ciju, kur\u0101 perform\u0113jo\u0161ais \u0137ermenis\/b\u016btne bija viens (un \u013coti svar\u012bgs) elements, kaut ar\u012b skat\u012bt\u0101ji mier\u012bgi st\u0101v\u0113ja stundu un desmit min\u016btes l\u012bdz fin\u0101lam. Izr\u0101d\u0113 Kad gulo\u0161ais mostas es cer\u0113ju sagaid\u012bt vair\u0101k \u0137ermenisko \u0161\u0137idrumu uz skatuves. lamat\u0101s mans l\u016bgums tika uzklaus\u012bts.
\n\u0160\u012bs \u010detras apbr\u012bnojam\u0101s izr\u0101des bija tikai puse no Baltic Takeover programmas, bet t\u0101s atkl\u0101ja lielo performat\u012bvo m\u0101kslu daudzveid\u012bbu, k\u0101da sastopama Baltijas valst\u012bs. Nu, un? Vai prec\u012bz\u0101k \u2013 nu, ko t\u0101l\u0101k?<\/p>\n

Mums ir v\u0113sture<\/strong>
\n2000. gadu s\u0101kum\u0101 Helsinkos norisin\u0101j\u0101s fantastisks te\u0101tra festiv\u0101ls, kura uzman\u012bbas centr\u0101 bija valstis ap Baltijas j\u016bru. \u0160is festiv\u0101ls v\u0113l joproj\u0101m past\u0101v, bet tas ir papla\u0161in\u0101jis savu fokusu, l\u012bdz ar to zaud\u0113jot Baltijas re\u0123iona m\u0101ksliniekus. Festiv\u0101lu v\u0113l joproj\u0101m sauc Baltic Circle. Savu producentes un komunik\u0101cijas speci\u0101listes karjeru uzs\u0101ku tie\u0161i \u0161aj\u0101 festiv\u0101l\u0101 2003. gad\u0101 k\u0101 praktikante. Iesp\u0113jams, ka te run\u0101 nostal\u0123ija, bet, pat ja t\u0101, man pietr\u016bkst t\u0101 festiv\u0101la. Ne jau t\u0101p\u0113c, ka man nepatiktu festiv\u0101la pa\u0161reiz\u0113j\u0101 koncepcija. Dr\u012bz\u0101k t\u0101p\u0113c, ka man pietr\u016bkst festiv\u0101la gara.
\nPirms vair\u0101k nek\u0101 10 gadiem festiv\u0101l\u0101 Baltic Circle es sapratu, ka starptautiskos festiv\u0101los cilv\u0113ki smagi str\u0101d\u0101 un p\u0113c tam tikpat smagi kop\u0101 atp\u016b\u0161as. Ilgu laiku man lik\u0101s, ka festiv\u0101lu j\u0113ga ir str\u0101d\u0101t, lai par\u0101d\u012btu vislab\u0101kos iesp\u0113jamos darbus vislab\u0101kajiem iesp\u0113jamajiem skat\u012bt\u0101jiem, lai beig\u0101s visi var\u0113tu vienoties kop\u012bg\u0101 ball\u012bt\u0113 un sarun\u0101s. Ka festiv\u0101lu m\u0113r\u0137is nav tikai par\u0101d\u012bt izv\u0113l\u0113t\u0101s izr\u0101des, bet veidot mazu m\u0101kslas burbuli, kur\u0101 viet\u0113jie un \u0101rzemju m\u0101kslinieki satiekas ar festiv\u0101la apmekl\u0113t\u0101jiem, tehniskajiem darbiniekiem, producentiem, m\u0101rketinga komandu un \u017eurn\u0101listiem. Festiv\u0101l\u0101 Baltic Takeover es sajutu, ka tie\u0161i tam tas viss ir dom\u0101ts, m\u0113s tikai bij\u0101m to nedaudz pazaud\u0113ju\u0161i. \u0160aj\u0101 glob\u0101laj\u0101 pasaul\u0113, \u0161aj\u0101 neprognoz\u0113jam\u0101 laik\u0101, mums vajag tie\u0161i to, ko sp\u0113j sniegt m\u0101ksla, \u2013 savest m\u016bs kop\u0101, nedom\u0101jot par statusu vai sasniegto, toties gataviem klaus\u012bties un m\u0101c\u012bties ar m\u0101kslas pal\u012bdz\u012bbu.
\nEs tik tie\u0161\u0101m ceru, ka Baltic Takeover v\u0113l k\u0101dreiz non\u0101ks Somij\u0101. Somijas te\u0101tra ainavai ir nepiecie\u0161ama \u0161\u012b Baltijas ener\u0123ija un draudz\u012bba.<\/p>\n

Heidija Bek\u0161tr\u0113ma ir Helsinkos rezid\u0113jo\u0161a performat\u012bvo m\u0101kslu producente, kuratore un rakstniece<\/p>\n

Tulkojis Didzis Ruic\u0113ns<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

Helsinkos rezid\u0113jo\u0161\u0101s performat\u012bv\u0101s m\u0101kslas producentes, kuratores un rakstnieces Heidijas Bek\u0161tr\u0113mas recenzija par LJTI, Kanuti Gildi SAAL un Lietuvas dejas inform\u0101cijas centra \u0161\u012b gada j\u016bnij\u0101 r\u012bkoto festiv\u0101lu “Baltic Take Over”<\/p>\n","protected":false},"author":1,"featured_media":5348,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[102,94],"tags":[],"class_list":["post-5347","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhivets","category-baltic-take-over"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5347"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5347\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5348"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5347"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5347"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}