{"id":5531,"date":"2022-10-24T18:45:02","date_gmt":"2022-10-24T18:45:02","guid":{"rendered":"https:\/\/theatre.local\/nelugtais-pakalpojums-girts-dubults-apskaviena-prakse\/"},"modified":"2022-10-24T18:45:02","modified_gmt":"2022-10-24T18:45:02","slug":"nelugtais-pakalpojums-girts-dubults-apskaviena-prakse","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/nelugtais-pakalpojums-girts-dubults-apskaviena-prakse\/","title":{"rendered":"Nel\u016bgtais pakalpojums: \u0122irts Dubults &#8220;Apsk\u0101viena prakse&#8221;"},"content":{"rendered":"<p><\/p>\n<p><strong>\u0122irts Dubults ir viens no \u201cun tad durvis atkal atv\u0113r\u0101s\u201d \u2013 p\u0113c k\u0101 m\u0113s, skat\u012bt\u0101ji, \u0161obr\u012bd visvair\u0101k alkstam?\u201d (<em>and then the doors opened again<\/em>) meistardarbn\u012bcas dal\u012bbniekiem. \u010cetru dienu laik\u0101 re\u017eisora Davida V\u0113bera-Krebsa (<em>David Weber-Krebs<\/em>) un kuratora un dramaturga Simones Basani (<em>Simone Basani<\/em>) vad\u012bb\u0101 \u010detri dal\u012bbnieki str\u0101d\u0101ja pie sav\u0101m nel\u016bgto pakalpojumu (<em>Unrequested Services<\/em>) idej\u0101m. <\/strong><\/p>\n<p>\u0122irta nel\u016bgtais pakalpojums ir Apsk\u0101viena prakse. T\u0101 tika \u012bstenota 6. septembr\u012b V\u0113rmanes park\u0101 no plkst. 14.00 l\u012bdz 15.00. Stundu \u0122irts pavad\u012bja divu ma\u0123istr\u0101lu V\u0113rmanes parka ce\u013cu krustojum\u0101 \u0123\u0113rbies mirdzo\u0161\u0101 roz\u0101 kleit\u0101, turot rok\u0101s z\u012bmi ar jaut\u0101jumu latvie\u0161u un ang\u013cu valod\u0101 \u201cApskausi mani? \/ Will you hug me?&#8221; Stundas laik\u0101 \u0122irts sa\u0146\u0113ma vismaz 40 apsk\u0101vienus p\u0101rsvar\u0101 no jaunie\u0161iem. \u0122irta p\u0101rdomas uzreiz p\u0113c \u0161\u012b notikuma las\u0101mas vi\u0146a <a href=\"https:\/\/www.instagram.com\/p\/CiSDQf_MSxp\/\" rel=\"noopener\" target=\"_blank\">Instagram profil\u0101<\/a>.<\/p>\n<div class='gallery'><a href='https:\/\/theatre.lv\/wp-content\/uploads\/2022\/10\/WhatsApp-Image-2022-09-08-at-17.50.34.jpeg' data-lightbox='ljti' ><img style='width:150px;height:150px;' src='https:\/\/theatre.lv\/wp-content\/uploads\/2022\/10\/WhatsApp-Image-2022-09-08-at-17.50.34-150x150.jpeg'\/><\/a><a href='https:\/\/theatre.lv\/wp-content\/uploads\/2022\/10\/WhatsApp-Image-2022-09-08-at-17.50.35.jpeg' data-lightbox='ljti' ><img style='width:150px;height:150px;' src='https:\/\/theatre.lv\/wp-content\/uploads\/2022\/10\/WhatsApp-Image-2022-09-08-at-17.50.35-150x150.jpeg'\/><\/a><a href='https:\/\/theatre.lv\/wp-content\/uploads\/2022\/10\/WhatsApp-Image-2022-09-08-at-17.50.35-1.jpeg' data-lightbox='ljti' ><img style='width:150px;height:150px;' src='https:\/\/theatre.lv\/wp-content\/uploads\/2022\/10\/WhatsApp-Image-2022-09-08-at-17.50.35-1-150x150.jpeg'\/><\/a><a href='https:\/\/theatre.lv\/wp-content\/uploads\/2022\/10\/WhatsApp-Image-2022-09-08-at-17.50.35-2.jpeg' data-lightbox='ljti' ><img style='width:150px;height:150px;' src='https:\/\/theatre.lv\/wp-content\/uploads\/2022\/10\/WhatsApp-Image-2022-09-08-at-17.50.35-2-150x150.jpeg'\/><\/a><a href='https:\/\/theatre.lv\/wp-content\/uploads\/2022\/10\/WhatsApp-Image-2022-09-08-at-17.50.35-3.jpeg' data-lightbox='ljti' ><img style='width:150px;height:150px;' src='https:\/\/theatre.lv\/wp-content\/uploads\/2022\/10\/WhatsApp-Image-2022-09-08-at-17.50.35-3-150x150.jpeg'\/><\/a><a href='https:\/\/theatre.lv\/wp-content\/uploads\/2022\/10\/WhatsApp-Image-2022-09-08-at-17.50.35-4.jpeg' data-lightbox='ljti' ><img style='width:150px;height:150px;' src='https:\/\/theatre.lv\/wp-content\/uploads\/2022\/10\/WhatsApp-Image-2022-09-08-at-17.50.35-4-150x150.jpeg'\/><\/a><\/p>\n<div class='clr'><\/div>\n<\/div>\n<p><strong>Juta Ance \u0136ir\u0137is: Past\u0101sti, k\u0101 praktiski \u012bstenoj\u0101s tavs nel\u016bgtais pakalpojums.<\/strong><br \/>\n\u0122irts Dubults: Tam bija nepiecie\u0161ama sagatavo\u0161an\u0101s. Jo papildus kleitai, kura man jau bija, man bija nepiecie\u0161ama z\u012bme, ko es tur\u0113tu rok\u0101s vai kas atrastos net\u0101lu no manis, ar tekstu \u201cApskausi mani?\u201d un &#8220;Will you hug me?&#8221;. Tad man bija j\u0101rada \u0161\u012b z\u012bme ar tiem resursiem, kas man ir pieejami. Es sapratu, ka v\u0113los, lai \u0161is ir zero waste pakalpojums, ka nev\u0113los ieg\u0101d\u0101ties preces un rad\u012bt atkritumus. Man pal\u012bdz\u0113ja &#8220;Homo Novus&#8221; festiv\u0101la centr\u0101, kur es atradu kartona kasti. Ar z\u012bmuli, line\u0101lu, dz\u0113\u0161gumiju un mar\u0137ieri pavad\u012bju festiv\u0101la centr\u0101 Ka\u013c\u0137u iel\u0101 divas stundas un sajutos k\u0101 scenogr\u0101fs, nezinu, k\u0101p\u0113c. \u0160\u012bs z\u012bmes izveide pa\u0146\u0113ma gan laiku, gan piep\u016bli, veidojot kompoz\u012bciju. V\u0113lreiz p\u0101rliecin\u0101jos par to, ka man ir gr\u016bti kaut ko izdar\u012bt pavir\u0161i. \u0160\u012b z\u012bme k\u013cuva par sava veida m\u0101ksliniecisku jaunradi. Tad bija j\u0101atrod vieta, kur\u0101 b\u016bt, tas gan bija vienk\u0101r\u0161i, es izv\u0113l\u0113jos divu ce\u013cu krustpunktu, kas V\u0113rmanes park\u0101 ir visapdz\u012bvot\u0101kie un izmantot\u0101kie ce\u013ci, lai man b\u016btu iesp\u0113ja satikt cilv\u0113kus un \u012bstenot \u0161o pakalpojumu. Man bija j\u0101p\u0101rliecin\u0101s, ka k\u0101ds \u0161o procesu dokument\u0113s, uzaicin\u0101ju p\u0101r\u0113jos meistardarbn\u012bcas dal\u012bbniekus uz parku konkr\u0113taj\u0101 laik\u0101 un dien\u0101. Man bija j\u0101p\u0101rliecin\u0101s, ka man ir dr\u0113bes, ko uzvilkt zem kleitas, jo liel\u0101k\u0101 da\u013ca cilv\u0113ku, kas zin\u0101ja, ka \u012bsteno\u0161u \u0161o pakalpojumu, uztrauc\u0101s par to, lai man neb\u016btu auksti. Ar\u012b mana mamma. (Smejas.) No praktisk\u0101s puses tas ar\u012b viss. Un tad stundu j\u0101b\u016bt atv\u0113rtam.<\/p>\n<p><strong>K\u0101ds bija tavs ce\u013c\u0161 l\u012bdz \u0161im konkr\u0113tajam nel\u016bgtajam pakalpojumam?<\/strong><br \/>\nIr gr\u016bti raksturot \u0161o ce\u013cu, jo tas ir vair\u0101ku apst\u0101k\u013cu un l\u0113mumu kopums, kas mani novedis pie \u0161\u012b nel\u016bgt\u0101 pakalpojuma. Galvenok\u0101rt ir j\u0101saka paldies Davidam un Simone, jo uzdevumi, ko vi\u0146i mums pied\u0101v\u0101ja meistardarbn\u012bc\u0101 pak\u0101peniski man \u013c\u0101va non\u0101kt pie \u0161\u012b pakalpojuma. Proti, s\u0101kum\u0101 m\u0113s las\u012bj\u0101m tekstus par to, ko da\u017e\u0101di cilv\u0113ki sagaida no skatuves m\u0101kslas, k\u0101p\u0113c vi\u0146iem t\u0101 ir svar\u012bga, k\u0101p\u0113c vi\u0146i to rada vai piedz\u012bvo. No \u0161iem tekstiem m\u0113s izv\u0113l\u0113j\u0101mies da\u017eus atsl\u0113gv\u0101rdus, par kuriem m\u0113s dom\u0101j\u0101m br\u012bvi, \u0101rpus gr\u0101matas vai tekstu konteksta. \u0160o atsl\u0113gv\u0101rdu ietekm\u0113 s\u0101ka formul\u0113ties ideja par pakalpojumu. Atsl\u0113gv\u0101rdi, kas mani uzrun\u0101ja, bija \u201cintimit\u0101te\u201d, \u201cb\u016bt kop\u0101 te un tagad\u201d un \u201cparal\u0113lais universs\u201d. Sapratu, ka \u0161ie atsl\u0113gv\u0101rdi reprezent\u0113 to, kas mani interes\u0113 un saista skatuves m\u0101ksl\u0101 gan k\u0101 skat\u012bt\u0101ju, gan k\u0101 t\u0101s veidot\u0101ju. P\u0113c atsl\u0113gv\u0101rdu noformul\u0113\u0161anas jau bija j\u0101s\u0101k dom\u0101t par nel\u016bgto pakalpojumu un j\u0101non\u0101k pie idej\u0101m, kuras turpm\u0101ku sarunu laik\u0101 transform\u0113j\u0101s un ieguva t\u0101du veidolu, k\u0101ds tas bija redzams. <\/p>\n<p><strong>K\u0101 tu non\u0101ci pie l\u0113muma, ka tas, ar ko dal\u012bsies \u0161aj\u0101 publiskaj\u0101 viet\u0101, b\u016bs tie\u0161i apsk\u0101viens?<\/strong><br \/>\nApsk\u0101viens bija pirm\u0101 darb\u012bba, ko es veicu \u0161\u012bs darbn\u012bcas ietvaros. Pirmais uzdevums, ko mums iedeva Davids un Simone, bija izlas\u012bt tekstu no gr\u0101matas <em>&#8220;and then the doors opened again&#8221;<\/em>, un es biju izv\u0113l\u0113jies Ivanas Milleres tekstu, kur\u0101 vi\u0146a raksta, ka vi\u0146ai skatuves m\u0101ksla un te\u0101tris saist\u0101s ar intimit\u0101ti, un vi\u0146a piemin, ka tas ir t\u0101ds k\u0101 apsk\u0101viens starp draugiem, kuri sen nav redz\u0113ju\u0161ies, vai cilv\u0113kiem, kuri ir iem\u012bl\u0113ju\u0161ies. Man \u013coti patika \u0161is teikums pats par sevi. Un tad man bija j\u0101prezent\u0113 \u0161is teksts p\u0101r\u0113jiem darbn\u012bcas dal\u012bbniekiem. Prezent\u0101ciju es s\u0101ku ar to, ka es katram l\u016bdzu piecelties un es katru no vi\u0146iem apsk\u0101vu. Tur ar\u012b tas apsk\u0101viens rad\u0101s un palika ar mani. K\u0101 jau es min\u0113ju, ce\u013c\u0161 l\u012bdz \u0161im nel\u016bgtajam pakalpojumam ir da\u017e\u0101du apst\u0101k\u013cu un uzdevumu ietekm\u0113 radies, tad \u0161is ir viens no piem\u0113riem. Apsk\u0101viens man saist\u0101s ar intimit\u0101ti un pie\u0146em\u0161anu, un m\u012blest\u012bbu. Es dom\u0101ju, ka tas br\u012bdis, kad m\u0113s patiesi apskaujamies, ir tas mirklis, kad m\u0113s viens otru pie\u0146emam un ar\u012b m\u012blam. M\u012blest\u012bba, manupr\u0101t, nav nekas tik grandiozs un episks, ka tam b\u016btu j\u0101izpilda daudzi citi priek\u0161noteikumi, lai es var\u0113tu teikt, ka kaut kas ir m\u012blest\u012bbas apliecin\u0101jums. Apsk\u0101viens pats par sevi ir m\u012blest\u012bbas apliecin\u0101jums. <\/p>\n<p><strong>K\u0101 tu redzi, k\u0101 tavs nel\u016bgtais pakalpojums iek\u013caujas <em>Unrequested Services<\/em> idej\u0101, ko Simone pied\u0101v\u0101 k\u0101 kuratori\u0101lu praksi? Kam tas ir pakalpojums? Un kur\u0161 to nav l\u016bdzis?<\/strong><br \/>\nMan \u0161\u0137iet, ka tas ir pakalpojums, kuru nebiju l\u016bdzis ne es, ne sabiedr\u012bba. K\u0101 pakalpojums tas noteikti ir k\u0101 siltuma apmai\u0146a. Neviens nav pras\u012bjis, lai vi\u0146am sniedz siltumu, bet es esmu gatavs sniegt \u0161o apsk\u0101viena mirkli un nedaudz sasild\u012bt katru cilv\u0113ku, kur\u0161 savuk\u0101rt ir gatavs sniegt to pa\u0161u man. L\u012bdz ar to tas ir gan pakalpojums man, gan otram cilv\u0113kam t\u012bri praktiski sasild\u012bt, sam\u012bl\u0113t. Soci\u0101l\u0101 kontekst\u0101, manupr\u0101t, tas ir ar\u012b pakalpojums kv\u012bru kult\u016brai. Atrodoties publisk\u0101 telp\u0101 kleit\u0101, kas ir ap\u0123\u0113rba gabals, ko p\u0113c soci\u0101laj\u0101m norm\u0101m nav pie\u0146emts vilkt cilv\u0113kiem, kuriem ir dzimumloceklis, es veicinu izpratnes veido\u0161anos par cit\u0101do, par to, kas neiek\u013caujas \u0161aj\u0101s norm\u0101s. L\u012bdz ar to es, manupr\u0101t, izdaru ar\u012b nelielu pakalpojumu kv\u012bru kult\u016brai.<\/p>\n<p><strong>To, k\u0101 \u0161is pakalpojums tevi emocion\u0101li ietekm\u0113ja, var izlas\u012bt tav\u0101 Instagram\u0101, bet vai tev ir \u0161obr\u012bd k\u0101di maz\u0101k emocion\u0101li vai praktiski secin\u0101jumi par to, k\u0101 un vai \u0161o praksi turpin\u0101t. K\u0101 tu redzi potenci\u0101lu att\u012bst\u012bbu turpm\u0101k un vai \u0161is projekts iek\u013caujas tav\u0101 profesion\u0101laj\u0101 m\u0101kslinieciskaj\u0101 horeogr\u0101fa un dejot\u0101ja praks\u0113?<\/strong><br \/>\nPirmk\u0101rt, viens no secin\u0101jumiem ir t\u0101ds, ka es noteikti v\u0113los att\u012bst\u012bt ideju par performanci, jo, lai gan tas ir nel\u016bgts pakalpojums, to man\u0101 gad\u012bjum\u0101 var\u0113tu defin\u0113t k\u0101 performanci. Stud\u0113jot Latvijas Kult\u016bras akad\u0113mij\u0101, esmu da\u017ek\u0101rt dzird\u0113jis, ka tas, ko radu, atg\u0101dina performanci. L\u012bdz ar to es v\u0113l\u0113tos turpin\u0101t izzin\u0101t performances \u017eanru. Protams, tam ir iesp\u0113jamas da\u017e\u0101das defin\u012bcijas. Bet es to izprotu k\u0101 notikumu, kas nav iepriek\u0161 izm\u0113\u0123in\u0101ts, un cilv\u0113ki, kas to pieredz galvenok\u0101rt nezina, ka tas notiek. Es nezinu, vai t\u0101 ir performance. Man\u0101 profesion\u0101laj\u0101 darb\u012bb\u0101 paveras jauns veids, k\u0101d\u0101 darboties, \u012bpa\u0161i soci\u0101lpolitisk\u0101 aspekt\u0101. Respekt\u012bvi, run\u0101t par t\u0113m\u0101m, kas skar sabiedr\u012bbu, atg\u0101din\u0101t sabiedr\u012bbai, ka to veido \u013coti daudz un da\u017e\u0101di cilv\u0113ki, tie\u0161i \u0161o soci\u0101lpolitisko aspektu es grib\u0113tu turpin\u0101t. Un ar\u012b intimit\u0101tes, jo mani vienm\u0113r uzrun\u0101 m\u0101kslinieki, kuri ir \u013coti atkl\u0101ti. Ar\u012b \u0161is nel\u016bgtais pakalpojums ir viens no veidiem, k\u0101 es arvien vair\u0101k atkl\u0101jos cilv\u0113kiem sev apk\u0101rt. Es gan nezinu, kur ir robe\u017eas, un da\u017ek\u0101rt dom\u0101ju, vai es esmu norm\u0101ls. Es zinu, ka es neesmu norm\u0101ls. (Smejas.) Bet es t\u0101pat par to dom\u0101ju. V\u0113l viens secin\u0101jums ir t\u0101ds, ka es nezinu, vai Latvij\u0101 ir daudz piem\u0113ru kam l\u012bdz\u012bgam, proti, soci\u0101lpolitiski akt\u012bviem notikumiem sabiedr\u012bb\u0101 \u0101rpus skatuves m\u0101kslas iest\u0101d\u0113m. Un tas man liek ap\u0161aub\u012bt savu r\u012bc\u012bbu un justies vientu\u013cam taj\u0101, ko esmu izdar\u012bjis vai pl\u0101noju dar\u012bt. Bet taj\u0101 pa\u0161\u0101 laik\u0101 lietuvie\u0161u horeogr\u0101fe Agniete Lisi\u010dkinaite mani iedvesmoja. Es biju diskusij\u0101 \u201cHoreogr\u0101fijas negat\u012bvi\u201d, kur\u0101 vi\u0146a st\u0101st\u012bja, ka ir Lietuv\u0101 praktiz\u0113jusi \u0161\u0101da veida notikumus. Piem\u0113ram, vi\u0146a st\u0101v\u0113jusi Vi\u013c\u0146\u0101 uz tilta un tur\u0113ja rok\u0101s z\u012bmi, uz kuras vien\u0101 pus\u0113 bija rakst\u012bts We are bombing for peace, bet otr\u0101 pus\u0113 \u2013 2435 civilians killed in Ukraine. Vi\u0146a tur\u0113ja \u0161o z\u012bmi un l\u0113n\u0101m skait\u012bja no 1 l\u012bdz 2435. Tas, manupr\u0101t, ar\u012b ir pakalpojums, ko vi\u0146ai neviens nebija l\u016bdzis. \u0160\u0101di soci\u0101lpolitiski\u2026 Tas ir mans m\u012b\u013c\u0101kais v\u0101rds, ikreiz, kad j\u016bs \u0161aj\u0101 intervij\u0101 ieraug\u0101t v\u0101rdu \u201csoci\u0101lpolitisks\u201d, jums j\u0101iedzer \u0161ots. (Smejas.) Tas visvair\u0101k un prec\u012bz\u0101k sasaucas ar nel\u016bgt\u0101 pakalpojuma ideju. Jo pakalpojums ta\u010du ir sabiedr\u012bbai. Un m\u0113s ta\u010du m\u0101kslu rad\u0101m cilv\u0113kiem gribot negribot. Kur\u0161 cits to uztvers? M\u0113s varam iet kaut k\u0101d\u0101 konceptu\u0101l\u0101 dom\u0101 un uzskat\u012bt, ka su\u0146i, ka\u0137i uztver m\u0101kslu, viss okej, bet galu gal\u0101 m\u0113s m\u0101kslu rad\u0101m cilv\u0113kiem, un cilv\u0113ki veido pasauli, un ir j\u0101run\u0101 par sabiedr\u012bbu, par to, kas re\u0101li notiek, jo kam tad \u012bsti citam ir j\u0113ga? Interesanti, ka \u0161\u0101d\u0101 form\u0101t\u0101 \u012bsti nav publikas, visticam\u0101k, tu nesa\u0146em aplausus\u2026 Manupr\u0101t, \u0161is form\u0101ts ar\u012b papla\u0161ina skatuves m\u0101kslas robe\u017eas un defin\u012bciju, kas ir skatuves m\u0101ksla. Tas ar\u012b mani saista un tas ir viens no secin\u0101jumiem, ko gribu sav\u0101 praks\u0113 turpin\u0101t, proti, skatuves m\u0101ksla var notikt jebkur, ir vajadz\u012bgi tr\u012bs aspekti: k\u0101ds, kas rada un dara, vieta, kur tas notiek, un k\u0101ds, kas to uztver. Un, ja es esmu kleit\u0101 park\u0101 un tu man ej gar\u0101m, tad, manupr\u0101t, t\u0101 ir skatuves m\u0101ksla. Iemesls, k\u0101p\u0113c es grib\u0113ju piedal\u012bties \u0161aj\u0101 meistarklas\u0113 pie Davida un Simones, ko es ar\u012b rakst\u012bju sav\u0101 pieteikum\u0101, ir tas, ka man interes\u0113 skatuves m\u0101kslas robe\u017eas \u2013 kur var b\u016bt skat\u012bt\u0101js, kas var b\u016bt skatuve. Un ar \u0161o nel\u016bgto pakalpojumu es ieguvu sev da\u017eas atbildes.<\/p>\n<p><strong>Par projektu<\/strong><br \/>\n2020. gada 8. apr\u012bl\u012b, Eiropas pirm\u0101 Covid-19 vi\u013c\u0146a laik\u0101, m\u0101kslinieks Davids V\u0113bers-Krebss pied\u0101v\u0101ja saviem kol\u0113\u0123iem vis\u0101 pasaul\u0113 piedal\u012bties kolekt\u012bv\u0101 izt\u0113les projekt\u0101. Vi\u0146\u0161 l\u016bdza e-past\u0101 uzrakst\u012bt, k\u0101du vi\u0146i izt\u0113lojas te\u0101tra n\u0101kotni tie\u0161i \u0161aj\u0101 br\u012bd\u012b, kad te\u0101tri ir sl\u0113gti un nav zin\u0101ms, kad, k\u0101 un vai visp\u0101r tiks atkal atv\u0113rti. Sa\u0146emt\u0101s atbildes tika apkopotas gr\u0101mat\u0101 \u201cun tad durvis atkal atv\u0113r\u0101s\u201d, kas izn\u0101ca 2020. gada septembr\u012b izdevniec\u012bb\u0101 Onomatopee. Kop\u0161 t\u0101 laika gr\u0101mata kalpo k\u0101 instruments, ar kura pal\u012bdz\u012bbu izteikt turpm\u0101kus min\u0113jumus un dal\u012bties p\u0101rdom\u0101s par skat\u012bt\u0101ja lomu pand\u0113mijas laik\u0101 un p\u0113c t\u0101s. Davids V\u0113bers-Krebss un Simone Basani ar to ir viesoju\u0161ies da\u017e\u0101d\u0101s pils\u0113t\u0101s (Brisel\u0113, Skopj\u0113, Roterdam\u0101), apmekl\u0113jot te\u0101trus un sarun\u0101joties ar te\u0101tra apmekl\u0113t\u0101jiem kl\u0101tienes un tie\u0161saistes darbn\u012bc\u0101s. 2021. gada vasar\u0101 abi m\u0101kslinieki tik\u0101s ar\u012b ar da\u017e\u0101da vecuma, kult\u016bru un profesiju skat\u012bt\u0101jiem R\u0113zekn\u0113 un R\u012bg\u0101, un vi\u0146u sarunas tika dokument\u0113tas un iek\u013cautas \u201cun tad durvis atkal atv\u0113r\u0101s\u201d arh\u012bv\u0101. Festiv\u0101la laik\u0101 Davids un Simone v\u0113l\u0113j\u0101s p\u0113t\u012bt \u0161os arh\u012bva materi\u0101lus kop\u0101 ar viet\u0113jo m\u0101kslinieku grupu, lai kop\u012bgi mekl\u0113tu idejas nel\u016bgtam pakalpojumam. \u0160\u012b ir pirm\u0101 reize, kad meistardarbn\u012bc\u0101 integr\u0113ts Simones Basani projekts &#8220;Unrequested Services&#8221;.<\/p>\n<p>Notikumu \u012bsteno \u201cACT: m\u0101ksla, klimats, p\u0101rmai\u0146as\u201d. Atbalsta ES programma \u201cRado\u0161\u0101 Eiropa\u201d.<\/p>\n<p><a href=\"https:\/\/artclimatetransition.eu\/\" target=\"_blank\" rel=\"noopener\">&#8220;ACT: m\u0101ksla, klimats un p\u0101rmai\u0146as\u201d<\/a> ir Eiropas l\u012bme\u0146a sadarb\u012bbas projekts, kura uzman\u012bbas centr\u0101 ir ekolo\u0123ija, klimats un soci\u0101l\u0101s p\u0101rmai\u0146as. Klimata kr\u012bzes, masveida izmir\u0161anas un augo\u0161as nevienl\u012bdz\u012bbas laik\u0101 projekta partneri str\u0101d\u0101 kop\u0101 ar m\u0101ksliniekiem, zin\u0101tniekiem un akt\u012bvistiem, lai mekl\u0113tu cer\u012bbu, apvienotu pla\u0161u glob\u0101lo perspekt\u012bvu ar specifisk\u0101m lok\u0101laj\u0101m iesp\u0113j\u0101m un aicin\u0101tu r\u012bkoties. \u201cACT\u201d t\u012bklojum\u0101 darbojas 10 partneri no 10 Eiropas valst\u012bm. Papildu info: <a href=\"https:\/\/artclimatetransition.eu\/\" target=\"_blank\" rel=\"noopener\">artclimatetransition.eu<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14119\" src=\"http:\/\/theatre.lv\/wp-content\/uploads\/2020\/04\/ACT_logo_basic_black_CMYK-1.jpg\" alt=\"\" width=\"170\" height=\"80\" \/><\/a>\u00a0\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10250\" src=\"http:\/\/theatre.lv\/wp-content\/uploads\/2014\/06\/eu_flag_creative_europe_co_funded_pos_rgb_right-copia-300x75.jpg\" alt=\"\" width=\"300\" height=\"75\" srcset=\"https:\/\/theatre.lv\/wp-content\/uploads\/2014\/06\/eu_flag_creative_europe_co_funded_pos_rgb_right-copia-300x75.jpg 300w, https:\/\/theatre.lv\/wp-content\/uploads\/2014\/06\/eu_flag_creative_europe_co_funded_pos_rgb_right-copia-1024x257.jpg 1024w, https:\/\/theatre.lv\/wp-content\/uploads\/2014\/06\/eu_flag_creative_europe_co_funded_pos_rgb_right-copia-700x175.jpg 700w, https:\/\/theatre.lv\/wp-content\/uploads\/2014\/06\/eu_flag_creative_europe_co_funded_pos_rgb_right-copia-460x115.jpg 460w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Starptautisk\u0101 jaun\u0101 te\u0101tra festiv\u0101la &#8220;Homo Novus&#8221; laik\u0101 re\u017eisora Davida V\u0113bera-Krebsa un kuratora un dramaturga Simones Basani vad\u012bb\u0101 \u010detri dal\u012bbnieki str\u0101d\u0101ja pie sav\u0101m nel\u016bgto pakalpojumu idej\u0101m. \u0122irta Dubulta ideja par nel\u016bgto pakalpojumu ir rezult\u0113jusies projekt\u0101 \u201cApsk\u0101viena prakse\u201d.<\/p>\n","protected":false},"author":1,"featured_media":5532,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[103,102],"tags":[],"class_list":["post-5531","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-act","category-arhivets"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5531"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5531\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5532"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5531"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5531"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}