{"id":5539,"date":"2022-10-02T12:35:11","date_gmt":"2022-10-02T12:35:11","guid":{"rendered":"https:\/\/theatre.local\/nelugtais-pakalpojums-vilnis-birins-echo-atbalss\/"},"modified":"2022-10-02T12:35:11","modified_gmt":"2022-10-02T12:35:11","slug":"nelugtais-pakalpojums-vilnis-birins-echo-atbalss","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/nelugtais-pakalpojums-vilnis-birins-echo-atbalss\/","title":{"rendered":"Nel\u016bgtais pakalpojums: Vilnis B\u012bri\u0146\u0161 “ECHO (ATBALSS)”"},"content":{"rendered":"

<\/p>\n

Vilnis B\u012bri\u0146\u0161 ir viens no \u201cun tad durvis atkal atv\u0113r\u0101s\u201d \u2013 p\u0113c k\u0101 m\u0113s, skat\u012bt\u0101ji, \u0161obr\u012bd visvair\u0101k alkstam?\u201d (and then the doors opened again<\/em>) meistardarbn\u012bcas dal\u012bbniekiem. \u010cetru dienu laik\u0101 re\u017eisora Davida V\u0113bera-Krebsa (David Weber-Krebs<\/em>) un kuratora un dramaturga Simones Basani (Simone Basani<\/em>) vad\u012bb\u0101 \u010detri dal\u012bbnieki str\u0101d\u0101ja pie sav\u0101m nel\u016bgto pakalpojumu (Unrequested Services<\/em>) idej\u0101m. <\/strong><\/p>\n

Nedaudz par ce\u013cu l\u012bdz nel\u016bgtajam pakalpojumam “ECHO<\/em>“.<\/p>\n

Davids V\u0113bers-Krebss un Simone Basani meistardarbn\u012bcu s\u0101k ar aicin\u0101jumu past\u0101st\u012bt par izr\u0101di, kas atst\u0101jusi palieko\u0161u iespaidu uz katru no mums. Reiz\u0113 t\u0101 ir gan iepaz\u012b\u0161an\u0101s ar darbn\u012bcas dal\u012bbniekiem, gan ar\u012b p\u0113t\u012bjums par dal\u012bbnieku skat\u012bjumu uz performat\u012bvo m\u0101kslu p\u0113c tam \u201ckad durvis atkal atv\u0113r\u0101s\u201d, tas ir \u2013 \u0161odien. Es st\u0101stu par br\u012bni\u0161\u0137\u012bgu igau\u0146u m\u0101kslinieka Marta Kangro izr\u0101di “Past perfect”, ko \u0161\u012b gada mart\u0101 izdev\u0101s noskat\u012bties Tallin\u0101 Baltic Dance platform<\/a>. Man vienm\u0113r paticis Marta Kangro smalkums. Turkl\u0101t izr\u0101d\u0113 vi\u0146\u0161 run\u0101 par t\u0113mu, kas mani m\u0101ksl\u0101 nodarbina \u0161obr\u012bd, \u2013 pag\u0101tni, kas ir tikpat neprognoz\u0113jama k\u0101 n\u0101kotne, kas pl\u016bst un main\u0101s, mainoties tam, kas non\u0101k m\u016bsu fokus\u0101. “Past perfect” ir t\u012brs <\/em>darbs, kas man\u0101 interpret\u0101cij\u0101 noz\u012bm\u0113 to, ka tas mani p\u0101r\u0146\u0113mis sav\u0101 var\u0101, ka taj\u0101 nav nek\u0101 lieka, kas trauc\u0113tu to uztvert. Milz\u012bga bauda v\u0113rot, k\u0101 ikdieni\u0161\u0137as kust\u012bbas p\u0101rtop semiotisk\u0101s z\u012bm\u0113s, k\u0101 veidojas st\u0101sta dramatur\u0123ija, k\u0101 str\u0101d\u0101 da\u017e\u0101das deta\u013cas, kaut vai izr\u0101des s\u0101kum\u0101 piemin\u0113tais lietus, kas izr\u0101des vidusda\u013c\u0101 s\u0101k l\u012bt uz skatuves, kur kop\u0101 ar m\u0101kslinieku atrodas ar\u012b skat\u012bt\u0101ji, vai dejot\u0101ja pazu\u0161ana uz k\u0101du laiku un p\u0113k\u0161\u0146\u0101 par\u0101d\u012b\u0161an\u0101s, kad skat\u012bt\u0101ji jau ir nol\u0113mu\u0161i, ka izr\u0101de ir beigusies. Faktiski mans st\u0101sts par izr\u0101di “Past perfect” ir atbilde uz vienu no darbn\u012bcas s\u0101kum\u0101 formul\u0113tajiem jaut\u0101jumiem \u2013 k\u0101da m\u0101ksla ir nepiecie\u0161ama \u0161odien. Mana \u012bs\u0101 versija \u2013 \u013coti da\u017e\u0101da, bet svar\u012bgi ir kvalit\u0101tes krit\u0113riji (kas katram skat\u012bt\u0101jam, protams, ir savi).<\/p>\n

Otrais uzdevums: izv\u0113l\u0113ties k\u0101du no Davida gr\u0101matas p\u0113ckovidlaika te\u0101tra apmekl\u0113juma v\u012bzij\u0101m un to atst\u0101st\u012bt. Skaidrs, ka \u0161eit svar\u012bg\u0101ka ir interpret\u0101cija, nevis pats st\u0101sts. T\u016bl\u012bt pat seko tre\u0161ais uzdevums: nu jau kop\u0101 ar citu darbn\u012bcas dal\u012bbnieku, to pa\u0161u izdar\u012bt atsaucoties uz k\u0101du no intervij\u0101m, ko Davids un Simone ir veiku\u0161i te\u0101tra uztveres p\u0113t\u012bjuma ietvaros Latvij\u0101. Annijas un manis kop\u012bgi izv\u0113l\u0113taj\u0101 intervij\u0101 ir piemin\u0113ti vair\u0101ki interesanti aspekti: interv\u0113tajam ir svar\u012bga distance, cik t\u0101lu vi\u0146\u0161 atrodas no skatuves, t\u0101pat ar\u012b tas, vai vi\u0146a redzeslok\u0101 iek\u013c\u016bst citi skat\u012bt\u0101ji, ka vi\u0146a uztveri ietekm\u0113 blakuss\u0113d\u0113t\u0101js, ar kuru vi\u0146\u0161 kop\u0101 devies uz te\u0101tri, un ka vi\u0146\u0161 ar nepaciet\u012bbu gaida mirkli, kad izr\u0101de beigsies, lai var\u0113tu dal\u012bties savos iespaidos. Mums ar Anniju ir j\u0101izv\u0113las intervijas atsl\u0113gv\u0101rdi, un m\u0113s izv\u0113lamies \u2013 atbalss un distance.<\/p>\n

Ceturtais uzdevums ir t\u0101 saucamais storytelling uzdevums: kop\u0101 ar k\u0101du darbn\u012bcas dal\u012bbnieku j\u0101past\u0101sta par izdom\u0101tas izr\u0101des apmekl\u0113jumu. Skaidrs, ka t\u0101 ir neliela, bet jau nopietn\u0101ka uzst\u0101\u0161an\u0101s publikas (lai ar\u012b tikai darbn\u012bcas dal\u012bbnieku) priek\u0161\u0101. Gatavojoties \u0161im uzdevumam rodas mirk\u013cbirka #nopressure. \u0160im izteikumam var b\u016bt da\u017e\u0101di skaidrojumi. Viens no tiem tie\u0161s \u2013 bez uztraukuma, jebkur\u0161 rezult\u0101ts ir akcept\u0113jams. Bet past\u0101v ar\u012b cits, ironisks. To lieto br\u012b\u017eos, kad k\u0101dam ir j\u0101paveic gr\u016bts un atbild\u012bgs uzdevums, un vi\u0146\u0161 nek\u0101d\u0101 gad\u012bjum\u0101 nedr\u012bkst k\u013c\u016bd\u012bties. \u0160is ha\u0161tags <\/em>lieliski raksturo darbn\u012bcas atmosf\u0113ru. T\u0101 ir br\u012bva un nepiespiesta, bet taj\u0101 pa\u0161\u0101 laik\u0101 m\u0113s apzin\u0101mies, ka esam ce\u013c\u0101 uz k\u0101du m\u0101ksliniecisku rezult\u0101tu, par kura kvalit\u0101ti esam atbild\u012bgi. Str\u0101d\u0101jot kop\u0101 ar Ievu, rodas ideja papildin\u0101t st\u0101stu ar neliel\u0101m kust\u012bbu et\u012bd\u0113m, kur\u0101s izmantojam turpat uz galda st\u0101vo\u0161\u0101s balt\u0101s pap\u012bra lapas. Viena no m\u016bsu et\u012bd\u0113m ir par t\u0113mu \u201catbalss\u201d \u2013 divas baltas pap\u012bra lapas viena otrai tr\u012bsu\u013cojot atsaucas, radot atbalss efektu.<\/p>\n

Veicot piekto uzdevumu, mums ar k\u0101du no darbn\u012bcas dal\u012bbniekiem ir j\u0101dal\u0101s sav\u0101 pieredz\u0113 par interaktivit\u0101ti k\u0101d\u0101 performanc\u0113, tad j\u0101apmain\u0101s lom\u0101m un j\u0101pasniedz dzird\u0113tais st\u0101sts tik ticami, it k\u0101 tas b\u016btu tav\u0113jais. \u0122irta dokument\u0101lo st\u0101stu es papildinu ar izdom\u0101t\u0101m epizod\u0113m, neliedzot savai fant\u0101zijai neko. S\u0101kum\u0101 \u0122irts ir izbr\u012bn\u012bts, tad s\u0101k noliedzo\u0161i purin\u0101t galvu, un es j\u016btu, ka vi\u0146\u0161 gaida st\u0101sta nobeigumu, lai emocion\u0101li izsauktos, ka t\u0101 nav taisn\u012bba, ka paties\u012bb\u0101 t\u0101 nenotika! J\u0101, t\u0101 nenotika, bet m\u0113s neman\u0101mi ar ha\u0161taga <\/em>#nopressure pal\u012bdz\u012bbu dodamies m\u0101klsiniecisk\u0101s paties\u012bbas virzien\u0101.<\/p>\n

Kad sa\u0146emamam galveno uzdevumu izveidot nel\u016bgto pakalpojumu, p\u0113c dienas ilgas mald\u012b\u0161an\u0101s da\u017e\u0101dos \u201cmalkas ce\u013cos\u201d, es apj\u0113dzu, ka ir kas kop\u012bgs, par ko esmu run\u0101jis visos uzdevumos. Visos uzdevumos ir figur\u0113jis kaut kas, kas ir saist\u012bts ar atbalsi vai atbalso\u0161anos. Faktiski t\u0113ma, kura jau ilg\u0101ku laiku mani nodarbina.<\/p>\n

Latvie\u0161iem ir sak\u0101mv\u0101rds \u201cK\u0101 sauc, t\u0101 atsaucas\u201d. Faktiski jau visa m\u016bsu dz\u012bve sast\u0101v no sauk\u0161anas un atsauk\u0161an\u0101s. M\u0113s saucam, un m\u016bs sauc. M\u0113s atsaucamies, un mums atsaucas. Vai tie\u0161i pret\u0113ji \u2013 nesaucam un neatsaucamies. Dro\u0161i vien katrs dab\u0101 ir mekl\u0113jis vietu, kur var sadzird\u0113t atbalsi. Un izjutis prieku, kad t\u0101 p\u0113k\u0161\u0146i atskan. Uz t\u0101du vietu ir v\u0113rts aizvest citus, lai ar\u012b vi\u0146i izj\u016bt ko l\u012bdz\u012bgu.
\nNel\u016bgt\u0101 pakalpojuma “ECHO” m\u0113r\u0137is ir netie\u0161i iekustin\u0101t neprognoz\u0113jamus rado\u0161os procesus. Es izv\u0113los 1987. gad\u0101 uz\u0146emtu fotogr\u0101fiju. Fotogr\u0101fij\u0101 redzami pieci d\u017eeki \u2013 smag\u0101 roka grupas \u201cKrams\u201d pirmais sast\u0101vs. Grupas dibin\u0101t\u0101js Arnis Terzens \u201cKramu\u201d raksturo \u0161\u0101di: \u201cViena no iespaid\u012bg\u0101kaj\u0101m mazzin\u0101maj\u0101m 80. gadu pagr\u012bdes supergrup\u0101m.\u201d Pulksten 12.00 mesend\u017eer\u012b <\/em>nospie\u017eu send<\/em>… Turpin\u0101jums sekos.<\/p>\n

Juta Ance \u0136ir\u0137is par Vi\u013c\u0146a B\u012bri\u0146a nel\u016bgto pakalpojumu “ECHO”. <\/strong>
\nKad pievienojos meistardarbn\u012bcai, s\u0101kton\u0113j\u0101 ideja, kurai tiku pieaicin\u0101ta, bija transform\u0113jusies. Davids un Simone a\u0161i mani iesvaid\u012bja jaunajos apst\u0101k\u013cos, un tapa skaidrs, ka pand\u0113mijas s\u0101kum\u0101 rad\u012bt\u0101 gr\u0101mata “and then the doors opened again” ir k\u013cuvusi par form\u0101lu atsp\u0113riena punktu pavisam citai praksei \u2013 “Unrequested Services” jeb nel\u016bgtais pakalpojums. Gr\u0101mata tika izmantota k\u0101 s\u0101kotn\u0113ja grupas saistviela un avots dal\u012bbniekiem b\u016btisk\u0101m atzi\u0146\u0101m un atsl\u0113gv\u0101rdiem, kas tika izmantoti turpm\u0101kajos uzdevumos, lai pak\u0101peniski non\u0101ktu pie katram tuvas un b\u016btiskas idejas par nel\u016bgtu pakalpojumu. Ir gad\u012bjumi, kad meistardarbn\u012bca rezult\u0113jas form\u0101l\u0101 vadl\u012bniju izpild\u0113. Bet \u0161\u0137iet, ka \u0161oreiz visi meistardarbn\u012bcas dal\u012bbnieki ir atradu\u0161i sev patiesu un att\u012bst\u0101mu starta l\u012bniju, kas saskan ar\u012b ar idejas autoru un vad\u012bt\u0101ju izvirz\u012btaj\u0101m pras\u012bb\u0101m.<\/p>\n

Vi\u013c\u0146a B\u012bri\u0146a nel\u016bgtais pakalpojums s\u0101kas ar aiz\u0137er\u0161anos aiz gr\u0101mat\u0101 “and then the doors opened again” paman\u012bta atsl\u0113gv\u0101rda \u201catbalss\u201d un t\u0101 dzi\u013c\u0101kas anal\u012bzes. Uzklausot priv\u0101tu st\u0101stu par Vi\u013c\u0146a attiec\u012bb\u0101m, ir skaidrs, ka atbalss vi\u0146a gad\u012bjum\u0101 nav tikai par fiziku un ska\u0146as vibr\u0101cij\u0101m, bet par to, k\u0101 \u0161\u012bs vibr\u0101cijas sasaista sauc\u0113ju un atbild\u0113t\u0101ju. T\u0101p\u0113c likumsakar\u012bgi top Vi\u013c\u0146a nel\u016bgtais pakalpojumus \u2013 projekts “ECHO” \u2013, kura saknes mekl\u0113jamas person\u012bg\u0101 v\u0113lm\u0113 atg\u0101din\u0101t sev, ka laiks ir b\u016btiska un nepiecie\u0161ama d\u0101vana, ko varam sniegt saviem apk\u0101rt\u0113jiem. No p\u0101rdom\u0101m par to, ka pats esi bijis nepietiekami sp\u0113c\u012bga atbalss, ir tapis projekts, kas aicina citus atbalsoties.
\nFestiv\u0101la otraj\u0101 ned\u0113\u013c\u0101, kad meistardarbn\u012bcas dal\u012bbniekiem ir uzdevums izm\u0113\u0123in\u0101t savus pakalpojumus darb\u012bb\u0101, Vilnis nos\u016bta 1987. gad\u0101 uz\u0146emtu fotogr\u0101fiju trim no \u010detriem Vi\u013c\u0146a kompanjoniem, kas redzami att\u0113l\u0101, un viss. Nek\u0101du citu paskaidrojumu nav. K\u0101 varat iedom\u0101ties, reakcijas ir da\u017e\u0101das. Viens neatbild nemaz, viens priec\u0101jas par atmi\u0146u un iesl\u012bgst deta\u013c\u0101s, m\u0113\u0123inot rekonstru\u0113t patieso notikumu, bet tre\u0161ais dod Vilnim jaunu iesp\u0113ju atbalsoties, pied\u0101v\u0101jot rado\u0161u sadarb\u012bbu.
\n\u0160\u012b ir vienk\u0101r\u0161a un skaidri saprotama strukt\u016bra, kas aicina ikvienu p\u0101rcil\u0101t savas atbalso\u0161an\u0101s funkcijas un secin\u0101t, cik veiksm\u012bgas vai neveiksm\u012bgas t\u0101s biju\u0161as. Ir cilv\u0113ki, kas dz\u012bvo ar moto vienm\u0113r teikt \u201cJ\u0101\u201d, projekts “ECHO” princip\u0101 ir s\u0101cies ar l\u012bdz\u012bgu v\u0113lmi, lai padar\u012btu sevi pa\u0161u pieejam\u0101ku tiem, kas v\u0113las dal\u012bt kop\u012bgu laiku un telpu. Tom\u0113r t\u0101 realiz\u0101cijas forma \u0161obr\u012bd \u0161\u0137iet daudz b\u016btisk\u0101ka, jo \u013cauj taj\u0101 piedal\u012bties ikvienam. Vienojo\u0161a atmi\u0146a un digit\u0101l\u0101s pasaules sniegt\u0101s iesp\u0113jas \u2013 tas ir viss, kas nepiecie\u0161ams, lai piedal\u012btos \u0161aj\u0101 sp\u0113l\u0113. Ja vien j\u016bs esat gatavi apbru\u0146oties ar paciet\u012bbu un varat samierin\u0101ties ar potenci\u0101lu, ka atbalss neatskan\u0113s.<\/p>\n

Par projektu<\/strong>
\n2020. gada 8. apr\u012bl\u012b, Eiropas pirm\u0101 Covid-19 vi\u013c\u0146a laik\u0101, m\u0101kslinieks Davids V\u0113bers-Krebss pied\u0101v\u0101ja saviem kol\u0113\u0123iem vis\u0101 pasaul\u0113 piedal\u012bties kolekt\u012bv\u0101 izt\u0113les projekt\u0101. Vi\u0146\u0161 l\u016bdza e-past\u0101 uzrakst\u012bt, k\u0101du vi\u0146i izt\u0113lojas te\u0101tra n\u0101kotni tie\u0161i \u0161aj\u0101 br\u012bd\u012b, kad te\u0101tri ir sl\u0113gti un nav zin\u0101ms, kad, k\u0101 un vai visp\u0101r tiks atkal atv\u0113rti. Sa\u0146emt\u0101s atbildes tika apkopotas gr\u0101mat\u0101 \u201cun tad durvis atkal atv\u0113r\u0101s\u201d, kas izn\u0101ca 2020. gada septembr\u012b izdevniec\u012bb\u0101 Onomatopee. Kop\u0161 t\u0101 laika gr\u0101mata kalpo k\u0101 instruments, ar kura pal\u012bdz\u012bbu izteikt turpm\u0101kus min\u0113jumus un dal\u012bties p\u0101rdom\u0101s par skat\u012bt\u0101ja lomu pand\u0113mijas laik\u0101 un p\u0113c t\u0101s. Davids V\u0113bers-Krebss un Simone Basani ar to ir viesoju\u0161ies da\u017e\u0101d\u0101s pils\u0113t\u0101s (Brisel\u0113, Skopj\u0113, Roterdam\u0101), apmekl\u0113jot te\u0101trus un sarun\u0101joties ar te\u0101tra apmekl\u0113t\u0101jiem kl\u0101tienes un tie\u0161saistes darbn\u012bc\u0101s. 2021. gada vasar\u0101 abi m\u0101kslinieki tik\u0101s ar\u012b ar da\u017e\u0101da vecuma, kult\u016bru un profesiju skat\u012bt\u0101jiem R\u0113zekn\u0113 un R\u012bg\u0101, un vi\u0146u sarunas tika dokument\u0113tas un iek\u013cautas \u201cun tad durvis atkal atv\u0113r\u0101s\u201d arh\u012bv\u0101. Festiv\u0101la laik\u0101 Davids un Simone v\u0113l\u0113j\u0101s p\u0113t\u012bt \u0161os arh\u012bva materi\u0101lus kop\u0101 ar viet\u0113jo m\u0101kslinieku grupu, lai kop\u012bgi mekl\u0113tu idejas nel\u016bgtam pakalpojumam. \u0160\u012b ir pirm\u0101 reize, kad meistardarbn\u012bc\u0101 integr\u0113ts Simones Basani projekts “Unrequested Services”.<\/p>\n

Notikumu \u012bsteno \u201cACT: m\u0101ksla, klimats, p\u0101rmai\u0146as\u201d. Atbalsta ES programma \u201cRado\u0161\u0101 Eiropa\u201d.<\/p>\n

“ACT: m\u0101ksla, klimats un p\u0101rmai\u0146as\u201d<\/a> ir Eiropas l\u012bme\u0146a sadarb\u012bbas projekts, kura uzman\u012bbas centr\u0101 ir ekolo\u0123ija, klimats un soci\u0101l\u0101s p\u0101rmai\u0146as. Klimata kr\u012bzes, masveida izmir\u0161anas un augo\u0161as nevienl\u012bdz\u012bbas laik\u0101 projekta partneri str\u0101d\u0101 kop\u0101 ar m\u0101ksliniekiem, zin\u0101tniekiem un akt\u012bvistiem, lai mekl\u0113tu cer\u012bbu, apvienotu pla\u0161u glob\u0101lo perspekt\u012bvu ar specifisk\u0101m lok\u0101laj\u0101m iesp\u0113j\u0101m un aicin\u0101tu r\u012bkoties. \u201cACT\u201d t\u012bklojum\u0101 darbojas 10 partneri no 10 Eiropas valst\u012bm. Papildu info: artclimatetransition.eu<\/a><\/p>\n

\"\"<\/a>\u00a0\u00a0\"\"<\/a><\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

Starptautisk\u0101 jaun\u0101 te\u0101tra festiv\u0101la “Homo Novus” laik\u0101 re\u017eisora Davida V\u0113bera-Krebsa un kuratora un dramaturga Simones Basani vad\u012bb\u0101 \u010detri dal\u012bbnieki str\u0101d\u0101ja pie sav\u0101m nel\u016bgto pakalpojumu idej\u0101m. Vil\u0146a B\u012bri\u0146a ideja par nel\u016bgto pakalpojumu ir rezult\u0113jusies projekt\u0101 \u201cECHO\u201d.<\/p>\n","protected":false},"author":1,"featured_media":5540,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[103,102],"tags":[],"class_list":["post-5539","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-act","category-arhivets"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5539","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5539"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5539\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5540"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5539"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5539"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5539"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}