https:\/\/forms.gle\/af3iBDWR6uDwfZqR7<\/a>. Kopum\u0101 tiks uz\u0146emti l\u012bdz 15 dal\u012bbnieki. Detaliz\u0113ta \u201cSkates akad\u0113mijas\u201d programma tiks izs\u016bt\u012bta p\u0113c dal\u012bbnieku apstiprin\u0101\u0161anas. Jaut\u0101jumu gad\u012bjum\u0101 rakst\u012bt e-pastu ieva@theatre.lv vai zvan\u012bt 20366184.<\/p>\nFoto: Ingus Bajars no 2022. gada Homo Novus festival<\/p>\n
Vair\u0101k par mentoriem:
\nLaia Montoya (Sp\u0101nija\/V\u0101cija) <\/strong>
\nLaia Montoya ir a\u0123ent\u016bras TINA AGENCY izplat\u012b\u0161anas a\u0123ente un producente. A\u0123ent\u016bras p\u0101rst\u0101vniec\u012bba atrodas Madrid\u0113, Barselon\u0101 un Berl\u012bn\u0113. T\u0101 nodarbojas ar komunik\u0101cijas strat\u0113\u0123ijas izstr\u0101di, k\u0101 ar\u012b pied\u0101v\u0101 konsult\u0101cijas ilgtermi\u0146a izpild\u012bt\u0101jm\u0101kslas projektiem, fokus\u0113joties uz laikmet\u012bgo skatuves m\u0101kslu, t\u0101s praksi, vad\u012bbu, p\u0113tniec\u012bbu un p\u0101rvald\u012bbu, vienm\u0113r esot atv\u0113rti diskusij\u0101m ar citu m\u0101kslas formu p\u0101rst\u0101vjiem. A\u0123ent\u016bra is sadarb\u012bbas projekts, kas darbojas skatuves m\u0101kslas mened\u017ementa un m\u0101ksliniecisk\u0101s jaunrades jom\u0101, ar m\u0113r\u0137i main\u012bt tradicion\u0101l\u0101 kult\u016bras mened\u017ementa paradigmu. T\u0101 str\u0101d\u0101 balstoties uz katra individu\u0101l\u0101 projekta nepiecie\u0161am\u012bb\u0101m, apzinoties katra projekta iesp\u0113jas un izv\u0113loties veidus, kas visprec\u012bz\u0101k atbilst t\u0101 vajadz\u012bb\u0101m.<\/p>\nRoman Paw\u0142owski (Polija) <\/strong>
\nRoman Pawlowski ir kurators, dramaturgs un te\u0101tra TR Warszawa programmas direktors.
\nKop\u0161 2014. gada bijis programmas konsultants Nacion\u0101laj\u0101 re\u017eijas m\u0101kslas festiv\u0101l\u0101 Interpret\u0101cijas Katovic\u0113. No 2010. l\u012bdz 2016. gadam bijis Teatr im r\u012bkot\u0101 Starptautisk\u0101 festiv\u0101la Jaun\u0101 Eiropas klasika kurators. Roman ir bijis saist\u012bts ar TR Warszawa kop\u0161 2014. gada \u2013 vispirms k\u0101 Teren TR darbn\u012bcu programmas kurators, p\u0113c tam k\u0101 TR Warszawa programmas noda\u013cas vad\u012bt\u0101js un m\u0101ksliniecisk\u0101 direktora vietnieks programmas jaut\u0101jumos. Kop\u0161 2018. gada vi\u0146\u0161 ir programmas direktora pilnvarotais p\u0101rst\u0101vis. Vi\u0146a uzdevumos ietilpst TR Warszawa programmas l\u012bnijas izstr\u0101de un darbs ar jaunajiem m\u0101ksliniekiem. Rom\u0101ns Pavlovskis TR Warszawa izstr\u0101d\u0101ja Young TR programmu, kuras ietvaros te\u0101tra komanda atbalsta jaunu m\u0101ksliniecisko talantu att\u012bst\u012bbu, vadot t\u0101dus projektus k\u0101 Terrain TR, organiz\u0113jot m\u0101ksliniecisk\u0101s rezidences, diplomdarbu un izr\u0101des viesizr\u0101des vai veidojot jaunie\u0161u repertu\u0101ra izr\u0101des. m\u0101ksliniekiem.<\/p>\nJulia Asperska (Polija)<\/b><\/p>\n
Julia Asperska ir m\u0101kslas mened\u017eere, starptautisko t\u012bklu veidot\u0101ja un kontekstu kuratore. 9 gadus str\u0101d\u0101jusi par m\u0101kslas projektu vad\u012bt\u0101ju m\u0101kslas mened\u017ementa uz\u0146\u0113mum\u0101 <\/span>Key Performance<\/span><\/i>, Zviedrij\u0101. 2 gadus J\u016blija bijusi asoci\u0113t\u0101 l\u012bdzdirektore mened\u017ementa uz\u0146\u0113mum\u0101 <\/span>Something Great<\/span><\/i>, kur vi\u0146a str\u0101d\u0101ja par kolekcijas vad\u012bt\u0101ju <\/span>Something Great Collection<\/span><\/i> – Berl\u012bn\u0113 b\u0101z\u0113tam projektam, kas velt\u012bts skatuves m\u0101kslas saglab\u0101\u0161anai, izp\u0113tei un prezent\u0101cijai. Kop\u0161 2018. gada vi\u0146a sadarbojas ar <\/span>Campo Abierto<\/span><\/i> \u2014 Nevalstisko organiz\u0101ciju no Urugvajas, kas koncentr\u0113jas uz soci\u0101lo iek\u013cau\u0161anu ar m\u0101kslas starpniec\u012bbu. Vi\u0146a atbalsta organiz\u0101cijas ar m\u0101kslinieciskiem, kuratoriskiem un strat\u0113\u0123iskiem padomiem.\u00a0<\/span>Pa\u0161laik Julia ir <\/span>Tanzmesse NRW<\/span><\/i> kuratore Diseldorf\u0101, p\u0101rst\u0101vot Austrumeiropas re\u0123ionu.<\/span><\/p>\nBeka Bergere (Latvija)<\/strong>
\nBeka Bergere ir biedr\u012bbas “Latvijas Jaun\u0101 te\u0101tra instit\u016bts” rado\u0161\u0101 direktore un Starptautisk\u0101 jaun\u0101 te\u0101tra festiv\u0101la “Homo Novus” kuratore. Vi\u0146a veido un sadarbojas eksperiment\u0101los darbos, kas iek\u013caujas da\u017e\u0101dos m\u0101kslas veidos, un ce\u013co \u0101rpus robe\u017e\u0101m. P\u0113d\u0113jo piecu gadu laik\u0101 Beka ir daudz str\u0101d\u0101jusi vis\u0101 Eirop\u0101, \u0145ujork\u0101 un Austr\u0101lij\u0101, produc\u0113jot t\u0101d\u0101m instit\u016bcij\u0101m k\u0101 American Realness (NY), Dance Massive (AU), Fierce Festival (UK) un Darwin Festival (AU). L\u012bdztekus darbam LJTI, Beka \u012bsteno sadarb\u012bbas projektus ar laikmet\u012bg\u0101s dejas m\u0101kslinieku D\u017eeimsu Bet\u010deloru (James Batchelor, AU) k\u0101 producente un dramatur\u0123e. Vi\u0146u kopdarbi ir izr\u0101d\u012bti vair\u0101k nek\u0101 20 valst\u012bs, t\u0101d\u0101s norises viet\u0101s k\u0101 Pompid\u016b centr\u0101 Par\u012bz\u0113, dejas festiv\u0101l\u0101 Tanz Im August<\/em> Berl\u012bn\u0113, nacion\u0101laj\u0101 deju skatuv\u0113 Dansens Hus Oslo<\/em> Oslo, laikmet\u012bg\u0101s dejas festiv\u0101l\u0101 Dance Massive<\/em> Melburn\u0101, Birmingemas Starptautiskaj\u0101 deju festiv\u0101l\u0101, k\u0101 ar\u012b laikmet\u012bg\u0101s dejas festiv\u0101l\u0101 December Dance<\/em> Brig\u0113.<\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"
“Skates akad\u0113mijas”, kas norisin\u0101sies no 3. l\u012bdz 5. novembrim R\u012bg\u0101, m\u0113r\u0137is ir sniegt Latvijas te\u0101tra nozares profesion\u0101\u013ciem papildu iesp\u0113jas realiz\u0113t savus skatuves m\u0101kslas darbus starptautisk\u0101 l\u012bmen\u012b, t\u0101d\u0113j\u0101di veicinot Latvijas skatuves m\u0101kslas profesion\u0101\u013cu atpaz\u012bstam\u012bbu \u0101rpus Latvijas robe\u017e\u0101m un veidojot jaunas savstarp\u0113j\u0101s sadarb\u012bbas mode\u013cus. <\/p>\n","protected":false},"author":1,"featured_media":5546,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-5545","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhivets"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5545","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5545"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5545\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5546"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5545"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5545"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}