{"id":5565,"date":"2022-08-01T18:08:44","date_gmt":"2022-08-01T18:08:44","guid":{"rendered":"https:\/\/theatre.local\/merelas-heringas-darbnica-kopiga-jaunas-starptautiskas-realitates-radisana\/"},"modified":"2022-08-01T18:08:44","modified_gmt":"2022-08-01T18:08:44","slug":"merelas-heringas-darbnica-kopiga-jaunas-starptautiskas-realitates-radisana","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/merelas-heringas-darbnica-kopiga-jaunas-starptautiskas-realitates-radisana\/","title":{"rendered":"Merelas H\u0113ringas darbn\u012bca “(Kop\u012bga) Jaunas starptautisk\u0101s realit\u0101tes rad\u012b\u0161ana”"},"content":{"rendered":"

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Divas dienas ilgs kult\u016bras notikums, kura laik\u0101 N\u012bderlandes m\u0101ksliniece Merela H\u0113ringa pied\u0101v\u0101 pal\u016bkoties uz starptautisko sadarb\u012bbu caur \u0113tikas prizmu. K\u0101das saj\u016btas j\u016bs p\u0101r\u0146em, kad dom\u0101jat par gaid\u0101mo vai notieko\u0161o starptautisk\u0101s sadarb\u012bbas projektu soci\u0101l\u0101 taisn\u012bguma aspekt\u0101 vai saist\u012bb\u0101 ar vides jaut\u0101jumiem? Kas b\u016btu j\u0101dara, lai j\u016bsu redz\u0113jums, v\u0113rt\u012bbas un r\u012bc\u012bba tiktu \u0146emta v\u0113r\u0101? M\u0101ksliniece pied\u0101v\u0101s da\u017e\u0101dus pa\u0146\u0113mienus, lai dal\u012bbnieki var\u0113tu lab\u0101k noformul\u0113t savus liel\u0101kos izaicin\u0101jumus vai v\u0113lmes un\/vai ba\u017eas, kas rodas, str\u0101d\u0101jot starptautisk\u0101 vid\u0113, un rad\u012btu apst\u0101k\u013cus praks\u0113 balst\u012btai pieredzes apmai\u0146ai. Dal\u012bbnieki kop\u012bgi apl\u016bkos \u0161os jaut\u0101jumus, analiz\u0113s da\u017e\u0101dus precedentus un pieredzes st\u0101stus, k\u0101 ar\u012b m\u0101c\u012bsies cits no cita, lai mekl\u0113tu veidus, k\u0101 pie\u0146emt un rad\u012bt jaunu starptautisko realit\u0101ti.<\/p>\n

Merela H\u0113ringa (1986) ir pa\u0161nodarbin\u0101ta dejas dramatur\u0123e un sazem\u0113\u0161an\u0101s trenere. Merelas prakse ir v\u0113rsta uz soci\u0101lo p\u0101rmai\u0146u veicin\u0101\u0161anu un sava soci\u0101l\u0101 statusa, k\u0101 ar\u012b m\u0101ksliniecisk\u0101s atbild\u012bbas apzin\u0101\u0161anos un izmanto\u0161anu, lai pal\u012bdz\u0113tu cilv\u0113kiem un organiz\u0101cij\u0101m caur r\u012bc\u012bbu sasniegt m\u0113\u0157kus. Vi\u0146a veicina sarunas par personiskaj\u0101m un profesion\u0101laj\u0101m v\u0113rt\u012bb\u0101m un ir ap\u0146\u0113musies rad\u012bt telpu dialogam un apmai\u0146ai starp cilv\u0113kiem, kuriem ir da\u017e\u0101di pasaules uzskati. Jau vair\u0101k nek\u0101 desmit gadus Merela str\u0101d\u0101 ar \u013coti da\u017e\u0101diem neatkar\u012bgiem horeogr\u0101fiem, deju komp\u0101nij\u0101m, festiv\u0101liem, te\u0101triem un producentiem vis\u0101 Eirop\u0101.<\/p>\n

Norises vieta: “Homo Novus” festiv\u0101la centrs, Kal\u0327ku iela 24, Ri\u0304ga
\nLaiks: 1. un 2. septembr\u012b 11:00\u201316:00
\nIerobe\u017eots dal\u012bbnieku skaits.
\nLai pieteiktos, aizpildiet anketu <\/a> l\u012bdz 20. augustam. Apstiprin\u0101tie dal\u012bbnieki tiks inform\u0113ti l\u012bdz 22. augustam.<\/p>\n

Meistarklase tapusi sadarb\u012bb\u0101 ar \u201cSamovar Circles\u201d.<\/p>\n

\u201cSamovar Circles\u201d ir kolekt\u012bvs ideju katalizators, sadarbojoties se\u0161u valstu laikmet\u012bg\u0101 cirka, skatuves m\u0101kslas un kult\u016bras organiz\u0101cij\u0101m no D\u0101nijas (Wildtopia), Latvijas (Latvijas Jaun\u0101 te\u0101tra instit\u016bts), Lietuvas (Teatronas), Somijas (CircusInfo Finland), Norv\u0113\u0123ijas un Zviedrijas (Subtopia). Projektu finans\u0113 Zieme\u013cvalstu Kult\u016bras punkts (Nordic Culture Point<\/a>), Zviedrijas m\u0101kslas fonds (Swedish Arts Council<\/a>) and Zieme\u013cvalstu Kult\u016bras fonds (The Nordic Culture Fund<\/a>).<\/p>\n

\"\"<\/a><\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

L\u012bdz 20. augustam aicin\u0101m pieteikt dal\u012bbu Merelas H\u0113ringas darbn\u012bcai, kas no 1. l\u012bdz 2. septembrim norisin\u0101sies “Homo Novus” festiv\u0101la centr\u0101 Ka\u013c\u0137u iel\u0101 24. <\/p>\n","protected":false},"author":1,"featured_media":5566,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-5565","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhivets"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5565","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5565"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5565\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5566"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5565"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5565"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5565"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}