{"id":5585,"date":"2022-06-02T13:56:44","date_gmt":"2022-06-02T13:56:44","guid":{"rendered":"https:\/\/theatre.local\/ljti-viesojas-lietuvas-teatra-skate-klaipeda\/"},"modified":"2022-06-02T13:56:44","modified_gmt":"2022-06-02T13:56:44","slug":"ljti-viesojas-lietuvas-teatra-skate-klaipeda","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/ljti-viesojas-lietuvas-teatra-skate-klaipeda\/","title":{"rendered":"LJTI viesojas Lietuvas te\u0101tra skat\u0113 Klaip\u0113d\u0101"},"content":{"rendered":"

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No 17. \u2013 22. maijam Klaip\u0113d\u0101 norisin\u0101j\u0101s Lietuvas te\u0101tru skate \u201cTheAtrium\u201d<\/a>, kas, l\u012bdz\u012bgi k\u0101 nosaukuma div\u0113j\u0101d\u0101 noz\u012bme, paredz\u0113ja gan tik\u0161anos te\u0101tra z\u0101l\u0113s, gan socializ\u0113\u0161anos \u0101trijos un aizkulis\u0113s, kur tika risin\u0101tas sarunas gan ar viet\u0113jiem m\u0101ksliniekiem, gan starptautisk\u0101s profesion\u0101\u013cu komandas dal\u012bbniekiem un var\u0113ja uzzin\u0101t daudz v\u0113rt\u012bgas inform\u0101cijas par to, ko kaimi\u0146valsts m\u0101kslinieki v\u0113las pateikt pasaulei, k\u0101 ar\u012b to, ko starptautiskais skait\u012bt\u0101js sadzird un grib\u0113tu dzird\u0113t no \u0161\u012b re\u0123iona, no Lietuvas zi\u0146o LJTI p\u0101rst\u0101ve Santa Remere.<\/strong><\/p>\n

Izr\u0101\u017eu programma pied\u0101v\u0101ja pla\u0161u un daudzkr\u0101sainu spektru gan satura, gan izr\u0101\u017eu formas zi\u0146\u0101 \u2013 katru festiv\u0101la dienu ri\u0146\u0137oj\u0101m no Klaip\u0113das dr\u0101mas te\u0101tra Maz\u0101s z\u0101les uz Lielo, palaikam tiekoties ar\u012b k\u0101d\u0101 noliktavu ang\u0101r\u0101, kult\u016bras nam\u0101 vai studij\u0101. Bija j\u016btama organiz\u0113t\u0101ju pa\u0161p\u0101rliec\u012bba, ka vi\u0146iem ir, ko pied\u0101v\u0101t visda\u017e\u0101d\u0101kaj\u0101m publik\u0101m, bet ikviens kaut ko ieg\u016bs ar\u012b tad, ja konkr\u0113t\u0101 izr\u0101de nav vi\u0146a \u201clauci\u0146\u0161\u201d vai potenci\u0101li interes\u0113jo\u0161\u0101 viesizr\u0101de. Lietuvas te\u0101tra ainava tika par\u0101d\u012bta no \u013coti at\u0161\u0137ir\u012bgiem rakursiem \u2013 s\u0101kot no b\u0113rna skatu punkta, kad ien\u0101c pasaul\u0113, kur virs galvas kar\u0101jas sare\u017e\u0123\u012btu izv\u0113\u013cu muzik\u0101lais karusel\u012btis k\u0101 horeogr\u0101fes Gr\u0113tas Grin\u0113vi\u010diutes veidotaj\u0101 feministiskaj\u0101 izr\u0101d\u0113, kas caur dejas kust\u012bbu p\u0113ta da\u017e\u0101du cilv\u0113ku attiec\u012bbas ar b\u0113rnu, l\u012bdz dr\u016bm\u0101m, huis clos<\/em> tipa eksistenci\u0101l\u0101m dr\u0101m\u0101m k\u0101 skat\u012bt\u0101ju un aktierus moko\u0161aj\u0101 Vi\u013c\u0146as pils\u0113tas te\u0101tra izr\u0101d\u0113 \u201cFaidras m\u012blest\u012bba\u201d vai Kau\u0146as pils\u0113tas kamerte\u0101tra \u201cKafkas bezmiegs\u201d un beidzot ar ekspres\u012bvi kr\u0101\u0161\u0146iem, m\u016bzikas un kost\u012bmu p\u0101rbag\u0101tiem iestud\u0113jumiem lielam aktieru ansamblim, kas izpeln\u012bj\u0101s ar\u012b visas pla\u0161\u0101s skat\u012bt\u0101ju z\u0101les atsauc\u012bbu. Abas liel\u0101s skatuves izr\u0101des ar Klaip\u0113das te\u0101tra aktieriem iestud\u0113ju\u0161i po\u013cu re\u017eisori: Agatas Dudas Gracas re\u017eis\u0113to \u201cStarp \u013benas k\u0101j\u0101m jeb \u201cJaunavas n\u0101ve\u201d p\u0113c Mikeland\u017eelo da Karavad\u017eo mot\u012bviem\u201d m\u0101kslinieka slaven\u0101ko darbu interpret\u0101cijai velt\u012btas kr\u0101\u0161\u0146as te\u0101tra ainas, daudz kost\u012bmu un daudz kailuma, kontrasti un apv\u0113rst\u0101s lomas \u2013 sirds\u0161\u0137\u012bst\u0101s ielasmeitas un izvirtu\u0161ie priesteri, kas n\u0113s\u0101 apk\u0101rt p\u0101vestu mopsi un grie\u017e piruetes ar Jaunavas Marijas statuj\u0101m, k\u0101 ar\u012b teicams gaismu darbs dz\u012bvaj\u0101s glezn\u0101s. Tikpat kr\u0101\u0161\u0146s un muzik\u0101ls bija ar\u012b Jana Klatas iestud\u0113tais \u201cBoriss Godunovs\u201d \u2013 l\u012bdz absurdam sak\u0101pin\u0101ts v\u0113stures farss, kas ved skat\u012bt\u0101ju cauri Krievijas caru un viltv\u0101r\u017eu nebeidzamaj\u0101m peripetij\u0101m no Godunova laikiem l\u012bdz m\u016bsdien\u0101m \u2013 balle p\u0113c balles, kauaj p\u0113c kaujas, no senaj\u0101m balles dej\u0101m l\u012bdz 21. gadsimta gop\u0146ikiem un Maskavas mileni\u0101\u013cu glam\u016bram. Rietumu eksperti gan pauda neizpratni par to, k\u0101d\u0113\u013c Lietuvas skati p\u0101rst\u0101v po\u013cu re\u017eisori, iesp\u0113jams, ar\u012b nenolas\u012bja visas atsauces un piln\u0101 m\u0113r\u0101 nedal\u012bja saj\u016bsmu ar Austrumeiropas skat\u012bt\u0101ju par to, k\u0101 izr\u0101des gait\u0101 uz arvien dzi\u013c\u0101k pazem\u0113 grimsto\u0161\u0101s skatuves\/sporta z\u0101les tiek samestas fitnesa bumbas ar Krievijas Feder\u0101cijas att\u0113lu (uz katras no t\u0101m v\u0113l nospr\u0101gst pa caram, kuri visam pa virsu v\u0113l tiek izn\u012bd\u0113ti ar ind\u012bgu, za\u013cu g\u0101zi), ta\u010du, j\u0101atz\u012bst, ka \u0161\u0101da nekorekta izsmie\u0161an\u0101s bija \u013coti atbr\u012bvojo\u0161a \u2013 ar\u012b es p\u0113c izr\u0101des kaut uz br\u012bdi sajutos atbr\u012bvojusies no dusmu un aizvainojuma nastas, kuru nesu sev\u012b kop\u0161 febru\u0101ra, \u0161\u0137etinot jaut\u0101jumu par to, cik dzi\u013ci mekl\u0113jamas kaimi\u0146valsts agresijas saknes. Izr\u0101des kvalitat\u012bvo iestud\u0113jumu nenoliedza ar\u012b tie kriti\u0137i, kurus politiski t\u0101 bija aizsk\u0101rusi.<\/p>\n

<\/a><\/a><\/a><\/p>\n
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Daudzi Eiropas profesion\u0101\u013cu komandas p\u0101rst\u0101vji velt\u012bja atzin\u012bgus v\u0101rdus Vi\u013c\u0146as pils\u0113tas te\u0101tra \u201cOtello\u201d ar tum\u0161\u0101daino Oneidu Kunsungu-Vild\u017ei\u016bnieni galvenaj\u0101 lom\u0101. Savuk\u0101rt mans person\u012bgais favor\u012bts un vien\u012bg\u0101 izr\u0101de, kura izpeln\u012bj\u0101s teju simtprocent\u012bgas st\u0101v-ov\u0101cijas, bija Vi\u013c\u0146as pils\u0113tas te\u0101tra izr\u0101de \u201cDz\u012bres\u201d, kuru jaun\u0101 re\u017eisore Kamile Gudmonaite un horeogr\u0101fs Mantas Stab\u010dinskas veidoju\u0161i kop\u0101 ar aktieriem ar da\u017e\u0101diem vesel\u012bbas trauc\u0113jumiem. At\u0161\u0137ir\u012bb\u0101 no daudz\u0101m cit\u0101m \u0161\u0101da veida kopienas izr\u0101d\u0113m \u0161\u012b patie\u0161\u0101m \u013coti savlaic\u012bgi tika p\u0101ri \u201cm\u0113s\/vi\u0146i\u201d barjerai, ielai\u017eot m\u016bs, iesp\u0113jams, \u013coti priv\u0101t\u0101 draugu kopien\u0101, bet piev\u0113r\u0161oties visp\u0101rcilv\u0113cisk\u0101kai sarunai par to, kur\u0161 ir peln\u012bjis, lai vi\u0146a piedzim\u0161anu un past\u0101v\u0113\u0161anu nosvin\u0113tu. Daloties ar \u013coti konkr\u0113tiem dz\u012bves momentiem, kuri no iek\u0161puses izskat\u0101s un saj\u016btas cit\u0101d\u0101k, nek\u0101 no \u0101rpuses un kurus, st\u0101vot \u0101rpus\u0113, nav iesp\u0113jams uzzin\u0101t. Es dom\u0101ju, ka vienlaikus trausl\u0101s un va\u013csird\u012bg\u0101s dal\u012bbnieku atz\u012b\u0161an\u0101s sasniedza ikvienu skat\u012bt\u0101ju neatkar\u012bgi no vi\u0146a sp\u0113j\u0101m, kompleksiem, apdraud\u0113t\u012bbas un v\u0101j\u012bb\u0101m, \u013caujot sajust, ka, neskatoties uz person\u012bgaj\u0101m un glob\u0101la rakstura tra\u0123\u0113dij\u0101m, \u010cernobi\u013cas, kara, zaud\u0113jumiem un vil\u0161an\u0101s, m\u0113s joproj\u0101m varam g\u016bt dz\u012bvesprieku viens otra tuvum\u0101. <\/p>\n

\u013boti b\u016btiska person\u012bg\u0101 pieredze gan no \u0161\u012bs izr\u0101des un v\u0113rt\u012bga profesion\u0101l\u0101 pieredze no skates kopum\u0101, kas \u013c\u0101va paskat\u012bties ar\u012b pa\u0161iem uz sevi no malas \u2013 k\u0101das v\u0113rt\u012bbas gada griezum\u0101 m\u0113s liktu savas skates centr\u0101, bet kur \u2013 neatkar\u012bgi no t\u0113mu un ieceru loka \u2013 dzimst \u012bstais skatuves m\u0101kslas br\u012bnums?<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

No 17. \u2013 22. maijam Klaip\u0113d\u0101 norisin\u0101j\u0101s Lietuvas te\u0101tru skate \u201cTheAtrium\u201d, kur\u0101 LJTI p\u0101rst\u0101v\u0113ja Santa Remere.<\/p>\n","protected":false},"author":1,"featured_media":5586,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-5585","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhivets"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5585","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5585"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5585\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5586"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5585"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5585"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}