<\/p>\n
28. janv\u0101r\u012b plkst. 17.00 notiks \u201cSkatuves m\u0101kslas tulkojumu antolo\u0123ijas\u201d<\/a> pirm\u0101 posma atv\u0113r\u0161anas sv\u0113tki un aktu\u0101laj\u0101m nozares probl\u0113m\u0101m velt\u012bts simpozijs. Atv\u0113r\u0161anas sv\u0113tku pas\u0101kumam iesp\u0113jams sekot l\u012bdzi tie\u0161saist\u0113 Latvijas Kult\u016bras akad\u0113mijas (LKA) profil\u0101 vietn\u0113 \u201cFacebook\u201d. Projekts paredz kvalitat\u012bvi tulkotu 20. un 21. gadsimta noz\u012bm\u012bg\u0101ko skatuves m\u0101kslas tekstu nodo\u0161anu viet\u0113jiem profesion\u0101\u013ciem un interesentiem \u2013 t\u0101 pirm\u0101s 30 vien\u012bbas las\u0101mas Latvijas Universit\u0101tes Literat\u016bras, folkloras un m\u0101kslas instit\u016bta (LU LFMI) digit\u0101l\u0101 arh\u012bva p\u0113tnieciskaj\u0101 vid\u0113 \u201cGaramantas.lv\u201d<\/a>.<\/strong><\/p>\n Latvijas skatuves m\u0101kslas vid\u0113 var nov\u0113rot laikmet\u012bg\u0101 te\u0101tra iez\u012bmes un pa\u0146\u0113mienus, bet tiem tr\u016bkst atbilsto\u0161as \u201cvalodas\u201d. Nozares rado\u0161o profesion\u0101\u013cu, p\u0113tnieku, kriti\u0137u, pasniedz\u0113ju un studentu ikdien\u0101 tr\u016bkst pa\u0161u fundament\u0101l\u0101ko un p\u0113d\u0113jo desmitga\u017eu b\u016btisk\u0101ko tekstu tulkojumu \u2013 \u0161obr\u012bd katrs izmanto to, kas ir pieejams, lasot tekstus sve\u0161valod\u0101s un terminolo\u0123iju interpret\u0113jot p\u0113c saviem ieskatiem. T\u0101 k\u0101 t\u0101s ir sist\u0113m\u0101tiski risin\u0101mas probl\u0113mas, LKA un LU LFMI sadarb\u012bb\u0101 ar biedr\u012bbu \u201cM\u0101kslas birojs\u201d un \u017eurn\u0101la \u201cTe\u0101tra V\u0113stnesis\u201d redakciju 2021. gad\u0101 uzs\u0101kusi darbu pie ilgtermi\u0146a projekta \u2013 antolo\u0123ijas izdevuma, digit\u0101l\u0101 form\u0101t\u0101 apkopojot un tulkojot Eiropas, Zieme\u013camerikas un citu re\u0123ionu profesion\u0101\u013cu un iev\u0113rojamu person\u012bbu tekstus. <\/p>\n Pirmaj\u0101 posm\u0101 pied\u0101v\u0101ti Bertolta Brehta, Konstant\u012bna Sta\u0146islavska,, Tima Et\u010delsa, D\u017eonatana Barovsa, \u017daka Lekoka, Floriana Malcahera, Kl\u0113ras Bi\u0161opas, Hansa T\u012bsa L\u0113mana u.c. te\u0101tra teor\u0113ti\u0137u un p\u0113tnieku, re\u017eisoru un dramaturgu, horeogr\u0101fu un citu prakti\u0137u esejas, raksti, fragmenti no monogr\u0101fij\u0101m u.c. Teksti velt\u012bti da\u017e\u0101d\u0101m t\u0113m\u0101m, glob\u0101liem procesiem un par\u0101d\u012bb\u0101m, kas ir aktu\u0101las nozar\u0113 un laikmet\u012bg\u0101 te\u0101tra noris\u0113s Latvij\u0101, piem\u0113ram, dramatisk\u0101s aktierm\u0101kslas metod\u0113m un apm\u0101c\u012bbai, kuratora lomai 21. gadsimt\u0101, dramatur\u0123ijas att\u012bst\u012bbas jaut\u0101jumiem, horeogr\u0101fijas veido\u0161anas metodolo\u0123ijai un citiem tematiem velt\u012btie teksti ir skaidroti pla\u0161\u0101k\u0101 procesu kontekst\u0101. Vair\u0101kiem tekstiem un person\u012bb\u0101m izveidotas video \u012bslekcijas-viz\u012btkartes, kas ir pieejamas LKA soci\u0101lajos t\u012bklos<\/a>.<\/p>\n 28. janv\u0101r\u012b antolo\u0123ijas digit\u0101lajam kr\u0101jumam un t\u0101 tekstu izgaismojo\u0161aj\u0101m par\u0101d\u012bb\u0101m velt\u012bto simpoziju \u201cSkatuves m\u0101ksla un t\u0101s valodas probl\u0113mas\u201d ievad\u012bs nozares profesion\u0101\u013cu improviz\u0113tas refleksijas par tekstos apl\u016bkotaj\u0101m probl\u0113m\u0101m. Simpozij\u0101 piedal\u012bsies t\u0101di skatuves m\u0101kslas discipl\u012bnu p\u0101rst\u0101vji k\u0101 te\u0101tra veidot\u0101js, LKA doc\u0113t\u0101js J\u0101nis Balodis, dramaturgs, LKA lektors Ivo Briedis, laikmet\u012bg\u0101s dejas m\u0101ksliniece, LKA asoci\u0113t\u0101 profesore Ramona Galkina, te\u0101tra re\u017eisore, LKA Skatuves m\u0101kslas katedras vad\u012bt\u0101ja Zane Kreicberga, LU LFMI p\u0113tniece un performances teor\u0113ti\u0137e Laine Kristberga, J\u0101zepa V\u012btola Latvijas M\u016bzikas akad\u0113mijas Zin\u0101tnisk\u0101s p\u0113tniec\u012bbas centra p\u0113tniece un kriti\u0137e Lauma Mell\u0113na-Bartkevi\u010da un \u0122ertr\u016bdes ielas te\u0101tra l\u012bdzdibin\u0101t\u0101ja un producente Maija Pavlova u.c. P\u0113c t\u0101m sekos diskusija, kuru moder\u0113s skatuves m\u0101kslas tekstu tulkojumu projekta kuratori \u2013 dramaturgs Evarts Melnalksnis un LKA ZPC zin\u0101tnisk\u0101 asistente D\u0101rta Ceri\u0146a.<\/p>\n Uzs\u0101kot projektu \u201cSkatuves m\u0101kslas tulkojumu antolo\u0123ija\u201d, t\u0101s veidot\u0101ji cer uz kvalitat\u012bvu diskusiju aizs\u0101k\u0161anu, aktualiz\u0113jot probl\u0113mas te\u0101tra terminolo\u0123ij\u0101 un procesu skaidrojumos, k\u0101 ar\u012b pied\u0101v\u0101t profesion\u0101lo literat\u016bru. Projekts tiek turpin\u0101ts, regul\u0101ri papildinot digit\u0101lo kr\u0101tuvi ar tulkot\u0101m skatuves m\u0101kslas tekstu vien\u012bb\u0101m latvie\u0161u valod\u0101. \u0160obr\u012bd teksti bez maksas pieejami digit\u0101l\u0101 arh\u012bva p\u0113tnieciskaj\u0101 vid\u0113 \u201cGaramantas.lv\u201d re\u0123istr\u0113tiem lietot\u0101jiem.<\/p>\n \u201cSkatuves m\u0101kslas tulkojumu antolo\u0123ijas\u201d kuratori \u2013 Evarts Melnalksnis un D\u0101rta Ceri\u0146a, redaktores \u2013 L\u012bga Ulberte un Ed\u012bte Ti\u0161heizere, projekta vad\u012bt\u0101ja \u2013 Krist\u012bne Freiberga, datub\u0101zes tehnisk\u0101s redaktores \u2013 Ieva Augstkalna un D\u0101rta Ceri\u0146a. Projektu finansi\u0101li atbalsta Valsts Kult\u016brkapit\u0101la fonds, un tas tapis m\u0113r\u0137programmas \u201cKult\u016brELPA\u201d ietvaros. <\/p>\n Foto: Aija Melb\u0101rde<\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" 28. janv\u0101r\u012b notiks digit\u0101l\u0101 kr\u0101juma atv\u0113r\u0161anas simpozijs \u201cSkatuves m\u0101ksla un t\u0101s valodas probl\u0113mas\u201d, bet jau tagad 20. un 21. gadsimta noz\u012bm\u012bg\u0101ko skatuves m\u0101kslas tekstu tulkojumu pirm\u0101s 30 vien\u012bbas las\u0101mas tie\u0161saist\u0113.<\/p>\n","protected":false},"author":1,"featured_media":5644,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-5643","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhivets"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5643","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5643"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5643\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5644"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5643"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5643"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5643"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}