{"id":5707,"date":"2021-08-30T12:02:01","date_gmt":"2021-08-30T12:02:01","guid":{"rendered":"https:\/\/theatre.local\/saruna-ar-rezisori-ivetu-poli-par-lublanas-vasaras-laboratorija-pieredzeto\/"},"modified":"2021-08-30T12:02:01","modified_gmt":"2021-08-30T12:02:01","slug":"saruna-ar-rezisori-ivetu-poli-par-lublanas-vasaras-laboratorija-pieredzeto","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/saruna-ar-rezisori-ivetu-poli-par-lublanas-vasaras-laboratorija-pieredzeto\/","title":{"rendered":"Saruna ar re\u017eisori Ivetu Poli par \u013bub\u013canas vasaras laboratorij\u0101 pieredz\u0113to"},"content":{"rendered":"

<\/p>\n

Re\u017eisore un aktrise Iveta Pole dev\u0101s uz \u013bub\u013canu, lai piedal\u012btos vien\u0101 no starptautisk\u0101 projekta \u201cACT: m\u0101ksla, klimats un p\u0101rmai\u0146as\u201d notikumiem \u2013 \u013bub\u013canas vasaras laboratorij\u0101, ko r\u012bkoja \u201cBunker\u201d <\/a>no 23. l\u012bdz 27. augustam un kuras centr\u0101lais temats bija koki pils\u0113tvid\u0113. Notika gan lekcijas, gan mijiedarbes meistarklases ar slov\u0113\u0146u skatuves m\u0101ksliniekiem, gan sarunas ar da\u017e\u0101diem p\u0113tniekiem. Ivetai Polei bija iesp\u0113ja apmekl\u0113t ar\u012b \u201cMladi Levi\u201d <\/a>te\u0101tra festiv\u0101lu, lai iepaz\u012btos ar aktu\u0101lo Horv\u0101tijas un re\u0123iona skatuves m\u0101ksl\u0101. Vasaras skola atst\u0101ja sp\u0113c\u012bgu iespaidu uz latvie\u0161u re\u017eisori: \u201cLekcijas un pas\u0101kumi bija veidoti t\u0101, lai m\u0113s da\u017e\u0101di varam paskat\u012bties uz koku un kas tas ir. God\u012bgi sakot, man bija t\u0101da apjausma \u2013 man\u012b ir notikusi neatgriezeniska izmai\u0146a, k\u0101 es skatos uz koku pils\u0113t\u0101,\u201d atz\u012bst Iveta Pole.<\/strong><\/p>\n

Tu var\u0113tu izst\u0101st\u012bt, vai, esot \u013bub\u013can\u0101, apmekl\u0113ji k\u0101du no festiv\u0101la “Mladi Levi” izr\u0101d\u0113m!<\/strong>
\nJ\u0101, ta\u010du m\u016bsu grafiks bija intens\u012bvs, t\u0101p\u0113c diem\u017e\u0113l nesan\u0101ca apmekl\u0113t festiv\u0101lu tik daudz, cik grib\u0113tu. Laboratorija s\u0101k\u0101s jau desmitos no r\u012bta, un tad l\u012bdz vakaram bija lekcijas, pas\u0101kumi un da\u017e\u0101di notikumi. Redz\u0113ju divas festiv\u0101la izr\u0101des. Vien\u0101 no t\u0101m m\u0101ksliniece Tanja El Kuri (Tania El Khoury), kura pati ir no L\u012bbijas, st\u0101st\u012bja, k\u0101 mekl\u0113jusi savu vect\u0113vu Meksik\u0101, k\u0101 izsekojusi savu dzimtu, caur t\u0101du k\u0101 instal\u0101cijas form\u0101tu. Katram skat\u012bt\u0101jam tika iedots atsl\u0113gu sai\u0161\u0137is. Telpa, kur\u0101 atrad\u0101mies, bija pilna ar met\u0101la seifiem, un skat\u012bt\u0101js ar sav\u0101m atsl\u0113g\u0101m var iet pie \u0161\u012b kast\u0113m un, t\u0101s atsl\u0113dzot, ieg\u016bt vienu kompoz\u012bcijas\/st\u0101sta da\u013cu da\u017e\u0101dos form\u0101tos \u2013 ar audiovizu\u0101lu materi\u0101lu pal\u012bdz\u012bbu, bija viena telpa, kur pats fiziski vari ieiet iek\u0161\u0101 pie spogu\u013ca un aps\u0113sties, caur da\u017e\u0101diem interakt\u012bviem uzdevumiem iepaz\u012bties ar m\u0101kslinieces st\u0101stu. Un otra bija igau\u0146u m\u0101kslinieku \u2013 Marta Kangro, Juhana Ulfsaka, \u0112ro Epnera \u2013 darbs “It Stays As It Is”. Vi\u0146i pa\u0161i atrad\u0101s z\u0101l\u0113 starp skat\u012bt\u0101jiem, bet uz skatuves atrodas uzb\u016bv\u0113ta pel\u0113ka siena, un tad vi\u0146i s\u0101k st\u0101st\u012bt auditorijai, ka siena, kas uzb\u016bv\u0113ta uz skatuves, to uzb\u016bv\u0113ju\u0161i vi\u0146i, ka t\u0101 tur paliks un ka neb\u016bs nek\u0101da p\u0101rsteiguma, piem\u0113ram, tai nemain\u012bsies kr\u0101sa vai beig\u0101s t\u0101 nesag\u0101z\u012bsies un aiz t\u0101s neatkl\u0101sies kaut kas br\u012bnumains, ka b\u016bs t\u0101, k\u0101 min\u0113ts nosaukum\u0101 \u2013 “it stays as it is” \u2013 paliks, k\u0101 ir. Un tad vi\u0146i s\u0101ka reflekt\u0113t par visda\u017e\u0101d\u0101kaj\u0101m telpas vien\u012bb\u0101m \u2013 cik t\u0101lu ir griesti, vai telp\u0101 eso\u0161ie pro\u017eektori var\u0113tu nokrist utt. Doma bija run\u0101t par telpu \u2013 k\u0101da t\u0101 ir, k\u0101 t\u0101 ir main\u012bjusies m\u016bslaiku kontekst\u0101 ar robe\u017e\u0101m, ko visp\u0101r noz\u012bm\u0113 telpa \u2013 priv\u0101t\u0101 un publisk\u0101, \u2013 kas ir tavas m\u0101jas. Respekt\u012bvi, da\u017e\u0101dos aspektos apskat\u012bja telpas j\u0113dzienu.<\/p>\n

Par vasaras skolu. Las\u012bju, ka programm\u0101 daudz t\u0113mu ir par dz\u012bvo dabu, par kokiem. Past\u0101sti, kas bija tas virsuzdevums skolas kuratoriem un ko tu tur piedz\u012bvoji!<\/strong>
\nT\u0113ma bija koki urb\u0101n\u0101 vid\u0113, pils\u0113tvid\u0113. Koks k\u0101 t\u0101ds. Bija da\u017e\u0101da veida lekcijas un notikumi, kas bija veidoti t\u0101, lai m\u0113s da\u017e\u0101dos veidos paskat\u012btos uz koku. God\u012bgi sakot, man\u012b ir notiku\u0161as neatgriezeniskas p\u0101rmai\u0146as, k\u0101 es skatos uz koku pils\u0113t\u0101. Tur bija viena filozofa lekcija par antropocentrisma j\u0113dzienu, par to, k\u0101 esam zaud\u0113ju\u0161i savu saikni ar dabu. Tad v\u0113l bija \u013coti interesanta lekcija ar ainavu arhitekti no \u013bub\u013canas, k\u0101 vi\u0146a c\u012bn\u0101s par kokiem pils\u0113t\u0101. Ko cilv\u0113kiem noz\u012bm\u0113 koki \u2013 vai vi\u0146iem tie ir svar\u012bgi vai nav? Pils\u0113tas m\u0113rs vairs nerun\u0101 ar \u0161o ainavu arhitekti. Politiskos str\u012bdos, ja fokuss ir vair\u0101k uz naudu un finans\u0113jumu, koki ne\u0161\u0137iet b\u016btiska vien\u012bba.<\/p>\n

Nu j\u0101, jo trauc\u0113\u2026. <\/strong>
\nNav, kur ma\u0161\u012bnu nolikt.<\/p>\n

Pag\u0101ju\u0161\u0101 gad\u0101 festiv\u0101l\u0101 \u201cHomo Novus\u201d bija izr\u0101de, kuru veidoja Krista Bur\u0101ne. Taj\u0101 ar telefona lietotnes pal\u012bdz\u012bbu var\u0113ja izstaig\u0101t R\u012bgas centru un iepaz\u012bt kokus R\u012bg\u0101. Pastaigu izr\u0101de par R\u012bgas v\u0113sturi un kokiem.<\/strong>
\nT\u0101 ainavu arhitekte par\u0101d\u012bja \u013bub\u013canas vec\u0101ko koku \u2013 \u010detrsimt gadus senu liepu ar tuk\u0161u dobumu. Un tad tu t\u0101 izt\u0113lojies \u2013 \u0161is koks te ir st\u0101v\u0113jis 400 gadus \u2013 un aizdom\u0101jies, kas ir tava dz\u012bve, tavs dotais laiks \u0161aj\u0101 viet\u0101. Ieg\u016bsti pavisam citu perspekt\u012bvu. Arhitekte st\u0101st\u012bja, cik svar\u012bgi ir saglab\u0101t vecos kokus pils\u0113tvid\u0113, jo jaunie koki, kas tiek st\u0101d\u012bti, neizdz\u012bvo ilg\u0101k par 10 gadiem, kur tiem ir nelabv\u0113l\u012bga vide. Tie nekad neizaugs par di\u017eiem un seniem kokiem, k\u0101 tie, kas nereti jau atrodas pils\u0113t\u0101s.<\/p>\n

Kas ir t\u0101 atzi\u0146a, kas tevi, k\u0101 m\u0101kslinieci, visvair\u0101k uzrun\u0101ja lekcij\u0101s?<\/strong>
\nPirms par to visu dom\u0101t m\u0101kslinieciski, man ir svar\u012bgi, vai \u0161\u012b inform\u0101cija rezon\u0113 man\u012b, kaut ko transform\u0113. Tas ar\u012b bija tas b\u016btisk\u0101kais, kas vasaras skol\u0101 notika. M\u0113s tik\u0101m akt\u012bvi aicin\u0101ti piev\u0113rst uzman\u012bbu un dom\u0101t par kokiem pils\u0113tvid\u0113. Izzinot viena koka v\u0113sturi, sapratu, k\u0101p\u0113c gan lai tas b\u016btu maz\u0101k svar\u012bgi, k\u0101 zin\u0101t k\u0101da iev\u0113rojama rakstnieka v\u0113sturi vai jebkura cita cilv\u0113ka biogr\u0101fiju?<\/p>\n

Vai Tu pirms tam biji t\u0101 akt\u012bvi iedzi\u013cin\u0101jusies t\u0113m\u0101 par kokiem? Laikam jau vair\u0101k par bit\u0113m…<\/strong>
\nT\u0101 daudz n\u0113. Protams, m\u0113s visi esam saist\u012bti \u2013 koki ar bit\u0113m, bites ar cilv\u0113kiem un koki ar cilv\u0113kiem. M\u0113s esam vienas ekosist\u0113mas maza da\u013ca.<\/p>\n

Vai tavos pl\u0101nos ir turpin\u0101t p\u0113t\u012bt dz\u012bvo dabu?<\/strong>
\nMani interes\u0113 da\u017e\u0101das t\u0113mas, t\u0101p\u0113c dom\u0101ju, ka j\u0101. Mums, latvie\u0161iem, daba ir k\u0101 sv\u0113tn\u012bca. Ar\u012b \u013bub\u013can\u0101 iepriek\u0161 min\u0113taj\u0101 filozofa lekcij\u0101 reflekt\u0113ja, ka esam zaud\u0113ju\u0161i saikni ar dabu un to vajag atjaunot, un tad es dom\u0101ju, ka mums daba vienm\u0113r ir bijusi tuva un kl\u0101teso\u0161a. Neuzskatu, ka mums \u0161\u012b saikne b\u016btu zudusi. Starp citu, es nezin\u0101ju, ka \u013bub\u013cana ir tik skaista! Biju pat\u012bkami p\u0101rsteigta, \u013coti siltas saj\u016btas, tur atrodoties. Katr\u0101 zi\u0146\u0101 bija saj\u016bta, ka tur noteikti j\u0101atgrie\u017eas.<\/p>\n

\u201cACT: m\u0101ksla, klimats un p\u0101rmai\u0146as\u201d ir Eiropas l\u012bme\u0146a sadarb\u012bbas projekts, kura uzman\u012bbas centr\u0101 ir ekolo\u0123ija, klimats un soci\u0101l\u0101s p\u0101rmai\u0146as. Klimata kr\u012bzes, masveida izmir\u0161anas un augo\u0161as nevienl\u012bdz\u012bbas laik\u0101 projekta partneri str\u0101d\u0101 kop\u0101 ar m\u0101ksliniekiem, zin\u0101tniekiem un akt\u012bvistiem, lai mekl\u0113tu cer\u012bbu, apvienotu pla\u0161u glob\u0101lo perspekt\u012bvu ar specifisk\u0101m lok\u0101laj\u0101m iesp\u0113j\u0101m un aicin\u0101tu r\u012bkoties. \u201cACT\u201d t\u012bklojum\u0101 darbojas 10 partneri no 10 Eiropas valst\u012bm. Papildu info: artclimatetransition.eu<\/a><\/p>\n

\"\"<\/a>\u00a0\u00a0\"\"<\/a>\"\"<\/a><\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

Re\u017eisore un aktrise Iveta Pole dev\u0101s uz \u013bub\u013canu, lai piedal\u012btos starptautisk\u0101 projekta \u201cACT: m\u0101ksla, klimats un p\u0101rmai\u0146as\u201d notikum\u0101 \u2013 \u013bub\u013canas vasaras laboratorij\u0101, ko r\u012bkoja \u201cBunker\u201d no 23. l\u012bdz 27. augustam un kuras centr\u0101lais temats bija koki pils\u0113tvid\u0113.<\/p>\n","protected":false},"author":1,"featured_media":5708,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-5707","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhivets"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5707","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5707"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5707\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5708"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5707"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5707"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5707"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}