{"id":5719,"date":"2021-08-13T13:31:41","date_gmt":"2021-08-13T13:31:41","guid":{"rendered":"https:\/\/theatre.local\/pateikts-neona-riga\/"},"modified":"2021-08-13T13:31:41","modified_gmt":"2021-08-13T13:31:41","slug":"pateikts-neona-riga","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/pateikts-neona-riga\/","title":{"rendered":"Pateikts neon\u0101. R\u012bga"},"content":{"rendered":"

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No 13. augusta Latvijas Jaun\u0101 te\u0101tra instit\u016bts sadarb\u012bb\u0101 ar starptautiski atz\u012bto te\u0101tra re\u017eisoru, dramaturgu un vizu\u0101lo m\u0101kslinieku Timu Et\u010delsu<\/a> un \u010detriem m\u0101ksliniekiem no Latvijas \u2013 Santu Remeri, J\u0101ni Balodi, Kirilu \u0112ci un Intu Balodi \u2013 aicina R\u012bgas iedz\u012bvot\u0101jus un pils\u0113tas viesus doties eksped\u012bcij\u0101s un apl\u016bkot pils\u0113tvides instal\u0101cijas \u201cPateikts neon\u0101. R\u012bga\u201d.<\/p>\n

Publiciste Santa Remere, te\u0101tra veidot\u0101js J\u0101nis Balodis, dejas tekstu autore Inta Balode un dzejnieks Kirils \u0112cis \u0161ovasar piedal\u012bj\u0101s Et\u010delsa tekstveides meistarklas\u0113s, kuru laik\u0101, transform\u0113jot tekstu un pa\u0161u valodu, atbr\u012bvojot no teatr\u0101liem uzsl\u0101\u0146ojumiem, padarot v\u0101rdus, to skan\u0113jumus, noz\u012bmes un sve\u0161\u0101di atpaz\u012bstamus virkn\u0113jumus , reflekt\u0113ja par aktu\u0101l\u0101m t\u0113m\u0101m un v\u0113rt\u012bb\u0101m m\u016bsdienu sabiedr\u012bb\u0101. Katrs no m\u0101ksliniekiem non\u0101ca pie sava \u012bpa\u0161\u0101 R\u012bgas pils\u0113tai un t\u0101s iedz\u012bvot\u0101jiem velt\u012btiem m\u0101kslas darbiem.<\/p>\n

Santa Remere \u201cM\u012a\u013b\u0100 SIRDS\u201d<\/strong> \/ Gan\u012bbu dambja un Tvaika ielas krustojum\u0101<\/a><\/p>\n

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“M\u012a\u013b\u0100 SIRDS ir uzruna, kas atbru\u0146o, bet reiz\u0113 dara uzman\u012bgu, liekot \u0161aub\u012bties par nol\u016bku, ar k\u0101du otrs pie tevis v\u0113r\u0161as. \u0160ie v\u0101rdi pau\u017e l\u012bdzciet\u012bbu, t\u0113vi\u0161\u0137u vai m\u0101ti\u0161\u0137u g\u0101d\u012bbu, bet vienlaikus tie ir v\u0101rdi, ar kuriem \u0101rsts ies\u0101k sliktu v\u0113sti vai priek\u0161nieks aizr\u0101da darbiniekam. Sarkandaugavas kan\u0101ls ir vieta, kurai negribas dz\u012bvot vai n\u0101kt tuvum\u0101. Bet t\u0101 nav bijis vienm\u0113r. Kan\u0101lam ir bijusi ar\u012b cita loma pils\u0113tas dz\u012bv\u0113 \u2013 t\u0101 k\u0101dreiz bija pati Sarkandaugava, kur cilv\u0113ki peld\u0113j\u0101s un brauca ar ku\u0123\u012b\u0161iem un kuras v\u0101rd\u0101 nosaukts \u0161is pils\u0113tas rajons. Sarkanie burti M\u012a\u013b\u0100 SIRDS zin\u0101m\u0101 m\u0113r\u0101 ir br\u012bdin\u0101jums, ka vienm\u0113r viss var main\u012bties – gan uz labo, gan slikto pusi.” (Santa Remere)<\/span><\/p>\n

Kirils \u0112cis “k\u0101 iem\u0101c\u012bties nemest \u0113nu?”<\/strong> \/ bijus\u012b LU Biolo\u0123ijas fakult\u0101te, Kronvalda bulv. 4<\/a><\/p>\n

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“Iem\u0101c\u012bties l\u012bdz\u0101s past\u0101v\u0113\u0161anu, kas nav balst\u012bta s\u0101ncens\u012bb\u0101. Iem\u0101c\u012bties dal\u012b\u0161anos telp\u0101, kas nav balst\u012bta distanc\u0113. Iem\u0101c\u012bties patst\u0101v\u012bbu, kas nav balst\u012bta cita nepatst\u0101v\u012bb\u0101. It k\u0101 b\u016bt un reiz\u0113 neb\u016bt. It k\u0101 b\u016bt gaism\u0101 un reiz\u0113 nemest \u0113nu.\u00a0<\/span>“k\u0101 iem\u0101c\u012bties nemest \u0113nu?” ar biju\u0161o Biolo\u0123ijas fakult\u0101ti mijas, savstarp\u0113ji viens otru papildinot. Zin\u0101tk\u0101ra un v\u0113r\u012bg\u0101 r\u016bp\u0113\u0161an\u0101s par vidi, kas m\u016bs ieskauj, apskauj un dara iesp\u0113jamus ir viens no veidiem, k\u0101 m\u0113s esam sp\u0113j\u012bgi mac\u012bties nemest \u0113nu, nest\u0101ties priek\u0161\u0101 gaismai, kas nepiecie\u0161ama k\u0101dam citam. Ideja sav\u0101 zi\u0146\u0101 ir \u013coti utopisks aicin\u0101jums. Vienlaikus \u0161o jaut\u0101jumu uzdod \u0113ka pati, pieminot caurumus R\u012bgas pils\u0113tvid\u0113 – \u0113kas, kas laika gait\u0101 k\u013cuvu\u0161as par neredzamiem, skum\u012bgiem vrakiem.” (Kirils \u0112cis)<\/span><\/p>\n

J\u0101nis Balodis “mums ir kaut kas kop\u012bgs”<\/strong> \/ v\u0113rojams no “Tilta uz nekurieni” Daugavgr\u012bvas iel\u0101 29a<\/a><\/p>\n

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“Apgalvojums neizsl\u0113dz to, ka starp mums ir at\u0161\u0137ir\u012bbas. M\u0113s neesam vien\u0101di, ta\u010du \u0161\u012b neona z\u012bme ir mazs m\u0113\u0123in\u0101jums pal\u016bkoties vai mekl\u0113t to, kas m\u016bs jebk\u0101d\u0101 veid\u0101 vieno. \u0160\u012b mekl\u0113jumu un atradumu procesa m\u0113r\u0137is nav par vienojo\u0161o \u0146emt tikai gai\u0161o un priec\u012bgo. Tas dr\u012bz\u0101k ir pied\u0101v\u0101jums \u013caut vienojo\u0161\u0101 mekl\u0113jumiem vest tur, kur tie grib vest. Rast gan skumjus, gan mu\u013c\u0137\u012bgus, gan neveiklus, gan varon\u012bgus, gan g\u013c\u0113vus, gan aizkustino\u0161us savstarp\u0113ji vienojo\u0161us notikumus.” (J\u0101nis Balodis)<\/span><\/p>\n

Inta Balode “m\u0113s tie\u0161i t\u0101p\u0113c satik\u0101mies” <\/strong>\/ \u0100genskalna tirgus, Nomet\u0146u iela 64<\/a><\/p>\n

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“Tirgus ir vieta, kur R\u012bga satiek visu Latviju. Velt\u012bjums visiem tiem lauciniekiem, kuri ce\u013cas pirms saules l\u0113kta, lai savus izlolotos lauku labumus vestu r\u012bdziniekiem. Ar\u012b tiem lauciniekiem un r\u012bdziniekiem, kas saull\u0113ktu vienm\u0113r nogu\u013c. Velt\u012bjums tiem, kas saviem m\u012b\u013cajiem Stradi\u0146a slimn\u012bc\u0101 nes k\u0101rumi\u0146us, \u010d\u012bbas un naktskreklus no \u0100genskalna tirgus. Devi\u0146desmitajos t\u0101 bija vien\u012bg\u0101 vieta apk\u0101rtn\u0113, kur bija cer\u012bba atrast k\u0101roto. Un pardev\u0113ja god\u012bgi pal\u016bkoj\u0101s man ac\u012bs un teica: \u201cMan \u0161\u0137iet, jums nevajag to biezpiena sieri\u0146u.\u201d Velt\u012bjums visiem tiem, kas dz\u012bv\u0113 ne par ko nesatraucas, jo zina, ka visas satik\u0161an\u0101s ir ar m\u0113r\u0137i. Nevar notikt nekas t\u0101ds, kas nav paredz\u0113ts. Un ar\u012b tiem, kas zina, ka viss ir tikai pa\u0161u rok\u0101s. Ja nepiec\u0113lies un neizvilkies, tad ne\u017e\u0113lojies, ka t\u0101 ar\u012b nekad nesatikies.” (Inta Balode)<\/p>\n

Tims Et\u010delss \u201cKad tu \u0161o lasi\u201d<\/strong> \/ Miera iela 39<\/a><\/span><\/p>\n

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Tima Et\u010delsa m\u0101kslas darbs “Kad tu \u0161o lasi” aicina las\u012bt\u0101ju nodoties doma\u0161anas eksperimentam, vienlaikus reflekt\u0113jot par pag\u0101tni un izt\u0113lojoties n\u0101kotni<\/span>.<\/span> M\u0101kslas darba rad\u012btais teksts atveidots sarkan\u0101 un zil\u0101 kr\u0101s\u0101, kas savijoties rada rota\u013c\u012bgu vizu\u0101lu sasp\u0113li un t\u0101d\u0113j\u0101di uzsver tekst\u0101 ietverto v\u0101rdu sp\u0113li un da\u017e\u0101dos iesp\u0113jamos las\u012bjumus.\u00a0<\/span><\/p>\n

Darbs veidots sadarb\u012bb\u0101 ar LJTI un Starptautisk\u0101 jaun\u0101 t\u0113atra festiv\u0101la \u201cHomo Novus\u201d ilggad\u0113jo m\u0101ksliniecisko vad\u012bt\u0101ju Gundegu Laivi\u0146u.\u00a0<\/span><\/p>\n

Et\u010dels: \u201cPirms s\u0101ku veidot \u0161o darbu, m\u0113s daudz run\u0101j\u0101m ar LJTI komandu, mums bija vair\u0101kas padzi\u013cin\u0101tas sarunas ar Gundegu Laivi\u0146u, kuras l\u012bdzdal\u012bba un sac\u012btais veido \u0161\u012b darba konceptu\u0101lo kodolu. \u201cKad tu \u0161o lasi\u201d pamat\u0101 ir sarunas par Latviju, R\u012bgu, t\u0101s sare\u017e\u0123\u012bto un vienm\u0113r kl\u0101teso\u0161o v\u0113sturi, k\u0101 ar\u012b \u0161\u012bbr\u012b\u017ea situ\u0101ciju, kas ietiecas n\u0101kotn\u0113. Es v\u0113l\u0113jos rad\u012bt darbu, kas atspogu\u013cotu dinamisko \u201cspriedzi\u201d pils\u0113t\u0101 un t\u0101s iedz\u012bvot\u0101jos, kam j\u0101saskaras ar \u0161o simult\u0101no realit\u0101ti un j\u0101sp\u0113j skat\u012bties pag\u0101tn\u0113 un n\u0101kotn\u0113 vienlaic\u012bgi.<\/span><\/p>\n

N\u0101kotnes un pag\u0101tnes t\u0113ma var b\u016bt \u013coti cie\u0161i saist\u012bta ar m\u016bsu person\u012bgo pieredzi, bet t\u0101 par\u0101d\u0101s ar\u012b sabiedr\u012bbas atmi\u0146\u0101 un politiskaj\u0101 situ\u0101cij\u0101. T\u0101pat k\u0101 daudzi mani darbi, ar\u012b \u201cKad tu \u0161o lasi\u201d ir atv\u0113rts, po\u0113tisks iel\u016bgums pils\u0113tvid\u0113, kas paredz, ka sastap\u0161an\u0101s ar katru cilv\u0113ku, kas to pie\u0146ems, b\u016bs cit\u0101d\u0101ka.\u201d<\/span><\/p>\n

Britu le\u0123end\u0101r\u0101s te\u0101tra apvien\u012bbas \u201cForced Entertainment\u201d dibin\u0101t\u0101ja, rakstnieka un skatuves m\u0101kslinieka Tima Et\u010delsa neona un LED apgaismojuma darbus raksturo interese par valodas pretrun\u012bgo dabu, \u0101trumu, skaidr\u012bbu un izteiksm\u012bbu, ar k\u0101du valoda sp\u0113j nodot st\u0101stu, ideju vai att\u0113la v\u0113st\u012bjumu, k\u0101 ar\u012b valodai piem\u012bto\u0161o tieksmi rad\u012bt pla\u0161us nenoteikt\u012bbas un neskaidr\u012bbas laukus. Izmantojot vienk\u0101r\u0161as neon\u0101 atveidotas fr\u0101zes, Et\u010delss veido miniat\u016brus st\u0101st\u012bjumus, neskaidr\u012bbas, neveikl\u012bbas, p\u0101rdomu un tuv\u012bbas br\u012b\u017eus da\u017e\u0101d\u0101s sabiedrisk\u0101s viet\u0101s. Sastopoties ar neona uzrakstu pils\u0113tas iel\u0101s, skat\u012bt\u0101js nejau\u0161i tiek iesaist\u012bts situ\u0101cij\u0101 vai valodas formul\u0113jum\u0101, kas rada neskaidr\u012bbu, ta\u010du nezin\u0101mais \u0161ajos darbos sp\u0113l\u0113 tikpat lielu lomu k\u0101 zin\u0101mais. \u0100rpus konteksta projic\u0113tais v\u0113st\u012bjums vai ideja k\u013c\u016bst par uzaicin\u0101jumu piedal\u012bties, tikai m\u0113s nevaram b\u016bt dro\u0161i par to, kur nok\u013c\u016bsim.<\/span><\/p>\n

R\u012bg\u0101 pieci m\u0101kslas darbi b\u016bs apskat\u0101mi no 13. augusta l\u012bdz 31. oktobrim. Darbi pils\u0113t\u0101 par\u0101d\u012bsies negaid\u012bti, iepriek\u0161 neizzi\u0146oti un atkl\u0101\u0161anas mirkl\u012b tos pavad\u012bs muzik\u0101la pils\u0113tvides intervence.<\/p>\n

M\u0101kslas darbu karte:\u00a0Pateikts neon\u0101. R\u012bga<\/a><\/p>\n

Novembra s\u0101kum\u0101 katrs no tiem dosies \u201cviesizr\u0101d\u0113s\u201d un tiks izst\u0101d\u012bti Aizput\u0113, Tukum\u0101, R\u0113zekn\u0113 un cit\u0101s pils\u0113t\u0101s.<\/p>\n

Pateicamies par sadarb\u012bbu R\u012bgas eletroma\u0161\u012bnb\u016bves r\u016bpn\u012bca un Realto, Miera ielas 39 nama \u012bpa\u0161niekiem, friz\u0113tavai-las\u012btavai “Melnais kn\u0101bis”, nekustamo \u012bpa\u0161umu att\u012bst\u012bt\u0101jam “Galio”, \u0100genskalna tirgum un SIA “Kalnciema kvart\u0101ls”, Latvijas Universit\u0101tei un biju\u0161\u0101s Biolo\u0123ijas fakult\u0101tes \u0113kas apsaimniekot\u0101ju kolekt\u012bvam. \u012apa\u0161s paldies J\u0101nim Lini\u0146am, Oskaram Plataiskalnam un visai SIA \u201cDekor\u0101ciju Darbn\u012bca\u201d komandai.<\/p>\n

Projekts \u201cPateikt neon\u0101. R\u012bga\u201d ir guvis R\u012bgas domes un Valsts kult\u016brkapit\u0101lfonda atbalstu.<\/p>\n

\"\"<\/a><\/p>\n

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<\/p>","protected":false},"excerpt":{"rendered":"

No 13. augusta l\u012bdz 31. oktobrim Latvijas Jaun\u0101 te\u0101tra instit\u016bts sadarb\u012bb\u0101 ar starptautiski atz\u012bto te\u0101tra re\u017eisoru, dramaturgu un vizu\u0101lo m\u0101kslinieku Timu Et\u010delsu un \u010detriem m\u0101ksliniekiem no Latvijas \u2013 Santu Remeri, J\u0101ni Balodi, Kirilu \u0112ci un Intu Balodi \u2013 aicina R\u012bgas iedz\u012bvot\u0101jus un pils\u0113tas viesus doties eksped\u012bcij\u0101s un apl\u016bkot pils\u0113tvides instal\u0101cijas \u201cPateikts neon\u0101. R\u012bga\u201d.<\/p>\n","protected":false},"author":1,"featured_media":5720,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-5719","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhivets"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5719","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5719"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5719\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5720"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5719"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5719"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5719"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}