{"id":5723,"date":"2021-08-10T07:56:42","date_gmt":"2021-08-10T07:56:42","guid":{"rendered":"https:\/\/theatre.local\/lietisko-pieradijumu-muzejs-varsava-baltic-transfer-festivala\/"},"modified":"2021-08-10T07:56:42","modified_gmt":"2021-08-10T07:56:42","slug":"lietisko-pieradijumu-muzejs-varsava-baltic-transfer-festivala","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/lietisko-pieradijumu-muzejs-varsava-baltic-transfer-festivala\/","title":{"rendered":"“Lietisko pier\u0101d\u012bjumu muzejs” Var\u0161av\u0101 “Baltic Transfer” festiv\u0101l\u0101"},"content":{"rendered":"

<\/p>\n

Baltijas valstu te\u0101tra festiv\u0101ls \u201cBaltic Transfer\u201d<\/a> Var\u0161av\u0101 vien\u0101 no vado\u0161ajiem Polijas te\u0101triem TR Warszawa<\/em>, bija iecer\u0113ts 2020. gada novembr\u012b, bet pand\u0113mijas rad\u012bto ierobe\u017eojumu d\u0113\u013c norises datumi tika vair\u0101kk\u0101rt p\u0101rcelti un ar\u012b pats festiv\u0101ls transform\u0113j\u0101s \u2013 v\u0113loties saglab\u0101t t\u0101 norisi kl\u0101tien\u0113, r\u012bkot\u0101ji TR Warszawa<\/em> sadal\u012bja programmu div\u0101s da\u013c\u0101s ar norises laikiem 2021. gada j\u016blij\u0101 un oktobr\u012b. Lauras Sta\u0161\u0101nes un Janas Jacukas veidotais darbs \u2013 dokument\u0101l\u0101 izst\u0101de un notikums \u201cLietisko pier\u0101d\u012bjumu muzejs\u201d, kura uzman\u012bbas centr\u0101 ir vardarb\u012bba \u0123imen\u0113 un cietu\u0161o pieredzes st\u0101sti, tikai uzaicin\u0101ts uz Var\u0161avu 1. l\u012bdz 6. j\u016blij\u0101, iek\u013caujoties ne tikai festiv\u0101la \u201cBaltic Transfer\u201d atkl\u0101\u0161anas programm\u0101, bet ar\u012b te\u0101tra r\u012bkotaj\u0101 cikl\u0101 \u201cYou Will Never Walk Alone\u201d, kas velt\u012bts Polij\u0101 aktu\u0101lajai c\u012b\u0146ai pret abortu aizliegumu un par sievie\u0161u ties\u012bb\u0101m.<\/p>\n

Aicin\u0101j\u0101m vienu no darba autor\u0113m – Lauru Sta\u0161\u0101ni, dal\u012bties viesizr\u0101des pieredz\u0113:<\/p>\n

Ar \u201cLietisko pier\u0101d\u012bjuma muzeju\u201d Var\u0161av\u0101 ierad\u0101mies uzreiz p\u0113c J\u0101\u0146iem, lai uz vietas piec\u0101s dien\u0101s to adapt\u0113tu un uzb\u016bv\u0113tu no jauna po\u013cu versij\u0101. Muzejs p\u0113c b\u016bt\u012bbas ir izst\u0101de ar main\u012bgu saturu un katrai vietai specifisku iek\u0101rtojumu, ko m\u0113s k\u0101 autores veicam kop\u0101 ar viet\u0113jo m\u0101kslinieku, tehni\u0137u un dal\u012bbnieku komandu. Tas ir kompakts un ekolo\u0123isks viesizr\u0101des modelis, kas \u013coti uzrun\u0101ja ar\u012b TR Warszawa <\/em>komandu. Tom\u0113r \u0161\u0101ds modelis paredz ar\u012b \u013coti cie\u0161u sadarb\u012bbu ar r\u012bkot\u0101ju, savstarp\u0113ju uztic\u0113\u0161anos un izpratni, jo vi\u0146i ne tikai uz\u0146em darbu un atbalsta to tehniski, bet ar\u012b iesaist\u0101s satura veido\u0161an\u0101 un nosaka viet\u0113j\u0101s versijas veiksm\u012bgu veido\u0161anu. M\u016bsu po\u013cu komanda bija \u013coti atsauc\u012bga un profesion\u0101la, tom\u0113r br\u012b\u017eiem sajut\u0101mies \u201cpazudu\u0161as tulkojum\u0101\u201d un valsts te\u0101tra birokr\u0101tijas strupce\u013cos, kur darbu un atbild\u012bbu dal\u012b\u0161an\u0101 starp daudziem departamentiem san\u0101ca, ka da\u017eus darbus neuz\u0146\u0113m\u0101s neviens, vai mums p\u0113k\u0161\u0146i tika pazi\u0146ots, ka spuldz\u012bt\u0113m nav bud\u017eeta vai sirsn\u012bg\u0101 va\u013csird\u012bb\u0101 teikts, ka te vi\u0146u izdoma ir izsmelta. Viss tom\u0113r nok\u0101rtoj\u0101s un po\u013cu komanda paveica ar\u012b lielisku darbu, izveidojot muzeju piln\u012bb\u0101 pieejamu cilv\u0113kiem ar kust\u012bbu un redzes trauc\u0113jumiem.<\/p>\n

Var\u0161av\u0101 ierad\u0101mies viegli drebo\u0161u sirdi un ar pamat\u012bgu R\u012bgas kolekcijas da\u013cu ce\u013casom\u0101s, jo, neskatoties uz daudz\u0101m sarun\u0101m \u201cz\u016bm\u0101\u201d un to, ka darbu pie po\u013cu ekspon\u0101tu un st\u0101stu iev\u0101k\u0161anas bija paredz\u0113ts s\u0101kt vair\u0101kus m\u0113ne\u0161us iepriek\u0161, zin\u0101j\u0101m tikai par diviem no apm\u0113ram skait\u0101 tr\u012bsdesmit v\u0113lamajiem po\u013cu ekspon\u0101tiem. Taisn\u012bbas labad j\u0101saka, ka pirmais no tiem, bija tik satrieco\u0161s un ietilp\u012bgs, ka var\u0113tu aizpild\u012bt veselu istabu \u2013 tas bija neon\u0101 veidots teikums \u201cNeviens Tev netic\u0113s, Zuzanna!\u201d, kas, \u0161\u0137iet, izteica visu, kas b\u016btu j\u0101zina par vardarb\u012bb\u0101 cietu\u0161o pieredzi. V\u0113l\u0101k iepazin\u0101mies ar neona autori, po\u013cu m\u0101kslinieci Zuzannu Janinu, kas mums uztic\u0113ja divas kastes ar saviem lietiskajiem pier\u0101d\u012bjumiem. Pak\u0101peniski uzrad\u0101s ar\u012b citi po\u013cu sievie\u0161u ats\u016bt\u012bti ekspon\u0101ti un m\u0113s kop\u0101 ar br\u012bni\u0161\u0137\u012bgaj\u0101m po\u013cu scenogr\u0101f\u0113m Katar\u017einu Minkovsku un Martu Piotrovsku var\u0113j\u0101m piepild\u012bt pla\u0161o, mazliet spokaino padomju laikmeta villu, kas bija muzeja norises vieta. K\u0101 p\u0113d\u0113jo ekspon\u0101tu muzej\u0101 iek\u013c\u0101v\u0101m ar\u012b uz m\u0101jas sienas uzskricel\u0113to grafiti, kas bija naidpilns k\u0101da po\u013cu pana velt\u012bjums Danu\u0161kai. P\u0113c kaimi\u0146u teikt\u0101, uzraksts bija v\u0113sturisks, vismaz 20 gadus vecs. V\u0113l\u0101k k\u0101da apmekl\u0113t\u0101ja zin\u0101ja st\u0101st\u012bt par Danu\u0161ku un vi\u0146as \u0123imeni, kas biju\u0161i \u0161\u012bs m\u0101jas iem\u012btnieki… Tikm\u0113r scenogr\u0101fe Marta ar fluoresc\u0113jo\u0161u kr\u0101su dz\u012bvok\u013ca tualet\u0113 uz sienas atst\u0101ja citu liec\u012bbu – Polijas pretabortu kust\u012bbas un sievie\u0161u streika iecien\u012bto saukli.<\/p>\n

<\/a><\/a><\/a><\/a><\/a><\/a><\/p>\n
<\/div>\n<\/div>\n

Atkl\u0101\u0161anas dien\u0101, kad s\u0101ka n\u0101kt apmekl\u0113t\u0101ji, saprat\u0101m, ka str\u0101d\u0101jot ar st\u0101stiem po\u013cu valod\u0101, kurus zin\u0101j\u0101m tikai p\u0113c tulkojuma, esam zin\u0101m\u0101 m\u0113r\u0101 tiku\u0161as pasarg\u0101tas no to emocion\u0101l\u0101s iedarb\u012bbas. M\u016bsu po\u013cu muzeja versijas \u201cuzraudzes\u201d, jaun\u0101s aktrises Kinga Bobkovska un Izabella Dudziaka, pa\u0161as emociju p\u0101rpilnas un savi\u013c\u0146otas, st\u0101st\u012bja, ka cilv\u0113ki n\u0101kot un raudot. Kad t\u0101s pa\u0161as dienas v\u0113l\u0101 vakar\u0101 uz m\u0113\u0123in\u0101jumu atn\u0101ca pirm\u0101s po\u013cu las\u012bjumu maratona dal\u012bbnieces un n\u0101kamaj\u0101 r\u012bt\u0101 muzeja sadarb\u012bbas partneri no sievie\u0161u ties\u012bbu un pret vardarb\u012bbu v\u0113rst\u0101s organiz\u0101cijas \u201cFeminoteka\u201d atveda veselu pulci\u0146u ar dal\u012bbniec\u0113m, kuras bija tik p\u0101rliecin\u0101tas, stipras un nelok\u0101mas las\u012bjumu laik\u0101, tuvu asar\u0101m bij\u0101m m\u0113s.<\/p>\n

\u201cLietisko pier\u0101d\u012bjumu muzeja\u201d po\u013cu versija izdev\u0101s skarb\u0101ka un tie\u0161\u0101ka nek\u0101 R\u012bgas izst\u0101de, jo po\u013cu sievie\u0161u ies\u016bt\u012btie pieredzes st\u0101sti daudz vair\u0101k akcent\u0113ja fizisko un seksu\u0101lo vardarb\u012bbu. Reiz\u0113 t\u0101 bija ar\u012b vizu\u0101l\u0101s deta\u013c\u0101s bag\u0101t\u0101ka un l\u012bdz ar to po\u0113tisk\u0101ka, sal\u012bdzinot ar R\u012bgas lakonisko un izteikti dokument\u0101lo izst\u0101di. Sprie\u017eot p\u0113c atsauksm\u0113m, m\u0113r\u0137\u012b prec\u012bzi tr\u0101p\u012bja abas izst\u0101des, jo ar\u012b Polij\u0101, kur sievie\u0161u ties\u012bbu aizst\u0101v\u012bbas jaut\u0101jumi ir ilgu laiku atradu\u0161ies sabiedr\u012bbas uzman\u012bbas centr\u0101, izst\u0101de cilv\u0113kus p\u0101rsteidza un neatst\u0101ja vienaldz\u012bgus. \u201cSkaudrs un \u013coti vajadz\u012bgs darbs. Es izg\u0101ju no izst\u0101des dreb\u0113dama,\u201d mums rakst\u012bja citas po\u013cu sievie\u0161u ties\u012bbu organiz\u0101cijas \u201cAutonomia\u201d p\u0101rst\u0101ve un aicin\u0101ja izst\u0101di par\u0101d\u012bt \u0161ogad v\u0113l ar\u012b Krakov\u0101. Ceram, ka Polij\u0101 atgriez\u012bsimies un muzeja latvie\u0161u-po\u013cu kolekcija augs.<\/p>\n

Paldies Var\u0161avas las\u012bjumu dal\u012bbniec\u0113m Agnie\u0161kai, Aleksandrai, Alinai, El\u017ebietai, Izabellai, Kingai, Magdai, Zofijai, Zuzannai un vis\u0101m po\u013cu sieviet\u0113m, kas ies\u016bt\u012bja savus st\u0101stus muzeja kolekcijai.”<\/p>\n

Darba \u201cLietisko pier\u0101d\u012bjumu muzejs\u201d un festiv\u0101la \u201c<\/em>Baltic Transfer\u201d norise Var\u0161av\u0101 notiek ar Baltijas Kult\u016bras fonda atbalstu.<\/p>\n

“Lietisko pier\u0101d\u012bjumu muzejs”<\/a> tika pirmizr\u0101d\u012bts 2020. gad\u0101 Starptautiskaj\u0101 jaun\u0101 te\u0101tra festiv\u0101l\u0101 “Homo Novus”<\/a>, k\u0101 viena no starptautisk\u0101s platformas “Magic Carpets<\/a>” aktivit\u0101t\u0113m.<\/p>\n

Foto: TR Warszava, “Muzeum Dowod\u00f3w Rzeczowych”\/ “Lietisko pier\u0101d\u012bjumu muzejs” (Laura Sta\u0161\u0101ne, Jana Jacuka, 2021), foto autors: Karol Samborski.<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

No 1. l\u012bdz 6. j\u016blijam m\u0101kslinieces Jana Jacuka un Laura Sta\u0161\u0101ne sadarb\u012bb\u0101 ar sieviet\u0113m no Polijas pirmizr\u0101d\u012bja \u201cLietisko pier\u0101d\u012bjumu muzejs\u201d Var\u0161av\u0101, ievadot festiv\u0101lu “Baltic Transfer”. <\/p>\n","protected":false},"author":1,"featured_media":5724,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-5723","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhivets"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5723","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5723"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5723\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5724"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}