{"id":5773,"date":"2021-05-10T09:23:27","date_gmt":"2021-05-10T09:23:27","guid":{"rendered":"https:\/\/theatre.local\/musu-nepanesamais-kulturas-mantojums-dokumentacija-no-latvijas-norvegijas-un-kipras\/"},"modified":"2021-05-10T09:23:27","modified_gmt":"2021-05-10T09:23:27","slug":"musu-nepanesamais-kulturas-mantojums-dokumentacija-no-latvijas-norvegijas-un-kipras","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/musu-nepanesamais-kulturas-mantojums-dokumentacija-no-latvijas-norvegijas-un-kipras\/","title":{"rendered":"“M\u016bsu nepanesamais kult\u016bras mantojums” \u2013 sadarb\u012bbas prakses dokument\u0101cija no Latvijas, Norv\u0113\u0123ijas un Kipras"},"content":{"rendered":"

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\u0160\u012b gada pavasar\u012b Latvijas Jaun\u0101 te\u0101tra instit\u016bts (LJTI) sadarb\u012bb\u0101 ar Norv\u0113\u0123ijas Te\u0101tra akad\u0113miju<\/a> un Kipras Te\u0101tra organiz\u0101ciju<\/a>\u00a0realiz\u0113ja starptautisko sadarb\u012bbas nometni “M\u016bsu nepanesamais kult\u016bras mantojums” \u2013 \u00a0virtu\u0101lu un starptautisku koprades praksi scenogr\u0101fijas un performat\u012bvo m\u0101kslu studentiem, kuri p\u0113t\u012bja tr\u012bs da\u017e\u0101das v\u0113sturiski nospriegotas, atkl\u0101tu un sl\u0113ptu politisku konfliktu piepild\u012bt\u0101s vides.\u00a0<\/span><\/p>\n

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Studenti no Latvijas, Norv\u0113\u0123ijas un Kipras kop\u012bgi iepazin\u0101s un analiz\u0113ja Daugavgr\u012bvas cietoksni R\u012bg\u0101 un t\u0101 v\u0113sturi, mainoties da\u017e\u0101d\u0101m var\u0101m, Hojas salu Norv\u0113\u0123ij\u0101, kur Otr\u0101 pasaules kara laik\u0101 atrad\u0101s spr\u0101gstvielu r\u016bpn\u012bca, kas piespiedu k\u0101rt\u0101 nodarbin\u0101ja Oslo prostit\u016btas, un 1974. gada Turcijas inv\u0101zijas rezult\u0101t\u0101 pamesto Famagustas pils\u0113tu Kipr\u0101. Izp\u0113tes rezult\u0101t\u0101 tika rad\u012bti audi\u0101li darbi par varu, v\u0113stures traum\u0101m un r\u0113t\u0101m, pag\u0101tnes r\u0113giem un to nep\u0101rtraukti j\u016btamo kl\u0101tb\u016btni, par v\u0113stures sasalu\u0161aj\u0101m eksistences form\u0101m, kas ritmiski un simetriski ieskauj tagadnes uztveres lauku. Audi\u0101lie darbi-pastaigas Daugavgr\u012bvas cietoksn\u012b ned\u0113\u013c\u0101s nogal\u0113s b\u016bs apskat\u0101mi no 2021. gada 18. maija<\/strong>.<\/p>\n

Rado\u0161o sadarb\u012bbu praksi studentiem vad\u012bja te\u0101tra un kino re\u017eisore, dramatur\u0123e un starpdisciplin\u0101ru projektu autore Krista Bur\u0101ne, dramatur\u0123e un Pr\u0101gas Skatuves m\u0101kslu akad\u0113mijas Te\u0101tra fakult\u0101tes Objektu un koprad\u012bt\u0101 te\u0101tra programmas vad\u012bt\u0101ja Sodja Zupanca Lotkere, v\u0101cu lektors, p\u0113tnieks un dramaturgs Imanuels \u0160ipers, Norv\u0113\u0123ijas Te\u0101tra akad\u0113mijas Scenogr\u0101fijas noda\u013cas vad\u012bt\u0101js Ser\u017es fon Arks, kurators, akad\u0113mi\u0137is, scenogr\u0101fs Janis Toumazis un m\u0101ksliniece, akad\u0113mi\u0137e Nurtane Karagila no Kipras.<\/p>\n

Latvijas studenti izp\u0113tes proces\u0101 cie\u0161i sadarboj\u0101s ar Sandru un Vladimiru Jaku\u0161onokiem no Bolder\u0101jas grupas<\/a>.<\/p>\n

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Foto: Aivars Ivbulis un nometnes dal\u012bbnieki.<\/div>\n

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Nometne ir starptautisk\u0101s scenogr\u0101fijas izp\u0113tes un jaunrades platformas\u00a0\u201cEmergence\u201d<\/a>\u00a0aktivit\u0101te un tiek \u012bstenots ar Valsts kult\u016brkapit\u0101la fonda m\u0113r\u0137programmas \u201eLatvijai \u2013 100\u201d , LR Kult\u016bras ministrijas un ES programmas “Rado\u0161\u0101 Eiropa” atbalstu.<\/em><\/div>\n
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\"\"<\/a>. \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\"\"<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Apr\u012b\u013ca beig\u0101s nosl\u0113gusies starptautisk\u0101 studentu nometne \u2013 t\u0101s laik\u0101 tapu\u0161os audi\u0101los darbus-pastaigas Daugavgr\u012bvas cietoksn\u012b, s\u0101kot ar 18. maiju, katru ned\u0113\u013cas nogali var\u0113s apl\u016bkot un noklaus\u012bties pla\u0161\u0101ks interesentu loks.<\/p>\n","protected":false},"author":1,"featured_media":5774,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-5773","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhivets"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5773","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5773"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5773\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5774"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5773"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5773"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}