{"id":5783,"date":"2021-03-15T07:01:30","date_gmt":"2021-03-15T07:01:30","guid":{"rendered":"https:\/\/theatre.local\/sodien-sakas-starptautiska-studentu-nometne-musu-nepanesamais-kulturas-mantojums\/"},"modified":"2021-03-15T07:01:30","modified_gmt":"2021-03-15T07:01:30","slug":"sodien-sakas-starptautiska-studentu-nometne-musu-nepanesamais-kulturas-mantojums","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/sodien-sakas-starptautiska-studentu-nometne-musu-nepanesamais-kulturas-mantojums\/","title":{"rendered":"Mart\u0101 s\u0101kas starptautiska studentu nometne “M\u016bsu nepanesamais kult\u016bras mantojums”"},"content":{"rendered":"

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15. mart\u0101 s\u0101kas starptautiska studentu nometne \u201cM\u016bsu nepanesamais kult\u016bras mantojums\u201d, kuras laik\u0101 tr\u012bs studentu grupas no Latvijas, Norv\u0113\u0123ijas un Kipras p\u0113t\u012bs tr\u012bs vietu v\u0113sturi, st\u0101stus un materialit\u0101ti, lai p\u0113c tam p\u0101rv\u0113rstu \u0161o pieredzi m\u0101kslas darb\u0101. Viens no inovat\u012bviem nometnes aspektiem ir iecere rad\u012bt un p\u0101rbaud\u012bt veidus, k\u0101 p\u0101rvar\u0113t att\u0101lumu un nodot vietas pieredzi un narat\u012bvu k\u0101dam, kas taj\u0101 nekad nav fiziski atradies.
\nTr\u012bs studentu grupas str\u0101d\u0101s tr\u012bs viet\u0101s \u2013 Daugavgr\u012bvas cietoksn\u012b R\u012bg\u0101, \u201cspoku pils\u0113t\u0101\u201d Famagust\u0101 un Hojas sal\u0101 Norv\u0113\u0123ij\u0101. T\u0101s visas ir pamestas teritorijas, kur civiliz\u0101cijas p\u0113das pamaz\u0101m p\u0101r\u0146em daba, aizvien dzi\u013c\u0101k apsl\u0113pjot ar t\u0101m saist\u012btus sare\u017e\u0123\u012btus un gruzdo\u0161us st\u0101stus un v\u0113stures liec\u012bbas.
\nVair\u0101kas ned\u0113\u013cas studenti velt\u012bs tr\u012bs vietu izzi\u0146ai un izp\u0113tei, bet p\u0113d\u0113j\u0101s desmit apr\u012b\u013ca dien\u0101s vienosies kop\u012bg\u0101 jaunrades proces\u0101, kura rezult\u0101t\u0101 taps jauni performat\u012bvi un telpiski m\u0101kslas darbi.
\nNometn\u0113 piedal\u0101s 18 studenti, vi\u0146u vid\u016b \u2013 se\u0161i latvie\u0161i: Kristaps Priede, L\u012bga \u016abele, Di\u0101na Sutugina un Nikola \u0160\u010dadro no Latvijas M\u0101kslas akad\u0113mijas un Oskars Moore un Betija Zvejniece no Latvijas Kult\u016bras akad\u0113mijas.<\/p>\n

Mentori<\/strong>
\nKrista Bur\u0101ne\u00a0<\/strong>ir dokument\u0101l\u0101 te\u0101tra un kino re\u017eisore, kas stud\u0113jusi filozofiju un kino re\u017eiju. Kristas darbi ir apbalvoti gan ar Sp\u0113lma\u0146u nakts, gan Liel\u0101 Kristapa balv\u0101m, tie piedal\u012bju\u0161ies te\u0101tra un kino festiv\u0101los London\u0101, Kopenh\u0101gen\u0101, H\u0101g\u0101, R\u012bg\u0101, Reikjavik\u0101, Stokholm\u0101 u.c. Kop\u0161 2008. gada Krista piedal\u0101s festiv\u0101l\u0101 \u201cHomo Novus\u201d un ir bijusi l\u012bdzautore izr\u0101d\u0113m \u201cMazais cilv\u0113ks\u201d (2008), \u201cKauja pie\u2026\u201d (2009), \u201cTie\u0161raide\u201d (2011) \u201cBez v\u0113sts pazudu\u0161ie\u201d (2013), \u201cLas\u012btava\u201d (2015), \u201cCietoksnis\u201d (2017), \u201cNoktirne\u201d (2018), \u201cno t\u0101 laika koki vairs nerun\u0101\u201d (2020).
\nSodja Zupanca Lotkere\u00a0<\/strong>ir neatkar\u012bga dramatur\u0123e, vada starptautisku objektu un koprad\u012bt\u0101 te\u0101tra programmu Pr\u0101gas Skatuves m\u0101kslu akad\u0113mijas Te\u0101tra fakult\u0101t\u0113 (DAMU). No 2008. l\u012bdz 2015. gadam bija Pr\u0101gas Scenogr\u0101fijas un te\u0101tra telpas kvadrienn\u0101les m\u0101ksliniecisk\u0101 direktore, starpdisciplin\u0101r\u0101 projekta \u201cKrustpunkt\u0101: intimit\u0101te un izr\u0101de\u201d un izst\u0101des \u201cCiltis\u201d kuratore. Ir bijusi vair\u0101ku starptautisku projektu koordinatore, las\u012bjusi lekcijas Kolumbijas universit\u0101t\u0113, Jeila Dr\u0101mas skol\u0101, Karaliskaj\u0101 Runas un dr\u0101mas skol\u0101 London\u0101 un citur.
\nImanuels \u0160ipers<\/strong>\u00a0ir v\u0101cu lektors, p\u0113tnieks un dramaturgs, kur\u0161 pamat\u0101 darbojas V\u0101cij\u0101 un \u0160veic\u0113. K\u0101 dramaturgs cie\u0161i sadarbojies ar apvien\u012bbu Rimini Protokoll. Imanuels ir bijis performances studiju un dramatur\u0123ijas profes\u016bras asistents Hamburgas Medic\u012bnas skolas M\u0101kslas un soci\u0101lo p\u0101rmai\u0146u departament\u0101, kop\u0161 2020. gada \u2013 p\u0113tnieks MIT CityScienceLab un Hamburgas Ostas pils\u0113tas universit\u0101t\u0113. Darbojas platformas PSi (Performance Studies International) vald\u0113 un str\u0101d\u0101 pie doktora disert\u0101cijas Leifanas universit\u0101t\u0113 Lineburg\u0101. Imanuels ir daudzu publik\u0101ciju autors un vair\u0101ku gr\u0101matu l\u012bdzautors.
\nSer\u017es fon Arkss<\/strong>\u00a0ir arhitekts un scenogr\u0101fijas profesors, Norv\u0113\u0123ijas Te\u0101tra akad\u0113mijas Scenogr\u0101fijas noda\u013cas vad\u012bt\u0101js. Ilgost\u0161i sadarbojies ar amerik\u0101\u0146u re\u017eisoru Robertu Vilsonu, veidojot scenogr\u0101fiju, noform\u0113jumu un instlal\u0101cijas vi\u0146a projektiem. Fon Arksu interes\u0113 arhitekt\u016bras performat\u012bvie aspekti un arhitekt\u016bras un te\u0101tra sint\u0113zes iesp\u0113jas.<\/p>\n

Nometne ir starptautisk\u0101s scenogr\u0101fijas izp\u0113tes un jaunrades platformas\u00a0\u201cEmergence\u201d<\/a>\u00a0aktivit\u0101te, ko atbalsta LR Kult\u016bras ministrija, Valsts kult\u016brkapit\u0101la fonds un ES programma \u201cRado\u0161\u0101 Eiropa\u201d.<\/p>\n

Nometne ir da\u013ca no Latvijas simtgades pas\u0101kumu kopas un to r\u012bko Latvijas Jaun\u0101 te\u0101tra instit\u016bts sadarb\u012bb\u0101 ar Norv\u0113\u0123ijas Te\u0101tra akad\u0113miju un Kipras Te\u0101tru organiz\u0101ciju.<\/p>\n

Att\u0113ls: Google Earth<\/p>\n

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\"\"<\/a>\"\"<\/a>\"\"<\/a>\"\"<\/p>\n

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<\/p>","protected":false},"excerpt":{"rendered":"

Nometnes m\u0113r\u0137is ir p\u0113t\u012bt vides scenogr\u0101fiju, telpas dramatur\u0123iju un vietas performat\u012bvo potenci\u0101lu, sadarbojoties tr\u012bs studentu grup\u0101m no Latvijas, Norv\u0113\u0123ijas un Kipras.<\/p>\n","protected":false},"author":1,"featured_media":5784,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-5783","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhivets"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5783","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5783"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5783\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5784"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5783"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5783"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5783"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}