{"id":5787,"date":"2021-02-26T16:42:23","date_gmt":"2021-02-26T16:42:23","guid":{"rendered":"https:\/\/theatre.local\/februari-ljti-biblioteka-papildinata-ar-jaunam-gramatam\/"},"modified":"2021-02-26T16:42:23","modified_gmt":"2021-02-26T16:42:23","slug":"februari-ljti-biblioteka-papildinata-ar-jaunam-gramatam","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/februari-ljti-biblioteka-papildinata-ar-jaunam-gramatam\/","title":{"rendered":"LJTI bibliot\u0113ka papildin\u0101ta ar jaun\u0101m gr\u0101mat\u0101m"},"content":{"rendered":"<p><\/p>\n<p>Eso\u0161ajos apst\u0101k\u013cos Ministru kabinets at\u013c\u0101vis bibliot\u0113k\u0101m veikt gr\u0101matu izsnieg\u0161anu m\u0101jlas\u012b\u0161anai, t\u0101p\u0113c Latvijas Jaun\u0101 te\u0101tra instit\u016bts (LJTI) aicina apl\u016bkot laikmet\u012bg\u0101s skatuves m\u0101kslai velt\u012bt\u0101s <a href=\"http:\/\/theatre.lv\/mediateka\/biblioteka\/\">bibliot\u0113kas katalogu elektroniski<\/a> un pieteikt interes\u0113jo\u0161o literat\u016bru m\u0101jlas\u012b\u0161anai.<\/p>\n<p>P\u0113d\u0113jos m\u0113ne\u0161os LJTI bibliot\u0113ka papildin\u0101ta ar p\u0101ris jaun\u0101m vien\u012bb\u0101m \u2013 \u0161o darbu fokus\u0101 ir ainavas j\u0113dziena papla\u0161in\u0101jums, lauku un agr\u0101r\u0101 kult\u016bra, k\u0101 ar\u012b v\u0113sturisk\u0101s un lok\u0101l\u0101s koprades prakses.<\/p>\n<p>Interesentus aicin\u0101m rakst\u012bt mums, nor\u0101dot v\u0113lamo literat\u016bru, uz <a href=\"contact@theatre.lv\">contact@theatre.lv<\/a>.\u00a0T\u0101 k\u0101 katra LJTI bibliot\u0113kas vien\u012bba galvenok\u0101rt ir vien\u0101 eksempl\u0101r\u0101, l\u016bdzam iepriek\u0161 p\u0101rliecin\u0101ties, vai j\u016bsu k\u0101rot\u0101 gr\u0101mata ir pieejama.<\/p>\n<p><strong>Nesen pievienot\u0101s gr\u0101matas:<\/strong><br \/>\n\u2013 &#8220;A Photographic Portrait Of A Landscape. New Dimensions In Landscape Philosophy&#8221;, Pietsie Feenstra, Wapke Feenstra, 2012<br \/>\n\u2013 &#8220;Company: Movements, Deals and Drinks&#8221;, Kathrin B\u00f6hm, Miranda Pope, 2015<br \/>\n\u2013 &#8220;International Village Show&#8221;, Kathrin B\u00f6hm, Wapke Feenstra, Antje Schiffers, 2017<br \/>\n\u2013 &#8220;Potato Growers&#8221;, Kevser Guler, Wapke Feenstra, 2019<br \/>\n\u2013 &#8220;The Rural. Documents of Contemporary Art&#8221;, 2019<\/p>\n<p><strong>Janv\u0101r\u012b pievienot\u0101s gr\u0101matas:<\/strong><br \/>\n\u2013 \u201cAGENCY: A Partial History of Live Art\u201d, Theron Schmidt, 2019<br \/>\n\u2013 \u201cand then the doors opened again\u201d, David Weber-Krebs, 2020<br \/>\n\u2013 \u201cANOTHER VERSION: Thinking Through Performing\u201d, Philippine Hoegen, 2020<br \/>\n\u2013 \u201cEndless Shout\u201d, Anthony Elms, 2019<br \/>\n\u2013 \u201cLecture For Every One (2013-2020)\u201d, Sarah Vanhee, 2020<br \/>\n\u2013 \u201cLive Art in the UK: Contemporary Performances of Precarity\u201d, Maria Chatzichristodoulou, 2020<br \/>\n\u2013 \u201cMoments Before the Wind. Notes on Scenography\u201d, Jozef Wouters, 2020<br \/>\n\u2013 \u201cOf Other Spaces: Where Does Gesture Become Event?\u201d, Sophia Yadong Hao, 2019<br \/>\n\u2013 \u201cPerforming Remains: Art and War in times of Theatrical Reenactment\u201d, Rebecca Schneider, 2011<br \/>\n\u2013 \u201cSomething Some Things Something Else\u201d, Jeroen Peeters, 2019<br \/>\n\u2013 \u201cThese Are the Tools of the Present. Beirut Cairo\u201d, Mai Abu ElDahab, November Paynter, Marnie Slater, 2017<br \/>\n\u2013 \u201cWhy Theatre?\u201d, Katje de Geest, Carmen Hornbostel, Milo Rau, 2020<\/p>\n<p><strong>L\u016bdzam \u0146emt v\u0113r\u0101, ka gr\u0101matas tiek izsniegtas m\u0101jlas\u012b\u0161anai uz div\u0101m ned\u0113\u013c\u0101m, bet \u0137\u012blas nauda ir 20,00 EUR.<\/strong><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Pied\u0101v\u0101jam pieteikt interes\u0113jo\u0161\u0101s gr\u0101matas vai katalogus m\u0101jlas\u012b\u0161anai \u2013 LJTI bibliot\u0113ka papildin\u0101ta ar p\u0101ris jaun\u0101m vien\u012bb\u0101m par ainavas j\u0113dzienu, lauku kult\u016bru un koprades praks\u0113m.<\/p>\n","protected":false},"author":1,"featured_media":5788,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-5787","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhivets"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5787","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5787"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5787\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5788"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5787"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5787"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5787"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}