<\/p>\n
Lepojamies, ka\u00a0\u201cPurv\u012b\u0161a balvas 2021\u201d<\/a>\u00a0fin\u0101lam izvirz\u012bta Kristas un Rei\u0146a Dzudzilo instal\u0101cija \u201cZRwhdZ. R\u012bga\u201d, kas s\u0101kotn\u0113ji tapa k\u0101 Latvijas nacion\u0101l\u0101 ekspoz\u012bcija 14. Pr\u0101gas Scenogr\u0101fijas kvadrienn\u0101l\u0113 (Prague Quadrennial of Performance Design and Space)\u00a0un starptautisk\u0101s \u017e\u016brijas v\u0113rt\u0113jum\u0101\u00a0tika apbalvota par\u00a0lab\u0101ko kuratoru koncepciju<\/a>.\u00a0<\/strong>P\u0113c atgrie\u0161an\u0101s no Pr\u0101gas \u0161aj\u0101 pa\u0161\u0101 gad\u0101 Dzudzilo darba\u00a0R\u012bgas versiju \u201cZRwhdZ.\u00a0R\u012bga\u201d\u00a0pal\u012bdz\u0113ja izst\u0101d\u012bt un produc\u0113t\u00a0\u201ckim?<\/a>\u201d\u00a0laikmet\u012bg\u0101s m\u0101kslas centrs un t\u0101\u00a0bija pieejama\u00a0apskatei \u201ckim?<\/a>\u201d telp\u0101s Sporta iel\u0101 2, R\u012bg\u0101.\u00a0<\/strong><\/p>\n Dzudzilo “ZRwhdZ” raksturoju\u0161i \u0161\u0101di: “Tre\u0161\u0101 Z\u0113nona aporija bija par bultu, kura lido. Bet, t\u0101 k\u0101 ikvien\u0101 atsevi\u0161\u0137\u0101 mirkl\u012b t\u0101 st\u0101v uz vietas, t\u0101 paliek nekust\u012bga. Bulta traucas uz priek\u0161u, bet nekustas. T\u0101 ieduras sird\u012b, un no t\u0101 rodas dzejo\u013ci.\u201d\u00a0 Teica Vladimirs Gandelsmans. No vair\u0101k\u0101m bult\u0101m, kuras m\u016bsos ir ied\u016bru\u0161\u0101s, ir radies \u0161is darbs. R\u012bgas Laika Bulta. V\u0101gnera Bulta. Auznieka Bulta. Un visas citas apzin\u0101tas un neapzin\u0101tas dz\u012bves Bultas.\u00a0ZRwhdZ ir k\u0101 formula. T\u0101 ir k\u0101 zelta griezums ar kuru grie\u017eot var tuvoties dz\u012bv\u0101s m\u0101kslas ide\u0101lam. Abreviat\u016bras at\u0161ifr\u0113jums \u201cZum Raum hier wird die Zeit\u201d (\u201cPar telpu \u0161eit top laiks\u201d) tiek izteikts Riharda V\u0101gnera p\u0113d\u0113j\u0101s operas \u201cParsif\u0101ls\u201d libret\u0101. \u0160ie divi balsti \u2013 Laiks un Telpa ir k\u0101jas uz kur\u0101m kustas scenogr\u0101fija. Pirms vair\u0101kiem gadiem, esot ce\u013cojum\u0101, m\u0113s ieg\u0101d\u0101j\u0101mies kabatas form\u0101ta m\u016bzikas kast\u012bti, t\u0101 labi ietilpst cilv\u0113ka plaukst\u0101. Bet cilv\u0113ks ar\u012b var ietilpt m\u016bzikas kast\u012bt\u0113. Kaut kas var rasties starp pretrunu, ambivalenci, kur\u0101 ietverta b\u0113rni\u0161\u0137\u012bba un t\u0101s pazaud\u0113\u0161ana vai ar\u012b t\u0101s atg\u016b\u0161ana. M\u0101ksla uzdod jaut\u0101jumus, jo t\u0101s rad\u012b\u0161an\u0101 pasaule ir j\u0101atkl\u0101j no jauna. L\u016bdzu, ien\u0101ciet izej\u0101!\u201d<\/p>\n “ZRwhdZ\u201d ir scenogr\u0101fu un m\u0101kslinieku Kristas un Rei\u0146a Dzudzilo darbs, kas veidots sadarb\u012bb\u0101 ar komponistu Kristu Auznieku, instrumentu meistaru Aleksandru Maijeru, sadarbojoties ar J\u0101ni Lini\u0146u un Kasparu Putri\u0146u, kuratori Gundegu Laivi\u0146u, producent\u0113m Sandru Lapkovsku un Klintu Harju, tehnisko producentu J\u0101ni Lini\u0146u, ska\u0146u in\u017eenieri Ivaru Ozolu, “Dekor\u0101ciju darbn\u012bca” un Latvijas Jaun\u0101 te\u0101tra instit\u016btu.<\/p>\n \u201cPurv\u012b\u0161a balvas 2021\u201d\u00a0fin\u0101la pretendenti ir asto\u0146i m\u0101kslinieki un m\u0101kslinieku grupas, savuk\u0101rt balva par m\u016b\u017ea ieguld\u012bjumu \u0161ogad tiks pasniegta gleznot\u0101jai Maijai Tabakai. Zem\u0101k balvai izvirz\u012btie m\u0101kslinieki un autori:<\/p>\n \u2013 “Skuja Braden”<\/strong> \u2013par izst\u0101di “Sams\u0101ra”, \u012bpa\u0161i izce\u013cot izst\u0101des centr\u0101lo da\u013cu “Ilgas alt\u0101ris”, Dekorat\u012bv\u0101s m\u0101kslas un dizaina muzej\u0101;<\/p>\n \u2013 Valdis Celms<\/strong> \u2013 par kin\u0113tiskaj\u0101m skulpt\u016br\u0101m “Dz\u012bv\u012bbas ritmi” un “Pozitrons” otr\u0101s R\u012bgas Starptautisk\u0101s Laikmet\u012bg\u0101s m\u0101kslas bienn\u0101les izst\u0101d\u0113 “Viss reiz\u0113 zied”;<\/p>\n \u2013 Krista un Reinis Dzudzilo<\/strong> \u2013 par darbu “ZRwhdZ” “kim?” laikmet\u012bg\u0101s m\u0101kslas centr\u0101;<\/p>\n \u2013 Kaspars Gro\u0161evs<\/strong> \u2013 par multimedi\u0101lo instal\u0101ciju “Cita istaba”, kas bija skat\u0101ma m\u0101kslas festiv\u0101l\u0101 “C\u0113sis 2020”;<\/p>\n \u2013 Ieva Kraule-K\u016bna un El\u012bna V\u012btola<\/strong> \u2013 par projektu “M\u0101kslinieku kr\u012bzes centrs” divu gadu period\u0101 galerij\u0101 “Low” un Kim? laikmet\u012bg\u0101s m\u0101kslas centr\u0101;<\/p>\n \u2013 Rasa un Raitis \u0160miti<\/strong> \u2013 par darbu “Atmosf\u0113riskais me\u017es” (2017\u20132020), kas m\u0101kslas un mediju centra “ZKM” Karlsr\u016b\u0113 (V\u0101cija) organiz\u0113taj\u0101 izst\u0101d\u0113 “Kritisk\u0101s zonas \u2013 Zemes politikas observatorijas”;<\/p>\n \u2013 Aija Zari\u0146a<\/strong> \u2013 par person\u0101lizst\u0101di “Mosties, mosties reiz, svabadais gars” LNMM Kupola z\u0101l\u0113;<\/p>\n \u2013 Amanda Ziemele<\/strong> \u2013 par person\u0101lizst\u0101di “Kvantu matu implanti” kim? laikmet\u012bg\u0101s m\u0101kslas centr\u0101.<\/p>\n \u201cPurv\u012b\u0161a balvas 2021\u201d kandid\u0101tu darbu izst\u0101de\u00a0Latvijas Nacion\u0101l\u0101 m\u0101kslas muzeja Lielaj\u0101 z\u0101l\u0113 b\u016bs skat\u0101ma\u00a0no 2021. gada 4. j\u016bnija.\u00a0Purv\u012b\u0161a balvas 2021 laure\u0101ts\u00a0tiks nosaukts\u00a011. j\u016bnij\u0101. Izst\u0101des norises laik\u0101 apmekl\u0113t\u0101jiem b\u016bs iesp\u0113ja balsot ar\u012b par savu\u00a0favor\u012btu, kur\u0161 tiks pazi\u0146ots izst\u0101des nosl\u0113gum\u0101. Skat\u012bt\u0101ju balsojums tiek organiz\u0113ts sadarb\u012bb\u0101 ar port\u0101lu \u201cDelfi\u201d.<\/p>\n Purv\u012b\u0161a balvas laure\u0101tu izv\u0113l\u0113s starptautiska \u017e\u016brija septi\u0146u profesion\u0101\u013cu sast\u0101v\u0101: Latvijas Nacion\u0101l\u0101 m\u0101kslas muzeja direktore\u00a0M\u0101ra L\u0101ce; muzeja un Purv\u012b\u0161a balvas patrons, SIA \u201cAlfor\u201d valdes priek\u0161s\u0113d\u0113t\u0101js\u00a0J\u0101nis Zuz\u0101ns; kurators, ilggad\u0113js Minsteres skulpt\u016bru projekta rado\u0161ais direktors un viens no dibin\u0101t\u0101jiem\u00a0Kaspers K\u0113nigs; \u0136elnes M\u0101kslas meses rado\u0161ais direktors\u00a0Daniels Hags; Krievijas galeriju asoci\u0101cijas viens no valdes locek\u013ciem, galerijas “Pop\/Off\/Art”\u00a0<\/em>dibin\u0101t\u0101js, m\u0101kslas v\u0113sturnieks un kurators\u00a0Sergejs Popovs; m\u0101kslas kolekcion\u0101re, “SAM Art Projects”\u00a0(Par\u012bze) dibin\u0101t\u0101ja\u00a0Sandra Egedi\u0161a; kurators, “Kestner Gesellschaft”\u00a0(Hanovere) direktors\u00a0Adams Budaks.<\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" Dzudzilo tand\u0113ma instal\u0101cija \u201cZRwhdZ\u201d tapusi Pr\u0101gas Scenogr\u0101fijas kvadrienn\u0101les profesion\u0101\u013cu izst\u0101dei 2019. gad\u0101, kur t\u0101 p\u0101rst\u0101v\u0113ja Latviju un sa\u0146\u0113ma zelta meda\u013cu par “Lab\u0101ko kuratoru koncepciju”. P\u0113c atgrie\u0161an\u0101s no Pr\u0101gas darbs tika izst\u0101d\u012bts “kim?” laikmet\u012bg\u0101s m\u0101kslas centr\u0101 R\u012bg\u0101.<\/p>\n","protected":false},"author":1,"featured_media":5806,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-5805","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhivets"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5805"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5805\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5806"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}