{"id":5809,"date":"2021-01-13T01:19:13","date_gmt":"2021-01-13T01:19:13","guid":{"rendered":"https:\/\/theatre.local\/aicinam-attalinati-iznemt-ljti-gramatas-majlasisanai\/"},"modified":"2021-01-13T01:19:13","modified_gmt":"2021-01-13T01:19:13","slug":"aicinam-attalinati-iznemt-ljti-gramatas-majlasisanai","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/aicinam-attalinati-iznemt-ljti-gramatas-majlasisanai\/","title":{"rendered":"Aicin\u0101m att\u0101lin\u0101ti pieteikt LJTI bibliot\u0113kas gr\u0101matas m\u0101jlas\u012b\u0161anai"},"content":{"rendered":"<p><\/p>\n<div class=\"article__lead\">\n<p>S\u0101kot ar 12. janv\u0101ri, Ministru kabinets at\u013c\u0101vis bibliot\u0113k\u0101m veikt gr\u0101matu izsnieg\u0161anu, t\u0101p\u0113c Latvijas Jaun\u0101 te\u0101tra instit\u016bts (LJTI) aicina apl\u016bkot laikmet\u012bg\u0101s skatuves m\u0101kslai velt\u012bt\u0101s<a href=\"http:\/\/theatre.lv\/mediateka\/biblioteka\/\">\u00a0bibliot\u0113kas katalogu elektroniski<\/a> un pieteikt interes\u0113jo\u0161o literat\u016bru m\u0101jlas\u012b\u0161anai. Sakar\u0101 ar \u0101rk\u0101rtas situ\u0101ciju valst\u012b l\u012bdz 7. febru\u0101rim (ieskaitot) LJTI bibliot\u0113kas las\u012btava ir sl\u0113gta.<\/p>\n<div class=\"article__lead\">Janv\u0101ra pirmaj\u0101s dien\u0101s LJTI bibliot\u0113ka papildin\u0101ta ar padsmit jaun\u0101m vien\u012bb\u0101m \u2013 to vid\u016b ir darbi, kuru fokus\u0101 ir skatuves m\u0101ksla pand\u0113mijas laik\u0101, t\u0101s performat\u012bv\u0101 dokument\u0101cija, scenogr\u0101fija un \u0137ermenis k\u0101 telpa. \u012apa\u0161s papildin\u0101jums ir laikmet\u012bg\u0101 te\u0101tra kontekst\u0101 jau par fundament\u0101lu gr\u0101matu k\u013cuvus\u012b &#8220;K\u0101p\u0113c te\u0101tris?&#8221; (&#8220;Why Theatre?&#8221;, 2020), kuru veidojis Milo Rau, \u0122entes pils\u0113tas te\u0101tris un kol\u0113\u0123i.<\/div>\n<div><\/div>\n<div class=\"article__lead\">Interesentus aicin\u0101m rakst\u012bt\u00a0mums, nor\u0101dot v\u0113lamo literat\u016bru, uz\u00a0<a href=\"mailto:contact@theatre.lv\" target=\"_blank\" rel=\"noopener\">contact@theatre.lv.<\/a><\/div>\n<div><\/div>\n<div><strong>Nesen pievienot\u0101s gr\u0101matas<\/strong>:<\/div>\n<div>\n<p>\u2013 &#8220;AGENCY: A Partial History of Live Art&#8221;,\u00a0Theron Schmidt,\u00a02019<br \/>\n\u2013 &#8220;and then the doors opened again&#8221;, David Weber-Krebs, 2020<br \/>\n\u2013 &#8220;ANOTHER VERSION: Thinking Through Performing&#8221;, Philippine Hoegen, 2020<br \/>\n\u2013 &#8220;Endless Shout&#8221;, Anthony Elms, 2019<br \/>\n\u2013\u00a0&#8220;Lecture For Every One (2013-2020)&#8221;, Sarah Vanhee, 2020<br \/>\n\u2013 &#8220;Live Art in the UK: Contemporary Performances of Precarity&#8221;, Maria Chatzichristodoulou, 2020<br \/>\n\u2013 \u00a0&#8220;Moments Before the Wind. Notes on Scenography&#8221;, Jozef Wouters, 2020<br \/>\n\u2013 &#8220;Of Other Spaces: Where Does Gesture Become Event?&#8221;,\u00a0Sophia Yadong Hao, 2019<br \/>\n\u2013 &#8220;Performing Remains: Art and War in times of Theatrical Reenactment&#8221;, Rebecca Schneider, 2011<br \/>\n\u2013 &#8220;Something Some Things Something Else&#8221;,\u00a0Jeroen Peeters, 2019<br \/>\n\u2013 &#8220;These Are the Tools of the Present. Beirut Cairo&#8221;, Mai Abu ElDahab, November Paynter, Marnie Slater, 2017<br \/>\n\u2013 &#8220;Why Theatre?&#8221;, Katje de Geest, Carmen Hornbostel, Milo Rau, 2020<\/p>\n<\/div>\n<div><strong>L\u016bdzam \u0146emt v\u0113r\u0101, ka gr\u0101matas tiek izsniegtas m\u0101jlas\u012b\u0161anai uz div\u0101m ned\u0113\u013c\u0101m, bet \u0137\u012blas nauda ir 20,00 EUR.\u00a0T\u0101 k\u0101 katra LJTI bibliot\u0113kas vien\u012bba galvenok\u0101rt ir vien\u0101 eksempl\u0101r\u0101, l\u016bdzam iepriek\u0161 p\u0101rliecin\u0101ties, vai j\u016bsu k\u0101rot\u0101 gr\u0101mata ir pieejama.<\/strong><\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Pied\u0101v\u0101jam pieteikt interes\u0113jo\u0161\u0101s gr\u0101matas vai katalogus m\u0101jlas\u012b\u0161anai \u2013 janv\u0101ra pirmaj\u0101s dien\u0101s LJTI bibliot\u0113ka papildin\u0101ta ar padsmit jaun\u0101m vien\u012bb\u0101m.<\/p>\n","protected":false},"author":1,"featured_media":5810,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-5809","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhivets"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5809","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5809"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5809\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5810"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5809"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5809"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5809"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}