{"id":5865,"date":"2020-08-03T11:15:16","date_gmt":"2020-08-03T11:15:16","guid":{"rendered":"https:\/\/theatre.local\/parmainas-latvijas-jauna-teatra-instituta-komanda\/"},"modified":"2020-08-03T11:15:16","modified_gmt":"2020-08-03T11:15:16","slug":"parmainas-latvijas-jauna-teatra-instituta-komanda","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/parmainas-latvijas-jauna-teatra-instituta-komanda\/","title":{"rendered":"P\u0101rmai\u0146as Latvijas Jaun\u0101 te\u0101tra instit\u016bta komand\u0101"},"content":{"rendered":"

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Latvijas Jaun\u0101 te\u0101tra instit\u016bta komand\u0101 ir notiku\u0161as b\u016btiskas p\u0101rmai\u0146as un \u0161ovasar to papildin\u0101ju\u0161i jauni sp\u0113ki \u2013 instit\u016bta vad\u012bbu l\u012bdz gada beig\u0101m p\u0101r\u0146ems Beka Bergere, inform\u0101cijas koordinatora amat\u0101 st\u0101jas Evarts Melnalksnis, bet starptautisko projektu \u201cACT: m\u0101ksla, klimats un p\u0101rmai\u0146as\u201d s\u0101k vad\u012bt Eva Johansone.\u00a0<\/span><\/p>\n

Dzimusi un augusi Melburn\u0101, Beka Bergere ir guvusi iev\u0113rojamu kuratores, producentes un m\u0101kslinieces pieredzi Austr\u0101lij\u0101, ASV un Eirop\u0101. Pirmo reizi festiv\u0101lu \u201cHomo Novus\u201d vi\u0146a apmekl\u0113ja 2018. gad\u0101 kop\u0101 ar horeogr\u0101fu D\u017eeimsu Ba\u010deloru un tas atst\u0101ja uz vi\u0146u tik dzi\u013cu iespaidu, ka n\u0101kamaj\u0101 gad\u0101 Beka atgriez\u0101s, atvedot l\u012bdzi vair\u0101kus jaunos producentus no Eiropas un Austr\u0101lijas. Bekas daudzveid\u012bg\u0101 pieredze un paties\u0101 interese likt to liet\u0101 Latvij\u0101 \u013cauj cer\u0113t, ka vi\u0146as vad\u012bb\u0101 Latvijas Jaun\u0101 te\u0101tra instit\u016bts turpin\u0101s att\u012bst\u012bties un main\u012bties, saglab\u0101jot savu noz\u012bmi viet\u0113j\u0101 un starptautisk\u0101 te\u0101tra ainav\u0101.<\/span><\/p>\n

Beka Bergere: \u201cEsmu patiesi priec\u012bga s\u0101kt darbu Latvijas Jaun\u0101 te\u0101tra instit\u016bt\u0101 un turpin\u0101t abu iepriek\u0161\u0113jo vad\u012bt\u0101ju, \u012bpa\u0161i manas kol\u0113\u0123es Gundegas Laivi\u0146as aizs\u0101kto. Manupr\u0101t, pateicoties vi\u0146as vizion\u0101rajai vad\u012bbai, Latvijas Jaun\u0101 te\u0101tra instit\u016bts un festiv\u0101ls \u201cHomo Novus\u201d ir k\u013cuvis par vienu no m\u0101kslinieciski bag\u0101t\u0101kaj\u0101m m\u0101kslas instit\u016bcij\u0101m pasaul\u0113, kas rada vietu gan int\u012bm\u0101m provok\u0101cij\u0101m, gan episkai pieredzei. Kop\u0101 ar jauno komandu m\u0113s turpin\u0101sim veidot programmas, kuru centr\u0101 ir riskanti m\u0101kslas darbi, starptautiska l\u012bme\u0146a izzi\u0146as process un p\u0101rdro\u0161as idejas. L\u012bdztekus tam m\u0113s turpin\u0101sim produc\u0113t viet\u0113jo m\u0101kslinieku darbus un barosim augsni jaunu ideju dzim\u0161anai. Pasaule main\u0101s un m\u016bsu kop\u012bbu apdraud slim\u012bba, kas nesaudz\u0113 nevienu, t\u0101d\u0113\u013c b\u016btiski ir nevis izvair\u012bties no starptautisk\u0101, bet piel\u0101goties, atrodot p\u0101rrobe\u017eu sadarb\u012bbai jaunus form\u0101tus un iesp\u0113jas.\u201d<\/span><\/p>\n

P\u0113d\u0113jos piecus gadus Beka Bergere ir str\u0101d\u0101jusi k\u0101 neatkar\u012bga rado\u0161\u0101 producente t\u0101dos festiv\u0101los k\u0101 American Realness<\/em> (\u0145ujorka), D\u0101rvinas festiv\u0101ls un Dance Massive<\/em> (Austr\u0101lija), Fierce<\/em> festiv\u0101ls un Forest Fringe<\/em> (Lielbrit\u0101nija). K\u0101 kuratore Beka sadarb\u012bb\u0101 ar domubiedriem ir inici\u0113jusi t\u0101dus projektus k\u0101 Critical Futures<\/em>, Convergence<\/em>, La Discorso<\/em>, Possible Futures Forum<\/em>, pas\u0101kumus D\u0101rvinas festiv\u0101l\u0101, Tanz Im August<\/em> (Berl\u012bne), Moving in November <\/em>\/ Baltic Circle<\/em> (Helsinki). Kop\u0161 2017. gada Beka ir horeogr\u0101fa D\u017eeimsa Ba\u010delora dramatur\u0123e un producente, p\u0113d\u0113jos divus gadus kop\u0101 ar v\u0101cu m\u0101kslinieku Danielu Hengstu vi\u0146a str\u0101d\u0101 pie projekta \u201cM\u0101ksla ainav\u0101m\u201d \u2013 viens no t\u0101 izp\u0113tes posmiem pag\u0101ju\u0161\u0101 gad\u0101 notika Latvij\u0101. Beka ir stud\u0113jusi te\u0101tri un filozofiju Mona\u0161as universit\u0101t\u0113 Austr\u0101lij\u0101.<\/span><\/p>\n

Vair\u0101k info: <\/span>www.bekberger.com<\/span><\/a>\u00a0<\/span><\/p>\n

LJTI komandai pievienojas ar\u012b dramaturgs Evarts Melnalksnis, kur\u0161 pilnveidos un att\u012bst\u012bs inform\u0101cijas centra darbu un inici\u0113s rado\u0161us projektus. Stud\u0113jis Latvijas Kult\u016bras akad\u0113mij\u0101 un Hamburgas M\u016bzikas un te\u0101tra universit\u0101t\u0113, l\u012bdz \u0161im vi\u0146\u0161 ir str\u0101d\u0101jis k\u0101 dramaturgs da\u017e\u0101d\u0101s te\u0101tra apvien\u012bb\u0101s, \u012bpa\u0161u interesi izr\u0101dot par m\u016bzikas te\u0101tri.<\/span><\/p>\n

Evarts Melnalksnis: \u201cFestiv\u0101ls \u201cHomo Novus\u201d un LJTI biju\u0161i \u013coti noz\u012bm\u012bgi man\u0101 att\u012bst\u012bb\u0101 jau daudzus gadus. 2007. gada festiv\u0101l\u0101 redz\u0113t\u0101 Romeo Kastelu\u010di izr\u0101de \u201cBR.#04 BRISELE\u201d no cikla Tragedia Endogonidia<\/em> fundament\u0101li izmain\u012bja manu t\u0101br\u012b\u017ea pusaud\u017ea izpratni par to, kas un k\u0101ds te\u0101tris visp\u0101r var b\u016bt. T\u0101 bija radik\u0101li cita te\u0101tra valoda un p\u0101rdz\u012bvojums. Darbojoties instit\u016bt\u0101, v\u0113los veicin\u0101t sarunu par laikmet\u012bgo te\u0101tri un izpratni par da\u017e\u0101d\u0101m m\u0101kslinieciskaj\u0101m strat\u0113\u0123ij\u0101m, k\u0101 ar\u012b to, cik sp\u0113c\u012bgi te\u0101tris ir saist\u012bts ar pasauli, politiku un aktu\u0101lo procesu. Man ir milz\u012bgs prieks par \u0161o iesp\u0113ju.\u201d<\/span><\/p>\n

Starptautisk\u0101 projekta \u201cACT: m\u0101ksla, klimats, p\u0101rmai\u0146as\u201d aktivit\u0101tes Latvij\u0101 kop\u0161 \u0161\u012bgada pavasara vada \u017eurn\u0101liste, da\u017e\u0101du kult\u016bras un sabiedrisku projektu iniciatore un vad\u012bt\u0101ja Eva Johansone. Uzs\u0101kot darbu LJTI, Eva saka: \u201cSavos 33 dz\u012bves gados esmu sav\u0101kusi savdab\u012bgu pieredzes un izgl\u012bt\u012bbas miksli: soci\u0101l\u0101s filozofijas studijas, dz\u012bvi indon\u0113zie\u0161u ciematos, biolo\u0123ijas studijas, jaunatnes politikas veido\u0161anu, \u0161ovbiznesu, vijoles sp\u0113li, Eiropas darba grupu vad\u012b\u0161anu, kult\u016bras \u017eurn\u0101listiku, dokument\u0101lu filmu veido\u0161anu, skolot\u0101jas darbu un makroa\u013c\u0123u p\u0113tniec\u012bbu. Ik pa laikam aizdom\u0101jos, k\u0101 var\u0113tu to visu sav\u0113rpt vien\u0101 j\u0113gpiln\u0101 darb\u0101. Kop\u0161 pavasara vadu starptautisku m\u0101kslas – ekolo\u0123ijas projektu \u201cACT: Art, Climate, Transition\u201d, kur\u0101 varu pielietot starpnozaru zin\u0101\u0161anas, lai rad\u012btu, koordin\u0113tu, jaut\u0101tu, iedvesmotu, apkopotu un dal\u012btos.\u201d<\/span><\/p>\n

LJTI komand\u0101 darbu turpina ar\u012b m\u016bsu uzticam\u0101 producente Sandra Lapkovska. Laura Sta\u0161\u0101ne, kura daudzus gadus ir vad\u012bjusi virkni noz\u012bm\u012bgu LJTI projektu, turpin\u0101s darboties laikmet\u012bgaj\u0101 m\u0101ksl\u0101 neatkar\u012bgi. L\u012bdz\u0161in\u0113j\u0101 direktore Gundega Laivi\u0146a aicina uz p\u0113d\u0113jo vi\u0146as vad\u012bb\u0101 tapu\u0161o festiv\u0101lu “Homo Novus”, bet septembr\u012b uzs\u0101ks urb\u0101n\u0101s vietrades studijas Prata instit\u016bt\u0101 \u0145ujork\u0101, kur p\u0113t\u012bs, k\u0101 da\u017e\u0101das m\u0101kslas prakses var veidot dz\u012bvei un dz\u012bv\u012bbai draudz\u012bgu, pl\u016bsto\u0161u un atv\u0113rtu pils\u0113tu. L\u012bdz gada beig\u0101m vi\u0146a turpin\u0101s ar\u012b LJTI administrat\u012bvo un finan\u0161u vad\u012bbu.<\/span><\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

Latvijas Jaun\u0101 te\u0101tra instit\u016bta komandai pievienojas m\u0101ksliniecisk\u0101 vad\u012bt\u0101ja Beka Bergere, inform\u0101cijas koordinators Evarts Melnalksnis un projekta \u201cACT: m\u0101ksla, klimats un p\u0101rmai\u0146as\u201d vad\u012bt\u0101ja Eva Johansone.<\/p>\n","protected":false},"author":1,"featured_media":5866,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-5865","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhivets"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5865"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5865\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5866"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}