{"id":5883,"date":"2020-05-13T08:44:06","date_gmt":"2020-05-13T08:44:06","guid":{"rendered":"https:\/\/theatre.local\/uzsakam-ilgtermina-sadarbibu-ar-tris-maksliniekiem-no-lietuvas-un-latvijas\/"},"modified":"2020-05-13T08:44:06","modified_gmt":"2020-05-13T08:44:06","slug":"uzsakam-ilgtermina-sadarbibu-ar-tris-maksliniekiem-no-lietuvas-un-latvijas","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/uzsakam-ilgtermina-sadarbibu-ar-tris-maksliniekiem-no-lietuvas-un-latvijas\/","title":{"rendered":"Uzs\u0101kam ilgtermi\u0146a sadarb\u012bbu ar tr\u012bs m\u0101ksliniekiem no Lietuvas un Latvijas"},"content":{"rendered":"<p><\/p>\n<p>N\u0101kamos divus gadus m\u0113s sadarb\u012bb\u0101 ar tr\u012bs lieliskiem m\u0101ksliniekiem \u012bstenosim reziden\u010du un jaundarbu s\u0113riju, kas ir da\u013ca no starptautisk\u0101 t\u012bklojuma &#8220;ACT: m\u0101ksla, klimats, p\u0101rmai\u0146as&#8221; aktivit\u0101t\u0113m, ko atbalsta ES programma &#8220;Rado\u0161\u0101 Eiropa&#8221;. Reziden\u010du un jaundarbu m\u0113r\u0137is ir padzi\u013cin\u0101ti p\u0113t\u012bt t\u0113mas, kas ir saist\u012btas ar klimata, ekonomisko un soci\u0101lo taisn\u012bgumu un potenci\u0101liem p\u0101rmai\u0146u scen\u0101rijiem. Programm\u0101 aicin\u0101ti piedal\u012bties tr\u012bs m\u0101kslinieki no Baltijas re\u0123iona, kuru praks\u0113 min\u0113tie jaut\u0101jumi ie\u0146em b\u016btisku vietu, &#8211; Lina Lapel\u012bte no Lietuvas, Voldem\u0101rs Johansons un J\u0101nis Balodis no Latvijas. Rezidences form\u0101tu un izp\u0113tes metodolo\u0123iju izstr\u0101d\u0101s m\u0101kslinieki pa\u0161i &#8211; tas var b\u016bt gan darbs studij\u0101 vai tradicion\u0101la rezidence, bet t\u0101 var b\u016bt ar\u012b nestandarta pieeja tam, kas ir rezidence &#8211; konferences apmekl\u0113jums, lauka darbs, sadarb\u012bba ar specifisku kopienu, gr\u0101matu ieg\u0101de, izp\u0113te zin\u0101tnes laboratorij\u0101 utt. Izp\u0113tes rezult\u0101t\u0101 taps jauni darbi, kas tiks izr\u0101d\u012bti festiv\u0101l\u0101 &#8220;Homo Novus&#8221; 2021. un 2022. gad\u0101.<\/p>\n<p><strong>Voldem\u0101rs Johansons<\/strong>\u00a0ir m\u0101kslinieks un komponists no R\u012bgas. Vi\u0146a rado\u0161\u0101 prakse apvieno vizu\u0101lo un ska\u0146u m\u0101kslu, \u00a0zin\u0101tni un pieredzes dabu vizu\u0101l\u0101 un skanisk\u0101 vid\u0113. &#8220;M\u0101kslai ir t\u0101 privil\u0113\u0123ija reflekt\u0113t par nepier\u0101d\u012bto, neapstiprin\u0101to un neatz\u012bto, t\u0101d\u0113j\u0101di papla\u0161inot dom\u0101\u0161anas horizontu&#8221;, saka m\u0101kslinieks. Vi\u0146a intere\u0161u lok\u0101 ir formas ra\u0161an\u0101s dabisk\u0101 vid\u0113 k\u0101 fizisks process. Gaismas disfrakcija, \u016bdens pl\u016bsma and gaismas vi\u013c\u0146i, \u0123eoterm\u0101l\u0101 aktivit\u0101te un citi dabiski notikumi Voldem\u0101ra m\u0101kslas darbos ieg\u016bst jaunu interpret\u0101ciju.\u00a0M\u0101jas lapa:\u00a0<a href=\"http:\/\/www.johansons.info\/\" target=\"_blank\" rel=\"noopener noreferrer\">www.johansons.info<\/a><\/p>\n<p><strong>Lina Lapel\u012bte<\/strong>\u00a0ir m\u0101ksliniece, m\u016bzi\u0137e, komponiste, kas dz\u012bvo un str\u0101d\u0101 Vi\u013c\u0146\u0101 un London\u0101. Vi\u0146as performat\u012bv\u0101 prakse flirt\u0113 ar popkult\u016bru, p\u0113ta dzimuma stereotipus, noveco\u0161anos un nostal\u0123iju. M\u0101c\u012bjusies klasisko vijoli, Lina pamaz\u0101m ir piev\u0113rsusies eksperiment\u0101lajai m\u016bzikai, amatierperformancei un v\u0113sturiskiem \u017eanriem, k\u0101 ar\u012b da\u017e\u0101d\u0101m performances form\u0101m. Vi\u0146as darbos bie\u017ei piedal\u0101s profesion\u0101li un neprofesion\u0101li izpild\u012bt\u0101ji, bet muzik\u0101lais materi\u0101ls vari\u0113 no operas l\u012bdz popam. Dzied\u0101\u0161ana tajos k\u013c\u016bst par kolekt\u012bvu, emocion\u0101lu aktu, kura centr\u0101 ir trauslums un apklusin\u0101\u0161ana. 2019. gad\u0101 darbs &#8220;Sun &amp; Sea (Marina)&#8221;, kuras l\u012bdzautore kop\u0101 ar Rugili Bard\u017eukaiti un Vaivu Grain\u012bti ir L\u012bna, sa\u0146\u0113ma Zelta Lauvu par lab\u0101ko valsts izst\u0101di Ven\u0113cijas M\u0101kslas bienn\u0101l\u0113. M\u0101jas lapa:\u00a0<a href=\"http:\/\/www.linalapelyte.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.linalapelyte.com<\/a><\/p>\n<p><strong>J\u0101nis Balodis<\/strong>\u00a0ir latvie\u0161u dramaturgs, scen\u0101rists, te\u0101tra m\u0101kslinieks un pasniedz\u0113js, DAS Theatre programmas absolvents N\u012bderland\u0113. Te\u0101tr\u012b vi\u0146u saista t\u0101das t\u0113mas k\u0101 te\u0101tra un sabiedr\u012bbas saikne un attiec\u012bbas, un jaut\u0101jums &#8211; k\u0101 m\u0113s esam kop\u0101? Un vai paties\u012bb\u0101 esam kop\u0101? \u0160obr\u012bd J\u0101\u0146a intere\u0161u lok\u0101 ir izgl\u012bt\u012bbas standarti un v\u0113rt\u012bbas v\u0113stures, literat\u016bras un politisko zin\u0101t\u0146u stund\u0101s. J\u0101nis Balodis: &#8220;K\u0101 \u0161ie viedok\u013ci un v\u0113rt\u012bbas ir saist\u012bti vai, tie\u0161i otr\u0101di, pretrun\u0101 ar antropoc\u0113na rad\u012btajiem izaicin\u0101jumiem? Es dom\u0101ju, ka jaunajai paaudzei apzin\u0101ti vai neapzin\u0101ti joproj\u0101m tiek nodotas apgaism\u012bbas, industri\u0101l\u0101 vai nacion\u0101lisma laikmeta v\u0113rt\u012bbas, kas dabu skata k\u0101 &#8220;cit\u0101do&#8221;, k\u0101 resursu, kas noder\u012bgs cilv\u0113ka (n\u0101cijas) kapit\u0101la izaugsmei un labkl\u0101j\u012bbai. Mani interes\u0113, vai ne-cilv\u0113kam (non-human) m\u016bsdienu izgl\u012bt\u012bbas sist\u0113m\u0101 ir akt\u012bva loma un k\u0101da t\u0101 ir.&#8221;<\/p>\n<p>\u0160\u012b iniciat\u012bva ir da\u013ca no Eiropas sadarb\u012bbas t\u012bklojuma &#8220;<a href=\"https:\/\/artclimatetransition.eu\">ACT: Art, Climate, Transition<\/a>&#8221; aktivit\u0101t\u0113m un to atbalsta ES programma Rado\u0161\u0101 Eiropa.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14119\" src=\"http:\/\/theatre.lv\/wp-content\/uploads\/2020\/04\/ACT_logo_basic_black_CMYK-1.jpg\" alt=\"\" width=\"170\" height=\"80\" \/><\/a>\u00a0\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-10250\" src=\"http:\/\/theatre.lv\/wp-content\/uploads\/2014\/06\/eu_flag_creative_europe_co_funded_pos_rgb_right-copia-300x75.jpg\" alt=\"\" width=\"300\" height=\"75\" srcset=\"https:\/\/theatre.lv\/wp-content\/uploads\/2014\/06\/eu_flag_creative_europe_co_funded_pos_rgb_right-copia-300x75.jpg 300w, https:\/\/theatre.lv\/wp-content\/uploads\/2014\/06\/eu_flag_creative_europe_co_funded_pos_rgb_right-copia-1024x257.jpg 1024w, https:\/\/theatre.lv\/wp-content\/uploads\/2014\/06\/eu_flag_creative_europe_co_funded_pos_rgb_right-copia-700x175.jpg 700w, https:\/\/theatre.lv\/wp-content\/uploads\/2014\/06\/eu_flag_creative_europe_co_funded_pos_rgb_right-copia-460x115.jpg 460w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-15410\" src=\"http:\/\/theatre.lv\/wp-content\/uploads\/2020\/05\/melnbaltais_logo-300x173.jpg\" alt=\"\" width=\"156\" height=\"90\" srcset=\"https:\/\/theatre.lv\/wp-content\/uploads\/2020\/05\/melnbaltais_logo-300x173.jpg 300w, https:\/\/theatre.lv\/wp-content\/uploads\/2020\/05\/melnbaltais_logo-768x443.jpg 768w, https:\/\/theatre.lv\/wp-content\/uploads\/2020\/05\/melnbaltais_logo-1024x591.jpg 1024w, https:\/\/theatre.lv\/wp-content\/uploads\/2020\/05\/melnbaltais_logo-642x370.jpg 642w, https:\/\/theatre.lv\/wp-content\/uploads\/2020\/05\/melnbaltais_logo-460x265.jpg 460w, https:\/\/theatre.lv\/wp-content\/uploads\/2020\/05\/melnbaltais_logo.jpg 1200w\" sizes=\"auto, (max-width: 156px) 100vw, 156px\" \/><\/a><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Latvijas Jaun\u0101 te\u0101tra instit\u016bts uzs\u0101k sadarb\u012bbu ar Linu Lapel\u012bti, Voldem\u0101ru Johansonu un J\u0101ni Balodi, \u012bstenojot rezidences un jaundarbus, kas p\u0113t\u012bs m\u0101kslas vietu klimata, ekonomikas un soci\u0101l\u0101 taisn\u012bguma diskurs\u0101 2020. &#8211; 2022. gad\u0101.<\/p>\n","protected":false},"author":1,"featured_media":5884,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-5883","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhivets"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5883"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5883\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5884"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5883"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5883"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}