{"id":5907,"date":"2020-02-05T13:21:16","date_gmt":"2020-02-05T13:21:16","guid":{"rendered":"https:\/\/theatre.local\/dzonatans-barouzs-politikaun-52-portreti-riga-15-februari\/"},"modified":"2020-02-05T13:21:16","modified_gmt":"2020-02-05T13:21:16","slug":"dzonatans-barouzs-politikaun-52-portreti-riga-15-februari","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/dzonatans-barouzs-politikaun-52-portreti-riga-15-februari\/","title":{"rendered":"D\u017eonatans Barouzs: “Politika” un “52 portreti” R\u012bg\u0101 15. febru\u0101r\u012b"},"content":{"rendered":"

<\/p>\n

D\u017eonatans Barouzs (Londona)<\/strong>
\n Lekcija “Politika” \/ videofilma ” 52 porterti”<\/strong>
\nSestdien 15. febru\u0101r\u012b plkst. 19.00 LKA Te\u0101tra m\u0101j\u0101 Zirgu pasts, Dzirnavu iel\u0101 46
\nAng\u013cu valod\u0101
\nIlgums 1h30<\/p>\n

Bi\u013cetes var\u0113s ieg\u0101d\u0101ties pirms pas\u0101kuma pie ieejas, cena 5 eiro. Samaksa skaidr\u0101 naud\u0101.<\/p>\n

Performat\u012bvaj\u0101 lekcij\u0101 “Politika” Barouzs reflekt\u0113 par laikmet\u012bg\u0101s dejas un politikas saist\u012bbu un uzdod b\u016btiskus jaut\u0101jumus par dejot\u0101ju bie\u017ei piesaukto br\u012bv\u012bbas saj\u016btu dejojot, ekonomisko spiedienu, atteik\u0161anos padoties apk\u0101rt\u0113j\u0101m pras\u012bb\u0101m un galu gal\u0101\u00a0– dejas v\u0113rt\u012bbu un j\u0113gu \u0161odien, atsaucoties uz bie\u017ei lietotu izteikumu, ka “dejas j\u0113ga ir taj\u0101, ka tai nav j\u0113gas”.
\nBarouza lekcijas ir \u012bpa\u0161s performat\u012bvs \u017eanrs, mikro-notikums, kas liek sav\u0101d\u0101k pal\u016bkoties uz lekcijas form\u0101tu. Lai gan “Politika” ietver atsauces no dejas vides, t\u0101 run\u0101 par jebkura neatkar\u012bga m\u0101kslinieka izv\u0113l\u0113m.<\/p>\n

\"\"<\/a><\/p>\n

“52 porterti” ir \u012bsfilmu izlase no t\u0101da pa\u0161a nosaukuma projekta, kur\u0101 52 da\u017e\u0101di dejas m\u0101kslinieki tika uzaicin\u0101ti rad\u012bt \u012bsu personisku \u017eestu deju, s\u0113\u017eot pie galda un iztiekot bez jebk\u0101diem atrib\u016btiem. Visas epizodes tika nofilm\u0113tas, bet m\u0101kslinieku biogr\u0101fijas un st\u0101sti – iedzied\u0101ti, radot katram individu\u0101lu ska\u0146u celi\u0146u. \u0160o projektu Barouzs veidoja kop\u0101 ar izcilu komandu – foto un videom\u0101kslinieku Hugo Glendinningu, komponistiem un izpild\u012bt\u0101jiem Mateo un Fran\u010desku Fard\u017eioniem 2016. gad\u0101, katru ned\u0113\u013cu gada garum\u0101 public\u0113jot projekta m\u0101jas lap\u0101 vienu jaunu dejas \u012bsfilmi\u0146u. “52 portreti” ir cilv\u0113ciska, aspr\u0101t\u012bga un aizkustino\u0161a m\u012blas dziesma dejas \u017eanram, kas piln\u012bb\u0101 izmaina priek\u0161status par dejot\u0101ja t\u0113lu.<\/p>\n

D\u017eonatans Barouzs (Jonathan Burrows) <\/em>ir britu horeogr\u0101fs, dejot\u0101js, pedagogs un akt\u012bvists, kura darbus raksturo inteli\u0123ence, humors un muzikalit\u0101te. S\u0101cis k\u0101 Karalisk\u0101 Baleta solists, v\u0113l\u0101k Barouzs nodibin\u0101ja pats savu komp\u0101niju un piln\u012bb\u0101 piev\u0113rs\u0101s laikmet\u012bgajai dejai. 2001. gad\u0101 vi\u0146\u0161 kop\u0101 ar re\u017eisoru Janu Ritsem\u0101 rad\u012bja izr\u0101di “Weak Dance Strong Questions”, kas ir k\u013cuvusi par vienu no t.s. konceptu\u0101l\u0101 dejas virziena b\u016btisk\u0101kajiem darbiem. Starptautiski pla\u0161i paz\u012bstams Barouzs k\u013cuva ar duetu s\u0113riju, ko kop\u0161 2002. gada veido\u00a0kop\u0101 ar komponistu Mateo Fard\u017eionu. Izr\u0101\u017eu “Both Sitting Duet” ,\u00a0 “Speaking Dance”, ” Cheap Lecture”, “The Cow Piece”, ” Body Not Fit For Purpose” u.c. pamat\u0101 ir ritmisk\u0101s strukt\u016br\u0101s un savstarp\u0113j\u0101 sapratn\u0113 balst\u012bta abu autoru bezv\u0101rdu komunik\u0101cija, kas ir virtuoza, nepretencioza un valdzina ar humoru un atv\u0113rt\u012bbu pret skat\u012bt\u0101jiem.\u00a0 Barouzs un Fard\u017eions ir viesoju\u0161ies R\u012bg\u0101 2007. gada festiv\u0101l\u0101 Homo Novus<\/a>.<\/p>\n

Barouzs veido ar\u012b solo izr\u0101des un sadarbojas ar citiem m\u0101ksliniekiem. Vi\u0146\u0161 ir vieslektors P.A.R.T.S. skol\u0101 Brisel\u0113, universit\u0101t\u0113s London\u0101, Berl\u012bn\u0113, Hamburg\u0101, G\u012bsen\u0113 un m\u0101kslas akad\u0113mij\u0101 \u0122ent\u0113.<\/p>\n

Barouzs ir gr\u0101matas “A\u00a0Choreographer\u2019s Handbook” (pieejama LJTI bibliotek\u0101<\/a>) autors. T\u0101 ir tulkota vair\u0101k\u0101s valod\u0101s un\u00a0t\u0101pat k\u0101 Barouza skatuves darbi un lekcijas ir minim\u0101listisks, bet saturiski ietilp\u012bgs, inteli\u0123enta humora un viegluma caurausts darbs.<\/p>\n

Vair\u0101k par D\u017eonatanu Barouzu:
\nwww.jonathanburrows.info
\n<\/a>52portraits.co.uk<\/a><\/p>\n

R\u012bg\u0101 D\u017eonatans Barouzs uzturas k\u0101 viesm\u0101kslinieks LJTI projekt\u0101 “Kop\u012bga telpa, kop\u012bgs laiks” 14.-16. febru\u0101r\u012b, kura uzman\u012bbas centr\u0101 ir da\u017e\u0101du paaud\u017eu Latvijas laikmet\u012bg\u0101s dejas m\u0101kslinieku tik\u0161an\u0101s un kopienas idejas.<\/p>\n

Atbalsta Valsts kult\u016brkapit\u0101la fonds un Latvijas Kult\u016bras akad\u0113mija.<\/p>\n

Foto no projekta “52 portreti” (D\u017eonatans Barouzs, Fran\u010deska un Mateo Fard\u017eioni), foto: Hugo Glendinnings.<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

15. febru\u0101ra vakar\u0101 ar performat\u012bvu lekciju “Politika” LKA te\u0101tra m\u0101j\u0101 Zirgu pasts uzst\u0101sies atz\u012btais britu horeogr\u0101fs un akt\u012bvists D\u017eonatans Barouzs. Lekcijai sekos vi\u0146a \u012bsfilmas “52 portreti” seanss.<\/p>\n","protected":false},"author":1,"featured_media":5908,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-5907","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhivets"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5907","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5907"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5907\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5908"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5907"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5907"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5907"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}