{"id":5961,"date":"2019-05-25T05:27:27","date_gmt":"2019-05-25T05:27:27","guid":{"rendered":"https:\/\/theatre.local\/latviju-pragas-scenografijas-kvadriennale-parstaves-makslinieki-dzudzilo-un-lma-studenti\/"},"modified":"2019-05-25T05:27:27","modified_gmt":"2019-05-25T05:27:27","slug":"latviju-pragas-scenografijas-kvadriennale-parstaves-makslinieki-dzudzilo-un-lma-studenti","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/latviju-pragas-scenografijas-kvadriennale-parstaves-makslinieki-dzudzilo-un-lma-studenti\/","title":{"rendered":"Latviju Pr\u0101gas Scenogr\u0101fijas kvadrienn\u0101l\u0113 p\u0101rst\u0101v\u0113s m\u0101kslinieki Dzudzilo un LMA studenti"},"content":{"rendered":"

<\/p>\n

No 6. l\u012bdz 16. j\u016bnijam v\u0113sturiskaj\u0101 izst\u0101\u017eu kompleks\u0101 V\u00fdstavi\u0161t\u011b Praha Pr\u0101g\u0101 notiks pasaul\u0113 liel\u0101k\u0101 scenogr\u0101fijas un te\u0101tra arhitekt\u016bras izst\u0101de \u2013 14. Pr\u0101gas Scenogr\u0101fijas kvadrienn\u0101le, kur\u0101 ar ekspoz\u012bcij\u0101m valstu, re\u0123ionu un studentu sada\u013c\u0101 piedal\u0101s ar\u012b Latvija. Profesion\u0101\u013cu ekspoz\u012bciju “Z R w h d Z” veido m\u0101kslinieki Krista un Reinis Dzudzilo, savuk\u0101rt izst\u0101di “Jauns un V\u0101gners” – 17 Latvijas M\u0101kslas akad\u0113mijas scenogr\u0101fijas noda\u013cas studenti.<\/p>\n

Latvijas izst\u0101\u017eu galvenais uzdevums ir pied\u0101v\u0101t starptautiskajai auditorijai ieskatu b\u016btisk\u0101kajos scenogr\u0101fijas procesos p\u0113d\u0113jos \u010detros gados. Profesion\u0101\u013cu ekspoz\u012bciju “Z R w h d Z” veido m\u0101kslinieki Krista un Reinis Dzudzilo, kuru darbu te\u0101tr\u012b un vizu\u0101laj\u0101 m\u0101ksl\u0101 raksturo konsekventa sava rokraksta kop\u0161ana, telpas t\u012br\u012bba un domas skaidr\u012bba. Savuk\u0101rt studentu izst\u0101de “Jauns un V\u0101gners”, kur\u0101 piedal\u0101s 17 Latvijas M\u0101kslas akad\u0113mijas scenogr\u0101fijas noda\u013cas studenti, atspogu\u013co m\u0101c\u012bbu procesu un br\u012bdi, kad m\u0101ceklis p\u0101rtop jaun\u0101 m\u0101ksliniek\u0101. Abu izst\u0101\u017eu ideja sasaucas ar \u0161\u012bgada Pr\u0101gas kvadrienn\u0101les vadmot\u012bvu \u2013 atmi\u0146a, izt\u0113le un transform\u0101cija, t\u0101s vieno interese par Riharda V\u0101gnera laiku R\u012bg\u0101 un vi\u0146a ide\u0101l\u0101 te\u0101tra aizmet\u0146iem \u0161eit, kas v\u0113l\u0101k tika piln\u012bb\u0101 realiz\u0113ti Baireit\u0101. Ko izcelt vai no jauna pav\u0113st\u012bt par V\u0101gneru Kvadrienn\u0101les apmekl\u0113t\u0101jiem? Kas apvieno tik at\u0161\u0137ir\u012bgus m\u0113rogus k\u0101 students, jauns m\u0101kslinieks un V\u0101gners?<\/p>\n

Kristas un Rei\u0146a Dzudzilo ekspoz\u012bcija “Z R w h d Z” (atsauce uz Gurnemana teikto Prasif\u0101lam \u2013 “Par telpu \u0161eit top laiks” \u2013 V\u0101gnera oper\u0101 “Parsif\u0101ls”) apl\u016bko telpu k\u0101 br\u012bdi, kur\u0101 dzimst un mirst jauna pasaule, bet s\u0101kums un beigas sapl\u016bst vien\u0101. M\u0101kslinieki st\u0101sta: “Pirms vair\u0101kiem gadiem, esot ce\u013cojum\u0101, m\u0113s ieg\u0101d\u0101j\u0101mies kabatas form\u0101ta m\u016bzikas kast\u012bti, kas labi ietilpst cilv\u0113ka plaukst\u0101. M\u0113s s\u0101k\u0101m dom\u0101t par to, k\u0101 cilv\u0113ku ietilpin\u0101t m\u016bzikas kast\u012bt\u0113.” \u012apa\u0161i Pr\u0101gai veidot\u0101 instal\u0101cija “Z R w h d Z” apsp\u0113l\u0113 \u0161o at\u0161\u0137ir\u012bgo lielumu sadursmi, kas ietver gan b\u0113rni\u0161\u0137\u012bbu, gan t\u0101s zaud\u0113\u0161anu, un p\u0113ta laiku un telpu k\u0101 divus scenogr\u0101fijas pamatprincipus. Otrs darba iedvesmas avots ir V\u0101gnera ide\u0101l\u0101 m\u016bzikas te\u0101tra mekl\u0113jumi, kad ska\u0146a non\u0101k telp\u0101 caur p\u0113d\u0101m un ce\u013co aug\u0161up l\u012bdz fiziski pieskaras dzied\u0101t\u0101ja balss sait\u0113m. Dzudzilo savu ide\u0101lo te\u0101tri Pr\u0101g\u0101 b\u016bv\u0113 kop\u0101 ar komponistu Kristu Auznieku un instrumentu meistaru Aleksandru Maijeru, aicinot piedz\u012bvot ska\u0146as sp\u0113ku caurdurt \u0137ermeni.<\/p>\n

<\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/p>\n
<\/div>\n<\/div>\n

 <\/p>\n

LMA scenogr\u0101fijas noda\u013cas studentu darbs \u0161aj\u0101 m\u0101c\u012bbu gad\u0101 norit\u0113jis pie V\u0101gnera operas “Kl\u012bsto\u0161ais holandietis”. Izst\u0101de “Jauns un V\u0101gners”, kuru studenti ved\u012bs uz Pr\u0101gu, atspogu\u013co studiju procesa rezult\u0101tu un t\u0101s uzman\u012bbas centr\u0101 ir m\u0101kslas darbs, t\u0101 autors un vi\u0146a rado\u0161\u0101s dz\u012bves peripetijas. B\u0113got no R\u012bgas 1839. gad\u0101 V\u0101gners Baltijas j\u016br\u0101 piedz\u012bvoja v\u0113tru un tie\u0161i p\u0101rdz\u012bvojumi v\u0113tras laik\u0101 v\u0113l\u0101k iedvesmoja pasaulslaveno komponistu sarakst\u012bt operu “Kl\u012bsto\u0161ais holandietis”. Scenogr\u0101fijas noda\u013cas vad\u012bt\u0101js profesors M\u0101rti\u0146\u0161 Kalseris saka: “M\u0113s sveicin\u0101m visus pasaules v\u0101gneristus un atg\u0101din\u0101m, ka cilv\u0113ks, kas j\u016bsu pus\u0113 paz\u012bstams k\u0101 di\u017eais V\u0101gners, dz\u012bvoja un str\u0101d\u0101ja \u0161eit R\u012bg\u0101, nesamaks\u0101ja par krekliem un aizb\u0113ga. M\u0113s aurojam caur m\u016b\u017e\u012bgo v\u0113tru, kas \u0161\u0137ir m\u016bs no slavas apmirdz\u0113t\u0101s V\u0101gnera dz\u012bves p\u0113c b\u0113g\u0161anas un izgl\u0101b\u0161an\u0101s\u2026 Man V\u0101gnera m\u016b\u017ea likten\u012bg\u0101 v\u0113tra uzm\u0101c\u012bgi tiecas simboliz\u0113t \u0123\u0113nija dzim\u0161anas aktu, kas m\u016bsu atra\u0161anos R\u012bg\u0101 blakus Baltijas j\u016brai padara par t\u0101du k\u0101 dz\u012bvi m\u012btisk\u0101 un tum\u0161\u0101 dzemd\u0113. No \u0161\u012bs alas pi\u0137meln\u0101s tumsas m\u0113s, priec\u012bgi par R\u012bgas unik\u0101lo lomu V\u0101gnera likten\u012b, m\u0101jam un, cerams, p\u0101rsteigsim ne vienu vien v\u0101gneristu, ja vien vi\u0146\u0161 m\u016bs sadzird\u0113s par sp\u012bti v\u0113trai.”<\/p>\n

Latvijas dal\u012bbu Pr\u0101gas Scenogr\u0101fas kvadrienn\u0101l\u0113 nodro\u0161ina Latvijas Jaun\u0101 te\u0101tra instit\u016bts un Latvijas M\u0101kslas akad\u0113mija, pateicoties Valsts Kult\u016brkapit\u0101la fonda, LR Kult\u016bras ministrijas, Latvijas v\u0113stniec\u012bbas Pr\u0101g\u0101, transporta un lo\u0123istikas uz\u0146\u0113muma SIA \u201cAiros\u201d,\u00a0Latvijas Finiera, SIA \u201cKr\u0101su serviss\u201d un m\u0101kslas un tehnolo\u0123iju kvart\u0101la \u201cSporta 2\u201d atbalstam.<\/p>\n

Foto: \u0122irts Ra\u0123elis<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

No 6. l\u012bdz 16. j\u016bnijam v\u0113sturiskaj\u0101 izst\u0101\u017eu kompleks\u0101 V\u00fdstavi\u0161t\u011b Praha Pr\u0101g\u0101 notiks pasaul\u0113 liel\u0101k\u0101 scenogr\u0101fijas un te\u0101tra arhitekt\u016bras izst\u0101de \u2013 14. Pr\u0101gas Scenogr\u0101fijas kvadrienn\u0101le, kur\u0101 ar ekspoz\u012bcij\u0101m valstu, re\u0123ionu un studentu sada\u013c\u0101 piedal\u0101s ar\u012b Latvija. <\/p>\n","protected":false},"author":1,"featured_media":5962,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-5961","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhivets"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5961","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=5961"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/5961\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/5962"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=5961"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=5961"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=5961"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}