Latvijas nacion\u0101l\u0101 ekspoz\u012bcija \u201cPak\u013cau\u0161an\u0101s\u201d, kuras autors ir re\u017eisors Vladislavs Nastav\u0161evs, bet kuratore \u2013 Latvijas Jaun\u0101 te\u0101tra instit\u016bta direktore Gundega Laivi\u0146a, sa\u0146\u0113ma Zelta meda\u013cu par kop\u0113jo izr\u0101des scenogr\u0101fiju. \u017durija savu l\u0113mumu pamatoja \u0161\u0101di: \u201c\u017d\u016brija nov\u0113rt\u0113 to, ka \u0161\u012b ekspoz\u012bcija ne tikai atspogu\u013co izr\u0101des \u201cJ\u016blijas jaunkundze\u201d scenogr\u0101fiju, bet rada jaunu, patst\u0101v\u012bgu m\u0101kslas darbu. Priek\u0161metu, \u0137erme\u0146u un ska\u0146u l\u012bdzsvars telp\u0101 ir \u012bstenots br\u012bni\u0161\u0137\u012bg\u0101 veid\u0101. Katrs elements saglab\u0101 savu patst\u0101v\u012bbu, bet taj\u0101 pat laik\u0101 ir meistar\u012bgi integr\u0113ts darba veselum\u0101.\u201d Latvijas nacion\u0101l\u0101s ekspoz\u012bcijas pamat\u0101 \u0161ogad ir Vladislava Nastav\u0161eva scenogr\u0101fija izr\u0101dei \u201cJ\u016blijas jaunkundze\u201d, kas 2012. gad\u0101 iestud\u0113ta Valmieras te\u0101tr\u012b.<\/p>\n
Sp\u0113c\u012bgaj\u0101 65 valstu konkurenc\u0113 Latvijas nacion\u0101l\u0101 ekspoz\u012bcija \u201cPak\u013cau\u0161an\u0101s\u201d kop\u0101 ar Somijas un Igaunijas izst\u0101d\u0113m tika nomin\u0113ta Pr\u0101gas kvadrienn\u0101les galvenajai balvai \u201cZelta Triga\u201d, ko pie\u0161\u0137ir lab\u0101kajai ekspoz\u012bcijai. Balvu ieguva Igaunijas izst\u0101de \u201cVienot\u0101 Igaunija\u201d (autori \u2013 T\u012bts Ojaso, Enelisa Sempere, NO 99).<\/p>\n
Otru zelta meda\u013cu sa\u0146\u0113ma Latvijas studentu izst\u0101de “S\u0101kums”, kuras kurators ir Andris Freibergs, iek\u0101rtojuma autore – Monika Pormale, bet darbu autori – Latvijas M\u0101kslas akad\u0113mijas Scenogr\u0101fijas noda\u013cas studenti M\u0101ra Broka, Anna Ansone, L\u012bva Pu\u013c\u0137e, Ein\u0101rs Timma, Dace Pud\u0101ne, Gerda \u0160adurska, Liene Pavlovska, R\u016bdolfs Balti\u0146\u0161, Evija Pint\u0101ne un jaunais scenogr\u0101fs Reinis Dzudzilo. Visi izst\u0101des darbu autori tika atz\u012bti par daudzsolo\u0161\u0101kajiem jaunajiem\u00a0scenogr\u0101fijas talantiem. \u017d\u016brija uzsv\u0113ra, ka Latvijas studentu izst\u0101de atspogu\u013co m\u0101c\u012b\u0161an\u0101s procesa j\u0113gu un atkl\u0101j ce\u013cu no pirm\u0101 gada l\u012bdz ma\u0123istram skaidri defin\u0113t\u0101 pedago\u0123isk\u0101 vid\u0113. \u0160\u012b smalk\u0101 izst\u0101de r\u0101da pirm\u0101s studentu idejas, kas p\u0101rtapu\u0161as satrieco\u0161os vizu\u0101los konceptos. Darbu kopumam rakstur\u012bga izcila vizu\u0101l\u0101s dom\u0101\u0161anas discipl\u012bna un skaidr\u012bba.<\/p>\n
Pr\u0101gas Kvadrienn\u0101les r\u012bkot\u0101ji \u0161ogad pirmo reizi pie\u0161\u0137\u012bra Scenogr\u0101fijas skolot\u0101ja balvu un to sa\u0146\u0113ma izcilais latvie\u0161u scenogr\u0101fs un LMA Scenogr\u0101fijas noda\u013cas profesors Andris Freibergs. Balva pie\u0161\u0137irta par darbu, kas ir iedvesmojusi scenogr\u0101fu paaudzes. \u201cDaudzus gadus \u0161\u012b skolot\u0101ja vad\u012bb\u0101 Pr\u0101g\u0101 ir izst\u0101d\u012bti izcili darbi. Tie vienm\u0113r ir atjaut\u012bgi, dz\u012bvi, po\u0113tiski un drosm\u012bgi, apvieno lab\u0101ko scenogr\u0101fijas praksi un jaunas ietekmes, tie ir sp\u0113c\u012bgi gan k\u0101 idejas, gan k\u0101 m\u0101kslas instal\u0101cijas\u201d, raksta Kvadrienn\u0101les r\u012bkot\u0101ji. Par godu \u0161im notikumam 22. j\u016bnij\u0101 Pr\u0101g\u0101 notika Anitas Vanagas lekcija par Freiberga darbu un publikas saruna ar Andri Freibergu.<\/p>\n
Starptautiskaj\u0101 \u017eurij\u0101, kas pie\u0161\u0137\u012bra Pr\u0101gas Kvadrienn\u0101les apbalvojumus, \u0161ogad str\u0101d\u0101ja Teatro da Vertigem m\u0101kslinieciskais direktors un pasniedz\u0113js\u00a0Antonio Arauho (Braz\u012blija), m\u0101ksliniece un re\u017eisore Kirstena Delholma (D\u0101nija), scenogr\u0101fe un kost\u012bmu m\u0101ksliniece Eloiza Kazana (Meksika \/ Horv\u0101tija), scenogr\u0101fs un re\u017eisors Dmitrijs Krimovs (Krievija), arhitekts, scenogr\u0101fs un teor\u0113ti\u0137is Radivoje Dinulovi\u010ds (Serbija), L\u012bdsas Universit\u0101tes scenogr\u0101fijas profesore D\u017eoslina Makkineja (Lielbrit\u0101nija), video m\u0101ksliniece un scenogr\u0101fe Katr\u012bna Neiburga (Latvija), scenogr\u0101fs un re\u017eisors Dominiks Hubers (\u0160veice), scenogr\u0101fe un re\u017eisore Kamila Polivkova (\u010cehija).<\/p>\n
Latvijas dal\u012bbu Pr\u0101gas Scenogr\u0101fijas kvadrienn\u0101l\u0113 nodro\u0161ina Latvijas Jaun\u0101 te\u0101tra instit\u016bts ar Valsts Kult\u016brkapit\u0101la fonda un Kult\u016bras ministrijas atbalstu. Abas izst\u0101des ir apskat\u0101mas katru dienu l\u012bdz 28. j\u016bnijam Pr\u0101g\u0101, Kafkas laukum\u0101 3.<\/p>\n
Pr\u0101gas Kvadrienn\u0101les apbalvojumu saraksts:\u00a0http:\/\/www.pq.cz\/en\/program\/international-competitive-exhibition\/pq-awards<\/a><\/p>\n <\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" 22. j\u016bnij\u0101 Archa te\u0101tr\u012b Pr\u0101g\u0101 notika Pr\u0101gas Scenogr\u0101fijas kvadrienn\u0101les apbalvo\u0161anas ceremonija, kur\u0101 starptautiska \u017e\u016brija sadal\u012bja zelta meda\u013cas 14 kategorij\u0101s, pie\u0161\u0137\u012bra galveno – Zelta Trigas balvu par lab\u0101ko ekspoz\u012bciju, k\u0101 ar\u012b vair\u0101kas speci\u0101lbalvas.<\/p>\n","protected":false},"author":1,"featured_media":6364,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-6363","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhivets"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/6363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=6363"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/6363\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/6364"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=6363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=6363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=6363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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