{"id":6415,"date":"2014-10-08T08:48:12","date_gmt":"2014-10-08T08:48:12","guid":{"rendered":"https:\/\/theatre.local\/laikmetiga-teatra-programma-forte-forte-rimini-protokoll\/"},"modified":"2014-10-08T08:48:12","modified_gmt":"2014-10-08T08:48:12","slug":"laikmetiga-teatra-programma-forte-forte-rimini-protokoll","status":"publish","type":"post","link":"https:\/\/theatre.kondrats.dev\/lv\/laikmetiga-teatra-programma-forte-forte-rimini-protokoll\/","title":{"rendered":"Laikmet\u012bg\u0101 te\u0101tra programma forte forte. Rimini Protokoll. Situ\u0101ciju telpas"},"content":{"rendered":"<p><\/p>\n<p style=\"text-align: justify;\">Rimini Protokoll (Haug \/ Kaegi \/ Wetzel)<br \/>\n<strong>SITU\u0100CIJU TELPAS<\/strong><br \/>\nKolekt\u012bva video izr\u0101de<br \/>\nR\u012bgas kinostudij\u0101 \u0160mer\u013ca iel\u0101 3<br \/>\n14., 15., 16., 17., 20., 21., 22., 23., 24. oktobr\u012b plkst. 16.00, 18.00 un 20.00<br \/>\n18., 19., 25., 26. oktobr\u012b plkst. 12.00, 14.00, 16.00, 18.00 un 20.00<br \/>\nLatvie\u0161u, ang\u013cu, v\u0101cu vai fran\u010du valod\u0101 (valodu iesp\u0113jams izv\u0113l\u0113ties)<br \/>\nIzr\u0101des ilgums 1h30<br \/>\nVienu izr\u0101di var noskat\u012bties 20 skat\u012bt\u0101ji<br \/>\nL\u016bdzam ierasties vismaz 15 min\u016btes pirms izr\u0101des s\u0101kuma<\/p>\n<p style=\"text-align: justify;\">Izr\u0101des ir izp\u0101rdotas.<\/p>\n<p style=\"text-align: justify;\">Autori: Helgarda Hauga, Stefans Kegi, Daniels Vecels<br \/>\nDal\u012bbnieki: Abu Abduals Homsi (S\u012brija), \u0160azads\u00a0Akbars (Pakist\u0101na), Jans van \u0100kens (V\u0101cija), Narendra Divekars (Indija), Neitans Feins (glob\u0101lais t\u012bmeklis), Reto Hirlimans (\u0160veice), Mauricio Gambarini (V\u0101cija), Andreass Geikovskis (V\u0101cija), Marsels Gl\u016brs (\u0160veice), Barbara Hape (V\u0101cija), Folkers Hercogs (V\u0101cija), Ri\u010dards Kamiss (Dienvidsud\u0101na), Volfgangs Olerts (V\u0101cija), Irina Pa\u0146ibratova (Krievija), Ulrihs Pfafs (V\u0101cija), Emanuels Ton\u0113\u00a0(Francija), Amirs Jagels (Izra\u0113la), Nikita Jaond\u0113 Mulamba (Kongo), R \u0123imene (L\u012bbija), Alberto X (Meksika), Karena Admir\u0101la, Kristofers Dells, Aleksandrs Lurzs<br \/>\nScenogr\u0101fs: Dominiks Hubers<br \/>\nVideo m\u0101kslinieks: Kriss Kondeks<br \/>\nTulks: Agnese L\u016bse<br \/>\nLatvie\u0161u tekstu ierun\u0101ju\u0161i: Gundars Grasbergs,\u00a0\u0122irts Jakov\u013cevs, \u0122irts Kr\u016bmi\u0146\u0161, Gundega Laivi\u0146a, Juris Lisners, Agnese L\u016bse, Aigars Rozenbergs,\u00a0J\u0101nis Vimba, Kaspars Z\u0101le<br \/>\nTehniskais re\u017eisors: Svens Nihterleins<br \/>\nP\u0113tnieki: Korneliuss Pu\u0161ke, Malte Hildebranda<br \/>\nProducente: Heidruna \u0160l\u0113gele<br \/>\nProducenti: Rimini Apparat un R\u016bras Trienn\u0101le sadarb\u012bb\u0101 ar Schauspielhaus Zurich, Spielart festival, Munchner Kammerspiele, Perth International Arts Festival, Grande Halle et Parc de la Villette Paris, HAU &#8211; Hebbel am Ufer, Kunstlerhaus Mousounturm Frankfurt am Main, Onassis Cultural Center &#8211; Athens<\/p>\n<p style=\"text-align: justify;\">Pirmizr\u0101de 2013. gad\u0101 R\u016bras Trienn\u0101l\u0113<br \/>\n<a href=\"http:\/\/www.rimini-protokoll.de\">www.rimini-protokoll.de<\/a><\/p>\n<p style=\"text-align: justify;\">2011. gada maij\u0101 pasauli apce\u013coja k\u0101da fotogr\u0101fija. Taj\u0101 redzami 13 cilv\u0113ki. Vi\u0146u sej\u0101s las\u0101ms triumfs, saj\u016bsma, \u0161ausmas, skepse, k\u016bs\u0101jo\u0161a ener\u0123ija, nicin\u0101jums. Bilde\u00a0Balt\u0101 nama Situ\u0101ciju telp\u0101 Va\u0161ington\u0101 fiks\u0113, k\u0101 Baraks Obama kop\u0101 ar nacion\u0101lo dro\u0161\u012bbas dienestu seko l\u012bdzi Osamas Binladena izn\u012bcin\u0101\u0161anas oper\u0101cijai. Pasaulslaven\u0101 Berl\u012bnes kolekt\u012bva\u00a0<em>Rimini Protokoll<\/em> interakt\u012bvaj\u0101 video\u00a0izr\u0101d\u0113\u00a0\u201cSitu\u0101ciju telpas\u201d m\u0113s non\u0101kam\u00a020 situ\u0101ciju telp\u0101s un k\u013c\u016bstam par lieciniekiem 20 dz\u012bv\u0113m, kuras ietekm\u0113\u00a0iero\u010di.\u00a0Te ir Izra\u0113las armijas karav\u012brs, \u0137irurgs no organiz\u0101cijas &#8220;\u0100rsti bez robe\u017e\u0101m&#8221;, Meksikas narkokarte\u013ca administrators, hakeris, b\u0113rns &#8211; karav\u012brs no Kongo, Bundest\u0101ga deput\u0101ts, Kirova iero\u010du r\u016bpn\u012bcas dienesta \u0113dn\u012bcas pav\u0101re\u00a0un citi.\u00a0Unik\u0101li ir ne tikai &#8220;Situ\u0101ciju telpu&#8221; st\u0101sti, bet ar\u012b izr\u0101des forma &#8211; skat\u012bt\u0101js seko varo\u0146iem gan plan\u0161etdatora ekr\u0101n\u0101, gan re\u0101laj\u0101 telp\u0101 un laik\u0101, k\u013c\u016bstot par dal\u012bbnieku\u00a0notikumos, kas atkl\u0101j, ka ar\u012b m\u016bsu dz\u012bves, iesp\u0113jams, ir glob\u0101l\u0101s kara arhitekt\u016bras da\u013ca.<\/p>\n<p style=\"text-align: justify;\">&#8220;Situ\u0101ciju telpas&#8221; ir daudzsl\u0101\u0146aina kinofilma, tr\u012bsdimension\u0101ls realit\u0101tes tuvpl\u0101ns, tik dz\u012bvs, k\u0101ds iesp\u0113jams tikai te\u0101tr\u012b. &#8220;Es esmu redz\u0113jis te\u0101tra n\u0101kotni un t\u0101s v\u0101rds ir Situ\u0101ciju telpas&#8221;, par izr\u0101di ir teicis Br\u016bsa Springst\u012bna mened\u017eeris D\u017eons Lando.<\/p>\n<p><a href=\"http:\/\/iframewidth=560height=315src=\/\/www.youtube.com\/embed\/-6iFd2EuS5Yframeborder=0allowfullscreen\/iframe\"><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/-6iFd2EuS5Y\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/a><\/p>\n<p style=\"text-align: justify;\">&#8220;Situ\u0101ciju telpas&#8221; ir sa\u0146\u0113mu\u0161as R\u016bras Trienn\u0101les jaunie\u0161u\u00a0\u017e\u016brijas apbalvojumu kategorij\u0101s &#8220;Lab\u0101kais no lab\u0101kajiem&#8221; un &#8220;Visintens\u012bv\u0101k\u0101 izr\u0101de, kas bija tik intens\u012bva, ka es negrib\u0113ju palaist gar\u0101m ne sekundi&#8221;. \u0160\u012b izr\u0101de ir apbalvota ar\u012b ar Izcil\u012bbas\u00a0balvu 17. Jap\u0101\u0146u mediju m\u0101kslas festiv\u0101l\u0101 Tokij\u0101\u00a0un iek\u013cauta 10 izcil\u0101ko izr\u0101\u017eu vid\u016b, kas pag\u0101ju\u0161\u0101 sezon\u0101 iestud\u0113tas V\u0101cij\u0101, \u0160veic\u0113 un Austrij\u0101.<\/p>\n<p style=\"text-align: justify;\">V\u0101cu un \u0161veicie\u0161u re\u017eisoru trio <em>Rimini Protokoll<\/em>\u00a0l\u012bdz\u012bgi antropologiem str\u0101d\u0101 m\u016bsdienu lielpils\u0113t\u0101s un konflikta zon\u0101s, kur p\u0113ta re\u0101lus notikumus vai k\u0101das jomas speci\u0101listus, un ar \u0161iem p\u0113t\u012bjumiem str\u0101d\u0101 te\u0101tra teritorij\u0101. Vi\u0146u r\u012bc\u012bb\u0101 ir pa\u0161u izgudroti un l\u012bdz piln\u012bbai att\u012bst\u012bti te\u0101tra instrumenti, kas \u013cauj paskat\u012bties uz realit\u0101ti k\u0101 caur lupu, izgaismo to no piln\u012bgi negaid\u012bta un neparasta skatu punkta, pied\u0101v\u0101 ne tikai jaunu, v\u0113rt\u012bgu te\u0101tra pieredzi, bet ar\u012b jaunas, b\u016btiskas zin\u0101\u0161anas par pasauli.<\/p>\n<p style=\"text-align: justify;\"><em>Rimini Protokoll<\/em> m\u0101kslinieki Helgarda Hauga, Stefans Kegi un Daniels Vecels satik\u0101s G\u012bsenes universit\u0101t\u0113 V\u0101cij\u0101, kur stud\u0113ja te\u0101tra teoriju un praksi. \u0160odien m\u0101kslinieku rado\u0161\u0101s aktivit\u0101tes aptver te\u0101tri, radio las\u012bjumus, instal\u0101cijas, soci\u0101li politiskus un p\u0113tniec\u012bbas projektus. Par savu darbu vi\u0146i ir sa\u0146\u0113mu\u0161i neskait\u0101mas atzin\u012bbas un apbalvojumus Eirop\u0101 un citur pasaul\u0113 un ir iek\u013cauti ietekm\u012bg\u0101ko 21. gadsimta te\u0101tra m\u0101kslinieku desmitniek\u0101.\u00a0R\u012bg\u0101\u00a0<em>Rimini Protokoll<\/em>\u00a0ir viesojies divas reizes \u2013 2005. gad\u0101 vi\u0146i tagad\u0113j\u0101 \u0100rlietu ministrijas \u0113k\u0101 iestud\u0113ja izr\u0101di par varu un birokr\u0101tiju \u201e<a href=\"http:\/\/rimini-protokoll.de\/website\/en\/project_123.html\">Cameriga<\/a>\u201d, bet 2007. gad\u0101 aicin\u0101ja skat\u012bt\u0101jus uz izr\u0101di par \u0161oferiem t\u0101lbrauc\u0113jiem &#8220;<a href=\"http:\/\/rimini-protokoll.de\/website\/en\/project_108.html\">Cargo Sofija \u2013 R\u012bga<\/a>&#8220;.<\/p>\n<p style=\"text-align: justify;\">\u201e<em>Rimini Protokoll<\/em> uz skatuves dokument\u0113 \u012bsto dz\u012bvi t\u0101, k\u0101 neviens te\u0101tris l\u012bdz \u0161im to nav dar\u012bjis vai var\u0113jis izdar\u012bt\u201d, t\u0101 par vi\u0146iem raksta v\u0101cu prese.<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #333333;\">Laikmet\u012bg\u0101 te\u0101tra programma\u00a0<em style=\"color: #4d4d4d;\">forte forte<\/em>\u00a0ir R\u012bgas 2014 \u2013 Eiropas kult\u016bras galvaspils\u0113tas notikums, Eiropas vado\u0161o re\u017eisoru izr\u0101\u017eu s\u0113rija, kuras centr\u0101 ir indiv\u012bda un varas, norm\u0101l\u0101 un nenorm\u0101l\u0101, person\u012bbas un masu, un m\u016bsu savstarp\u0113j\u0101s attiec\u012bbas uz lielo v\u0113sturisko notikumu fona un glu\u017ei ikdieni\u0161\u0137\u0101 kontekst\u0101. Programm\u0101 \u0161ogad\u00a0viesojas m\u0101kslinieki Alvis Hermanis, Jans Lauverss un<em style=\"color: #4d4d4d;\">Needcompany<\/em>,\u00a0<em style=\"color: #4d4d4d;\">Rimini Protokoll<\/em>, Al\u0113ns Plat\u0113ls un\u00a0<em style=\"color: #4d4d4d;\">les ballets C de la B<\/em>, to atbalsta nodibin\u0101jums \u201cR\u012bga 2014\u2033, R\u012bgas Dome, Kult\u016bras ministrija, Valsts Kult\u016brkapit\u0101la fonds, Latvijas Valsts me\u017ei un G\u0113tes instit\u016bts R\u012bg\u0101.<\/span><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Daudzl\u012bme\u0146u video izr\u0101de 20 sp\u0113l\u0113t\u0101jiem R\u012bgas Kinostudij\u0101 no 14. l\u012bdz 26. oktobrim<\/p>\n","protected":false},"author":1,"featured_media":6416,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[102],"tags":[],"class_list":["post-6415","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhivets"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/6415","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/comments?post=6415"}],"version-history":[{"count":0,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/posts\/6415\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media\/6416"}],"wp:attachment":[{"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/media?parent=6415"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/categories?post=6415"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatre.kondrats.dev\/lv\/wp-json\/wp\/v2\/tags?post=6415"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}